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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4635EF it is the complementary color #B9CA10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4635EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4635EF shade: #4B35EA, #5C47FD, #6D59FF, #7E6BFF and #8F7DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4635EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4635EF shade: #4635EF, #3523DC, #2411C9, #1300B6 and #0200A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4635EF shade: #4534EF, #7734EF, #AA34EF, #DC34EF and #EF34CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4635EF shade: #4534EF and #3434EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4635EF shade matches the following richer shades: #4534EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4635EF shade: #4534EF, #5446DD, #6258CB, #7169B9 and #7F7BA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4635EF shade: #3488EF, #3456EF, #4434EF, #7534EF and #A734EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4635EF shade: #2010C1, #2613E7, #4534EF, #685AF2 and #8B80F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4635EF shade: #4635EF, #EF34BA and #6FEF34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4635EF shade: #4635EF, #EF4434 and #34EF44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4635EF shade: #4635EF, #EF34BA, #DFEF34 and #34EF69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4635EF shade: #4635EF, #EF3482, #DFEF34 and #34EFA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 78 / 0 / 6

HEX #4635EF

RGB 70 53 239

HSL 245.48, 0.85%, 0.57%

LAB 37.99, 61.59, -89.31

 

Complementary color

CMYK 8 / 0 / 92 / 21

HEX #B9CA10

RGB 185 202 16

HSL 65.48, 0.85%, 0.43%

LAB 77.63, -25.12, 76.06

 

CMYK 68 / 77 / 0 / 8

HEX #4B35EA

RGB 75 53 234

HSL 247.29, 0.81%, 0.56%

LAB 37.81, 60.54, -86.76

 

CMYK 64 / 72 / 0 / 1

HEX #5C47FD

RGB 92 71 253

HSL 246.92, 0.98%, 0.64%

LAB 44.05, 58.92, -87.12

 

CMYK 57 / 65 / 0 / 0

HEX #6D59FF

RGB 109 89 255

HSL 247.23, 1%, 0.67%

LAB 49.03, 52.12, -80.02

 

CMYK 51 / 58 / 0 / 0

HEX #7E6BFF

RGB 126 107 255

HSL 247.7, 1%, 0.71%

LAB 54.21, 44.9, -71.53

 

CMYK 44 / 51 / 0 / 0

HEX #8F7DFF

RGB 143 125 255

HSL 248.31, 1%, 0.75%

LAB 59.64, 38.09, -62.7

 

CMYK 71 / 78 / 0 / 6

HEX #4635EF

RGB 70 53 239

HSL 245.48, 0.85%, 0.57%

LAB 37.99, 61.59, -89.31

 

CMYK 76 / 84 / 0 / 14

HEX #3523DC

RGB 53 35 220

HSL 245.84, 0.73%, 0.5%

LAB 32.09, 62.83, -88.28

 

CMYK 82 / 92 / 0 / 21

HEX #2411C9

RGB 36 17 201

HSL 246.2, 0.84%, 0.43%

LAB 26.71, 62.97, -86.23

 

CMYK 90 / 100 / 0 / 29

HEX #1300B6

RGB 19 0 182

HSL 246.26, 1%, 0.36%

LAB 22, 61.64, -82.87

 

CMYK 99 / 100 / 0 / 36

HEX #0200A3

RGB 2 0 163

HSL 240.74, 1%, 0.32%

LAB 18.62, 56.68, -77.08

 

CMYK 71 / 78 / 0 / 6

HEX #4534EF

RGB 69 52 239

HSL 245.45, 0.85%, 0.57%

LAB 37.76, 61.98, -89.69

 

CMYK 50 / 78 / 0 / 6

HEX #7734EF

RGB 119 52 239

HSL 261.5, 0.85%, 0.57%

LAB 42.17, 67.11, -82.27

 

CMYK 29 / 78 / 0 / 6

HEX #AA34EF

RGB 170 52 239

HSL 277.86, 0.85%, 0.57%

LAB 48.55, 74.54, -71.57

 

CMYK 8 / 78 / 0 / 6

HEX #DC34EF

RGB 220 52 239

HSL 293.9, 0.85%, 0.57%

LAB 55.99, 83.17, -59.19

 

CMYK 0 / 78 / 13 / 6

HEX #EF34CF

RGB 239 52 207

HSL 310.27, 0.85%, 0.57%

LAB 57.38, 82.13, -38.7

 

CMYK 71 / 78 / 0 / 6

HEX #4534EF

RGB 69 52 239

HSL 245.45, 0.85%, 0.57%

LAB 37.76, 61.98, -89.69

 

CMYK 78 / 78 / 0 / 6

HEX #3434EF

RGB 52 52 239

HSL 240, 0.85%, 0.57%

LAB 36.78, 60.83, -91.35

 

CMYK 71 / 78 / 0 / 6

HEX #4534EF

RGB 69 52 239

HSL 245.45, 0.85%, 0.57%

LAB 37.76, 61.98, -89.69

 

CMYK 71 / 78 / 0 / 6

HEX #4534EF

RGB 69 52 239

HSL 245.45, 0.85%, 0.57%

LAB 37.76, 61.98, -89.69

 

CMYK 62 / 68 / 0 / 13

HEX #5446DD

RGB 84 70 221

HSL 245.56, 0.69%, 0.57%

LAB 40.39, 48.78, -75.09

 

CMYK 52 / 57 / 0 / 20

HEX #6258CB

RGB 98 88 203

HSL 245.22, 0.53%, 0.57%

LAB 44.07, 34.99, -58.71

 

CMYK 39 / 43 / 0 / 27

HEX #7169B9

RGB 113 105 185

HSL 246, 0.36%, 0.57%

LAB 48.41, 22.82, -41.29

 

CMYK 24 / 27 / 0 / 34

HEX #7F7BA8

RGB 127 123 168

HSL 245.33, 0.21%, 0.57%

LAB 53.5, 11.58, -23.4

 

CMYK 78 / 43 / 0 / 6

HEX #3488EF

RGB 52 136 239

HSL 213.05, 0.85%, 0.57%

LAB 56.65, 10.58, -58.92

 

CMYK 78 / 64 / 0 / 6

HEX #3456EF

RGB 52 86 239

HSL 229.09, 0.85%, 0.57%

LAB 43.68, 41.75, -79.96

 

CMYK 72 / 78 / 0 / 6

HEX #4434EF

RGB 68 52 239

HSL 245.13, 0.85%, 0.57%

LAB 37.69, 61.9, -89.8

 

CMYK 51 / 78 / 0 / 6

HEX #7534EF

RGB 117 52 239

HSL 260.86, 0.85%, 0.57%

LAB 41.95, 66.86, -82.63

 

CMYK 30 / 78 / 0 / 6

HEX #A734EF

RGB 167 52 239

HSL 276.9, 0.85%, 0.57%

LAB 48.14, 74.05, -72.26

 

CMYK 83 / 92 / 0 / 24

HEX #2010C1

RGB 32 16 193

HSL 245.42, 0.85%, 0.41%

LAB 25.35, 60.99, -83.81

 

CMYK 84 / 92 / 0 / 9

HEX #2613E7

RGB 38 19 231

HSL 245.38, 0.85%, 0.49%

LAB 30.99, 70.37, -96.45

 

CMYK 71 / 78 / 0 / 6

HEX #4534EF

RGB 69 52 239

HSL 245.45, 0.85%, 0.57%

LAB 37.76, 61.98, -89.69

 

CMYK 57 / 63 / 0 / 5

HEX #685AF2

RGB 104 90 242

HSL 245.53, 0.85%, 0.65%

LAB 47.84, 46.87, -74.73

 

CMYK 43 / 48 / 0 / 4

HEX #8B80F5

RGB 139 128 245

HSL 245.64, 0.85%, 0.73%

LAB 59.45, 32.64, -57.51

 

CMYK 71 / 78 / 0 / 6

HEX #4635EF

RGB 70 53 239

HSL 245.48, 0.85%, 0.57%

LAB 37.99, 61.59, -89.31

 

CMYK 0 / 78 / 22 / 6

HEX #EF34BA

RGB 239 52 186

HSL 317.01, 0.85%, 0.57%

LAB 56.44, 79.44, -28.11

 

CMYK 54 / 0 / 78 / 6

HEX #6FEF34

RGB 111 239 52

HSL 101.07, 0.85%, 0.57%

LAB 84.67, -65.44, 72.96

 

CMYK 71 / 78 / 0 / 6

HEX #4635EF

RGB 70 53 239

HSL 245.48, 0.85%, 0.57%

LAB 37.99, 61.59, -89.31

 

CMYK 0 / 72 / 78 / 6

HEX #EF4434

RGB 239 68 52

HSL 5.13, 0.85%, 0.57%

LAB 54.8, 64.1, 47.6

 

CMYK 78 / 0 / 72 / 6

HEX #34EF44

RGB 52 239 68

HSL 125.13, 0.85%, 0.57%

LAB 83.38, -75.78, 66.14

 

CMYK 71 / 78 / 0 / 6

HEX #4635EF

RGB 70 53 239

HSL 245.48, 0.85%, 0.57%

LAB 37.99, 61.59, -89.31

 

CMYK 0 / 78 / 22 / 6

HEX #EF34BA

RGB 239 52 186

HSL 317.01, 0.85%, 0.57%

LAB 56.44, 79.44, -28.11

 

CMYK 7 / 0 / 78 / 6

HEX #DFEF34

RGB 223 239 52

HSL 65.13, 0.85%, 0.57%

LAB 90.63, -26.17, 80.6

 

CMYK 78 / 0 / 56 / 6

HEX #34EF69

RGB 52 239 105

HSL 137.01, 0.85%, 0.57%

LAB 83.7, -71.91, 51.44

 

CMYK 71 / 78 / 0 / 6

HEX #4635EF

RGB 70 53 239

HSL 245.48, 0.85%, 0.57%

LAB 37.99, 61.59, -89.31

 

CMYK 0 / 78 / 46 / 6

HEX #EF3482

RGB 239 52 130

HSL 334.97, 0.85%, 0.57%

LAB 54.47, 73.6, 1.88

 

CMYK 7 / 0 / 78 / 6

HEX #DFEF34

RGB 223 239 52

HSL 65.13, 0.85%, 0.57%

LAB 90.63, -26.17, 80.6

 

CMYK 78 / 0 / 33 / 6

HEX #34EFA1

RGB 52 239 161

HSL 154.97, 0.85%, 0.57%

LAB 84.5, -62.56, 25.16

 

Description

Color code: HEX #4635EF | qconv.com Color code: HEX #4635EF | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 53 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 53 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 78 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 78% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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