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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #463166 it is the complementary color #B9CE99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #463166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #463166 shade: #4B3161, #5C4374, #6D5587, #7E679A and #8F79AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #463166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #463166 shade: #463166, #351F53, #240D40, #13002D and #02001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #463166 shade: #473267, #553267, #643267, #67325C and #67324E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #463166 shade: #473267, #383267 and #323267

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #463166 shade matches the following richer shades: #473267, #442574, #421980, #3F0D8C and #3D0099

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #463166 shade: #473267, #4A3E5B, #4C4A4F, #4F5742 and #516336

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #463166 shade: #323A67, #383267, #463267, #553267 and #633267

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #463166 shade: #211730, #34244B, #473267, #5A3F83 and #6D4D9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #463166 shade: #463166, #673248 and #336732

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #463166 shade: #463166, #674632 and #326746

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #463166 shade: #463166, #673248, #536732 and #326751

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #463166 shade: #463166, #673238, #536732 and #326761

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 52 / 0 / 60

HEX #463166

RGB 70 49 102

HSL 263.77, 0.35%, 0.3%

LAB 25.13, 22.04, -27.85

 

Complementary color

CMYK 10 / 0 / 26 / 19

HEX #B9CE99

RGB 185 206 153

HSL 83.77, 0.35%, 0.7%

LAB 80.04, -16.28, 24.08

 

CMYK 23 / 49 / 0 / 62

HEX #4B3161

RGB 75 49 97

HSL 272.5, 0.33%, 0.29%

LAB 25.43, 22.24, -24.1

 

CMYK 21 / 42 / 0 / 55

HEX #5C4374

RGB 92 67 116

HSL 270.61, 0.27%, 0.36%

LAB 33.03, 21.3, -24.16

 

CMYK 19 / 37 / 0 / 47

HEX #6D5587

RGB 109 85 135

HSL 268.8, 0.23%, 0.43%

LAB 40.41, 20.48, -24.24

 

CMYK 18 / 33 / 0 / 40

HEX #7E679A

RGB 126 103 154

HSL 267.06, 0.2%, 0.5%

LAB 47.58, 19.75, -24.35

 

CMYK 17 / 30 / 0 / 32

HEX #8F79AD

RGB 143 121 173

HSL 265.38, 0.24%, 0.58%

LAB 54.59, 19.1, -24.5

 

CMYK 31 / 52 / 0 / 60

HEX #463166

RGB 70 49 102

HSL 263.77, 0.35%, 0.3%

LAB 25.13, 22.04, -27.85

 

CMYK 36 / 63 / 0 / 67

HEX #351F53

RGB 53 31 83

HSL 265.38, 0.46%, 0.22%

LAB 17.28, 23.21, -27.94

 

CMYK 44 / 80 / 0 / 75

HEX #240D40

RGB 36 13 64

HSL 267.06, 0.66%, 0.15%

LAB 9.26, 24.3, -27.85

 

CMYK 58 / 100 / 0 / 82

HEX #13002D

RGB 19 0 45

HSL 265.33, 1%, 0.09%

LAB 2.96, 17.64, -24.2

 

CMYK 92 / 100 / 0 / 90

HEX #02001A

RGB 2 0 26

HSL 244.62, 1%, 0.05%

LAB 0.79, 5.26, -12.7

 

CMYK 31 / 51 / 0 / 60

HEX #473267

RGB 71 50 103

HSL 263.77, 0.35%, 0.3%

LAB 25.56, 21.98, -27.81

 

CMYK 17 / 51 / 0 / 60

HEX #553267

RGB 85 50 103

HSL 279.62, 0.35%, 0.3%

LAB 27.27, 26.35, -24.99

 

CMYK 3 / 51 / 0 / 60

HEX #643267

RGB 100 50 103

HSL 296.6, 0.35%, 0.3%

LAB 29.34, 31.16, -21.61

 

CMYK 0 / 51 / 11 / 60

HEX #67325C

RGB 103 50 92

HSL 312.45, 0.35%, 0.3%

LAB 29.25, 29.98, -14.6

 

CMYK 0 / 51 / 24 / 60

HEX #67324E

RGB 103 50 78

HSL 328.3, 0.35%, 0.3%

LAB 28.68, 27.52, -6.32

 

CMYK 31 / 51 / 0 / 60

HEX #473267

RGB 71 50 103

HSL 263.77, 0.35%, 0.3%

LAB 25.56, 21.98, -27.81

 

CMYK 46 / 51 / 0 / 60

HEX #383267

RGB 56 50 103

HSL 246.79, 0.35%, 0.3%

LAB 24, 17.62, -30.38

 

CMYK 51 / 51 / 0 / 60

HEX #323267

RGB 50 50 103

HSL 240, 0.35%, 0.3%

LAB 23.47, 16.02, -31.27

 

CMYK 31 / 51 / 0 / 60

HEX #473267

RGB 71 50 103

HSL 263.77, 0.35%, 0.3%

LAB 25.56, 21.98, -27.81

 

CMYK 41 / 68 / 0 / 55

HEX #442574

RGB 68 37 116

HSL 263.54, 0.52%, 0.3%

LAB 23.04, 32.96, -40.23

 

CMYK 48 / 80 / 0 / 50

HEX #421980

RGB 66 25 128

HSL 263.88, 0.67%, 0.3%

LAB 21.62, 42.2, -50.2

 

CMYK 55 / 91 / 0 / 45

HEX #3F0D8C

RGB 63 13 140

HSL 263.62, 0.83%, 0.3%

LAB 20.97, 49.49, -58.84

 

CMYK 60 / 100 / 0 / 40

HEX #3D0099

RGB 61 0 153

HSL 263.92, 1%, 0.3%

LAB 21.18, 55.86, -66.57

 

CMYK 31 / 51 / 0 / 60

HEX #473267

RGB 71 50 103

HSL 263.77, 0.35%, 0.3%

LAB 25.56, 21.98, -27.81

 

CMYK 19 / 32 / 0 / 64

HEX #4A3E5B

RGB 74 62 91

HSL 264.83, 0.19%, 0.3%

LAB 28.53, 11.85, -15.38

 

CMYK 4 / 6 / 0 / 69

HEX #4C4A4F

RGB 76 74 79

HSL 264, 0.03%, 0.3%

LAB 31.8, 1.93, -2.68

 

CMYK 9 / 0 / 24 / 66

HEX #4F5742

RGB 79 87 66

HSL 82.86, 0.14%, 0.3%

LAB 35.74, -7.44, 11.18

 

CMYK 18 / 0 / 45 / 61

HEX #516336

RGB 81 99 54

HSL 84, 0.29%, 0.3%

LAB 39.48, -15.35, 23.31

 

CMYK 51 / 44 / 0 / 60

HEX #323A67

RGB 50 58 103

HSL 230.94, 0.35%, 0.3%

LAB 25.81, 10.51, -27.53

 

CMYK 46 / 51 / 0 / 60

HEX #383267

RGB 56 50 103

HSL 246.79, 0.35%, 0.3%

LAB 24, 17.62, -30.38

 

CMYK 32 / 51 / 0 / 60

HEX #463267

RGB 70 50 103

HSL 262.64, 0.35%, 0.3%

LAB 25.45, 21.68, -27.99

 

CMYK 17 / 51 / 0 / 60

HEX #553267

RGB 85 50 103

HSL 279.62, 0.35%, 0.3%

LAB 27.27, 26.35, -24.99

 

CMYK 4 / 51 / 0 / 60

HEX #633267

RGB 99 50 103

HSL 295.47, 0.35%, 0.3%

LAB 29.19, 30.84, -21.84

 

CMYK 31 / 52 / 0 / 81

HEX #211730

RGB 33 23 48

HSL 264, 0.35%, 0.14%

LAB 10.18, 11.65, -14.87

 

CMYK 31 / 52 / 0 / 71

HEX #34244B

RGB 52 36 75

HSL 264.62, 0.35%, 0.22%

LAB 17.92, 17.2, -21.5

 

CMYK 31 / 51 / 0 / 60

HEX #473267

RGB 71 50 103

HSL 263.77, 0.35%, 0.3%

LAB 25.56, 21.98, -27.81

 

CMYK 31 / 52 / 0 / 49

HEX #5A3F83

RGB 90 63 131

HSL 263.82, 0.35%, 0.38%

LAB 32.63, 27.15, -34.16

 

CMYK 31 / 52 / 0 / 38

HEX #6D4D9F

RGB 109 77 159

HSL 263.41, 0.35%, 0.46%

LAB 39.68, 31.49, -39.86

 

CMYK 31 / 52 / 0 / 60

HEX #463166

RGB 70 49 102

HSL 263.77, 0.35%, 0.3%

LAB 25.13, 22.04, -27.85

 

CMYK 0 / 51 / 30 / 60

HEX #673248

RGB 103 50 72

HSL 335.09, 0.35%, 0.3%

LAB 28.47, 26.58, -2.69

 

CMYK 50 / 0 / 51 / 60

HEX #336732

RGB 51 103 50

HSL 118.87, 0.35%, 0.3%

LAB 38.96, -29.41, 24.54

 

CMYK 31 / 52 / 0 / 60

HEX #463166

RGB 70 49 102

HSL 263.77, 0.35%, 0.3%

LAB 25.13, 22.04, -27.85

 

CMYK 0 / 32 / 51 / 60

HEX #674632

RGB 103 70 50

HSL 22.64, 0.35%, 0.3%

LAB 32.91, 11.55, 17.71

 

CMYK 51 / 0 / 32 / 60

HEX #326746

RGB 50 103 70

HSL 142.64, 0.35%, 0.3%

LAB 39.28, -26.01, 13.32

 

CMYK 31 / 52 / 0 / 60

HEX #463166

RGB 70 49 102

HSL 263.77, 0.35%, 0.3%

LAB 25.13, 22.04, -27.85

 

CMYK 0 / 51 / 30 / 60

HEX #673248

RGB 103 50 72

HSL 335.09, 0.35%, 0.3%

LAB 28.47, 26.58, -2.69

 

CMYK 19 / 0 / 51 / 60

HEX #536732

RGB 83 103 50

HSL 82.64, 0.35%, 0.3%

LAB 40.85, -17.19, 27.29

 

CMYK 51 / 0 / 21 / 60

HEX #326751

RGB 50 103 81

HSL 155.09, 0.35%, 0.3%

LAB 39.53, -23.49, 7.05

 

CMYK 31 / 52 / 0 / 60

HEX #463166

RGB 70 49 102

HSL 263.77, 0.35%, 0.3%

LAB 25.13, 22.04, -27.85

 

CMYK 0 / 51 / 46 / 60

HEX #673238

RGB 103 50 56

HSL 353.21, 0.35%, 0.3%

LAB 27.98, 24.39, 7.19

 

CMYK 19 / 0 / 51 / 60

HEX #536732

RGB 83 103 50

HSL 82.64, 0.35%, 0.3%

LAB 40.85, -17.19, 27.29

 

CMYK 51 / 0 / 6 / 60

HEX #326761

RGB 50 103 97

HSL 173.21, 0.35%, 0.3%

LAB 39.98, -19.28, -2.06

 

Description

Color code: HEX #463166 | qconv.com Color code: HEX #463166 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 49 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 49 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 52 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 52% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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