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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #462D83 it is the complementary color #B9D27C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #462D83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #462D83 shade: #4B2D7E, #5C3F91, #6D51A4, #7E63B7 and #8F75CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #462D83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #462D83 shade: #462D83, #351B70, #24095D, #13004A and #020037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #462D83 shade: #472E85, #5F2E85, #762E85, #852E7C and #852E65

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #462D83 shade: #472E85, #2F2E85 and #2E2E85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #462D83 shade matches the following richer shades: #472E85, #411F93, #3B11A2 and #3502B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #462D83 shade: #472E85, #4D3C77, #534A68, #59595A and #5F674B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #462D83 shade: #2E4385, #2F2E85, #462E85, #5E2E85 and #752E85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #462D83 shade: #261848, #372366, #472E85, #5738A4 and #6946C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #462D83 shade: #462D83, #852E5B and #38852E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #462D83 shade: #462D83, #85462E and #2E8546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #462D83 shade: #462D83, #852E5B, #6C852E and #2E8558

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #462D83 shade: #462D83, #852E40, #6C852E and #2E8572

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 66 / 0 / 49

HEX #462D83

RGB 70 45 131

HSL 257.44, 0.49%, 0.35%

LAB 26.21, 33.1, -44.59

 

Complementary color

CMYK 12 / 0 / 41 / 18

HEX #B9D27C

RGB 185 210 124

HSL 77.44, 0.49%, 0.65%

LAB 80.66, -22.13, 39.82

 

CMYK 40 / 64 / 0 / 51

HEX #4B2D7E

RGB 75 45 126

HSL 262.22, 0.47%, 0.34%

LAB 26.39, 32.76, -41.14

 

CMYK 37 / 57 / 0 / 43

HEX #5C3F91

RGB 92 63 145

HSL 261.22, 0.39%, 0.41%

LAB 33.72, 31.56, -41.02

 

CMYK 34 / 51 / 0 / 36

HEX #6D51A4

RGB 109 81 164

HSL 260.24, 0.34%, 0.48%

LAB 40.92, 30.43, -40.87

 

CMYK 31 / 46 / 0 / 28

HEX #7E63B7

RGB 126 99 183

HSL 259.29, 0.37%, 0.55%

LAB 47.98, 29.41, -40.73

 

CMYK 29 / 42 / 0 / 21

HEX #8F75CA

RGB 143 117 202

HSL 258.35, 0.45%, 0.63%

LAB 54.89, 28.5, -40.63

 

CMYK 47 / 66 / 0 / 49

HEX #462D83

RGB 70 45 131

HSL 257.44, 0.49%, 0.35%

LAB 26.21, 33.1, -44.59

 

CMYK 53 / 76 / 0 / 56

HEX #351B70

RGB 53 27 112

HSL 258.35, 0.61%, 0.27%

LAB 18.85, 34.42, -44.58

 

CMYK 61 / 90 / 0 / 64

HEX #24095D

RGB 36 9 93

HSL 259.29, 0.82%, 0.2%

LAB 11.69, 35.07, -43.88

 

CMYK 74 / 100 / 0 / 71

HEX #13004A

RGB 19 0 74

HSL 255.41, 1%, 0.15%

LAB 5.72, 31.94, -40.81

 

CMYK 96 / 100 / 0 / 78

HEX #020037

RGB 2 0 55

HSL 242.18, 1%, 0.11%

LAB 2.61, 18.03, -32.3

 

CMYK 47 / 65 / 0 / 48

HEX #472E85

RGB 71 46 133

HSL 257.24, 0.49%, 0.35%

LAB 26.7, 33.32, -45.05

 

CMYK 29 / 65 / 0 / 48

HEX #5F2E85

RGB 95 46 133

HSL 273.79, 0.49%, 0.35%

LAB 29.61, 38.88, -40.19

 

CMYK 11 / 65 / 0 / 48

HEX #762E85

RGB 118 46 133

HSL 289.66, 0.49%, 0.35%

LAB 32.92, 44.65, -34.72

 

CMYK 0 / 65 / 7 / 48

HEX #852E7C

RGB 133 46 124

HSL 306.21, 0.49%, 0.35%

LAB 34.79, 46.92, -25.99

 

CMYK 0 / 65 / 24 / 48

HEX #852E65

RGB 133 46 101

HSL 322.07, 0.49%, 0.35%

LAB 33.73, 43.25, -13.11

 

CMYK 47 / 65 / 0 / 48

HEX #472E85

RGB 71 46 133

HSL 257.24, 0.49%, 0.35%

LAB 26.7, 33.32, -45.05

 

CMYK 65 / 65 / 0 / 48

HEX #2F2E85

RGB 47 46 133

HSL 240.69, 0.49%, 0.35%

LAB 24.49, 28.72, -48.74

 

CMYK 65 / 65 / 0 / 48

HEX #2E2E85

RGB 46 46 133

HSL 240, 0.49%, 0.35%

LAB 24.41, 28.56, -48.87

 

CMYK 47 / 65 / 0 / 48

HEX #472E85

RGB 71 46 133

HSL 257.24, 0.49%, 0.35%

LAB 26.7, 33.32, -45.05

 

CMYK 56 / 79 / 0 / 42

HEX #411F93

RGB 65 31 147

HSL 257.59, 0.65%, 0.35%

LAB 24.36, 44.6, -57.6

 

CMYK 64 / 90 / 0 / 36

HEX #3B11A2

RGB 59 17 162

HSL 257.38, 0.81%, 0.35%

LAB 23.47, 53.69, -68.29

 

CMYK 70 / 99 / 0 / 31

HEX #3502B0

RGB 53 2 176

HSL 257.59, 0.98%, 0.35%

LAB 23.46, 60.55, -76.8

 

CMYK 47 / 65 / 0 / 48

HEX #472E85

RGB 71 46 133

HSL 257.24, 0.49%, 0.35%

LAB 26.7, 33.32, -45.05

 

CMYK 35 / 50 / 0 / 53

HEX #4D3C77

RGB 77 60 119

HSL 257.29, 0.33%, 0.35%

LAB 29.77, 21.91, -31.3

 

CMYK 20 / 29 / 0 / 59

HEX #534A68

RGB 83 74 104

HSL 258, 0.17%, 0.35%

LAB 33.43, 10.68, -16.06

 

CMYK 1 / 1 / 0 / 65

HEX #59595A

RGB 89 89 90

HSL 240, 0.01%, 0.35%

LAB 37.85, 0.22, -0.58

 

CMYK 8 / 0 / 27 / 60

HEX #5F674B

RGB 95 103 75

HSL 77.14, 0.16%, 0.35%

LAB 42.22, -8.47, 14.81

 

CMYK 65 / 50 / 0 / 48

HEX #2E4385

RGB 46 67 133

HSL 225.52, 0.49%, 0.35%

LAB 30.13, 14.36, -39.61

 

CMYK 65 / 65 / 0 / 48

HEX #2F2E85

RGB 47 46 133

HSL 240.69, 0.49%, 0.35%

LAB 24.49, 28.72, -48.74

 

CMYK 47 / 65 / 0 / 48

HEX #462E85

RGB 70 46 133

HSL 256.55, 0.49%, 0.35%

LAB 26.59, 33.11, -45.23

 

CMYK 29 / 65 / 0 / 48

HEX #5E2E85

RGB 94 46 133

HSL 273.1, 0.49%, 0.35%

LAB 29.48, 38.63, -40.41

 

CMYK 12 / 65 / 0 / 48

HEX #752E85

RGB 117 46 133

HSL 288.97, 0.49%, 0.35%

LAB 32.77, 44.39, -34.97

 

CMYK 47 / 67 / 0 / 72

HEX #261848

RGB 38 24 72

HSL 257.5, 0.5%, 0.19%

LAB 12.82, 20.32, -27.69

 

CMYK 46 / 66 / 0 / 60

HEX #372366

RGB 55 35 102

HSL 257.91, 0.49%, 0.27%

LAB 19.94, 26.97, -36.28

 

CMYK 47 / 65 / 0 / 48

HEX #472E85

RGB 71 46 133

HSL 257.24, 0.49%, 0.35%

LAB 26.7, 33.32, -45.05

 

CMYK 47 / 66 / 0 / 36

HEX #5738A4

RGB 87 56 164

HSL 257.22, 0.49%, 0.43%

LAB 32.99, 39.96, -53.75

 

CMYK 45 / 64 / 0 / 25

HEX #6946C0

RGB 105 70 192

HSL 257.21, 0.49%, 0.51%

LAB 39.9, 43.67, -59.05

 

CMYK 47 / 66 / 0 / 49

HEX #462D83

RGB 70 45 131

HSL 257.44, 0.49%, 0.35%

LAB 26.21, 33.1, -44.59

 

CMYK 0 / 65 / 32 / 48

HEX #852E5B

RGB 133 46 91

HSL 328.97, 0.49%, 0.35%

LAB 33.34, 41.85, -7.29

 

CMYK 58 / 0 / 65 / 48

HEX #38852E

RGB 56 133 46

HSL 113.1, 0.49%, 0.35%

LAB 49.27, -41.33, 38.74

 

CMYK 47 / 66 / 0 / 49

HEX #462D83

RGB 70 45 131

HSL 257.44, 0.49%, 0.35%

LAB 26.21, 33.1, -44.59

 

CMYK 0 / 47 / 65 / 48

HEX #85462E

RGB 133 70 46

HSL 16.55, 0.49%, 0.35%

LAB 37.05, 24.63, 26.22

 

CMYK 65 / 0 / 47 / 48

HEX #2E8546

RGB 46 133 70

HSL 136.55, 0.49%, 0.35%

LAB 49.25, -40.43, 26.46

 

CMYK 47 / 66 / 0 / 49

HEX #462D83

RGB 70 45 131

HSL 257.44, 0.49%, 0.35%

LAB 26.21, 33.1, -44.59

 

CMYK 0 / 65 / 32 / 48

HEX #852E5B

RGB 133 46 91

HSL 328.97, 0.49%, 0.35%

LAB 33.34, 41.85, -7.29

 

CMYK 19 / 0 / 65 / 48

HEX #6C852E

RGB 108 133 46

HSL 77.24, 0.49%, 0.35%

LAB 52.02, -22.59, 42.53

 

CMYK 65 / 0 / 34 / 48

HEX #2E8558

RGB 46 133 88

HSL 148.97, 0.49%, 0.35%

LAB 49.57, -36.95, 16.83

 

CMYK 47 / 66 / 0 / 49

HEX #462D83

RGB 70 45 131

HSL 257.44, 0.49%, 0.35%

LAB 26.21, 33.1, -44.59

 

CMYK 0 / 65 / 52 / 48

HEX #852E40

RGB 133 46 64

HSL 347.59, 0.49%, 0.35%

LAB 32.5, 38.77, 9.02

 

CMYK 19 / 0 / 65 / 48

HEX #6C852E

RGB 108 133 46

HSL 77.24, 0.49%, 0.35%

LAB 52.02, -22.59, 42.53

 

CMYK 65 / 0 / 14 / 48

HEX #2E8572

RGB 46 133 114

HSL 166.9, 0.49%, 0.35%

LAB 50.18, -30.65, 2.65

 

Description

Color code: HEX #462D83 | qconv.com Color code: HEX #462D83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 45 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 45 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 66 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 66% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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