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Color name
HEX #4629E5

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4629E5 it is the complementary color #B9D61A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4629E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4629E5 shade: #4B29E0, #5C3BF3, #6D4DFF, #7E5FFF and #8F71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4629E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4629E5 shade: #4629E5, #3517D2, #2405BF, #1300AC and #020099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4629E5 shade: #472AE5, #792AE5, #AB2AE5, #DE2AE5 and #E52AB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4629E5 shade: #472AE5 and #2A2AE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4629E5 shade matches the following richer shades: #472AE5 and #3916F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4629E5 shade: #472AE5, #543DD1, #6150BE, #6F64AA and #7C7797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4629E5 shade: #2A71E5, #2A3FE5, #462AE5, #782AE5 and #A92AE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4629E5 shade: #2B15A7, #3519CC, #472AE5, #664EE9 and #8673EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4629E5 shade: #4629E5, #E52AA3 and #58E52A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4629E5 shade: #4629E5, #E5462A and #2AE546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4629E5 shade: #4629E5, #E52AA3, #C9E52A and #2AE56B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4629E5 shade: #4629E5, #E52A6B, #C9E52A and #2AE5A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 82 / 0 / 10

HEX #4629E5

RGB 70 41 229

HSL 249.26, 0.78%, 0.53%

LAB 35.09, 64.01, -88.43

 

Complementary color

CMYK 14 / 0 / 88 / 16

HEX #B9D61A

RGB 185 214 26

HSL 69.26, 0.78%, 0.47%

LAB 81.01, -30.64, 77.22

 

CMYK 67 / 82 / 0 / 12

HEX #4B29E0

RGB 75 41 224

HSL 251.15, 0.75%, 0.52%

LAB 34.93, 63.01, -85.83

 

CMYK 62 / 76 / 0 / 5

HEX #5C3BF3

RGB 92 59 243

HSL 250.76, 0.88%, 0.59%

LAB 41.02, 61.96, -86.51

 

CMYK 57 / 70 / 0 / 0

HEX #6D4DFF

RGB 109 77 255

HSL 250.79, 1%, 0.65%

LAB 46.68, 58.54, -83.86

 

CMYK 51 / 63 / 0 / 0

HEX #7E5FFF

RGB 126 95 255

HSL 251.63, 1%, 0.69%

LAB 51.66, 51.61, -75.67

 

CMYK 44 / 56 / 0 / 0

HEX #8F71FF

RGB 143 113 255

HSL 252.68, 1%, 0.72%

LAB 56.95, 44.91, -67.03

 

CMYK 69 / 82 / 0 / 10

HEX #4629E5

RGB 70 41 229

HSL 249.26, 0.78%, 0.53%

LAB 35.09, 64.01, -88.43

 

CMYK 75 / 89 / 0 / 18

HEX #3517D2

RGB 53 23 210

HSL 249.63, 0.8%, 0.46%

LAB 29.47, 64.29, -86.86

 

CMYK 81 / 97 / 0 / 25

HEX #2405BF

RGB 36 5 191

HSL 250, 0.95%, 0.38%

LAB 24.47, 63.07, -84.09

 

CMYK 89 / 100 / 0 / 33

HEX #1300AC

RGB 19 0 172

HSL 246.63, 1%, 0.34%

LAB 20.51, 59.13, -79.37

 

CMYK 99 / 100 / 0 / 40

HEX #020099

RGB 2 0 153

HSL 240.78, 1%, 0.3%

LAB 17.05, 54.11, -73.56

 

CMYK 69 / 82 / 0 / 10

HEX #472AE5

RGB 71 42 229

HSL 249.3, 0.78%, 0.53%

LAB 35.31, 63.67, -88.07

 

CMYK 47 / 82 / 0 / 10

HEX #792AE5

RGB 121 42 229

HSL 265.35, 0.78%, 0.53%

LAB 40.21, 68.64, -79.81

 

CMYK 25 / 82 / 0 / 10

HEX #AB2AE5

RGB 171 42 229

HSL 281.39, 0.78%, 0.53%

LAB 46.94, 75.71, -68.54

 

CMYK 3 / 82 / 0 / 10

HEX #DE2AE5

RGB 222 42 229

HSL 297.75, 0.78%, 0.53%

LAB 54.91, 84.33, -55.28

 

CMYK 0 / 82 / 19 / 10

HEX #E52AB9

RGB 229 42 185

HSL 314.12, 0.78%, 0.53%

LAB 53.83, 79.53, -31.71

 

CMYK 69 / 82 / 0 / 10

HEX #472AE5

RGB 71 42 229

HSL 249.3, 0.78%, 0.53%

LAB 35.31, 63.67, -88.07

 

CMYK 82 / 82 / 0 / 10

HEX #2A2AE5

RGB 42 42 229

HSL 240, 0.78%, 0.53%

LAB 33.57, 61.97, -91

 

CMYK 69 / 82 / 0 / 10

HEX #472AE5

RGB 71 42 229

HSL 249.3, 0.78%, 0.53%

LAB 35.31, 63.67, -88.07

 

CMYK 77 / 91 / 0 / 3

HEX #3916F8

RGB 57 22 248

HSL 249.29, 0.94%, 0.53%

LAB 34.44, 74.52, -100.31

 

CMYK 69 / 82 / 0 / 10

HEX #472AE5

RGB 71 42 229

HSL 249.3, 0.78%, 0.53%

LAB 35.31, 63.67, -88.07

 

CMYK 60 / 71 / 0 / 18

HEX #543DD1

RGB 84 61 209

HSL 249.32, 0.62%, 0.53%

LAB 37.53, 50.07, -72.88

 

CMYK 49 / 58 / 0 / 25

HEX #6150BE

RGB 97 80 190

HSL 249.27, 0.46%, 0.53%

LAB 41.21, 35.63, -55.8

 

CMYK 35 / 41 / 0 / 33

HEX #6F64AA

RGB 111 100 170

HSL 249.43, 0.29%, 0.53%

LAB 46.17, 21.09, -36.09

 

CMYK 18 / 21 / 0 / 41

HEX #7C7797

RGB 124 119 151

HSL 249.38, 0.13%, 0.53%

LAB 51.51, 8.83, -16.58

 

CMYK 82 / 51 / 0 / 10

HEX #2A71E5

RGB 42 113 229

HSL 217.22, 0.78%, 0.53%

LAB 49.45, 20.19, -64.95

 

CMYK 82 / 72 / 0 / 10

HEX #2A3FE5

RGB 42 63 229

HSL 233.26, 0.78%, 0.53%

LAB 37.31, 51.25, -84.81

 

CMYK 69 / 82 / 0 / 10

HEX #462AE5

RGB 70 42 229

HSL 248.98, 0.78%, 0.53%

LAB 35.23, 63.6, -88.2

 

CMYK 48 / 82 / 0 / 10

HEX #782AE5

RGB 120 42 229

HSL 265.03, 0.78%, 0.53%

LAB 40.09, 68.52, -80.01

 

CMYK 26 / 82 / 0 / 10

HEX #A92AE5

RGB 169 42 229

HSL 280.75, 0.78%, 0.53%

LAB 46.64, 75.39, -69.03

 

CMYK 74 / 87 / 0 / 35

HEX #2B15A7

RGB 43 21 167

HSL 249.04, 0.78%, 0.37%

LAB 23.14, 52.6, -71.92

 

CMYK 74 / 88 / 0 / 20

HEX #3519CC

RGB 53 25 204

HSL 249.39, 0.78%, 0.45%

LAB 28.93, 62.04, -84.26

 

CMYK 69 / 82 / 0 / 10

HEX #472AE5

RGB 71 42 229

HSL 249.3, 0.78%, 0.53%

LAB 35.31, 63.67, -88.07

 

CMYK 56 / 67 / 0 / 9

HEX #664EE9

RGB 102 78 233

HSL 249.29, 0.78%, 0.61%

LAB 44.46, 50.59, -75.19

 

CMYK 44 / 52 / 0 / 7

HEX #8673EE

RGB 134 115 238

HSL 249.27, 0.78%, 0.69%

LAB 55.59, 37.07, -59.84

 

CMYK 69 / 82 / 0 / 10

HEX #4629E5

RGB 70 41 229

HSL 249.26, 0.78%, 0.53%

LAB 35.09, 64.01, -88.43

 

CMYK 0 / 82 / 29 / 10

HEX #E52AA3

RGB 229 42 163

HSL 321.18, 0.78%, 0.53%

LAB 52.9, 76.92, -20.26

 

CMYK 62 / 0 / 82 / 10

HEX #58E52A

RGB 88 229 42

HSL 105.24, 0.78%, 0.53%

LAB 80.89, -68.15, 71.9

 

CMYK 69 / 82 / 0 / 10

HEX #4629E5

RGB 70 41 229

HSL 249.26, 0.78%, 0.53%

LAB 35.09, 64.01, -88.43

 

CMYK 0 / 69 / 82 / 10

HEX #E5462A

RGB 229 70 42

HSL 8.98, 0.78%, 0.53%

LAB 53.17, 59.95, 50.41

 

CMYK 82 / 0 / 69 / 10

HEX #2AE546

RGB 42 229 70

HSL 128.98, 0.78%, 0.53%

LAB 80.16, -73.77, 62.04

 

CMYK 69 / 82 / 0 / 10

HEX #4629E5

RGB 70 41 229

HSL 249.26, 0.78%, 0.53%

LAB 35.09, 64.01, -88.43

 

CMYK 0 / 82 / 29 / 10

HEX #E52AA3

RGB 229 42 163

HSL 321.18, 0.78%, 0.53%

LAB 52.9, 76.92, -20.26

 

CMYK 12 / 0 / 82 / 10

HEX #C9E52A

RGB 201 229 42

HSL 68.98, 0.78%, 0.53%

LAB 86.32, -30.71, 78.77

 

CMYK 82 / 0 / 53 / 10

HEX #2AE56B

RGB 42 229 107

HSL 140.86, 0.78%, 0.53%

LAB 80.51, -69.52, 46.67

 

CMYK 69 / 82 / 0 / 10

HEX #4629E5

RGB 70 41 229

HSL 249.26, 0.78%, 0.53%

LAB 35.09, 64.01, -88.43

 

CMYK 0 / 82 / 53 / 10

HEX #E52A6B

RGB 229 42 107

HSL 339.14, 0.78%, 0.53%

LAB 51.12, 71.75, 10.71

 

CMYK 12 / 0 / 82 / 10

HEX #C9E52A

RGB 201 229 42

HSL 68.98, 0.78%, 0.53%

LAB 86.32, -30.71, 78.77

 

CMYK 82 / 0 / 29 / 10

HEX #2AE5A3

RGB 42 229 163

HSL 158.82, 0.78%, 0.53%

LAB 81.39, -59.41, 19.83

 

Description

Color code: HEX #4629E5 | qconv.com Color code: HEX #4629E5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 41 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 41 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 82 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 82% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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