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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #462964 it is the complementary color #B9D69B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #462964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #462964 shade: #4B295F, #5C3B72, #6D4D85, #7E5F98 and #8F71AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #462964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #462964 shade: #462964, #351751, #24053E, #13002B and #020018

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #462964 shade: #472965, #572965, #652964, #652953 and #652943

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #462964 shade: #472965, #372965 and #292965

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #462964 shade matches the following richer shades: #472965, #471E71, #46127C and #460788

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #462964 shade: #472965, #47355A, #47414E, #474C43 and #485837

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #462964 shade: #292C65, #362965, #462965, #562965 and #652964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #462964 shade: #1E112B, #321D48, #472965, #5B3583 and #7041A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #462964 shade: #462964, #65293C and #29652E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #462964 shade: #462964, #654629 and #296546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #462964 shade: #462964, #65293C, #486529 and #296552

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #462964 shade: #462964, #65292A, #486529 and #296564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 59 / 0 / 61

HEX #462964

RGB 70 41 100

HSL 269.49, 0.42%, 0.28%

LAB 23.03, 26.56, -29.9

 

Complementary color

CMYK 14 / 0 / 28 / 16

HEX #B9D69B

RGB 185 214 155

HSL 89.49, 0.42%, 0.72%

LAB 82.26, -19.97, 26.04

 

CMYK 21 / 57 / 0 / 63

HEX #4B295F

RGB 75 41 95

HSL 277.78, 0.4%, 0.27%

LAB 23.36, 26.72, -26.05

 

CMYK 19 / 48 / 0 / 55

HEX #5C3B72

RGB 92 59 114

HSL 276, 0.32%, 0.34%

LAB 30.92, 25.78, -26.21

 

CMYK 18 / 42 / 0 / 48

HEX #6D4D85

RGB 109 77 133

HSL 274.29, 0.27%, 0.41%

LAB 38.29, 24.88, -26.32

 

CMYK 17 / 38 / 0 / 40

HEX #7E5F98

RGB 126 95 152

HSL 272.63, 0.23%, 0.48%

LAB 45.48, 24.06, -26.43

 

CMYK 16 / 34 / 0 / 33

HEX #8F71AB

RGB 143 113 171

HSL 271.03, 0.26%, 0.56%

LAB 52.5, 23.32, -26.57

 

CMYK 30 / 59 / 0 / 61

HEX #462964

RGB 70 41 100

HSL 269.49, 0.42%, 0.28%

LAB 23.03, 26.56, -29.9

 

CMYK 35 / 72 / 0 / 68

HEX #351751

RGB 53 23 81

HSL 271.03, 0.56%, 0.2%

LAB 15.3, 27.55, -29.78

 

CMYK 42 / 92 / 0 / 76

HEX #24053E

RGB 36 5 62

HSL 272.63, 0.85%, 0.13%

LAB 7.51, 28.16, -29.28

 

CMYK 56 / 100 / 0 / 83

HEX #13002B

RGB 19 0 43

HSL 266.51, 1%, 0.08%

LAB 2.83, 16.68, -22.9

 

CMYK 92 / 100 / 0 / 91

HEX #020018

RGB 2 0 24

HSL 245, 1%, 0.05%

LAB 0.71, 4.71, -11.21

 

CMYK 30 / 59 / 0 / 60

HEX #472965

RGB 71 41 101

HSL 270, 0.42%, 0.28%

LAB 23.22, 27.12, -30.24

 

CMYK 14 / 59 / 0 / 60

HEX #572965

RGB 87 41 101

HSL 286, 0.42%, 0.28%

LAB 25.42, 31.78, -26.61

 

CMYK 0 / 59 / 1 / 60

HEX #652964

RGB 101 41 100

HSL 301, 0.42%, 0.28%

LAB 27.5, 35.75, -22.54

 

CMYK 0 / 59 / 18 / 60

HEX #652953

RGB 101 41 83

HSL 318, 0.42%, 0.28%

LAB 26.67, 32.63, -12.7

 

CMYK 0 / 59 / 34 / 60

HEX #652943

RGB 101 41 67

HSL 334, 0.42%, 0.28%

LAB 26.03, 30.12, -3

 

CMYK 30 / 59 / 0 / 60

HEX #472965

RGB 71 41 101

HSL 270, 0.42%, 0.28%

LAB 23.22, 27.12, -30.24

 

CMYK 46 / 59 / 0 / 60

HEX #372965

RGB 55 41 101

HSL 254, 0.42%, 0.28%

LAB 21.35, 22.76, -33.34

 

CMYK 59 / 59 / 0 / 60

HEX #292965

RGB 41 41 101

HSL 240, 0.42%, 0.28%

LAB 20.03, 19.42, -35.54

 

CMYK 30 / 59 / 0 / 60

HEX #472965

RGB 71 41 101

HSL 270, 0.42%, 0.28%

LAB 23.22, 27.12, -30.24

 

CMYK 37 / 73 / 0 / 56

HEX #471E71

RGB 71 30 113

HSL 269.64, 0.58%, 0.28%

LAB 21.8, 36.63, -40.31

 

CMYK 44 / 85 / 0 / 51

HEX #46127C

RGB 70 18 124

HSL 269.43, 0.75%, 0.28%

LAB 20.79, 44.63, -49.01

 

CMYK 49 / 95 / 0 / 47

HEX #460788

RGB 70 7 136

HSL 269.3, 0.9%, 0.28%

LAB 20.95, 50.78, -56.34

 

CMYK 30 / 59 / 0 / 60

HEX #472965

RGB 71 41 101

HSL 270, 0.42%, 0.28%

LAB 23.22, 27.12, -30.24

 

CMYK 21 / 41 / 0 / 65

HEX #47355A

RGB 71 53 90

HSL 269.19, 0.26%, 0.28%

LAB 25.64, 16.44, -19.24

 

CMYK 9 / 17 / 0 / 69

HEX #47414E

RGB 71 65 78

HSL 267.69, 0.09%, 0.28%

LAB 28.56, 5.48, -6.91

 

CMYK 7 / 0 / 12 / 70

HEX #474C43

RGB 71 76 67

HSL 93.33, 0.06%, 0.28%

LAB 31.61, -3.98, 4.66

 

CMYK 18 / 0 / 38 / 65

HEX #485837

RGB 72 88 55

HSL 89.09, 0.23%, 0.28%

LAB 35.27, -12.89, 17.16

 

CMYK 59 / 56 / 0 / 60

HEX #292C65

RGB 41 44 101

HSL 237, 0.42%, 0.28%

LAB 20.88, 17.32, -34.17

 

CMYK 47 / 59 / 0 / 60

HEX #362965

RGB 54 41 101

HSL 253, 0.42%, 0.28%

LAB 21.24, 22.51, -33.52

 

CMYK 31 / 59 / 0 / 60

HEX #462965

RGB 70 41 101

HSL 269, 0.42%, 0.28%

LAB 23.09, 26.84, -30.45

 

CMYK 15 / 59 / 0 / 60

HEX #562965

RGB 86 41 101

HSL 285, 0.42%, 0.28%

LAB 25.27, 31.48, -26.85

 

CMYK 0 / 59 / 1 / 60

HEX #652964

RGB 101 41 100

HSL 301, 0.42%, 0.28%

LAB 27.5, 35.75, -22.54

 

CMYK 30 / 60 / 0 / 83

HEX #1E112B

RGB 30 17 43

HSL 270, 0.43%, 0.12%

LAB 7.69, 13.4, -15.14

 

CMYK 31 / 60 / 0 / 72

HEX #321D48

RGB 50 29 72

HSL 269.3, 0.43%, 0.2%

LAB 15.62, 20.4, -23.12

 

CMYK 30 / 59 / 0 / 60

HEX #472965

RGB 71 41 101

HSL 270, 0.42%, 0.28%

LAB 23.22, 27.12, -30.24

 

CMYK 31 / 60 / 0 / 49

HEX #5B3583

RGB 91 53 131

HSL 269.23, 0.42%, 0.36%

LAB 30.42, 33.44, -37.68

 

CMYK 30 / 59 / 0 / 37

HEX #7041A0

RGB 112 65 160

HSL 269.68, 0.42%, 0.44%

LAB 37.41, 39.47, -44.06

 

CMYK 30 / 59 / 0 / 61

HEX #462964

RGB 70 41 100

HSL 269.49, 0.42%, 0.28%

LAB 23.03, 26.56, -29.9

 

CMYK 0 / 59 / 41 / 60

HEX #65293C

RGB 101 41 60

HSL 341, 0.42%, 0.28%

LAB 25.8, 29.17, 1.36

 

CMYK 59 / 0 / 54 / 60

HEX #29652E

RGB 41 101 46

HSL 125, 0.42%, 0.28%

LAB 37.8, -32.13, 25.23

 

CMYK 30 / 59 / 0 / 61

HEX #462964

RGB 70 41 100

HSL 269.49, 0.42%, 0.28%

LAB 23.03, 26.56, -29.9

 

CMYK 0 / 31 / 59 / 60

HEX #654629

RGB 101 70 41

HSL 29, 0.42%, 0.28%

LAB 32.5, 9.7, 22.62

 

CMYK 59 / 0 / 31 / 60

HEX #296546

RGB 41 101 70

HSL 149, 0.42%, 0.28%

LAB 38.24, -27.5, 11.84

 

CMYK 30 / 59 / 0 / 61

HEX #462964

RGB 70 41 100

HSL 269.49, 0.42%, 0.28%

LAB 23.03, 26.56, -29.9

 

CMYK 0 / 59 / 41 / 60

HEX #65293C

RGB 101 41 60

HSL 341, 0.42%, 0.28%

LAB 25.8, 29.17, 1.36

 

CMYK 29 / 0 / 59 / 60

HEX #486529

RGB 72 101 41

HSL 89, 0.42%, 0.28%

LAB 39.32, -21.85, 30.11

 

CMYK 59 / 0 / 19 / 60

HEX #296552

RGB 41 101 82

HSL 161, 0.42%, 0.28%

LAB 38.53, -24.55, 4.96

 

CMYK 30 / 59 / 0 / 61

HEX #462964

RGB 70 41 100

HSL 269.49, 0.42%, 0.28%

LAB 23.03, 26.56, -29.9

 

CMYK 0 / 59 / 58 / 60

HEX #65292A

RGB 101 41 42

HSL 359, 0.42%, 0.28%

LAB 25.32, 27.18, 12.8

 

CMYK 29 / 0 / 59 / 60

HEX #486529

RGB 72 101 41

HSL 89, 0.42%, 0.28%

LAB 39.32, -21.85, 30.11

 

CMYK 59 / 0 / 1 / 60

HEX #296564

RGB 41 101 100

HSL 179, 0.42%, 0.28%

LAB 39.07, -19.45, -5.29

 

Description

Color code: HEX #462964 | qconv.com Color code: HEX #462964 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 41 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 41 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 59 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 59% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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