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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #462845 it is the complementary color #B9D7BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #462845. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #462845 shade: #4B2840, #5C3A53, #6D4C66, #7E5E79 and #8F708C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #462845. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #462845 shade: #462845, #351632, #24041F, #13000C and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #462845 shade: #472946, #47293E, #472936, #47292E and #472929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #462845 shade: #472946, #402947, #382947, #302947 and #292947

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #462845 shade matches the following richer shades: #472946, #50204F, #591757, #620E60 and #6C0568

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #462845 shade: #472946, #3E323E, #353B35, #2C442D and #234D24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #462845 shade: #382947, #402947, #472946, #47293E and #472936

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #462845 shade: #130B13, #2D1A2C, #472946, #613860 and #7C477A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #462845 shade: #462845, #473029 and #29473C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #462845 shade: #462845, #464729 and #294647

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #462845 shade: #462845, #473029, #29472A and #294047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #462845 shade: #462845, #473929, #29472A and #293747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 1 / 73

HEX #462845

RGB 70 40 69

HSL 302, 0.27%, 0.22%

LAB 21.02, 19.42, -12.4

 

Complementary color

CMYK 14 / 0 / 13 / 16

HEX #B9D7BA

RGB 185 215 186

HSL 122, 0.27%, 0.78%

LAB 83.16, -15.42, 11

 

CMYK 0 / 47 / 15 / 71

HEX #4B2840

RGB 75 40 64

HSL 318.86, 0.3%, 0.23%

LAB 21.52, 20.31, -8.16

 

CMYK 0 / 37 / 10 / 64

HEX #5C3A53

RGB 92 58 83

HSL 315.88, 0.23%, 0.29%

LAB 29.22, 19.41, -8.93

 

CMYK 0 / 30 / 6 / 57

HEX #6D4C66

RGB 109 76 102

HSL 312.73, 0.18%, 0.36%

LAB 36.7, 18.6, -9.56

 

CMYK 0 / 25 / 4 / 51

HEX #7E5E79

RGB 126 94 121

HSL 309.38, 0.15%, 0.43%

LAB 43.98, 17.89, -10.11

 

CMYK 0 / 22 / 2 / 44

HEX #8F708C

RGB 143 112 140

HSL 305.81, 0.12%, 0.5%

LAB 51.06, 17.26, -10.63

 

CMYK 0 / 43 / 1 / 73

HEX #462845

RGB 70 40 69

HSL 302, 0.27%, 0.22%

LAB 21.02, 19.42, -12.4

 

CMYK 0 / 58 / 6 / 79

HEX #351632

RGB 53 22 50

HSL 305.81, 0.41%, 0.15%

LAB 12.99, 20.31, -11.71

 

CMYK 0 / 89 / 14 / 86

HEX #24041F

RGB 36 4 31

HSL 309.38, 0.8%, 0.08%

LAB 5.07, 19.42, -9.98

 

CMYK 0 / 100 / 37 / 93

HEX #13000C

RGB 19 0 12

HSL 322.11, 1%, 0.04%

LAB 1.49, 7.3, -2.61

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 42 / 1 / 72

HEX #472946

RGB 71 41 70

HSL 302, 0.27%, 0.22%

LAB 21.46, 19.38, -12.39

 

CMYK 0 / 42 / 13 / 72

HEX #47293E

RGB 71 41 62

HSL 318, 0.27%, 0.22%

LAB 21.11, 17.68, -7.47

 

CMYK 0 / 42 / 24 / 72

HEX #472936

RGB 71 41 54

HSL 334, 0.27%, 0.22%

LAB 20.8, 16.14, -2.44

 

CMYK 0 / 42 / 35 / 72

HEX #47292E

RGB 71 41 46

HSL 350, 0.27%, 0.22%

LAB 20.53, 14.78, 2.69

 

CMYK 0 / 42 / 42 / 72

HEX #472929

RGB 71 41 41

HSL 0, 0.27%, 0.22%

LAB 20.38, 14.02, 5.93

 

CMYK 0 / 42 / 1 / 72

HEX #472946

RGB 71 41 70

HSL 302, 0.27%, 0.22%

LAB 21.46, 19.38, -12.39

 

CMYK 10 / 42 / 0 / 72

HEX #402947

RGB 64 41 71

HSL 286, 0.27%, 0.22%

LAB 20.56, 16.97, -14.53

 

CMYK 21 / 42 / 0 / 72

HEX #382947

RGB 56 41 71

HSL 270, 0.27%, 0.22%

LAB 19.56, 14.02, -16.16

 

CMYK 32 / 42 / 0 / 72

HEX #302947

RGB 48 41 71

HSL 254, 0.27%, 0.22%

LAB 18.67, 11.16, -17.63

 

CMYK 42 / 42 / 0 / 72

HEX #292947

RGB 41 41 71

HSL 240, 0.27%, 0.22%

LAB 17.97, 8.8, -18.76

 

CMYK 0 / 42 / 1 / 72

HEX #472946

RGB 71 41 70

HSL 302, 0.27%, 0.22%

LAB 21.46, 19.38, -12.39

 

CMYK 0 / 60 / 1 / 69

HEX #50204F

RGB 80 32 79

HSL 301.25, 0.43%, 0.22%

LAB 21.22, 29.82, -18.75

 

CMYK 0 / 74 / 2 / 65

HEX #591757

RGB 89 23 87

HSL 301.82, 0.59%, 0.22%

LAB 21.67, 38.32, -23.3

 

CMYK 0 / 86 / 2 / 62

HEX #620E60

RGB 98 14 96

HSL 301.43, 0.75%, 0.22%

LAB 22.85, 45.15, -27.31

 

CMYK 0 / 95 / 4 / 58

HEX #6C0568

RGB 108 5 104

HSL 302.33, 0.91%, 0.22%

LAB 24.63, 50.54, -29.6

 

CMYK 0 / 42 / 1 / 72

HEX #472946

RGB 71 41 70

HSL 302, 0.27%, 0.22%

LAB 21.46, 19.38, -12.39

 

CMYK 0 / 19 / 0 / 76

HEX #3E323E

RGB 62 50 62

HSL 300, 0.11%, 0.22%

LAB 22.49, 7.97, -5.5

 

CMYK 10 / 0 / 10 / 77

HEX #353B35

RGB 53 59 53

HSL 120, 0.05%, 0.22%

LAB 24.13, -3.93, 2.86

 

CMYK 35 / 0 / 34 / 73

HEX #2C442D

RGB 44 68 45

HSL 122.5, 0.21%, 0.22%

LAB 26.33, -14.86, 11.06

 

CMYK 55 / 0 / 53 / 70

HEX #234D24

RGB 35 77 36

HSL 121.43, 0.38%, 0.22%

LAB 28.88, -24.53, 19.84

 

CMYK 21 / 42 / 0 / 72

HEX #382947

RGB 56 41 71

HSL 270, 0.27%, 0.22%

LAB 19.56, 14.02, -16.16

 

CMYK 10 / 42 / 0 / 72

HEX #402947

RGB 64 41 71

HSL 286, 0.27%, 0.22%

LAB 20.56, 16.97, -14.53

 

CMYK 0 / 42 / 1 / 72

HEX #472946

RGB 71 41 70

HSL 302, 0.27%, 0.22%

LAB 21.46, 19.38, -12.39

 

CMYK 0 / 42 / 13 / 72

HEX #47293E

RGB 71 41 62

HSL 318, 0.27%, 0.22%

LAB 21.11, 17.68, -7.47

 

CMYK 0 / 42 / 24 / 72

HEX #472936

RGB 71 41 54

HSL 334, 0.27%, 0.22%

LAB 20.8, 16.14, -2.44

 

CMYK 0 / 42 / 0 / 93

HEX #130B13

RGB 19 11 19

HSL 300, 0.27%, 0.06%

LAB 3.84, 4.18, -2.99

 

CMYK 0 / 42 / 2 / 82

HEX #2D1A2C

RGB 45 26 44

HSL 303.16, 0.27%, 0.14%

LAB 12.47, 13.13, -8.27

 

CMYK 0 / 42 / 1 / 72

HEX #472946

RGB 71 41 70

HSL 302, 0.27%, 0.22%

LAB 21.46, 19.38, -12.39

 

CMYK 0 / 42 / 1 / 62

HEX #613860

RGB 97 56 96

HSL 301.46, 0.27%, 0.3%

LAB 29.95, 25.16, -16.19

 

CMYK 0 / 43 / 2 / 51

HEX #7C477A

RGB 124 71 122

HSL 302.26, 0.27%, 0.38%

LAB 38.19, 30.96, -19.56

 

CMYK 0 / 43 / 1 / 73

HEX #462845

RGB 70 40 69

HSL 302, 0.27%, 0.22%

LAB 21.02, 19.42, -12.4

 

CMYK 0 / 32 / 42 / 72

HEX #473029

RGB 71 48 41

HSL 14, 0.27%, 0.22%

LAB 22.35, 9.42, 8.67

 

CMYK 42 / 0 / 15 / 72

HEX #29473C

RGB 41 71 60

HSL 158, 0.27%, 0.22%

LAB 27.58, -14.19, 3.1

 

CMYK 0 / 43 / 1 / 73

HEX #462845

RGB 70 40 69

HSL 302, 0.27%, 0.22%

LAB 21.02, 19.42, -12.4

 

CMYK 1 / 0 / 42 / 72

HEX #464729

RGB 70 71 41

HSL 62, 0.27%, 0.22%

LAB 29.33, -5.84, 17.91

 

CMYK 42 / 1 / 0 / 72

HEX #294647

RGB 41 70 71

HSL 182, 0.27%, 0.22%

LAB 27.59, -10.54, -4.04

 

CMYK 0 / 43 / 1 / 73

HEX #462845

RGB 70 40 69

HSL 302, 0.27%, 0.22%

LAB 21.02, 19.42, -12.4

 

CMYK 0 / 32 / 42 / 72

HEX #473029

RGB 71 48 41

HSL 14, 0.27%, 0.22%

LAB 22.35, 9.42, 8.67

 

CMYK 42 / 0 / 41 / 72

HEX #29472A

RGB 41 71 42

HSL 122, 0.27%, 0.22%

LAB 27.14, -18.27, 14.02

 

CMYK 42 / 10 / 0 / 72

HEX #294047

RGB 41 64 71

HSL 194, 0.27%, 0.22%

LAB 25.54, -6.83, -7.11

 

CMYK 0 / 43 / 1 / 73

HEX #462845

RGB 70 40 69

HSL 302, 0.27%, 0.22%

LAB 21.02, 19.42, -12.4

 

CMYK 0 / 20 / 42 / 72

HEX #473929

RGB 71 57 41

HSL 32, 0.27%, 0.22%

LAB 25.03, 3.51, 12.3

 

CMYK 42 / 0 / 41 / 72

HEX #29472A

RGB 41 71 42

HSL 122, 0.27%, 0.22%

LAB 27.14, -18.27, 14.02

 

CMYK 42 / 23 / 0 / 72

HEX #293747

RGB 41 55 71

HSL 212, 0.27%, 0.22%

LAB 22.51, -0.95, -11.72

 

Description

Color code: HEX #462845 | qconv.com Color code: HEX #462845 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 40 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 40 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 1 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 1% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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