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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46239DCE it is the complementary color #B9DC62CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46239DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46239DCE shade: #4B2398CE, #5C35ABCE, #6D47BECE, #7E59D1CE and #8F6BE4CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46239DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46239DCE shade: #46239DCE, #35118ACE, #240077CE, #130064CE and #020051CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46239DCE shade: #46239F, #68239F, #89239F, #9F2393 and #9F2372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46239DCE shade: #46239F, #25239F and #23239F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46239DCE shade matches the following richer shades: #46239F, #4013AF and #3904BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46239DCE shade: #46239F, #4D338F, #544280, #5B5270 and #616260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46239DCE shade: #23429F, #25239F, #46239F, #67239F and #88239F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46239DCE shade: #28145B, #371B7D, #46239F, #552AC1 and #6A3FD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46239DCE shade: #46239D, #9F2363 and #319F23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46239DCE shade: #46239D, #9F4623 and #239F46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46239DCE shade: #46239D, #9F2363, #7C9F23 and #239F5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46239DCE shade: #46239D, #9F233E, #7C9F23 and #239F84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 63 / 0 / 31

HEX #46239DCE

RGBA 70 35 157 0.81

HSLA 257.21, 0.64%, 0.38%, 0.81

LABA 26.56, 46.23, -60.1, 0.81

 

Complementary color

CMYK 13 / 0 / 45 / 11

HEX #B9DC62CE

RGBA 185 220 98 0.81

HSLA 77.21, 0.64%, 0.62%, 0.81

LABA 83.12, -29.59, 55.2, 0.81

 

CMYK 41 / 62 / 0 / 33

HEX #4B2398CE

RGBA 75 35 152 0.81

HSLA 260.51, 0.63%, 0.37%, 0.81

LABA 26.63, 45.55, -56.89, 0.81

 

CMYK 37 / 56 / 0 / 27

HEX #5C35ABCE

RGBA 92 53 171 0.81

HSLA 259.83, 0.53%, 0.44%, 0.81

LABA 33.48, 44.58, -57.13, 0.81

 

CMYK 35 / 51 / 0 / 21

HEX #6D47BECE

RGBA 109 71 190 0.81

HSLA 259.16, 0.48%, 0.51%, 0.81

LABA 40.37, 43.38, -57.1, 0.81

 

CMYK 32 / 47 / 0 / 15

HEX #7E59D1CE

RGBA 126 89 209 0.81

HSLA 258.5, 0.57%, 0.58%, 0.81

LABA 47.21, 42.16, -56.95, 0.81

 

CMYK 30 / 43 / 0 / 9

HEX #8F6BE4CE

RGBA 143 107 228 0.81

HSLA 257.85, 0.69%, 0.66%, 0.81

LABA 53.98, 41, -56.77, 0.81

 

CMYK 45 / 63 / 0 / 31

HEX #46239DCE

RGBA 70 35 157 0.81

HSLA 257.21, 0.64%, 0.38%, 0.81

LABA 26.56, 46.23, -60.1, 0.81

 

CMYK 50 / 71 / 0 / 37

HEX #35118ACE

RGBA 53 17 138 0.81

HSLA 257.85, 0.78%, 0.3%, 0.81

LABA 20.01, 46.64, -59.21, 0.81

 

CMYK 56 / 81 / 0 / 43

HEX #240077CE

RGBA 36 0 119 0.81

HSLA 258.15, 1%, 0.23%, 0.81

LABA 13.87, 46, -57.39, 0.81

 

CMYK 66 / 81 / 0 / 49

HEX #130064CE

RGBA 19 0 100 0.81

HSLA 251.4, 1%, 0.2%, 0.81

LABA 9.47, 40.27, -52.31, 0.81

 

CMYK 79 / 81 / 0 / 55

HEX #020051CE

RGBA 2 0 81 0.81

HSLA 241.48, 1%, 0.16%, 0.81

LABA 5.48, 33.1, -46.1, 0.81

 

CMYK 56 / 78 / 0 / 38

HEX #46239F

RGB 70 35 159

HSL 256.94, 0.64%, 0.38%

LAB 26.76, 46.81, -61

 

CMYK 35 / 78 / 0 / 38

HEX #68239F

RGB 104 35 159

HSL 273.39, 0.64%, 0.38%

LAB 30.99, 52.18, -53.89

 

CMYK 14 / 78 / 0 / 38

HEX #89239F

RGB 137 35 159

HSL 289.35, 0.64%, 0.38%

LAB 36.03, 58.41, -45.5

 

CMYK 0 / 78 / 8 / 38

HEX #9F2393

RGB 159 35 147

HSL 305.81, 0.64%, 0.38%

LAB 39.04, 60.99, -33.2

 

CMYK 0 / 78 / 28 / 38

HEX #9F2372

RGB 159 35 114

HSL 321.77, 0.64%, 0.38%

LAB 37.46, 56.37, -15.23

 

CMYK 56 / 78 / 0 / 38

HEX #46239F

RGB 70 35 159

HSL 256.94, 0.64%, 0.38%

LAB 26.76, 46.81, -61

 

CMYK 77 / 78 / 0 / 38

HEX #25239F

RGB 37 35 159

HSL 240.97, 0.64%, 0.38%

LAB 23.99, 43.22, -65.64

 

CMYK 78 / 78 / 0 / 38

HEX #23239F

RGB 35 35 159

HSL 240, 0.64%, 0.38%

LAB 23.88, 43.07, -65.84

 

CMYK 56 / 78 / 0 / 38

HEX #46239F

RGB 70 35 159

HSL 256.94, 0.64%, 0.38%

LAB 26.76, 46.81, -61

 

CMYK 63 / 89 / 0 / 31

HEX #4013AF

RGB 64 19 175

HSL 257.31, 0.8%, 0.38%

LAB 25.72, 56.9, -72.41

 

CMYK 70 / 98 / 0 / 25

HEX #3904BE

RGB 57 4 190

HSL 257.1, 0.96%, 0.38%

LAB 25.79, 63.73, -81.26

 

CMYK 56 / 78 / 0 / 38

HEX #46239F

RGB 70 35 159

HSL 256.94, 0.64%, 0.38%

LAB 26.76, 46.81, -61

 

CMYK 46 / 64 / 0 / 44

HEX #4D338F

RGB 77 51 143

HSL 256.96, 0.47%, 0.38%

LAB 29.23, 34.63, -47.11

 

CMYK 34 / 48 / 0 / 50

HEX #544280

RGB 84 66 128

HSL 257.42, 0.32%, 0.38%

LAB 32.57, 22.7, -32.43

 

CMYK 19 / 27 / 0 / 56

HEX #5B5270

RGB 91 82 112

HSL 258, 0.15%, 0.38%

LAB 36.8, 10.47, -15.83

 

CMYK 1 / 0 / 2 / 62

HEX #616260

RGB 97 98 96

HSL 90, 0.01%, 0.38%

LAB 41.41, -0.81, 0.99

 

CMYK 78 / 58 / 0 / 38

HEX #23429F

RGB 35 66 159

HSL 225, 0.64%, 0.38%

LAB 31.25, 23.39, -53.74

 

CMYK 77 / 78 / 0 / 38

HEX #25239F

RGB 37 35 159

HSL 240.97, 0.64%, 0.38%

LAB 23.99, 43.22, -65.64

 

CMYK 56 / 78 / 0 / 38

HEX #46239F

RGB 70 35 159

HSL 256.94, 0.64%, 0.38%

LAB 26.76, 46.81, -61

 

CMYK 35 / 78 / 0 / 38

HEX #67239F

RGB 103 35 159

HSL 272.9, 0.64%, 0.38%

LAB 30.85, 52, -54.13

 

CMYK 14 / 78 / 0 / 38

HEX #88239F

RGB 136 35 159

HSL 288.87, 0.64%, 0.38%

LAB 35.87, 58.21, -45.77

 

CMYK 56 / 78 / 0 / 64

HEX #28145B

RGB 40 20 91

HSL 256.9, 0.64%, 0.22%

LAB 13.87, 29.52, -38.95

 

CMYK 56 / 78 / 0 / 51

HEX #371B7D

RGB 55 27 125

HSL 257.14, 0.64%, 0.3%

LAB 20.35, 38.68, -50.44

 

CMYK 56 / 78 / 0 / 38

HEX #46239F

RGB 70 35 159

HSL 256.94, 0.64%, 0.38%

LAB 26.76, 46.81, -61

 

CMYK 56 / 78 / 0 / 24

HEX #552AC1

RGB 85 42 193

HSL 257.09, 0.64%, 0.46%

LAB 32.78, 55.04, -71.36

 

CMYK 50 / 70 / 0 / 16

HEX #6A3FD5

RGB 106 63 213

HSL 257.2, 0.64%, 0.54%

LAB 40.28, 53.45, -70.59

 

CMYK 55 / 78 / 0 / 38

HEX #46239D

RGB 70 35 157

HSL 257.21, 0.64%, 0.38%

LAB 26.56, 46.23, -60.1

 

CMYK 0 / 78 / 38 / 38

HEX #9F2363

RGB 159 35 99

HSL 329.03, 0.64%, 0.38%

LAB 36.88, 54.61, -6.62

 

CMYK 69 / 0 / 78 / 38

HEX #319F23

RGB 49 159 35

HSL 113.23, 0.64%, 0.38%

LAB 57.63, -53.5, 51.74

 

CMYK 55 / 78 / 0 / 38

HEX #46239D

RGB 70 35 157

HSL 257.21, 0.64%, 0.38%

LAB 26.56, 46.23, -60.1

 

CMYK 0 / 56 / 78 / 38

HEX #9F4623

RGB 159 70 35

HSL 16.94, 0.64%, 0.38%

LAB 41.01, 34.81, 37.91

 

CMYK 78 / 0 / 56 / 38

HEX #239F46

RGB 35 159 70

HSL 136.94, 0.64%, 0.38%

LAB 57.65, -52.17, 36.79

 

CMYK 55 / 78 / 0 / 38

HEX #46239D

RGB 70 35 157

HSL 257.21, 0.64%, 0.38%

LAB 26.56, 46.23, -60.1

 

CMYK 0 / 78 / 38 / 38

HEX #9F2363

RGB 159 35 99

HSL 329.03, 0.64%, 0.38%

LAB 36.88, 54.61, -6.62

 

CMYK 22 / 0 / 78 / 38

HEX #7C9F23

RGB 124 159 35

HSL 76.94, 0.64%, 0.38%

LAB 60.96, -29.39, 56.08

 

CMYK 78 / 0 / 40 / 38

HEX #239F5F

RGB 35 159 95

HSL 149.03, 0.64%, 0.38%

LAB 58.02, -47.9, 24.23

 

CMYK 55 / 78 / 0 / 38

HEX #46239D

RGB 70 35 157

HSL 257.21, 0.64%, 0.38%

LAB 26.56, 46.23, -60.1

 

CMYK 0 / 78 / 61 / 38

HEX #9F233E

RGB 159 35 62

HSL 346.94, 0.64%, 0.38%

LAB 35.83, 51.33, 15.67

 

CMYK 22 / 0 / 78 / 38

HEX #7C9F23

RGB 124 159 35

HSL 76.94, 0.64%, 0.38%

LAB 60.96, -29.39, 56.08

 

CMYK 78 / 0 / 17 / 38

HEX #239F84

RGB 35 159 132

HSL 166.94, 0.64%, 0.38%

LAB 58.81, -39.32, 4.74

 

Description

Color code: HEX #46239DCE | qconv.com Color code: HEX #46239DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 35 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 35 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 63 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 63% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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