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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #461B5E it is the complementary color #B9E4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #461B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #461B5E shade: #4B1B59, #5C2D6C, #6D3F7F, #7E5192 and #8F63A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #461B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #461B5E shade: #461B5E, #35094B, #240038, #130025 and #020012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #461B5E shade: #471C5F, #591C5F, #5F1C53, #5F1C41 and #5F1C2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #461B5E shade: #471C5F, #351C5F, #221C5F and #1C1C5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #461B5E shade matches the following richer shades: #471C5F, #4A1269 and #4C0873

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #461B5E shade: #471C5F, #442555, #412F4B, #3E3941 and #3C4337

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #461B5E shade: #221C5F, #341C5F, #461C5F, #581C5F and #5F1C54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #461B5E shade: #17091F, #2F123F, #471C5F, #5F257F and #762E9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #461B5E shade: #461B5E, #5F1C27 and #1C5F2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #461B5E shade: #461B5E, #5F461C and #1C5F46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #461B5E shade: #461B5E, #5F1C27, #345F1C and #1C5F54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #461B5E shade: #461B5E, #5F251C, #345F1C and #1C565F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 71 / 0 / 63

HEX #461B5E

RGB 70 27 94

HSL 278.51, 0.55%, 0.24%

LAB 19.61, 33.06, -31.43

 

Complementary color

CMYK 19 / 0 / 29 / 11

HEX #B9E4A1

RGB 185 228 161

HSL 98.51, 0.55%, 0.76%

LAB 86.19, -25.9, 28.26

 

CMYK 16 / 70 / 0 / 65

HEX #4B1B59

RGB 75 27 89

HSL 286.45, 0.53%, 0.23%

LAB 20.05, 33.17, -27.36

 

CMYK 15 / 58 / 0 / 58

HEX #5C2D6C

RGB 92 45 108

HSL 284.76, 0.41%, 0.3%

LAB 27.39, 32.62, -27.95

 

CMYK 14 / 50 / 0 / 50

HEX #6D3F7F

RGB 109 63 127

HSL 283.13, 0.34%, 0.37%

LAB 34.68, 31.8, -28.29

 

CMYK 14 / 45 / 0 / 43

HEX #7E5192

RGB 126 81 146

HSL 281.54, 0.29%, 0.45%

LAB 41.84, 30.94, -28.52

 

CMYK 13 / 40 / 0 / 35

HEX #8F63A5

RGB 143 99 165

HSL 280, 0.27%, 0.52%

LAB 48.86, 30.11, -28.71

 

CMYK 26 / 71 / 0 / 63

HEX #461B5E

RGB 70 27 94

HSL 278.51, 0.55%, 0.24%

LAB 19.61, 33.06, -31.43

 

CMYK 29 / 88 / 0 / 71

HEX #35094B

RGB 53 9 75

HSL 280, 0.79%, 0.16%

LAB 12.35, 32.87, -30.42

 

CMYK 36 / 100 / 0 / 78

HEX #240038

RGB 36 0 56

HSL 278.57, 1%, 0.11%

LAB 5.97, 29.07, -27.44

 

CMYK 49 / 100 / 0 / 85

HEX #130025

RGB 19 0 37

HSL 270.81, 1%, 0.07%

LAB 2.46, 14.09, -18.85

 

CMYK 89 / 100 / 0 / 93

HEX #020012

RGB 2 0 18

HSL 246.67, 1%, 0.04%

LAB 0.51, 3.3, -7.36

 

CMYK 25 / 71 / 0 / 63

HEX #471C5F

RGB 71 28 95

HSL 278.51, 0.54%, 0.24%

LAB 20.03, 33.03, -31.41

 

CMYK 6 / 71 / 0 / 63

HEX #591C5F

RGB 89 28 95

HSL 294.63, 0.54%, 0.24%

LAB 22.93, 37.71, -26.61

 

CMYK 0 / 71 / 13 / 63

HEX #5F1C53

RGB 95 28 83

HSL 310.75, 0.54%, 0.24%

LAB 23.3, 37.12, -17.99

 

CMYK 0 / 71 / 32 / 63

HEX #5F1C41

RGB 95 28 65

HSL 326.87, 0.54%, 0.24%

LAB 22.46, 34.28, -7.09

 

CMYK 0 / 71 / 52 / 63

HEX #5F1C2E

RGB 95 28 46

HSL 343.88, 0.54%, 0.24%

LAB 21.8, 31.94, 5.06

 

CMYK 25 / 71 / 0 / 63

HEX #471C5F

RGB 71 28 95

HSL 278.51, 0.54%, 0.24%

LAB 20.03, 33.03, -31.41

 

CMYK 44 / 71 / 0 / 63

HEX #351C5F

RGB 53 28 95

HSL 262.39, 0.54%, 0.24%

LAB 17.52, 28.68, -35.59

 

CMYK 64 / 71 / 0 / 63

HEX #221C5F

RGB 34 28 95

HSL 245.37, 0.54%, 0.24%

LAB 15.47, 24.8, -39.02

 

CMYK 71 / 71 / 0 / 63

HEX #1C1C5F

RGB 28 28 95

HSL 240, 0.54%, 0.24%

LAB 14.97, 23.8, -39.85

 

CMYK 25 / 71 / 0 / 63

HEX #471C5F

RGB 71 28 95

HSL 278.51, 0.54%, 0.24%

LAB 20.03, 33.03, -31.41

 

CMYK 30 / 83 / 0 / 59

HEX #4A1269

RGB 74 18 105

HSL 278.62, 0.71%, 0.24%

LAB 19.67, 40.68, -38.55

 

CMYK 34 / 93 / 0 / 55

HEX #4C0873

RGB 76 8 115

HSL 278.13, 0.87%, 0.24%

LAB 19.83, 46.4, -44.77

 

CMYK 25 / 71 / 0 / 63

HEX #471C5F

RGB 71 28 95

HSL 278.51, 0.54%, 0.24%

LAB 20.03, 33.03, -31.41

 

CMYK 20 / 56 / 0 / 67

HEX #442555

RGB 68 37 85

HSL 278.75, 0.39%, 0.24%

LAB 20.86, 24.46, -23.46

 

CMYK 13 / 37 / 0 / 71

HEX #412F4B

RGB 65 47 75

HSL 278.57, 0.23%, 0.24%

LAB 22.53, 14.35, -14.18

 

CMYK 5 / 12 / 0 / 75

HEX #3E3941

RGB 62 57 65

HSL 277.5, 0.07%, 0.24%

LAB 24.74, 3.98, -4.16

 

CMYK 10 / 0 / 18 / 74

HEX #3C4337

RGB 60 67 55

HSL 95, 0.1%, 0.24%

LAB 27.44, -5.55, 6.33

 

CMYK 64 / 71 / 0 / 63

HEX #221C5F

RGB 34 28 95

HSL 245.37, 0.54%, 0.24%

LAB 15.47, 24.8, -39.02

 

CMYK 45 / 71 / 0 / 63

HEX #341C5F

RGB 52 28 95

HSL 261.49, 0.54%, 0.24%

LAB 17.4, 28.45, -35.79

 

CMYK 26 / 71 / 0 / 63

HEX #461C5F

RGB 70 28 95

HSL 277.61, 0.54%, 0.24%

LAB 19.88, 32.78, -31.67

 

CMYK 7 / 71 / 0 / 63

HEX #581C5F

RGB 88 28 95

HSL 293.73, 0.54%, 0.24%

LAB 22.76, 37.44, -26.89

 

CMYK 0 / 71 / 12 / 63

HEX #5F1C54

RGB 95 28 84

HSL 309.85, 0.54%, 0.24%

LAB 23.35, 37.29, -18.58

 

CMYK 26 / 71 / 0 / 88

HEX #17091F

RGB 23 9 31

HSL 278.18, 0.55%, 0.08%

LAB 4.3, 10.06, -11.3

 

CMYK 25 / 71 / 0 / 75

HEX #2F123F

RGB 47 18 63

HSL 278.67, 0.56%, 0.16%

LAB 11.93, 23.94, -22.75

 

CMYK 25 / 71 / 0 / 63

HEX #471C5F

RGB 71 28 95

HSL 278.51, 0.54%, 0.24%

LAB 20.03, 33.03, -31.41

 

CMYK 25 / 71 / 0 / 50

HEX #5F257F

RGB 95 37 127

HSL 278.67, 0.55%, 0.32%

LAB 27.54, 41.99, -39.77

 

CMYK 26 / 71 / 0 / 38

HEX #762E9F

RGB 118 46 159

HSL 278.23, 0.55%, 0.4%

LAB 34.62, 50.25, -47.92

 

CMYK 26 / 71 / 0 / 63

HEX #461B5E

RGB 70 27 94

HSL 278.51, 0.55%, 0.24%

LAB 19.61, 33.06, -31.43

 

CMYK 0 / 71 / 59 / 63

HEX #5F1C27

RGB 95 28 39

HSL 350.15, 0.54%, 0.24%

LAB 21.62, 31.27, 9.67

 

CMYK 71 / 0 / 55 / 63

HEX #1C5F2B

RGB 28 95 43

HSL 133.43, 0.54%, 0.24%

LAB 35.21, -33.31, 23.62

 

CMYK 26 / 71 / 0 / 63

HEX #461B5E

RGB 70 27 94

HSL 278.51, 0.55%, 0.24%

LAB 19.61, 33.06, -31.43

 

CMYK 0 / 26 / 71 / 63

HEX #5F461C

RGB 95 70 28

HSL 37.61, 0.54%, 0.24%

LAB 31.57, 5.72, 28.77

 

CMYK 71 / 0 / 26 / 63

HEX #1C5F46

RGB 28 95 70

HSL 157.61, 0.54%, 0.24%

LAB 35.74, -27.57, 8.3

 

CMYK 26 / 71 / 0 / 63

HEX #461B5E

RGB 70 27 94

HSL 278.51, 0.55%, 0.24%

LAB 19.61, 33.06, -31.43

 

CMYK 0 / 71 / 59 / 63

HEX #5F1C27

RGB 95 28 39

HSL 350.15, 0.54%, 0.24%

LAB 21.62, 31.27, 9.67

 

CMYK 45 / 0 / 71 / 63

HEX #345F1C

RGB 52 95 28

HSL 98.51, 0.54%, 0.24%

LAB 35.98, -28.14, 32.52

 

CMYK 71 / 0 / 12 / 63

HEX #1C5F54

RGB 28 95 84

HSL 170.15, 0.54%, 0.24%

LAB 36.12, -23.7, 0.19

 

CMYK 26 / 71 / 0 / 63

HEX #461B5E

RGB 70 27 94

HSL 278.51, 0.55%, 0.24%

LAB 19.61, 33.06, -31.43

 

CMYK 0 / 61 / 71 / 63

HEX #5F251C

RGB 95 37 28

HSL 8.06, 0.54%, 0.24%

LAB 23.13, 25.76, 19.05

 

CMYK 45 / 0 / 71 / 63

HEX #345F1C

RGB 52 95 28

HSL 98.51, 0.54%, 0.24%

LAB 35.98, -28.14, 32.52

 

CMYK 71 / 9 / 0 / 63

HEX #1C565F

RGB 28 86 95

HSL 188.06, 0.54%, 0.24%

LAB 33.41, -15.32, -10.72

 

Description

Color code: HEX #461B5E | qconv.com Color code: HEX #461B5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 27 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 27 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 71 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 71% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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