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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #461450 it is the complementary color #B9EBAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #461450. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #461450 shade: #4B144B, #5C265E, #6D3871, #7E4A84 and #8F5C97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #461450. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #461450 shade: #461450, #35023D, #24002A, #130017 and #020004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #461450 shade: #471452, #52144B, #52143B, #52142A and #52141A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #461450 shade: #471452, #371452, #261452, #161452 and #141452

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #461450 shade matches the following richer shades: #471452, #4D0C5A and #520462

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #461450 shade: #471452, #421D49, #3C2541, #372D39 and #313531

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #461450 shade: #271452, #371452, #471452, #52144B and #52143B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #461450 shade: #0E0410, #2B0C31, #471452, #641D73 and #812594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #461450 shade: #461450, #521614 and #14522F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #461450 shade: #461450, #524714 and #145247

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #461450 shade: #461450, #521614, #1F5214 and #145052

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #461450 shade: #461450, #522914, #1F5214 and #143D52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 75 / 0 / 69

HEX #461450

RGB 70 20 80

HSL 290, 0.6%, 0.2%

LAB 17.37, 33.25, -25.61

 

Complementary color

CMYK 21 / 0 / 26 / 8

HEX #B9EBAF

RGB 185 235 175

HSL 110, 0.6%, 0.8%

LAB 88.36, -27.09, 24.02

 

CMYK 0 / 73 / 0 / 71

HEX #4B144B

RGB 75 20 75

HSL 300, 0.58%, 0.19%

LAB 17.94, 33.55, -21.25

 

CMYK 2 / 60 / 0 / 63

HEX #5C265E

RGB 92 38 94

HSL 297.86, 0.42%, 0.26%

LAB 25.17, 33.4, -22.39

 

CMYK 4 / 50 / 0 / 56

HEX #6D3871

RGB 109 56 113

HSL 295.79, 0.34%, 0.33%

LAB 32.42, 32.74, -23.07

 

CMYK 5 / 44 / 0 / 48

HEX #7E4A84

RGB 126 74 132

HSL 293.79, 0.28%, 0.4%

LAB 39.58, 31.94, -23.55

 

CMYK 5 / 39 / 0 / 41

HEX #8F5C97

RGB 143 92 151

HSL 291.86, 0.24%, 0.48%

LAB 46.62, 31.13, -23.93

 

CMYK 13 / 75 / 0 / 69

HEX #461450

RGB 70 20 80

HSL 290, 0.6%, 0.2%

LAB 17.37, 33.25, -25.61

 

CMYK 13 / 97 / 0 / 76

HEX #35023D

RGB 53 2 61

HSL 291.86, 0.94%, 0.12%

LAB 10.09, 32.85, -24.23

 

CMYK 14 / 100 / 0 / 84

HEX #24002A

RGB 36 0 42

HSL 291.43, 1%, 0.08%

LAB 4.9, 24.56, -18.73

 

CMYK 17 / 100 / 0 / 91

HEX #130017

RGB 19 0 23

HSL 289.57, 1%, 0.05%

LAB 1.81, 9.54, -8.71

 

CMYK 50 / 100 / 0 / 98

HEX #020004

RGB 2 0 4

HSL 270, 1%, 0.01%

LAB 0.2, 1.08, -1.33

 

CMYK 13 / 76 / 0 / 68

HEX #471452

RGB 71 20 82

HSL 289.35, 0.61%, 0.2%

LAB 17.69, 33.94, -26.46

 

CMYK 0 / 76 / 9 / 68

HEX #52144B

RGB 82 20 75

HSL 306.77, 0.61%, 0.2%

LAB 19.23, 35.48, -19.12

 

CMYK 0 / 76 / 28 / 68

HEX #52143B

RGB 82 20 59

HSL 322.26, 0.61%, 0.2%

LAB 18.41, 32.83, -9.32

 

CMYK 0 / 76 / 49 / 68

HEX #52142A

RGB 82 20 42

HSL 338.71, 0.61%, 0.2%

LAB 17.74, 30.59, 1.74

 

CMYK 0 / 76 / 68 / 68

HEX #52141A

RGB 82 20 26

HSL 354.19, 0.61%, 0.2%

LAB 17.31, 29.1, 12.59

 

CMYK 13 / 76 / 0 / 68

HEX #471452

RGB 71 20 82

HSL 289.35, 0.61%, 0.2%

LAB 17.69, 33.94, -26.46

 

CMYK 33 / 76 / 0 / 68

HEX #371452

RGB 55 20 82

HSL 273.87, 0.61%, 0.2%

LAB 15.07, 29.99, -30.81

 

CMYK 54 / 76 / 0 / 68

HEX #261452

RGB 38 20 82

HSL 257.42, 0.61%, 0.2%

LAB 12.74, 26.22, -34.7

 

CMYK 73 / 76 / 0 / 68

HEX #161452

RGB 22 20 82

HSL 241.94, 0.61%, 0.2%

LAB 11.14, 23.43, -37.39

 

CMYK 76 / 76 / 0 / 68

HEX #141452

RGB 20 20 82

HSL 240, 0.61%, 0.2%

LAB 10.98, 23.15, -37.66

 

CMYK 13 / 76 / 0 / 68

HEX #471452

RGB 71 20 82

HSL 289.35, 0.61%, 0.2%

LAB 17.69, 33.94, -26.46

 

CMYK 14 / 87 / 0 / 65

HEX #4D0C5A

RGB 77 12 90

HSL 290, 0.76%, 0.2%

LAB 18.27, 40.09, -30.86

 

CMYK 16 / 96 / 0 / 62

HEX #520462

RGB 82 4 98

HSL 289.79, 0.92%, 0.2%

LAB 19.07, 44.88, -34.86

 

CMYK 13 / 76 / 0 / 68

HEX #471452

RGB 71 20 82

HSL 289.35, 0.61%, 0.2%

LAB 17.69, 33.94, -26.46

 

CMYK 10 / 60 / 0 / 71

HEX #421D49

RGB 66 29 73

HSL 290.45, 0.43%, 0.2%

LAB 18, 25.74, -19.88

 

CMYK 8 / 43 / 0 / 75

HEX #3C2541

RGB 60 37 65

HSL 289.29, 0.27%, 0.2%

LAB 18.65, 16.66, -13.43

 

CMYK 4 / 21 / 0 / 78

HEX #372D39

RGB 55 45 57

HSL 290, 0.12%, 0.2%

LAB 19.98, 7.24, -5.94

 

CMYK 8 / 0 / 8 / 79

HEX #313531

RGB 49 53 49

HSL 120, 0.04%, 0.2%

LAB 21.66, -2.66, 1.93

 

CMYK 52 / 76 / 0 / 68

HEX #271452

RGB 39 20 82

HSL 258.39, 0.61%, 0.2%

LAB 12.87, 26.42, -34.49

 

CMYK 33 / 76 / 0 / 68

HEX #371452

RGB 55 20 82

HSL 273.87, 0.61%, 0.2%

LAB 15.07, 29.99, -30.81

 

CMYK 13 / 76 / 0 / 68

HEX #471452

RGB 71 20 82

HSL 289.35, 0.61%, 0.2%

LAB 17.69, 33.94, -26.46

 

CMYK 0 / 76 / 9 / 68

HEX #52144B

RGB 82 20 75

HSL 306.77, 0.61%, 0.2%

LAB 19.23, 35.48, -19.12

 

CMYK 0 / 76 / 28 / 68

HEX #52143B

RGB 82 20 59

HSL 322.26, 0.61%, 0.2%

LAB 18.41, 32.83, -9.32

 

CMYK 13 / 75 / 0 / 94

HEX #0E0410

RGB 14 4 16

HSL 290, 0.6%, 0.04%

LAB 1.97, 4.56, -3.98

 

CMYK 12 / 76 / 0 / 81

HEX #2B0C31

RGB 43 12 49

HSL 290.27, 0.61%, 0.12%

LAB 8.98, 22.64, -17.41

 

CMYK 13 / 76 / 0 / 68

HEX #471452

RGB 71 20 82

HSL 289.35, 0.61%, 0.2%

LAB 17.69, 33.94, -26.46

 

CMYK 13 / 75 / 0 / 55

HEX #641D73

RGB 100 29 115

HSL 289.53, 0.6%, 0.28%

LAB 26.23, 44.07, -34.22

 

CMYK 13 / 75 / 0 / 42

HEX #812594

RGB 129 37 148

HSL 289.73, 0.6%, 0.36%

LAB 34.25, 53.97, -41.74

 

CMYK 13 / 75 / 0 / 69

HEX #461450

RGB 70 20 80

HSL 290, 0.6%, 0.2%

LAB 17.37, 33.25, -25.61

 

CMYK 0 / 73 / 76 / 68

HEX #521614

RGB 82 22 20

HSL 1.94, 0.61%, 0.2%

LAB 17.54, 27.76, 17.04

 

CMYK 76 / 0 / 43 / 68

HEX #14522F

RGB 20 82 47

HSL 146.13, 0.61%, 0.2%

LAB 30.37, -28.63, 15.05

 

CMYK 13 / 75 / 0 / 69

HEX #461450

RGB 70 20 80

HSL 290, 0.6%, 0.2%

LAB 17.37, 33.25, -25.61

 

CMYK 0 / 13 / 76 / 68

HEX #524714

RGB 82 71 20

HSL 49.35, 0.61%, 0.2%

LAB 30.28, -1.97, 31.02

 

CMYK 76 / 0 / 13 / 68

HEX #145247

RGB 20 82 71

HSL 169.35, 0.61%, 0.2%

LAB 30.97, -22.34, 0.83

 

CMYK 13 / 75 / 0 / 69

HEX #461450

RGB 70 20 80

HSL 290, 0.6%, 0.2%

LAB 17.37, 33.25, -25.61

 

CMYK 0 / 73 / 76 / 68

HEX #521614

RGB 82 22 20

HSL 1.94, 0.61%, 0.2%

LAB 17.54, 27.76, 17.04

 

CMYK 62 / 0 / 76 / 68

HEX #1F5214

RGB 31 82 20

HSL 109.35, 0.61%, 0.2%

LAB 30.34, -30.17, 29.94

 

CMYK 76 / 2 / 0 / 68

HEX #145052

RGB 20 80 82

HSL 181.94, 0.61%, 0.2%

LAB 30.63, -17.72, -6.69

 

CMYK 13 / 75 / 0 / 69

HEX #461450

RGB 70 20 80

HSL 290, 0.6%, 0.2%

LAB 17.37, 33.25, -25.61

 

CMYK 0 / 50 / 76 / 68

HEX #522914

RGB 82 41 20

HSL 20.32, 0.61%, 0.2%

LAB 21.69, 17.06, 21.85

 

CMYK 62 / 0 / 76 / 68

HEX #1F5214

RGB 31 82 20

HSL 109.35, 0.61%, 0.2%

LAB 30.34, -30.17, 29.94

 

CMYK 76 / 26 / 0 / 68

HEX #143D52

RGB 20 61 82

HSL 200.32, 0.61%, 0.2%

LAB 23.98, -6.31, -16.84

 

Description

Color code: HEX #461450 | qconv.com Color code: HEX #461450 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 20 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 20 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 75 magenta, none yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 75% 0% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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