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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45F426 it is the complementary color #BA0BD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45F426. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45F426 shade: #4AF421, #5BFF34, #6CFF47, #7DFF5A and #8EFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45F426. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45F426 shade: #45F426, #34E213, #23D000, #12BE00 and #01AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45F426 shade: #44F425, #7CF425, #B3F425, #EBF425 and #F4C425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45F426 shade: #44F425, #25F43E, #25F475, #25F4AD and #25F4E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45F426 shade matches the following richer shades: #44F425

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45F426 shade: #44F425, #51E138, #5ECE4A, #6BBC5D and #78A96F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45F426 shade: #B6F425, #7EF425, #47F425, #25F43A and #25F471

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45F426 shade: #25BC0A, #2CE30C, #44F425, #66F64C and #87F873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45F426 shade: #45F426, #25EDF4 and #F4259A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45F426 shade: #45F426, #2547F4 and #F42547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45F426 shade: #45F426, #25EDF4, #D125F4 and #F42C25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45F426 shade: #45F426, #25AFF4, #D125F4 and #F46A25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 84 / 4

HEX #45F426

RGB 69 244 38

HSL 110.97, 0.9%, 0.55%

LAB 85.05, -76.65, 76.4

 

Complementary color

CMYK 14 / 95 / 0 / 15

HEX #BA0BD9

RGB 186 11 217

HSL 290.97, 0.9%, 0.45%

LAB 46.56, 81.38, -62.19

 

CMYK 70 / 0 / 86 / 4

HEX #4AF421

RGB 74 244 33

HSL 108.34, 0.91%, 0.54%

LAB 85.13, -76.01, 77.52

 

CMYK 64 / 0 / 80 / 0

HEX #5BFF34

RGB 91 255 52

HSL 108.47, 1%, 0.6%

LAB 88.92, -75.39, 76.72

 

CMYK 58 / 0 / 72 / 0

HEX #6CFF47

RGB 108 255 71

HSL 107.93, 1%, 0.64%

LAB 89.47, -70.53, 71.68

 

CMYK 51 / 0 / 65 / 0

HEX #7DFF5A

RGB 125 255 90

HSL 107.27, 1%, 0.68%

LAB 90.15, -64.78, 65.59

 

CMYK 44 / 0 / 57 / 0

HEX #8EFF6D

RGB 142 255 109

HSL 106.44, 1%, 0.71%

LAB 90.95, -58.24, 58.78

 

CMYK 72 / 0 / 84 / 4

HEX #45F426

RGB 69 244 38

HSL 110.97, 0.9%, 0.55%

LAB 85.05, -76.65, 76.4

 

CMYK 77 / 0 / 92 / 11

HEX #34E213

RGB 52 226 19

HSL 110.43, 0.84%, 0.48%

LAB 79.14, -74.52, 74.55

 

CMYK 83 / 0 / 100 / 18

HEX #23D000

RGB 35 208 0

HSL 109.9, 1%, 0.41%

LAB 73.2, -71.78, 71.62

 

CMYK 91 / 0 / 100 / 25

HEX #12BE00

RGB 18 190 0

HSL 114.32, 1%, 0.37%

LAB 67.24, -68.19, 66.79

 

CMYK 99 / 0 / 100 / 33

HEX #01AC00

RGB 1 172 0

HSL 119.65, 1%, 0.34%

LAB 61.23, -64.11, 61.93

 

CMYK 72 / 0 / 85 / 4

HEX #44F425

RGB 68 244 37

HSL 111.01, 0.9%, 0.55%

LAB 85.03, -76.85, 76.59

 

CMYK 49 / 0 / 85 / 4

HEX #7CF425

RGB 124 244 37

HSL 94.78, 0.9%, 0.55%

LAB 86.56, -64.3, 78.53

 

CMYK 27 / 0 / 85 / 4

HEX #B3F425

RGB 179 244 37

HSL 78.84, 0.9%, 0.55%

LAB 89.12, -46.07, 81.73

 

CMYK 4 / 0 / 85 / 4

HEX #EBF425

RGB 235 244 37

HSL 62.61, 0.9%, 0.55%

LAB 92.79, -24.07, 86.28

 

CMYK 0 / 20 / 85 / 4

HEX #F4C425

RGB 244 196 37

HSL 46.09, 0.9%, 0.55%

LAB 81.21, 3.59, 77.11

 

CMYK 72 / 0 / 85 / 4

HEX #44F425

RGB 68 244 37

HSL 111.01, 0.9%, 0.55%

LAB 85.03, -76.85, 76.59

 

CMYK 85 / 0 / 75 / 4

HEX #25F43E

RGB 37 244 62

HSL 127.25, 0.9%, 0.55%

LAB 84.71, -79.22, 69.44

 

CMYK 85 / 0 / 52 / 4

HEX #25F475

RGB 37 244 117

HSL 143.19, 0.9%, 0.55%

LAB 85.19, -73.31, 47.7

 

CMYK 85 / 0 / 29 / 4

HEX #25F4AD

RGB 37 244 173

HSL 159.42, 0.9%, 0.55%

LAB 86.06, -63.19, 21.12

 

CMYK 85 / 0 / 6 / 4

HEX #25F4E5

RGB 37 244 229

HSL 175.65, 0.9%, 0.55%

LAB 87.36, -49.43, -6.15

 

CMYK 72 / 0 / 85 / 4

HEX #44F425

RGB 68 244 37

HSL 111.01, 0.9%, 0.55%

LAB 85.03, -76.85, 76.59

 

CMYK 72 / 0 / 85 / 4

HEX #44F425

RGB 68 244 37

HSL 111.01, 0.9%, 0.55%

LAB 85.03, -76.85, 76.59

 

CMYK 64 / 0 / 75 / 12

HEX #51E138

RGB 81 225 56

HSL 111.12, 0.74%, 0.55%

LAB 79.55, -67.55, 66.53

 

CMYK 54 / 0 / 64 / 19

HEX #5ECE4A

RGB 94 206 74

HSL 110.91, 0.57%, 0.55%

LAB 74.2, -56.41, 54.38

 

CMYK 43 / 0 / 51 / 26

HEX #6BBC5D

RGB 107 188 93

HSL 111.16, 0.41%, 0.55%

LAB 69.39, -43.37, 40.2

 

CMYK 29 / 0 / 34 / 34

HEX #78A96F

RGB 120 169 111

HSL 110.69, 0.25%, 0.55%

LAB 64.58, -27.8, 24.86

 

CMYK 25 / 0 / 85 / 4

HEX #B6F425

RGB 182 244 37

HSL 77.97, 0.9%, 0.55%

LAB 89.29, -44.96, 81.94

 

CMYK 48 / 0 / 85 / 4

HEX #7EF425

RGB 126 244 37

HSL 94.2, 0.9%, 0.55%

LAB 86.64, -63.73, 78.62

 

CMYK 71 / 0 / 85 / 4

HEX #47F425

RGB 71 244 37

HSL 110.14, 0.9%, 0.55%

LAB 85.09, -76.37, 76.66

 

CMYK 85 / 0 / 76 / 4

HEX #25F43A

RGB 37 244 58

HSL 126.09, 0.9%, 0.55%

LAB 84.69, -79.5, 70.68

 

CMYK 85 / 0 / 54 / 4

HEX #25F471

RGB 37 244 113

HSL 142.03, 0.9%, 0.55%

LAB 85.14, -73.88, 49.49

 

CMYK 80 / 0 / 95 / 26

HEX #25BC0A

RGB 37 188 10

HSL 110.9, 0.9%, 0.39%

LAB 66.81, -65.61, 65.35

 

CMYK 81 / 0 / 95 / 11

HEX #2CE30C

RGB 44 227 12

HSL 111.07, 0.9%, 0.47%

LAB 79.33, -75.95, 75.48

 

CMYK 72 / 0 / 85 / 4

HEX #44F425

RGB 68 244 37

HSL 111.01, 0.9%, 0.55%

LAB 85.03, -76.85, 76.59

 

CMYK 59 / 0 / 69 / 4

HEX #66F64C

RGB 102 246 76

HSL 110.82, 0.9%, 0.63%

LAB 86.63, -68.5, 66.96

 

CMYK 46 / 0 / 54 / 3

HEX #87F873

RGB 135 248 115

HSL 110.98, 0.9%, 0.71%

LAB 88.7, -56.87, 53.4

 

CMYK 72 / 0 / 84 / 4

HEX #45F426

RGB 69 244 38

HSL 110.97, 0.9%, 0.55%

LAB 85.05, -76.65, 76.4

 

CMYK 85 / 3 / 0 / 4

HEX #25EDF4

RGB 37 237 244

HSL 182.03, 0.9%, 0.55%

LAB 85.75, -42.15, -16.42

 

CMYK 0 / 85 / 37 / 4

HEX #F4259A

RGB 244 37 154

HSL 326.09, 0.9%, 0.55%

LAB 54.96, 80.36, -11.57

 

CMYK 72 / 0 / 84 / 4

HEX #45F426

RGB 69 244 38

HSL 110.97, 0.9%, 0.55%

LAB 85.05, -76.65, 76.4

 

CMYK 85 / 71 / 0 / 4

HEX #2547F4

RGB 37 71 244

HSL 230.14, 0.9%, 0.55%

LAB 40.3, 51.45, -88.36

 

CMYK 0 / 85 / 71 / 4

HEX #F42547

RGB 244 37 71

HSL 350.14, 0.9%, 0.55%

LAB 52.96, 74.64, 35.29

 

CMYK 72 / 0 / 84 / 4

HEX #45F426

RGB 69 244 38

HSL 110.97, 0.9%, 0.55%

LAB 85.05, -76.65, 76.4

 

CMYK 85 / 3 / 0 / 4

HEX #25EDF4

RGB 37 237 244

HSL 182.03, 0.9%, 0.55%

LAB 85.75, -42.15, -16.42

 

CMYK 14 / 85 / 0 / 4

HEX #D125F4

RGB 209 37 244

HSL 289.86, 0.9%, 0.55%

LAB 53.4, 85.57, -66.25

 

CMYK 0 / 82 / 85 / 4

HEX #F42C25

RGB 244 44 37

HSL 2.03, 0.9%, 0.55%

LAB 53.13, 72.1, 53.81

 

CMYK 72 / 0 / 84 / 4

HEX #45F426

RGB 69 244 38

HSL 110.97, 0.9%, 0.55%

LAB 85.05, -76.65, 76.4

 

CMYK 85 / 28 / 0 / 4

HEX #25AFF4

RGB 37 175 244

HSL 200, 0.9%, 0.55%

LAB 67.71, -11.48, -44.15

 

CMYK 14 / 85 / 0 / 4

HEX #D125F4

RGB 209 37 244

HSL 289.86, 0.9%, 0.55%

LAB 53.4, 85.57, -66.25

 

CMYK 0 / 57 / 85 / 4

HEX #F46A25

RGB 244 106 37

HSL 20, 0.9%, 0.55%

LAB 61.37, 49.73, 60.73

 

Description

Color code: HEX #45F426 | qconv.com Color code: HEX #45F426 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 244 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 244 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 84 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 84% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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