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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45EF10 it is the complementary color #BA10EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45EF10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45EF10 shade: #4AEF0B, #5BFF1E, #6CFF31, #7DFF44 and #8EFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45EF10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45EF10 shade: #45EF10, #34DD00, #23CB00, #12B900 and #01A700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45EF10 shade: #45EE11, #81EE11, #BDEE11, #EEE411 and #EEA811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45EF10 shade: #45EE11, #11EE18, #11EE53, #11EE8F and #11EECB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45EF10 shade matches the following richer shades: #45EE11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45EF10 shade: #45EE11, #50DA25, #5BC53A, #66B14E and #719C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45EF10 shade: #BEEE11, #83EE11, #48EE11, #11EE14 and #11EE4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45EF10 shade: #2FA10B, #3AC80E, #45EE11, #63F137 and #81F45E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45EF10 shade: #45EF10, #11EEE3 and #EE11A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45EF10 shade: #45EF10, #1148EE and #EE1148

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45EF10 shade: #45EF10, #11EEE3, #B711EE and #EE111C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45EF10 shade: #45EF10, #11B7EE, #B711EE and #EE4811

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 93 / 6

HEX #45EF10

RGB 69 239 16

HSL 105.74, 0.87%, 0.5%

LAB 83.46, -75.83, 78.63

 

Complementary color

CMYK 22 / 93 / 0 / 6

HEX #BA10EF

RGB 186 16 239

HSL 285.74, 0.87%, 0.5%

LAB 48.31, 84.6, -71.85

 

CMYK 69 / 0 / 95 / 6

HEX #4AEF0B

RGB 74 239 11

HSL 103.42, 0.91%, 0.49%

LAB 83.55, -75.05, 79.24

 

CMYK 64 / 0 / 88 / 0

HEX #5BFF1E

RGB 91 255 30

HSL 103.73, 1%, 0.56%

LAB 88.85, -76.27, 81.4

 

CMYK 58 / 0 / 81 / 0

HEX #6CFF31

RGB 108 255 49

HSL 102.82, 1%, 0.6%

LAB 89.36, -71.8, 78.07

 

CMYK 51 / 0 / 73 / 0

HEX #7DFF44

RGB 125 255 68

HSL 101.71, 1%, 0.63%

LAB 90, -66.44, 73.38

 

CMYK 44 / 0 / 66 / 0

HEX #8EFF57

RGB 142 255 87

HSL 100.36, 1%, 0.67%

LAB 90.76, -60.26, 67.61

 

CMYK 71 / 0 / 93 / 6

HEX #45EF10

RGB 69 239 16

HSL 105.74, 0.87%, 0.5%

LAB 83.46, -75.83, 78.63

 

CMYK 76 / 0 / 100 / 13

HEX #34DD00

RGB 52 221 0

HSL 105.88, 1%, 0.43%

LAB 77.54, -73.42, 75.19

 

CMYK 83 / 0 / 100 / 20

HEX #23CB00

RGB 35 203 0

HSL 109.66, 1%, 0.4%

LAB 71.6, -70.37, 70.35

 

CMYK 90 / 0 / 100 / 27

HEX #12B900

RGB 18 185 0

HSL 114.16, 1%, 0.36%

LAB 65.61, -66.8, 65.48

 

CMYK 99 / 0 / 100 / 35

HEX #01A700

RGB 1 167 0

HSL 119.64, 1%, 0.33%

LAB 59.57, -62.72, 60.59

 

CMYK 71 / 0 / 93 / 7

HEX #45EE11

RGB 69 238 17

HSL 105.88, 0.87%, 0.5%

LAB 83.15, -75.51, 78.26

 

CMYK 46 / 0 / 93 / 7

HEX #81EE11

RGB 129 238 17

HSL 89.59, 0.87%, 0.5%

LAB 84.92, -61.17, 80.44

 

CMYK 21 / 0 / 93 / 7

HEX #BDEE11

RGB 189 238 17

HSL 73.3, 0.87%, 0.5%

LAB 87.97, -40.11, 84.16

 

CMYK 0 / 4 / 93 / 7

HEX #EEE411

RGB 238 228 17

HSL 57.29, 0.87%, 0.5%

LAB 88.78, -15.46, 86.31

 

CMYK 0 / 29 / 93 / 7

HEX #EEA811

RGB 238 168 17

HSL 41, 0.87%, 0.5%

LAB 73.69, 15.31, 75.09

 

CMYK 71 / 0 / 93 / 7

HEX #45EE11

RGB 69 238 17

HSL 105.88, 0.87%, 0.5%

LAB 83.15, -75.51, 78.26

 

CMYK 93 / 0 / 90 / 7

HEX #11EE18

RGB 17 238 24

HSL 121.9, 0.87%, 0.5%

LAB 82.56, -80.75, 76.58

 

CMYK 93 / 0 / 65 / 7

HEX #11EE53

RGB 17 238 83

HSL 137.92, 0.87%, 0.5%

LAB 82.86, -76.94, 59.82

 

CMYK 93 / 0 / 40 / 7

HEX #11EE8F

RGB 17 238 143

HSL 154.21, 0.87%, 0.5%

LAB 83.57, -68.23, 32.99

 

CMYK 93 / 0 / 15 / 7

HEX #11EECB

RGB 17 238 203

HSL 170.5, 0.87%, 0.5%

LAB 84.78, -54.82, 3.68

 

CMYK 71 / 0 / 93 / 7

HEX #45EE11

RGB 69 238 17

HSL 105.88, 0.87%, 0.5%

LAB 83.15, -75.51, 78.26

 

CMYK 71 / 0 / 93 / 7

HEX #45EE11

RGB 69 238 17

HSL 105.88, 0.87%, 0.5%

LAB 83.15, -75.51, 78.26

 

CMYK 63 / 0 / 83 / 15

HEX #50DA25

RGB 80 218 37

HSL 105.75, 0.71%, 0.5%

LAB 77.27, -66.53, 69.77

 

CMYK 54 / 0 / 71 / 23

HEX #5BC53A

RGB 91 197 58

HSL 105.76, 0.55%, 0.5%

LAB 71.19, -55.26, 57.52

 

CMYK 42 / 0 / 56 / 31

HEX #66B14E

RGB 102 177 78

HSL 105.45, 0.39%, 0.5%

LAB 65.61, -42.1, 42.89

 

CMYK 28 / 0 / 37 / 39

HEX #719C63

RGB 113 156 99

HSL 105.26, 0.22%, 0.5%

LAB 60.06, -25.8, 25.29

 

CMYK 20 / 0 / 93 / 7

HEX #BEEE11

RGB 190 238 17

HSL 73.03, 0.87%, 0.5%

LAB 88.03, -39.72, 84.24

 

CMYK 45 / 0 / 93 / 7

HEX #83EE11

RGB 131 238 17

HSL 89.05, 0.87%, 0.5%

LAB 85, -60.56, 80.54

 

CMYK 70 / 0 / 93 / 7

HEX #48EE11

RGB 72 238 17

HSL 105.07, 0.87%, 0.5%

LAB 83.21, -74.99, 78.34

 

CMYK 93 / 0 / 92 / 7

HEX #11EE14

RGB 17 238 20

HSL 120.81, 0.87%, 0.5%

LAB 82.55, -80.86, 77.14

 

CMYK 93 / 0 / 67 / 7

HEX #11EE4F

RGB 17 238 79

HSL 136.83, 0.87%, 0.5%

LAB 82.82, -77.35, 61.37

 

CMYK 71 / 0 / 93 / 37

HEX #2FA10B

RGB 47 161 11

HSL 105.6, 0.87%, 0.34%

LAB 58.15, -55.69, 58.08

 

CMYK 71 / 0 / 93 / 22

HEX #3AC80E

RGB 58 200 14

HSL 105.81, 0.87%, 0.42%

LAB 71.04, -65.95, 68.5

 

CMYK 71 / 0 / 93 / 7

HEX #45EE11

RGB 69 238 17

HSL 105.88, 0.87%, 0.5%

LAB 83.15, -75.51, 78.26

 

CMYK 59 / 0 / 77 / 5

HEX #63F137

RGB 99 241 55

HSL 105.81, 0.87%, 0.58%

LAB 84.91, -68.94, 72.19

 

CMYK 47 / 0 / 61 / 4

HEX #81F45E

RGB 129 244 94

HSL 106, 0.87%, 0.66%

LAB 87.08, -59.23, 60.64

 

CMYK 71 / 0 / 93 / 6

HEX #45EF10

RGB 69 239 16

HSL 105.74, 0.87%, 0.5%

LAB 83.46, -75.83, 78.63

 

CMYK 93 / 0 / 5 / 7

HEX #11EEE3

RGB 17 238 227

HSL 177.01, 0.87%, 0.5%

LAB 85.41, -48.37, -8.01

 

CMYK 0 / 93 / 32 / 7

HEX #EE11A1

RGB 238 17 161

HSL 320.9, 0.87%, 0.5%

LAB 53.11, 82.61, -18.61

 

CMYK 71 / 0 / 93 / 6

HEX #45EF10

RGB 69 239 16

HSL 105.74, 0.87%, 0.5%

LAB 83.46, -75.83, 78.63

 

CMYK 93 / 70 / 0 / 7

HEX #1148EE

RGB 17 72 238

HSL 225.07, 0.87%, 0.5%

LAB 39.46, 47.99, -86.38

 

CMYK 0 / 93 / 70 / 7

HEX #EE1148

RGB 238 17 72

HSL 345.07, 0.87%, 0.5%

LAB 50.74, 76.19, 31.74

 

CMYK 71 / 0 / 93 / 6

HEX #45EF10

RGB 69 239 16

HSL 105.74, 0.87%, 0.5%

LAB 83.46, -75.83, 78.63

 

CMYK 93 / 0 / 5 / 7

HEX #11EEE3

RGB 17 238 227

HSL 177.01, 0.87%, 0.5%

LAB 85.41, -48.37, -8.01

 

CMYK 23 / 93 / 0 / 7

HEX #B711EE

RGB 183 17 238

HSL 285.07, 0.87%, 0.5%

LAB 47.8, 83.91, -72.14

 

CMYK 0 / 93 / 88 / 7

HEX #EE111C

RGB 238 17 28

HSL 357.01, 0.87%, 0.5%

LAB 50.29, 74.92, 55.11

 

CMYK 71 / 0 / 93 / 6

HEX #45EF10

RGB 69 239 16

HSL 105.74, 0.87%, 0.5%

LAB 83.46, -75.83, 78.63

 

CMYK 93 / 23 / 0 / 7

HEX #11B7EE

RGB 17 183 238

HSL 194.93, 0.87%, 0.5%

LAB 69.58, -18.91, -37.98

 

CMYK 23 / 93 / 0 / 7

HEX #B711EE

RGB 183 17 238

HSL 285.07, 0.87%, 0.5%

LAB 47.8, 83.91, -72.14

 

CMYK 0 / 70 / 93 / 7

HEX #EE4811

RGB 238 72 17

HSL 14.93, 0.87%, 0.5%

LAB 54.92, 61.61, 62.17

 

Description

Color code: HEX #45EF10 | qconv.com Color code: HEX #45EF10 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 239 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 239 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 93 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 93% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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