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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45EA55 it is the complementary color #BA15AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45EA55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45EA55 shade: #4AEA50, #5BFC63, #6CFF76, #7DFF89 and #8EFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45EA55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45EA55 shade: #45EA55, #34D842, #23C62F, #12B41C and #01A209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45EA55 shade: #43EA53, #60EA43, #8DEA43, #BAEA43 and #E7EA43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45EA55 shade: #43EA53, #43EA80, #43EAAD, #43EADA and #43CDEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45EA55 shade matches the following richer shades: #43EA53 and #32FB45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45EA55 shade: #43EA53, #54D961, #65C86E, #76B77C and #86A68A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45EA55 shade: #8EEA43, #61EA43, #43EA51, #43EA7D and #43EAAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45EA55 shade: #16C527, #1EE631, #43EA53, #68EE75 and #8DF297

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45EA55 shade: #45EA55, #43BBEA and #EA4378

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45EA55 shade: #45EA55, #5143EA and #EA5143

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45EA55 shade: #45EA55, #43BBEA, #EA43DC and #EA7243

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45EA55 shade: #45EA55, #4389EA, #EA43DC and #EAA443

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 64 / 8

HEX #45EA55

RGB 69 234 85

HSL 125.82, 0.8%, 0.59%

LAB 82.25, -70.26, 58.52

 

Complementary color

CMYK 0 / 89 / 9 / 27

HEX #BA15AA

RGB 186 21 170

HSL 305.82, 0.8%, 0.41%

LAB 44.06, 72.93, -38.79

 

CMYK 68 / 0 / 66 / 8

HEX #4AEA50

RGB 74 234 80

HSL 122.25, 0.79%, 0.6%

LAB 82.31, -69.9, 60.63

 

CMYK 64 / 0 / 61 / 1

HEX #5BFC63

RGB 91 252 99

HSL 122.98, 0.96%, 0.67%

LAB 88.33, -70.74, 59.62

 

CMYK 58 / 0 / 54 / 0

HEX #6CFF76

RGB 108 255 118

HSL 124.08, 1%, 0.71%

LAB 89.87, -66.01, 53.22

 

CMYK 51 / 0 / 46 / 0

HEX #7DFF89

RGB 125 255 137

HSL 125.54, 1%, 0.75%

LAB 90.64, -59.45, 45.44

 

CMYK 44 / 0 / 39 / 0

HEX #8EFF9C

RGB 142 255 156

HSL 127.43, 1%, 0.78%

LAB 91.54, -52.2, 37.5

 

CMYK 71 / 0 / 64 / 8

HEX #45EA55

RGB 69 234 85

HSL 125.82, 0.8%, 0.59%

LAB 82.25, -70.26, 58.52

 

CMYK 76 / 0 / 69 / 15

HEX #34D842

RGB 52 216 66

HSL 125.12, 0.68%, 0.53%

LAB 76.21, -68.97, 59.43

 

CMYK 82 / 0 / 76 / 22

HEX #23C62F

RGB 35 198 47

HSL 124.42, 0.7%, 0.46%

LAB 70.14, -67.12, 59.92

 

CMYK 90 / 0 / 84 / 29

HEX #12B41C

RGB 18 180 28

HSL 123.7, 0.82%, 0.39%

LAB 64.04, -64.52, 59.62

 

CMYK 99 / 0 / 94 / 36

HEX #01A209

RGB 1 162 9

HSL 122.98, 0.99%, 0.32%

LAB 57.91, -61.08, 57.94

 

CMYK 71 / 0 / 65 / 8

HEX #43EA53

RGB 67 234 83

HSL 125.75, 0.8%, 0.59%

LAB 82.2, -70.79, 59.26

 

CMYK 59 / 0 / 71 / 8

HEX #60EA43

RGB 96 234 67

HSL 109.58, 0.8%, 0.59%

LAB 82.77, -66.48, 66.17

 

CMYK 40 / 0 / 71 / 8

HEX #8DEA43

RGB 141 234 67

HSL 93.41, 0.8%, 0.59%

LAB 84.44, -53.85, 68.39

 

CMYK 21 / 0 / 71 / 8

HEX #BAEA43

RGB 186 234 67

HSL 77.25, 0.8%, 0.59%

LAB 86.84, -37.83, 71.58

 

CMYK 1 / 0 / 71 / 8

HEX #E7EA43

RGB 231 234 67

HSL 61.08, 0.8%, 0.59%

LAB 89.97, -19.92, 75.68

 

CMYK 71 / 0 / 65 / 8

HEX #43EA53

RGB 67 234 83

HSL 125.75, 0.8%, 0.59%

LAB 82.2, -70.79, 59.26

 

CMYK 71 / 0 / 45 / 8

HEX #43EA80

RGB 67 234 128

HSL 141.92, 0.8%, 0.59%

LAB 82.7, -64.89, 39.4

 

CMYK 71 / 0 / 26 / 8

HEX #43EAAD

RGB 67 234 173

HSL 158.08, 0.8%, 0.59%

LAB 83.47, -56.32, 17.58

 

CMYK 71 / 0 / 7 / 8

HEX #43EADA

RGB 67 234 218

HSL 174.25, 0.8%, 0.59%

LAB 84.54, -45.41, -4.51

 

CMYK 71 / 12 / 0 / 8

HEX #43CDEA

RGB 67 205 234

HSL 190.42, 0.8%, 0.59%

LAB 76.56, -27.41, -25

 

CMYK 71 / 0 / 65 / 8

HEX #43EA53

RGB 67 234 83

HSL 125.75, 0.8%, 0.59%

LAB 82.2, -70.79, 59.26

 

CMYK 80 / 0 / 73 / 2

HEX #32FB45

RGB 50 251 69

HSL 125.67, 0.96%, 0.59%

LAB 87.05, -79.46, 69.52

 

CMYK 71 / 0 / 65 / 8

HEX #43EA53

RGB 67 234 83

HSL 125.75, 0.8%, 0.59%

LAB 82.2, -70.79, 59.26

 

CMYK 61 / 0 / 55 / 15

HEX #54D961

RGB 84 217 97

HSL 125.86, 0.64%, 0.59%

LAB 77.5, -60.25, 47.9

 

CMYK 50 / 0 / 45 / 22

HEX #65C86E

RGB 101 200 110

HSL 125.45, 0.47%, 0.59%

LAB 73.02, -47.75, 36.21

 

CMYK 36 / 0 / 32 / 28

HEX #76B77C

RGB 118 183 124

HSL 125.54, 0.31%, 0.59%

LAB 68.88, -32.99, 23.62

 

CMYK 19 / 0 / 17 / 35

HEX #86A68A

RGB 134 166 138

HSL 127.5, 0.15%, 0.59%

LAB 65.1, -16.67, 10.91

 

CMYK 39 / 0 / 71 / 8

HEX #8EEA43

RGB 142 234 67

HSL 93.05, 0.8%, 0.59%

LAB 84.48, -53.52, 68.45

 

CMYK 59 / 0 / 71 / 8

HEX #61EA43

RGB 97 234 67

HSL 109.22, 0.8%, 0.59%

LAB 82.8, -66.25, 66.21

 

CMYK 71 / 0 / 65 / 8

HEX #43EA51

RGB 67 234 81

HSL 125.03, 0.8%, 0.59%

LAB 82.18, -70.98, 60.05

 

CMYK 71 / 0 / 47 / 8

HEX #43EA7D

RGB 67 234 125

HSL 140.84, 0.8%, 0.59%

LAB 82.66, -65.37, 40.82

 

CMYK 71 / 0 / 27 / 8

HEX #43EAAA

RGB 67 234 170

HSL 157.01, 0.8%, 0.59%

LAB 83.41, -56.97, 19.05

 

CMYK 89 / 0 / 80 / 23

HEX #16C527

RGB 22 197 39

HSL 125.83, 0.8%, 0.43%

LAB 69.65, -68.52, 61.86

 

CMYK 87 / 0 / 79 / 10

HEX #1EE631

RGB 30 230 49

HSL 125.7, 0.8%, 0.51%

LAB 80.23, -76.69, 69.03

 

CMYK 71 / 0 / 65 / 8

HEX #43EA53

RGB 67 234 83

HSL 125.75, 0.8%, 0.59%

LAB 82.2, -70.79, 59.26

 

CMYK 56 / 0 / 51 / 7

HEX #68EE75

RGB 104 238 117

HSL 125.82, 0.8%, 0.67%

LAB 84.68, -60.85, 47.36

 

CMYK 42 / 0 / 38 / 5

HEX #8DF297

RGB 141 242 151

HSL 125.94, 0.8%, 0.75%

LAB 87.68, -47.83, 34.91

 

CMYK 71 / 0 / 64 / 8

HEX #45EA55

RGB 69 234 85

HSL 125.82, 0.8%, 0.59%

LAB 82.25, -70.26, 58.52

 

CMYK 71 / 20 / 0 / 8

HEX #43BBEA

RGB 67 187 234

HSL 196.89, 0.8%, 0.59%

LAB 71.33, -18.27, -33.03

 

CMYK 0 / 71 / 49 / 8

HEX #EA4378

RGB 234 67 120

HSL 340.96, 0.8%, 0.59%

LAB 54.93, 66.85, 8.4

 

CMYK 71 / 0 / 64 / 8

HEX #45EA55

RGB 69 234 85

HSL 125.82, 0.8%, 0.59%

LAB 82.25, -70.26, 58.52

 

CMYK 65 / 71 / 0 / 8

HEX #5143EA

RGB 81 67 234

HSL 245.03, 0.8%, 0.59%

LAB 40.74, 54.06, -81.91

 

CMYK 0 / 65 / 71 / 8

HEX #EA5143

RGB 234 81 67

HSL 5.03, 0.8%, 0.59%

LAB 55.87, 58.2, 40.48

 

CMYK 71 / 0 / 64 / 8

HEX #45EA55

RGB 69 234 85

HSL 125.82, 0.8%, 0.59%

LAB 82.25, -70.26, 58.52

 

CMYK 71 / 20 / 0 / 8

HEX #43BBEA

RGB 67 187 234

HSL 196.89, 0.8%, 0.59%

LAB 71.33, -18.27, -33.03

 

CMYK 0 / 71 / 6 / 8

HEX #EA43DC

RGB 234 67 220

HSL 305.03, 0.8%, 0.59%

LAB 58.67, 78.67, -44.1

 

CMYK 0 / 51 / 71 / 8

HEX #EA7243

RGB 234 114 67

HSL 16.89, 0.8%, 0.59%

LAB 61.6, 43.21, 46.9

 

CMYK 71 / 0 / 64 / 8

HEX #45EA55

RGB 69 234 85

HSL 125.82, 0.8%, 0.59%

LAB 82.25, -70.26, 58.52

 

CMYK 71 / 41 / 0 / 8

HEX #4389EA

RGB 67 137 234

HSL 214.85, 0.8%, 0.59%

LAB 57.1, 9.95, -55.41

 

CMYK 0 / 71 / 6 / 8

HEX #EA43DC

RGB 234 67 220

HSL 305.03, 0.8%, 0.59%

LAB 58.67, 78.67, -44.1

 

CMYK 0 / 30 / 71 / 8

HEX #EAA443

RGB 234 164 67

HSL 34.85, 0.8%, 0.59%

LAB 72.53, 17.2, 58.51

 

Description

Color code: HEX #45EA55 | qconv.com Color code: HEX #45EA55 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 234 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 234 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 64 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 64% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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