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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45E9C3 it is the complementary color #BA163C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45E9C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45E9C3 shade: #4AE9BE, #5BFBD1, #6CFFE4, #7DFFF7 and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45E9C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45E9C3 shade: #45E9C3, #34D7B0, #23C59D, #12B38A and #01A177

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45E9C3 shade: #44E9C3, #44E996, #44E96A, #4BE944 and #77E944

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45E9C3 shade: #44E9C3, #44E3E9, #44B6E9, #448AE9 and #445DE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45E9C3 shade matches the following richer shades: #44E9C3 and #33FACC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45E9C3 shade: #44E9C3, #55D8BA, #66C7B1, #77B6A8 and #88A59E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45E9C3 shade: #44E96A, #44E996, #44E9C3, #44E4E9 and #44B7E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45E9C3 shade: #17C39B, #1FE5B7, #44E9C3, #69EDCF and #8EF2DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45E9C3 shade: #45E9C3, #4449E9 and #E98044

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45E9C3 shade: #45E9C3, #C344E9 and #E9C344

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45E9C3 shade: #45E9C3, #4449E9, #E9446A and #E9E444

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45E9C3 shade: #45E9C3, #7044E9, #E9446A and #BDE944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 16 / 9

HEX #45E9C3

RGB 69 233 195

HSL 166.1, 0.79%, 0.59%

LAB 83.7, -50.58, 6.39

 

Complementary color

CMYK 0 / 88 / 68 / 27

HEX #BA163C

RGB 186 22 60

HSL 346.1, 0.79%, 0.41%

LAB 40.15, 61.94, 23.6

 

CMYK 68 / 0 / 18 / 9

HEX #4AE9BE

RGB 74 233 190

HSL 163.77, 0.78%, 0.6%

LAB 83.68, -51.07, 9

 

CMYK 64 / 0 / 17 / 2

HEX #5BFBD1

RGB 91 251 209

HSL 164.25, 0.95%, 0.67%

LAB 89.78, -51.45, 7.89

 

CMYK 58 / 0 / 11 / 0

HEX #6CFFE4

RGB 108 255 228

HSL 168.98, 1%, 0.71%

LAB 91.82, -45.72, 1.06

 

CMYK 51 / 0 / 3 / 0

HEX #7DFFF7

RGB 125 255 247

HSL 176.31, 1%, 0.75%

LAB 92.84, -37.82, -7.22

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 70 / 0 / 16 / 9

HEX #45E9C3

RGB 69 233 195

HSL 166.1, 0.79%, 0.59%

LAB 83.7, -50.58, 6.39

 

CMYK 76 / 0 / 18 / 16

HEX #34D7B0

RGB 52 215 176

HSL 165.64, 0.67%, 0.52%

LAB 77.56, -49.89, 7.59

 

CMYK 82 / 0 / 20 / 23

HEX #23C59D

RGB 35 197 157

HSL 165.19, 0.7%, 0.45%

LAB 71.37, -48.94, 8.92

 

CMYK 90 / 0 / 23 / 30

HEX #12B38A

RGB 18 179 138

HSL 164.72, 0.82%, 0.39%

LAB 65.12, -47.61, 10.39

 

CMYK 99 / 0 / 26 / 37

HEX #01A177

RGB 1 161 119

HSL 164.25, 0.99%, 0.32%

LAB 58.81, -45.9, 12.02

 

CMYK 71 / 0 / 16 / 9

HEX #44E9C3

RGB 68 233 195

HSL 166.18, 0.79%, 0.59%

LAB 83.68, -50.71, 6.36

 

CMYK 71 / 0 / 36 / 9

HEX #44E996

RGB 68 233 150

HSL 149.82, 0.79%, 0.59%

LAB 82.76, -60.51, 28.46

 

CMYK 71 / 0 / 55 / 9

HEX #44E96A

RGB 68 233 106

HSL 133.82, 0.79%, 0.59%

LAB 82.13, -67.63, 49.19

 

CMYK 68 / 0 / 71 / 9

HEX #4BE944

RGB 75 233 68

HSL 117.45, 0.79%, 0.59%

LAB 81.94, -70.44, 64.79

 

CMYK 49 / 0 / 71 / 9

HEX #77E944

RGB 119 233 68

HSL 101.45, 0.79%, 0.59%

LAB 83.24, -60.1, 66.53

 

CMYK 71 / 0 / 16 / 9

HEX #44E9C3

RGB 68 233 195

HSL 166.18, 0.79%, 0.59%

LAB 83.68, -50.71, 6.36

 

CMYK 71 / 3 / 0 / 9

HEX #44E3E9

RGB 68 227 233

HSL 182.18, 0.79%, 0.59%

LAB 82.94, -38.04, -14.8

 

CMYK 71 / 22 / 0 / 9

HEX #44B6E9

RGB 68 182 233

HSL 198.55, 0.79%, 0.59%

LAB 69.87, -15.83, -34.75

 

CMYK 71 / 41 / 0 / 9

HEX #448AE9

RGB 68 138 233

HSL 214.55, 0.79%, 0.59%

LAB 57.36, 9.13, -54.44

 

CMYK 71 / 60 / 0 / 9

HEX #445DE9

RGB 68 93 233

HSL 230.91, 0.79%, 0.59%

LAB 45.55, 36.99, -73.49

 

CMYK 71 / 0 / 16 / 9

HEX #44E9C3

RGB 68 233 195

HSL 166.18, 0.79%, 0.59%

LAB 83.68, -50.71, 6.36

 

CMYK 80 / 0 / 18 / 2

HEX #33FACC

RGB 51 250 204

HSL 166.13, 0.95%, 0.59%

LAB 88.65, -57.26, 8.77

 

CMYK 71 / 0 / 16 / 9

HEX #44E9C3

RGB 68 233 195

HSL 166.18, 0.79%, 0.59%

LAB 83.68, -50.71, 6.36

 

CMYK 61 / 0 / 14 / 15

HEX #55D8BA

RGB 85 216 186

HSL 166.26, 0.63%, 0.59%

LAB 78.8, -43.01, 4.14

 

CMYK 49 / 0 / 11 / 22

HEX #66C7B1

RGB 102 199 177

HSL 166.39, 0.46%, 0.59%

LAB 74.09, -33.95, 2.22

 

CMYK 35 / 0 / 8 / 29

HEX #77B6A8

RGB 119 182 168

HSL 166.67, 0.3%, 0.59%

LAB 69.62, -23.37, 0.71

 

CMYK 18 / 0 / 4 / 35

HEX #88A59E

RGB 136 165 158

HSL 165.52, 0.14%, 0.59%

LAB 65.45, -11.46, 0.28

 

CMYK 71 / 0 / 55 / 9

HEX #44E96A

RGB 68 233 106

HSL 133.82, 0.79%, 0.59%

LAB 82.13, -67.63, 49.19

 

CMYK 71 / 0 / 36 / 9

HEX #44E996

RGB 68 233 150

HSL 149.82, 0.79%, 0.59%

LAB 82.76, -60.51, 28.46

 

CMYK 71 / 0 / 16 / 9

HEX #44E9C3

RGB 68 233 195

HSL 166.18, 0.79%, 0.59%

LAB 83.68, -50.71, 6.36

 

CMYK 71 / 2 / 0 / 9

HEX #44E4E9

RGB 68 228 233

HSL 181.82, 0.79%, 0.59%

LAB 83.23, -38.5, -14.37

 

CMYK 71 / 21 / 0 / 9

HEX #44B7E9

RGB 68 183 233

HSL 198.18, 0.79%, 0.59%

LAB 70.16, -16.36, -34.3

 

CMYK 88 / 0 / 21 / 24

HEX #17C39B

RGB 23 195 155

HSL 166.05, 0.79%, 0.43%

LAB 70.58, -49.51, 8.86

 

CMYK 86 / 0 / 20 / 10

HEX #1FE5B7

RGB 31 229 183

HSL 166.06, 0.79%, 0.51%

LAB 81.7, -55.61, 9.77

 

CMYK 71 / 0 / 16 / 9

HEX #44E9C3

RGB 68 233 195

HSL 166.18, 0.79%, 0.59%

LAB 83.68, -50.71, 6.36

 

CMYK 56 / 0 / 13 / 7

HEX #69EDCF

RGB 105 237 207

HSL 166.36, 0.79%, 0.67%

LAB 86.04, -43.42, 3.59

 

CMYK 41 / 0 / 10 / 5

HEX #8EF2DB

RGB 142 242 219

HSL 166.2, 0.79%, 0.75%

LAB 89.1, -34.6, 1.91

 

CMYK 70 / 0 / 16 / 9

HEX #45E9C3

RGB 69 233 195

HSL 166.1, 0.79%, 0.59%

LAB 83.7, -50.58, 6.39

 

CMYK 71 / 69 / 0 / 9

HEX #4449E9

RGB 68 73 233

HSL 238.18, 0.79%, 0.59%

LAB 41.02, 48.99, -80.92

 

CMYK 0 / 45 / 71 / 9

HEX #E98044

RGB 233 128 68

HSL 21.82, 0.79%, 0.59%

LAB 64.31, 35.8, 49.32

 

CMYK 70 / 0 / 16 / 9

HEX #45E9C3

RGB 69 233 195

HSL 166.1, 0.79%, 0.59%

LAB 83.7, -50.58, 6.39

 

CMYK 16 / 71 / 0 / 9

HEX #C344E9

RGB 195 68 233

HSL 286.18, 0.79%, 0.59%

LAB 53.62, 72.34, -59.83

 

CMYK 0 / 16 / 71 / 9

HEX #E9C344

RGB 233 195 68

HSL 46.18, 0.79%, 0.59%

LAB 80.05, 0.52, 65.7

 

CMYK 70 / 0 / 16 / 9

HEX #45E9C3

RGB 69 233 195

HSL 166.1, 0.79%, 0.59%

LAB 83.7, -50.58, 6.39

 

CMYK 71 / 69 / 0 / 9

HEX #4449E9

RGB 68 73 233

HSL 238.18, 0.79%, 0.59%

LAB 41.02, 48.99, -80.92

 

CMYK 0 / 71 / 55 / 9

HEX #E9446A

RGB 233 68 106

HSL 346.18, 0.79%, 0.59%

LAB 54.55, 65.12, 16.19

 

CMYK 0 / 2 / 71 / 9

HEX #E9E444

RGB 233 228 68

HSL 58.18, 0.79%, 0.59%

LAB 88.56, -16.13, 74.04

 

CMYK 70 / 0 / 16 / 9

HEX #45E9C3

RGB 69 233 195

HSL 166.1, 0.79%, 0.59%

LAB 83.7, -50.58, 6.39

 

CMYK 52 / 71 / 0 / 9

HEX #7044E9

RGB 112 68 233

HSL 256, 0.79%, 0.59%

LAB 43.45, 57.37, -76.8

 

CMYK 0 / 71 / 55 / 9

HEX #E9446A

RGB 233 68 106

HSL 346.18, 0.79%, 0.59%

LAB 54.55, 65.12, 16.19

 

CMYK 19 / 0 / 71 / 9

HEX #BDE944

RGB 189 233 68

HSL 76, 0.79%, 0.59%

LAB 86.76, -36.17, 71.21

 

Description

Color code: HEX #45E9C3 | qconv.com Color code: HEX #45E9C3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 233 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 233 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 16 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 16% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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