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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45E879 it is the complementary color #BA1786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45E879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45E879 shade: #4AE874, #5BFA87, #6CFF9A, #7DFFAD and #8EFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45E879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45E879 shade: #45E879, #34D666, #23C453, #12B240 and #01A02D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45E879 shade: #45E879, #45E84D, #69E845, #95E845 and #C1E845

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45E879 shade: #45E879, #45E8A5, #45E8D1, #45D3E8 and #45A7E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45E879 shade matches the following richer shades: #45E879 and #34F973

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45E879 shade: #45E879, #56D77F, #67C685, #78B58B and #89A491

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45E879 shade: #68E845, #45E84D, #45E879, #45E8A4 and #45E8D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45E879 shade: #18C24E, #20E35E, #45E879, #6AED93 and #8EF1AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45E879 shade: #45E879, #4594E8 and #E84552

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45E879 shade: #45E879, #7945E8 and #E87945

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45E879 shade: #45E879, #4594E8, #E845B4 and #E89945

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45E879 shade: #45E879, #4563E8, #E845B4 and #E8CA45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

Complementary color

CMYK 0 / 88 / 28 / 27

HEX #BA1786

RGB 186 23 134

HSL 319.14, 0.78%, 0.41%

LAB 42.42, 67.95, -19.6

 

CMYK 68 / 0 / 50 / 9

HEX #4AE874

RGB 74 232 116

HSL 135.95, 0.77%, 0.6%

LAB 82.07, -64.91, 44.45

 

CMYK 64 / 0 / 46 / 2

HEX #5BFA87

RGB 91 250 135

HSL 136.6, 0.94%, 0.67%

LAB 88.13, -65.4, 43.03

 

CMYK 58 / 0 / 40 / 0

HEX #6CFF9A

RGB 108 255 154

HSL 138.78, 1%, 0.71%

LAB 90.34, -60.81, 36.7

 

CMYK 51 / 0 / 32 / 0

HEX #7DFFAD

RGB 125 255 173

HSL 142.15, 1%, 0.75%

LAB 91.19, -53.71, 28.44

 

CMYK 44 / 0 / 25 / 0

HEX #8EFFC0

RGB 142 255 192

HSL 146.55, 1%, 0.78%

LAB 92.17, -46, 20.24

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 76 / 0 / 52 / 16

HEX #34D666

RGB 52 214 102

HSL 138.52, 0.66%, 0.52%

LAB 75.94, -64.13, 43.49

 

CMYK 82 / 0 / 58 / 23

HEX #23C453

RGB 35 196 83

HSL 137.89, 0.7%, 0.45%

LAB 69.8, -62.85, 45.01

 

CMYK 90 / 0 / 64 / 30

HEX #12B240

RGB 18 178 64

HSL 137.25, 0.82%, 0.38%

LAB 63.62, -60.96, 46.47

 

CMYK 99 / 0 / 72 / 37

HEX #01A02D

RGB 1 160 45

HSL 136.6, 0.99%, 0.32%

LAB 57.4, -58.4, 47.66

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 70 / 0 / 67 / 9

HEX #45E84D

RGB 69 232 77

HSL 122.94, 0.78%, 0.59%

LAB 81.57, -70.4, 60.99

 

CMYK 55 / 0 / 70 / 9

HEX #69E845

RGB 105 232 69

HSL 106.75, 0.78%, 0.59%

LAB 82.46, -63.44, 65.22

 

CMYK 36 / 0 / 70 / 9

HEX #95E845

RGB 149 232 69

HSL 90.55, 0.78%, 0.59%

LAB 84.24, -50.26, 67.61

 

CMYK 17 / 0 / 70 / 9

HEX #C1E845

RGB 193 232 69

HSL 74.36, 0.78%, 0.59%

LAB 86.74, -34.11, 70.93

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 70 / 0 / 29 / 9

HEX #45E8A5

RGB 69 232 165

HSL 155.34, 0.78%, 0.59%

LAB 82.75, -56.98, 20.74

 

CMYK 70 / 0 / 10 / 9

HEX #45E8D1

RGB 69 232 209

HSL 171.53, 0.78%, 0.59%

LAB 83.75, -46.65, -0.91

 

CMYK 70 / 9 / 0 / 9

HEX #45D3E8

RGB 69 211 232

HSL 187.73, 0.78%, 0.59%

LAB 78.27, -30.68, -21.31

 

CMYK 70 / 28 / 0 / 9

HEX #45A7E8

RGB 69 167 232

HSL 203.93, 0.78%, 0.59%

LAB 65.54, -7.88, -40.95

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 79 / 0 / 54 / 2

HEX #34F973

RGB 52 249 115

HSL 139.19, 0.94%, 0.59%

LAB 86.86, -73.77, 50.69

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 60 / 0 / 41 / 16

HEX #56D77F

RGB 86 215 127

HSL 139.07, 0.62%, 0.59%

LAB 77.35, -54.64, 33.08

 

CMYK 48 / 0 / 33 / 22

HEX #67C685

RGB 103 198 133

HSL 138.95, 0.45%, 0.59%

LAB 72.87, -42.54, 24.12

 

CMYK 34 / 0 / 23 / 29

HEX #78B58B

RGB 120 181 139

HSL 138.69, 0.29%, 0.59%

LAB 68.68, -28.67, 15.27

 

CMYK 16 / 0 / 12 / 36

HEX #89A491

RGB 137 164 145

HSL 137.78, 0.13%, 0.59%

LAB 64.89, -13.23, 6.75

 

CMYK 55 / 0 / 70 / 9

HEX #68E845

RGB 104 232 69

HSL 107.12, 0.78%, 0.59%

LAB 82.42, -63.69, 65.17

 

CMYK 70 / 0 / 67 / 9

HEX #45E84D

RGB 69 232 77

HSL 122.94, 0.78%, 0.59%

LAB 81.57, -70.4, 60.99

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 70 / 0 / 29 / 9

HEX #45E8A4

RGB 69 232 164

HSL 154.97, 0.78%, 0.59%

LAB 82.73, -57.19, 21.23

 

CMYK 70 / 0 / 10 / 9

HEX #45E8D0

RGB 69 232 208

HSL 171.17, 0.78%, 0.59%

LAB 83.72, -46.9, -0.42

 

CMYK 88 / 0 / 60 / 24

HEX #18C24E

RGB 24 194 78

HSL 139.06, 0.78%, 0.43%

LAB 68.99, -63.85, 46.34

 

CMYK 86 / 0 / 59 / 11

HEX #20E35E

RGB 32 227 94

HSL 139.08, 0.78%, 0.51%

LAB 79.64, -71.51, 51.55

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 55 / 0 / 38 / 7

HEX #6AED93

RGB 106 237 147

HSL 138.78, 0.78%, 0.67%

LAB 84.86, -55.45, 32.96

 

CMYK 41 / 0 / 28 / 5

HEX #8EF1AE

RGB 142 241 174

HSL 139.39, 0.78%, 0.75%

LAB 87.83, -43.25, 23.46

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 70 / 36 / 0 / 9

HEX #4594E8

RGB 69 148 232

HSL 210.92, 0.78%, 0.59%

LAB 60.13, 2.98, -49.47

 

CMYK 0 / 70 / 65 / 9

HEX #E84552

RGB 232 69 82

HSL 355.21, 0.78%, 0.59%

LAB 54.05, 62.91, 29.69

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 48 / 70 / 0 / 9

HEX #7945E8

RGB 121 69 232

HSL 259.14, 0.78%, 0.59%

LAB 44.44, 58.02, -74.57

 

CMYK 0 / 48 / 70 / 9

HEX #E87945

RGB 232 121 69

HSL 19.14, 0.78%, 0.59%

LAB 62.73, 39.04, 47.05

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 70 / 36 / 0 / 9

HEX #4594E8

RGB 69 148 232

HSL 210.92, 0.78%, 0.59%

LAB 60.13, 2.98, -49.47

 

CMYK 0 / 70 / 22 / 9

HEX #E845B4

RGB 232 69 180

HSL 319.14, 0.78%, 0.59%

LAB 56.79, 72, -24.19

 

CMYK 0 / 34 / 70 / 9

HEX #E89945

RGB 232 153 69

HSL 30.92, 0.78%, 0.59%

LAB 69.73, 22.3, 54.63

 

CMYK 70 / 0 / 48 / 9

HEX #45E879

RGB 69 232 121

HSL 139.14, 0.78%, 0.59%

LAB 82.03, -64.99, 41.98

 

CMYK 70 / 57 / 0 / 9

HEX #4563E8

RGB 69 99 232

HSL 228.96, 0.78%, 0.59%

LAB 46.99, 33.04, -70.57

 

CMYK 0 / 70 / 22 / 9

HEX #E845B4

RGB 232 69 180

HSL 319.14, 0.78%, 0.59%

LAB 56.79, 72, -24.19

 

CMYK 0 / 13 / 70 / 9

HEX #E8CA45

RGB 232 202 69

HSL 48.96, 0.78%, 0.59%

LAB 81.74, -3.46, 66.97

 

Description

Color code: HEX #45E879 | qconv.com Color code: HEX #45E879 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 232 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 232 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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