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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45E17B it is the complementary color #BA1E84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45E17B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45E17B shade: #4AE176, #5BF389, #6CFF9C, #7DFFAF and #8EFFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45E17B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45E17B shade: #45E17B, #34CF68, #23BD55, #12AB42 and #01992F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45E17B shade: #47E17C, #47E153, #65E147, #8EE147 and #B8E147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45E17B shade: #47E17C, #47E1A6, #47E1CF, #47C9E1 and #479FE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45E17B shade matches the following richer shades: #47E17C and #35F277

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45E17B shade: #47E17C, #58D082, #69BE87, #7BAD8C and #8C9C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45E17B shade: #66E147, #47E151, #47E17A, #47E1A3 and #47E1CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45E17B shade: #1EB753, #24DB63, #47E17C, #6AE795 and #8EEDAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45E17B shade: #45E17B, #478FE1 and #E14751

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45E17B shade: #45E17B, #7A47E1 and #E17A47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45E17B shade: #45E17B, #478FE1, #E147AE and #E19947

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45E17B shade: #45E17B, #4760E1, #E147AE and #E1C747

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 45 / 12

HEX #45E17B

RGB 69 225 123

HSL 140.77, 0.72%, 0.58%

LAB 79.92, -62.2, 38.33

 

Complementary color

CMYK 0 / 84 / 29 / 27

HEX #BA1E84

RGB 186 30 132

HSL 320.77, 0.72%, 0.42%

LAB 42.81, 66.33, -17.77

 

CMYK 67 / 0 / 48 / 12

HEX #4AE176

RGB 74 225 118

HSL 137.48, 0.72%, 0.59%

LAB 79.96, -62.14, 40.85

 

CMYK 63 / 0 / 44 / 5

HEX #5BF389

RGB 91 243 137

HSL 138.16, 0.86%, 0.65%

LAB 86.07, -62.54, 39.42

 

CMYK 58 / 0 / 39 / 0

HEX #6CFF9C

RGB 108 255 156

HSL 139.59, 1%, 0.71%

LAB 90.37, -60.48, 35.75

 

CMYK 51 / 0 / 31 / 0

HEX #7DFFAF

RGB 125 255 175

HSL 143.08, 1%, 0.75%

LAB 91.22, -53.35, 27.48

 

CMYK 44 / 0 / 24 / 0

HEX #8EFFC2

RGB 142 255 194

HSL 147.61, 1%, 0.78%

LAB 92.21, -45.61, 19.27

 

CMYK 69 / 0 / 45 / 12

HEX #45E17B

RGB 69 225 123

HSL 140.77, 0.72%, 0.58%

LAB 79.92, -62.2, 38.33

 

CMYK 75 / 0 / 50 / 19

HEX #34CF68

RGB 52 207 104

HSL 140.13, 0.62%, 0.51%

LAB 73.78, -61.44, 39.86

 

CMYK 81 / 0 / 55 / 26

HEX #23BD55

RGB 35 189 85

HSL 139.48, 0.69%, 0.44%

LAB 67.58, -60.27, 41.43

 

CMYK 89 / 0 / 61 / 33

HEX #12AB42

RGB 18 171 66

HSL 138.82, 0.81%, 0.37%

LAB 61.35, -58.5, 42.99

 

CMYK 99 / 0 / 69 / 40

HEX #01992F

RGB 1 153 47

HSL 138.16, 0.99%, 0.3%

LAB 55.07, -56.07, 44.36

 

CMYK 68 / 0 / 45 / 12

HEX #47E17C

RGB 71 225 124

HSL 140.65, 0.72%, 0.58%

LAB 79.98, -61.71, 37.91

 

CMYK 68 / 0 / 63 / 12

HEX #47E153

RGB 71 225 83

HSL 124.68, 0.72%, 0.58%

LAB 79.51, -67.18, 56.31

 

CMYK 55 / 0 / 68 / 12

HEX #65E147

RGB 101 225 71

HSL 108.31, 0.72%, 0.58%

LAB 80.22, -61.8, 62.11

 

CMYK 37 / 0 / 68 / 12

HEX #8EE147

RGB 142 225 71

HSL 92.34, 0.72%, 0.58%

LAB 81.87, -49.61, 64.34

 

CMYK 18 / 0 / 68 / 12

HEX #B8E147

RGB 184 225 71

HSL 75.97, 0.72%, 0.58%

LAB 84.22, -34.3, 67.5

 

CMYK 68 / 0 / 45 / 12

HEX #47E17C

RGB 71 225 124

HSL 140.65, 0.72%, 0.58%

LAB 79.98, -61.71, 37.91

 

CMYK 68 / 0 / 26 / 12

HEX #47E1A6

RGB 71 225 166

HSL 157.01, 0.72%, 0.58%

LAB 80.71, -53.72, 17.39

 

CMYK 68 / 0 / 8 / 12

HEX #47E1CF

RGB 71 225 207

HSL 172.99, 0.72%, 0.58%

LAB 81.67, -43.87, -2.89

 

CMYK 68 / 11 / 0 / 12

HEX #47C9E1

RGB 71 201 225

HSL 189.35, 0.72%, 0.58%

LAB 75.17, -27.64, -22.26

 

CMYK 68 / 29 / 0 / 12

HEX #479FE1

RGB 71 159 225

HSL 205.71, 0.72%, 0.58%

LAB 62.99, -5.46, -41.09

 

CMYK 68 / 0 / 45 / 12

HEX #47E17C

RGB 71 225 124

HSL 140.65, 0.72%, 0.58%

LAB 79.98, -61.71, 37.91

 

CMYK 78 / 0 / 51 / 5

HEX #35F277

RGB 53 242 119

HSL 140.95, 0.88%, 0.58%

LAB 84.79, -70.84, 46.31

 

CMYK 68 / 0 / 45 / 12

HEX #47E17C

RGB 71 225 124

HSL 140.65, 0.72%, 0.58%

LAB 79.98, -61.71, 37.91

 

CMYK 58 / 0 / 38 / 18

HEX #58D082

RGB 88 208 130

HSL 141, 0.56%, 0.58%

LAB 75.33, -50.92, 28.89

 

CMYK 45 / 0 / 29 / 25

HEX #69BE87

RGB 105 190 135

HSL 141.18, 0.4%, 0.58%

LAB 70.58, -38.09, 19.95

 

CMYK 29 / 0 / 19 / 32

HEX #7BAD8C

RGB 123 173 140

HSL 140.4, 0.23%, 0.58%

LAB 66.51, -23.58, 11.7

 

CMYK 10 / 0 / 6 / 39

HEX #8C9C92

RGB 140 156 146

HSL 142.5, 0.07%, 0.58%

LAB 62.87, -7.68, 3.3

 

CMYK 55 / 0 / 68 / 12

HEX #66E147

RGB 102 225 71

HSL 107.92, 0.72%, 0.58%

LAB 80.25, -61.55, 62.16

 

CMYK 68 / 0 / 64 / 12

HEX #47E151

RGB 71 225 81

HSL 123.9, 0.72%, 0.58%

LAB 79.49, -67.39, 57.12

 

CMYK 68 / 0 / 46 / 12

HEX #47E17A

RGB 71 225 122

HSL 139.87, 0.72%, 0.58%

LAB 79.95, -62.03, 38.87

 

CMYK 68 / 0 / 28 / 12

HEX #47E1A3

RGB 71 225 163

HSL 155.84, 0.72%, 0.58%

LAB 80.65, -54.37, 18.87

 

CMYK 68 / 0 / 9 / 12

HEX #47E1CC

RGB 71 225 204

HSL 171.82, 0.72%, 0.58%

LAB 81.59, -44.65, -1.42

 

CMYK 84 / 0 / 55 / 28

HEX #1EB753

RGB 30 183 83

HSL 140.78, 0.72%, 0.42%

LAB 65.57, -59.07, 39.95

 

CMYK 84 / 0 / 55 / 14

HEX #24DB63

RGB 36 219 99

HSL 140.66, 0.72%, 0.5%

LAB 77.24, -67.99, 46.44

 

CMYK 68 / 0 / 45 / 12

HEX #47E17C

RGB 71 225 124

HSL 140.65, 0.72%, 0.58%

LAB 79.98, -61.71, 37.91

 

CMYK 54 / 0 / 35 / 9

HEX #6AE795

RGB 106 231 149

HSL 140.64, 0.72%, 0.66%

LAB 83.12, -52.71, 29.63

 

CMYK 40 / 0 / 26 / 7

HEX #8EEDAF

RGB 142 237 175

HSL 140.84, 0.73%, 0.74%

LAB 86.71, -41.31, 21.39

 

CMYK 69 / 0 / 45 / 12

HEX #45E17B

RGB 69 225 123

HSL 140.77, 0.72%, 0.58%

LAB 79.92, -62.2, 38.33

 

CMYK 68 / 36 / 0 / 12

HEX #478FE1

RGB 71 143 225

HSL 211.95, 0.72%, 0.58%

LAB 58.43, 3.79, -48.27

 

CMYK 0 / 68 / 64 / 12

HEX #E14751

RGB 225 71 81

HSL 356.1, 0.72%, 0.58%

LAB 53.07, 59.96, 28.77

 

CMYK 69 / 0 / 45 / 12

HEX #45E17B

RGB 69 225 123

HSL 140.77, 0.72%, 0.58%

LAB 79.92, -62.2, 38.33

 

CMYK 46 / 68 / 0 / 12

HEX #7A47E1

RGB 122 71 225

HSL 259.87, 0.72%, 0.58%

LAB 44.35, 55.34, -70.75

 

CMYK 0 / 46 / 68 / 12

HEX #E17A47

RGB 225 122 71

HSL 19.87, 0.72%, 0.58%

LAB 61.98, 35.89, 44.94

 

CMYK 69 / 0 / 45 / 12

HEX #45E17B

RGB 69 225 123

HSL 140.77, 0.72%, 0.58%

LAB 79.92, -62.2, 38.33

 

CMYK 68 / 36 / 0 / 12

HEX #478FE1

RGB 71 143 225

HSL 211.95, 0.72%, 0.58%

LAB 58.43, 3.79, -48.27

 

CMYK 0 / 68 / 23 / 12

HEX #E147AE

RGB 225 71 174

HSL 319.87, 0.72%, 0.58%

LAB 55.65, 68.76, -22.55

 

CMYK 0 / 32 / 68 / 12

HEX #E19947

RGB 225 153 71

HSL 31.95, 0.72%, 0.58%

LAB 68.93, 19.48, 52.61

 

CMYK 69 / 0 / 45 / 12

HEX #45E17B

RGB 69 225 123

HSL 140.77, 0.72%, 0.58%

LAB 79.92, -62.2, 38.33

 

CMYK 68 / 57 / 0 / 12

HEX #4760E1

RGB 71 96 225

HSL 230.26, 0.72%, 0.58%

LAB 45.83, 32.73, -68.51

 

CMYK 0 / 68 / 23 / 12

HEX #E147AE

RGB 225 71 174

HSL 319.87, 0.72%, 0.58%

LAB 55.65, 68.76, -22.55

 

CMYK 0 / 12 / 68 / 12

HEX #E1C747

RGB 225 199 71

HSL 49.87, 0.72%, 0.58%

LAB 80.35, -4.78, 64.58

 

Description

Color code: HEX #45E17B | qconv.com Color code: HEX #45E17B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 225 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 225 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 45 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 45% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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