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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45DF3A it is the complementary color #BA20C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45DF3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45DF3A shade: #4ADF35, #5BF148, #6CFF5B, #7DFF6E and #8EFF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45DF3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45DF3A shade: #45DF3A, #34CD27, #23BB14, #12A901 and #019700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45DF3A shade: #45DF3A, #71DF3A, #9EDF3A, #CADF3A and #DFC73A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45DF3A shade: #45DF3A, #3ADF5B, #3ADF88, #3ADFB4 and #3ADDDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45DF3A shade matches the following richer shades: #45DF3A and #35F127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45DF3A shade: #45DF3A, #55CC4C, #65BA5F, #75A771 and #859584

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45DF3A shade: #9DDF3A, #71DF3A, #45DF3A, #3ADF5B and #3ADF87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45DF3A shade: #25AA1C, #2DCE21, #45DF3A, #66E55D and #88EA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45DF3A shade: #45DF3A, #3AC9DF and #DF3A87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45DF3A shade: #45DF3A, #3A45DF and #DF3A45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45DF3A shade: #45DF3A, #3AC9DF, #D43ADF and #DF503A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45DF3A shade: #45DF3A, #3A97DF, #D43ADF and #DF813A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

Complementary color

CMYK 6 / 84 / 0 / 23

HEX #BA20C5

RGB 186 32 197

HSL 296, 0.72%, 0.45%

LAB 46.32, 74.99, -51.05

 

CMYK 67 / 0 / 76 / 13

HEX #4ADF35

RGB 74 223 53

HSL 112.59, 0.73%, 0.54%

LAB 78.75, -68.51, 66.64

 

CMYK 62 / 0 / 70 / 5

HEX #5BF148

RGB 91 241 72

HSL 113.25, 0.86%, 0.61%

LAB 84.79, -69.57, 66.41

 

CMYK 58 / 0 / 64 / 0

HEX #6CFF5B

RGB 108 255 91

HSL 113.78, 1%, 0.68%

LAB 89.61, -68.92, 64.45

 

CMYK 51 / 0 / 57 / 0

HEX #7DFF6E

RGB 125 255 110

HSL 113.79, 1%, 0.72%

LAB 90.32, -62.82, 57.46

 

CMYK 44 / 0 / 49 / 0

HEX #8EFF81

RGB 142 255 129

HSL 113.81, 1%, 0.75%

LAB 91.17, -55.96, 50.01

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 75 / 0 / 81 / 20

HEX #34CD27

RGB 52 205 39

HSL 115.3, 0.68%, 0.48%

LAB 72.59, -67.52, 64.75

 

CMYK 81 / 0 / 89 / 27

HEX #23BB14

RGB 35 187 20

HSL 114.61, 0.81%, 0.41%

LAB 66.48, -65.29, 63.56

 

CMYK 89 / 0 / 99 / 34

HEX #12A901

RGB 18 169 1

HSL 113.93, 0.99%, 0.33%

LAB 60.34, -62.25, 61.12

 

CMYK 99 / 0 / 100 / 41

HEX #019700

RGB 1 151 0

HSL 119.6, 1%, 0.3%

LAB 54.17, -58.23, 56.27

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 49 / 0 / 74 / 13

HEX #71DF3A

RGB 113 223 58

HSL 100, 0.72%, 0.55%

LAB 79.95, -58.77, 66.6

 

CMYK 29 / 0 / 74 / 13

HEX #9EDF3A

RGB 158 223 58

HSL 83.64, 0.72%, 0.55%

LAB 82.03, -43.97, 69.34

 

CMYK 9 / 0 / 74 / 13

HEX #CADF3A

RGB 202 223 58

HSL 67.64, 0.72%, 0.55%

LAB 84.81, -26.88, 72.97

 

CMYK 0 / 11 / 74 / 13

HEX #DFC73A

RGB 223 199 58

HSL 51.27, 0.72%, 0.55%

LAB 80.09, -6.24, 69.11

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 74 / 0 / 59 / 13

HEX #3ADF5B

RGB 58 223 91

HSL 132, 0.72%, 0.55%

LAB 78.71, -67.73, 51.89

 

CMYK 74 / 0 / 39 / 13

HEX #3ADF88

RGB 58 223 136

HSL 148.36, 0.72%, 0.55%

LAB 79.3, -60.87, 30.96

 

CMYK 74 / 0 / 19 / 13

HEX #3ADFB4

RGB 58 223 180

HSL 164.36, 0.72%, 0.55%

LAB 80.16, -51.49, 9.21

 

CMYK 74 / 1 / 0 / 13

HEX #3ADDDF

RGB 58 221 223

HSL 180.73, 0.72%, 0.55%

LAB 80.71, -39.29, -12.86

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 78 / 0 / 84 / 5

HEX #35F127

RGB 53 241 39

HSL 115.84, 0.88%, 0.55%

LAB 83.87, -78.02, 75.03

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 58 / 0 / 63 / 20

HEX #55CC4C

RGB 85 204 76

HSL 115.78, 0.56%, 0.55%

LAB 73.31, -57.73, 52.46

 

CMYK 46 / 0 / 49 / 27

HEX #65BA5F

RGB 101 186 95

HSL 116.04, 0.4%, 0.55%

LAB 68.54, -44.08, 38.11

 

CMYK 30 / 0 / 32 / 35

HEX #75A771

RGB 117 167 113

HSL 115.56, 0.23%, 0.55%

LAB 63.85, -27.54, 22.76

 

CMYK 11 / 0 / 11 / 42

HEX #859584

RGB 133 149 132

HSL 116.47, 0.07%, 0.55%

LAB 60.02, -9.1, 7.04

 

CMYK 30 / 0 / 74 / 13

HEX #9DDF3A

RGB 157 223 58

HSL 84, 0.72%, 0.55%

LAB 81.97, -44.34, 69.27

 

CMYK 49 / 0 / 74 / 13

HEX #71DF3A

RGB 113 223 58

HSL 100, 0.72%, 0.55%

LAB 79.95, -58.77, 66.6

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 74 / 0 / 59 / 13

HEX #3ADF5B

RGB 58 223 91

HSL 132, 0.72%, 0.55%

LAB 78.71, -67.73, 51.89

 

CMYK 74 / 0 / 39 / 13

HEX #3ADF87

RGB 58 223 135

HSL 148, 0.72%, 0.55%

LAB 79.28, -61.05, 31.44

 

CMYK 78 / 0 / 84 / 33

HEX #25AA1C

RGB 37 170 28

HSL 116.2, 0.72%, 0.39%

LAB 60.98, -59.54, 56.91

 

CMYK 78 / 0 / 84 / 19

HEX #2DCE21

RGB 45 206 33

HSL 115.84, 0.72%, 0.47%

LAB 72.77, -69.12, 66.4

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 55 / 0 / 59 / 10

HEX #66E55D

RGB 102 229 93

HSL 116.03, 0.72%, 0.63%

LAB 81.65, -60.91, 54.67

 

CMYK 42 / 0 / 45 / 8

HEX #88EA81

RGB 136 234 129

HSL 116, 0.71%, 0.71%

LAB 84.83, -49.16, 42.05

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 74 / 10 / 0 / 13

HEX #3AC9DF

RGB 58 201 223

HSL 188, 0.72%, 0.55%

LAB 74.83, -29.89, -21.73

 

CMYK 0 / 74 / 39 / 13

HEX #DF3A87

RGB 223 58 135

HSL 332, 0.72%, 0.55%

LAB 52.36, 68.18, -4.54

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 74 / 69 / 0 / 13

HEX #3A45DF

RGB 58 69 223

HSL 236, 0.72%, 0.55%

LAB 38.7, 47.01, -79.07

 

CMYK 0 / 74 / 69 / 13

HEX #DF3A45

RGB 223 58 69

HSL 356, 0.72%, 0.55%

LAB 50.85, 63.32, 32.97

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 74 / 10 / 0 / 13

HEX #3AC9DF

RGB 58 201 223

HSL 188, 0.72%, 0.55%

LAB 74.83, -29.89, -21.73

 

CMYK 5 / 74 / 0 / 13

HEX #D43ADF

RGB 212 58 223

HSL 296, 0.72%, 0.55%

LAB 54.4, 77.35, -52.8

 

CMYK 0 / 64 / 74 / 13

HEX #DF503A

RGB 223 80 58

HSL 8, 0.72%, 0.55%

LAB 53.74, 54.55, 42.47

 

CMYK 69 / 0 / 74 / 13

HEX #45DF3A

RGB 69 223 58

HSL 116, 0.72%, 0.55%

LAB 78.66, -69.1, 64.9

 

CMYK 74 / 32 / 0 / 13

HEX #3A97DF

RGB 58 151 223

HSL 206.18, 0.72%, 0.55%

LAB 60.21, -3.39, -44.37

 

CMYK 5 / 74 / 0 / 13

HEX #D43ADF

RGB 212 58 223

HSL 296, 0.72%, 0.55%

LAB 54.4, 77.35, -52.8

 

CMYK 0 / 42 / 74 / 13

HEX #DF813A

RGB 223 129 58

HSL 25.82, 0.72%, 0.55%

LAB 63.09, 30.79, 52.38

 

Description

Color code: HEX #45DF3A | qconv.com Color code: HEX #45DF3A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 223 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 223 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 74 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 74% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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