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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45CCC3 it is the complementary color #BA333C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45CCC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45CCC3 shade: #4ACCBE, #5BDED1, #6CF0E4, #7DFFF7 and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45CCC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45CCC3 shade: #45CCC3, #34BAB0, #23A89D, #12968A and #018477

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45CCC3 shade: #47CDC4, #47CDA0, #47CD7C, #47CD57 and #5ACD47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45CCC3 shade: #47CDC4, #47B1CD, #478DCD, #4769CD and #4747CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45CCC3 shade matches the following richer shades: #47CDC4, #34E0D4 and #21F3E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45CCC3 shade: #47CDC4, #5ABAB3, #6DA7A3, #809492 and #938182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45CCC3 shade: #47CD7C, #47CDA0, #47CDC4, #47B2CD and #478ECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45CCC3 shade: #299790, #32B8AF, #47CDC4, #67D5CE and #88DED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45CCC3 shade: #45CCC3, #5947CD and #CD8E47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45CCC3 shade: #45CCC3, #C447CD and #CDC447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45CCC3 shade: #45CCC3, #5947CD, #CD4750 and #BBCD47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45CCC3 shade: #45CCC3, #8147CD, #CD4750 and #93CD47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 4 / 20

HEX #45CCC3

RGB 69 204 195

HSL 176, 0.57%, 0.54%

LAB 75.07, -37.97, -6.2

 

Complementary color

CMYK 0 / 73 / 68 / 27

HEX #BA333C

RGB 186 51 60

HSL 356, 0.57%, 0.46%

LAB 42.96, 54, 27.12

 

CMYK 64 / 0 / 7 / 20

HEX #4ACCBE

RGB 74 204 190

HSL 173.54, 0.56%, 0.55%

LAB 75.05, -38.53, -3.52

 

CMYK 59 / 0 / 6 / 13

HEX #5BDED1

RGB 91 222 209

HSL 174.05, 0.66%, 0.61%

LAB 81.33, -38.86, -4.4

 

CMYK 55 / 0 / 5 / 6

HEX #6CF0E4

RGB 108 240 228

HSL 174.55, 0.81%, 0.68%

LAB 87.54, -39.06, -5.22

 

CMYK 51 / 0 / 3 / 0

HEX #7DFFF7

RGB 125 255 247

HSL 176.31, 1%, 0.75%

LAB 92.84, -37.82, -7.22

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 66 / 0 / 4 / 20

HEX #45CCC3

RGB 69 204 195

HSL 176, 0.57%, 0.54%

LAB 75.07, -37.97, -6.2

 

CMYK 72 / 0 / 5 / 27

HEX #34BAB0

RGB 52 186 176

HSL 175.52, 0.56%, 0.47%

LAB 68.74, -37.33, -5.25

 

CMYK 79 / 0 / 7 / 34

HEX #23A89D

RGB 35 168 157

HSL 175.04, 0.66%, 0.4%

LAB 62.34, -36.43, -4.19

 

CMYK 88 / 0 / 8 / 41

HEX #12968A

RGB 18 150 138

HSL 174.55, 0.79%, 0.33%

LAB 55.86, -35.16, -2.98

 

CMYK 99 / 0 / 10 / 48

HEX #018477

RGB 1 132 119

HSL 174.05, 0.98%, 0.26%

LAB 49.3, -33.51, -1.64

 

CMYK 65 / 0 / 4 / 20

HEX #47CDC4

RGB 71 205 196

HSL 175.97, 0.57%, 0.54%

LAB 75.44, -37.85, -6.19

 

CMYK 65 / 0 / 22 / 20

HEX #47CDA0

RGB 71 205 160

HSL 159.85, 0.57%, 0.54%

LAB 74.53, -46.89, 11.89

 

CMYK 65 / 0 / 40 / 20

HEX #47CD7C

RGB 71 205 124

HSL 143.73, 0.57%, 0.54%

LAB 73.84, -54.29, 29.94

 

CMYK 65 / 0 / 58 / 20

HEX #47CD57

RGB 71 205 87

HSL 127.16, 0.57%, 0.54%

LAB 73.34, -59.91, 47.5

 

CMYK 56 / 0 / 65 / 20

HEX #5ACD47

RGB 90 205 71

HSL 111.49, 0.57%, 0.54%

LAB 73.73, -57.35, 55.07

 

CMYK 65 / 0 / 4 / 20

HEX #47CDC4

RGB 71 205 196

HSL 175.97, 0.57%, 0.54%

LAB 75.44, -37.85, -6.19

 

CMYK 65 / 14 / 0 / 20

HEX #47B1CD

RGB 71 177 205

HSL 192.54, 0.57%, 0.54%

LAB 67.42, -21.65, -23.17

 

CMYK 65 / 31 / 0 / 20

HEX #478DCD

RGB 71 141 205

HSL 208.66, 0.57%, 0.54%

LAB 56.88, -1.9, -39.52

 

CMYK 65 / 49 / 0 / 20

HEX #4769CD

RGB 71 105 205

HSL 224.78, 0.57%, 0.54%

LAB 46.78, 20.05, -55.58

 

CMYK 65 / 65 / 0 / 20

HEX #4747CD

RGB 71 71 205

HSL 240, 0.57%, 0.54%

LAB 38.29, 41.31, -69.35

 

CMYK 65 / 0 / 4 / 20

HEX #47CDC4

RGB 71 205 196

HSL 175.97, 0.57%, 0.54%

LAB 75.44, -37.85, -6.19

 

CMYK 77 / 0 / 5 / 12

HEX #34E0D4

RGB 52 224 212

HSL 175.81, 0.74%, 0.54%

LAB 81.18, -44.32, -6.31

 

CMYK 86 / 0 / 6 / 5

HEX #21F3E5

RGB 33 243 229

HSL 176, 0.9%, 0.54%

LAB 87.04, -49.24, -6.64

 

CMYK 65 / 0 / 4 / 20

HEX #47CDC4

RGB 71 205 196

HSL 175.97, 0.57%, 0.54%

LAB 75.44, -37.85, -6.19

 

CMYK 52 / 0 / 4 / 27

HEX #5ABAB3

RGB 90 186 179

HSL 175.63, 0.41%, 0.54%

LAB 69.86, -29.97, -5.13

 

CMYK 35 / 0 / 2 / 35

HEX #6DA7A3

RGB 109 167 163

HSL 175.86, 0.25%, 0.54%

LAB 64.59, -19.76, -3.95

 

CMYK 14 / 0 / 1 / 42

HEX #809492

RGB 128 148 146

HSL 174, 0.09%, 0.54%

LAB 59.75, -7.51, -1.35

 

CMYK 0 / 12 / 12 / 42

HEX #938182

RGB 147 129 130

HSL 356.67, 0.08%, 0.54%

LAB 55.6, 7.03, 1.97

 

CMYK 65 / 0 / 40 / 20

HEX #47CD7C

RGB 71 205 124

HSL 143.73, 0.57%, 0.54%

LAB 73.84, -54.29, 29.94

 

CMYK 65 / 0 / 22 / 20

HEX #47CDA0

RGB 71 205 160

HSL 159.85, 0.57%, 0.54%

LAB 74.53, -46.89, 11.89

 

CMYK 65 / 0 / 4 / 20

HEX #47CDC4

RGB 71 205 196

HSL 175.97, 0.57%, 0.54%

LAB 75.44, -37.85, -6.19

 

CMYK 65 / 13 / 0 / 20

HEX #47B2CD

RGB 71 178 205

HSL 192.09, 0.57%, 0.54%

LAB 67.72, -22.17, -22.72

 

CMYK 65 / 31 / 0 / 20

HEX #478ECD

RGB 71 142 205

HSL 208.21, 0.57%, 0.54%

LAB 57.17, -2.49, -39.06

 

CMYK 73 / 0 / 5 / 41

HEX #299790

RGB 41 151 144

HSL 176.18, 0.57%, 0.38%

LAB 56.7, -31.57, -5.14

 

CMYK 73 / 0 / 5 / 28

HEX #32B8AF

RGB 50 184 175

HSL 175.97, 0.57%, 0.46%

LAB 68.06, -36.95, -5.7

 

CMYK 65 / 0 / 4 / 20

HEX #47CDC4

RGB 71 205 196

HSL 175.97, 0.57%, 0.54%

LAB 75.44, -37.85, -6.19

 

CMYK 52 / 0 / 3 / 16

HEX #67D5CE

RGB 103 213 206

HSL 176.18, 0.57%, 0.62%

LAB 79, -33.15, -6.2

 

CMYK 39 / 0 / 2 / 13

HEX #88DED9

RGB 136 222 217

HSL 176.51, 0.57%, 0.7%

LAB 83.17, -27.09, -5.75

 

CMYK 66 / 0 / 4 / 20

HEX #45CCC3

RGB 69 204 195

HSL 176, 0.57%, 0.54%

LAB 75.07, -37.97, -6.2

 

CMYK 57 / 65 / 0 / 20

HEX #5947CD

RGB 89 71 205

HSL 248.06, 0.57%, 0.54%

LAB 39.64, 44.02, -67.09

 

CMYK 0 / 31 / 65 / 20

HEX #CD8E47

RGB 205 142 71

HSL 31.79, 0.57%, 0.54%

LAB 63.98, 16.97, 46.5

 

CMYK 66 / 0 / 4 / 20

HEX #45CCC3

RGB 69 204 195

HSL 176, 0.57%, 0.54%

LAB 75.07, -37.97, -6.2

 

CMYK 4 / 65 / 0 / 20

HEX #C447CD

RGB 196 71 205

HSL 295.97, 0.57%, 0.54%

LAB 52.56, 66.35, -45.61

 

CMYK 0 / 4 / 65 / 20

HEX #CDC447

RGB 205 196 71

HSL 55.97, 0.57%, 0.54%

LAB 77.82, -11.7, 61.43

 

CMYK 66 / 0 / 4 / 20

HEX #45CCC3

RGB 69 204 195

HSL 176, 0.57%, 0.54%

LAB 75.07, -37.97, -6.2

 

CMYK 57 / 65 / 0 / 20

HEX #5947CD

RGB 89 71 205

HSL 248.06, 0.57%, 0.54%

LAB 39.64, 44.02, -67.09

 

CMYK 0 / 65 / 61 / 20

HEX #CD4750

RGB 205 71 80

HSL 355.97, 0.57%, 0.54%

LAB 49.57, 53.49, 24.19

 

CMYK 9 / 0 / 65 / 20

HEX #BBCD47

RGB 187 205 71

HSL 68.06, 0.57%, 0.54%

LAB 78.86, -23.66, 62.06

 

CMYK 66 / 0 / 4 / 20

HEX #45CCC3

RGB 69 204 195

HSL 176, 0.57%, 0.54%

LAB 75.07, -37.97, -6.2

 

CMYK 37 / 65 / 0 / 20

HEX #8147CD

RGB 129 71 205

HSL 265.97, 0.57%, 0.54%

LAB 43.63, 51.49, -60.43

 

CMYK 0 / 65 / 61 / 20

HEX #CD4750

RGB 205 71 80

HSL 355.97, 0.57%, 0.54%

LAB 49.57, 53.49, 24.19

 

CMYK 28 / 0 / 65 / 20

HEX #93CD47

RGB 147 205 71

HSL 85.97, 0.57%, 0.54%

LAB 76.27, -39.31, 58.55

 

Description

Color code: HEX #45CCC3 | qconv.com Color code: HEX #45CCC3 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 204 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 204 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 4 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 4% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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