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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45CABB it is the complementary color #BA3544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45CABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45CABB shade: #4ACAB6, #5BDCC9, #6CEEDC, #7DFFEF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45CABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45CABB shade: #45CABB, #34B8A8, #23A695, #129482 and #01826F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45CABB shade: #44CABB, #44CA97, #44CA73, #44CA4F and #5ECA44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45CABB shade: #44CABB, #44B5CA, #4491CA, #446DCA and #4449CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45CABB shade matches the following richer shades: #44CABB, #31DECA and #1DF1D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45CABB shade: #44CABB, #57B7AC, #6BA39D, #7E908E and #927D7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45CABB shade: #44CA73, #44CA97, #44CABB, #44B6CA and #4492CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45CABB shade: #299287, #32B3A4, #44CABB, #64D3C7 and #84DCD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45CABB shade: #45CABB, #4F44CA and #CA8544

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45CABB shade: #45CABB, #BB44CA and #CABB44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45CABB shade: #45CABB, #4F44CA, #CA4454 and #BFCA44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45CABB shade: #45CABB, #7744CA, #CA4454 and #97CA44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 7 / 21

HEX #45CABB

RGB 69 202 187

HSL 173.23, 0.56%, 0.53%

LAB 74.25, -39.21, -3.09

 

Complementary color

CMYK 0 / 72 / 63 / 27

HEX #BA3544

RGB 186 53 68

HSL 353.23, 0.56%, 0.47%

LAB 43.36, 53.73, 22.74

 

CMYK 63 / 0 / 10 / 21

HEX #4ACAB6

RGB 74 202 182

HSL 170.63, 0.55%, 0.54%

LAB 74.24, -39.72, -0.38

 

CMYK 59 / 0 / 9 / 14

HEX #5BDCC9

RGB 91 220 201

HSL 171.16, 0.65%, 0.61%

LAB 80.53, -39.99, -1.32

 

CMYK 55 / 0 / 8 / 7

HEX #6CEEDC

RGB 108 238 220

HSL 171.69, 0.79%, 0.68%

LAB 86.75, -40.15, -2.18

 

CMYK 51 / 0 / 6 / 0

HEX #7DFFEF

RGB 125 255 239

HSL 172.62, 1%, 0.75%

LAB 92.62, -39.77, -3.4

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 66 / 0 / 7 / 21

HEX #45CABB

RGB 69 202 187

HSL 173.23, 0.56%, 0.53%

LAB 74.25, -39.21, -3.09

 

CMYK 72 / 0 / 9 / 28

HEX #34B8A8

RGB 52 184 168

HSL 172.73, 0.56%, 0.46%

LAB 67.9, -38.64, -2.08

 

CMYK 79 / 0 / 10 / 35

HEX #23A695

RGB 35 166 149

HSL 172.21, 0.65%, 0.39%

LAB 61.48, -37.8, -0.95

 

CMYK 88 / 0 / 12 / 42

HEX #129482

RGB 18 148 130

HSL 171.69, 0.78%, 0.33%

LAB 54.99, -36.58, 0.32

 

CMYK 99 / 0 / 15 / 49

HEX #01826F

RGB 1 130 111

HSL 171.16, 0.98%, 0.26%

LAB 48.41, -34.97, 1.75

 

CMYK 66 / 0 / 7 / 21

HEX #44CABB

RGB 68 202 187

HSL 173.28, 0.56%, 0.53%

LAB 74.23, -39.36, -3.12

 

CMYK 66 / 0 / 25 / 21

HEX #44CA97

RGB 68 202 151

HSL 157.16, 0.56%, 0.53%

LAB 73.35, -48.19, 15.04

 

CMYK 66 / 0 / 43 / 21

HEX #44CA73

RGB 68 202 115

HSL 141.04, 0.56%, 0.53%

LAB 72.7, -55.28, 33.05

 

CMYK 66 / 0 / 61 / 21

HEX #44CA4F

RGB 68 202 79

HSL 124.93, 0.56%, 0.53%

LAB 72.25, -60.4, 49.83

 

CMYK 53 / 0 / 66 / 21

HEX #5ECA44

RGB 94 202 68

HSL 108.36, 0.56%, 0.53%

LAB 72.92, -55.47, 55.46

 

CMYK 66 / 0 / 7 / 21

HEX #44CABB

RGB 68 202 187

HSL 173.28, 0.56%, 0.53%

LAB 74.23, -39.36, -3.12

 

CMYK 66 / 10 / 0 / 21

HEX #44B5CA

RGB 68 181 202

HSL 189.4, 0.56%, 0.53%

LAB 68.42, -25.08, -20.01

 

CMYK 66 / 28 / 0 / 21

HEX #4491CA

RGB 68 145 202

HSL 205.52, 0.56%, 0.53%

LAB 57.79, -5.73, -36.4

 

CMYK 66 / 46 / 0 / 21

HEX #446DCA

RGB 68 109 202

HSL 221.64, 0.56%, 0.53%

LAB 47.53, 15.98, -52.65

 

CMYK 66 / 64 / 0 / 21

HEX #4449CA

RGB 68 73 202

HSL 237.76, 0.56%, 0.53%

LAB 38.3, 38.68, -67.61

 

CMYK 66 / 0 / 7 / 21

HEX #44CABB

RGB 68 202 187

HSL 173.28, 0.56%, 0.53%

LAB 74.23, -39.36, -3.12

 

CMYK 78 / 0 / 9 / 13

HEX #31DECA

RGB 49 222 202

HSL 173.06, 0.72%, 0.53%

LAB 80.27, -46.45, -2.34

 

CMYK 88 / 0 / 10 / 5

HEX #1DF1D9

RGB 29 241 217

HSL 173.21, 0.88%, 0.53%

LAB 86.1, -51.86, -1.74

 

CMYK 66 / 0 / 7 / 21

HEX #44CABB

RGB 68 202 187

HSL 173.28, 0.56%, 0.53%

LAB 74.23, -39.36, -3.12

 

CMYK 52 / 0 / 6 / 28

HEX #57B7AC

RGB 87 183 172

HSL 173.13, 0.4%, 0.53%

LAB 68.66, -30.99, -3.06

 

CMYK 34 / 0 / 4 / 36

HEX #6BA39D

RGB 107 163 157

HSL 173.57, 0.23%, 0.53%

LAB 63.14, -19.71, -2.74

 

CMYK 13 / 0 / 1 / 44

HEX #7E908E

RGB 126 144 142

HSL 173.33, 0.08%, 0.53%

LAB 58.35, -6.85, -1.13

 

CMYK 0 / 14 / 13 / 43

HEX #927D7F

RGB 146 125 127

HSL 354.29, 0.09%, 0.53%

LAB 54.35, 8.41, 1.89

 

CMYK 66 / 0 / 43 / 21

HEX #44CA73

RGB 68 202 115

HSL 141.04, 0.56%, 0.53%

LAB 72.7, -55.28, 33.05

 

CMYK 66 / 0 / 25 / 21

HEX #44CA97

RGB 68 202 151

HSL 157.16, 0.56%, 0.53%

LAB 73.35, -48.19, 15.04

 

CMYK 66 / 0 / 7 / 21

HEX #44CABB

RGB 68 202 187

HSL 173.28, 0.56%, 0.53%

LAB 74.23, -39.36, -3.12

 

CMYK 66 / 10 / 0 / 21

HEX #44B6CA

RGB 68 182 202

HSL 188.96, 0.56%, 0.53%

LAB 68.71, -25.58, -19.56

 

CMYK 66 / 28 / 0 / 21

HEX #4492CA

RGB 68 146 202

HSL 205.07, 0.56%, 0.53%

LAB 58.09, -6.3, -35.94

 

CMYK 72 / 0 / 8 / 43

HEX #299287

RGB 41 146 135

HSL 173.71, 0.56%, 0.37%

LAB 54.84, -31.8, -2.72

 

CMYK 72 / 0 / 8 / 30

HEX #32B3A4

RGB 50 179 164

HSL 173.02, 0.56%, 0.45%

LAB 66.21, -37.74, -2.35

 

CMYK 66 / 0 / 7 / 21

HEX #44CABB

RGB 68 202 187

HSL 173.28, 0.56%, 0.53%

LAB 74.23, -39.36, -3.12

 

CMYK 53 / 0 / 6 / 17

HEX #64D3C7

RGB 100 211 199

HSL 173.51, 0.56%, 0.61%

LAB 78.12, -34.61, -3.75

 

CMYK 40 / 0 / 5 / 14

HEX #84DCD2

RGB 132 220 210

HSL 173.18, 0.56%, 0.69%

LAB 82.24, -28.79, -3.42

 

CMYK 66 / 0 / 7 / 21

HEX #45CABB

RGB 69 202 187

HSL 173.23, 0.56%, 0.53%

LAB 74.25, -39.21, -3.09

 

CMYK 61 / 66 / 0 / 21

HEX #4F44CA

RGB 79 68 202

HSL 244.93, 0.56%, 0.53%

LAB 37.95, 43.25, -68.15

 

CMYK 0 / 34 / 66 / 21

HEX #CA8544

RGB 202 133 68

HSL 29.1, 0.56%, 0.53%

LAB 61.44, 20.42, 45.02

 

CMYK 66 / 0 / 7 / 21

HEX #45CABB

RGB 69 202 187

HSL 173.23, 0.56%, 0.53%

LAB 74.25, -39.21, -3.09

 

CMYK 7 / 66 / 0 / 21

HEX #BB44CA

RGB 187 68 202

HSL 293.28, 0.56%, 0.53%

LAB 50.64, 64.95, -47.02

 

CMYK 0 / 7 / 66 / 21

HEX #CABB44

RGB 202 187 68

HSL 53.28, 0.56%, 0.53%

LAB 75.15, -8.54, 59.8

 

CMYK 66 / 0 / 7 / 21

HEX #45CABB

RGB 69 202 187

HSL 173.23, 0.56%, 0.53%

LAB 74.25, -39.21, -3.09

 

CMYK 61 / 66 / 0 / 21

HEX #4F44CA

RGB 79 68 202

HSL 244.93, 0.56%, 0.53%

LAB 37.95, 43.25, -68.15

 

CMYK 0 / 66 / 58 / 21

HEX #CA4454

RGB 202 68 84

HSL 352.84, 0.56%, 0.53%

LAB 48.67, 54.02, 20.51

 

CMYK 5 / 0 / 66 / 21

HEX #BFCA44

RGB 191 202 68

HSL 64.93, 0.56%, 0.53%

LAB 78.31, -20.73, 62.77

 

CMYK 66 / 0 / 7 / 21

HEX #45CABB

RGB 69 202 187

HSL 173.23, 0.56%, 0.53%

LAB 74.25, -39.21, -3.09

 

CMYK 41 / 66 / 0 / 21

HEX #7744CA

RGB 119 68 202

HSL 262.84, 0.56%, 0.53%

LAB 41.72, 50.25, -61.84

 

CMYK 0 / 66 / 58 / 21

HEX #CA4454

RGB 202 68 84

HSL 352.84, 0.56%, 0.53%

LAB 48.67, 54.02, 20.51

 

CMYK 25 / 0 / 66 / 21

HEX #97CA44

RGB 151 202 68

HSL 82.84, 0.56%, 0.53%

LAB 75.6, -36.69, 59.12

 

Description

Color code: HEX #45CABB | qconv.com Color code: HEX #45CABB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 202 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 202 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 7 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 7% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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