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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45CA48 it is the complementary color #BA35B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45CA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45CA48 shade: #4ACA43, #5BDC56, #6CEE69, #7DFF7C and #8EFF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45CA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45CA48 shade: #45CA48, #34B835, #23A622, #12940F and #018200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45CA48 shade: #44CA47, #65CA44, #89CA44, #AECA44 and #CAC344

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45CA48 shade: #44CA47, #44CA6B, #44CA8F, #44CAB4 and #44BDCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45CA48 shade matches the following richer shades: #44CA47, #31DE35 and #1DF122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45CA48 shade: #44CA47, #57B75A, #6BA36C, #7E907F and #927D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45CA48 shade: #89CA44, #66CA44, #44CA46, #44CA6A and #44CA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45CA48 shade: #29922C, #32B335, #44CA47, #64D367 and #84DC86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45CA48 shade: #45CA48, #44ADCA and #CA4477

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45CA48 shade: #45CA48, #4644CA and #CA4644

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45CA48 shade: #45CA48, #44ADCA, #CA44C8 and #CA6144

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45CA48 shade: #45CA48, #4485CA, #CA44C8 and #CA8944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 64 / 21

HEX #45CA48

RGB 69 202 72

HSL 121.35, 0.56%, 0.53%

LAB 72.21, -60.96, 52.82

 

Complementary color

CMYK 0 / 72 / 2 / 27

HEX #BA35B7

RGB 186 53 183

HSL 301.35, 0.56%, 0.47%

LAB 47.5, 66.99, -41

 

CMYK 63 / 0 / 67 / 21

HEX #4ACA43

RGB 74 202 67

HSL 116.89, 0.56%, 0.53%

LAB 72.3, -60.41, 55.01

 

CMYK 59 / 0 / 61 / 14

HEX #5BDC56

RGB 91 220 86

HSL 117.76, 0.66%, 0.6%

LAB 78.51, -61.04, 54.05

 

CMYK 55 / 0 / 56 / 7

HEX #6CEE69

RGB 108 238 105

HSL 118.65, 0.8%, 0.67%

LAB 84.67, -61.39, 52.91

 

CMYK 51 / 0 / 51 / 0

HEX #7DFF7C

RGB 125 255 124

HSL 119.54, 1%, 0.74%

LAB 90.48, -61.17, 51.34

 

CMYK 44 / 0 / 44 / 0

HEX #8EFF8F

RGB 142 255 143

HSL 120.53, 1%, 0.78%

LAB 91.35, -54.11, 43.6

 

CMYK 66 / 0 / 64 / 21

HEX #45CA48

RGB 69 202 72

HSL 121.35, 0.56%, 0.53%

LAB 72.21, -60.96, 52.82

 

CMYK 72 / 0 / 71 / 28

HEX #34B835

RGB 52 184 53

HSL 120.45, 0.56%, 0.46%

LAB 65.96, -59.89, 53.66

 

CMYK 79 / 0 / 80 / 35

HEX #23A622

RGB 35 166 34

HSL 119.55, 0.66%, 0.39%

LAB 59.66, -58.22, 53.92

 

CMYK 88 / 0 / 90 / 42

HEX #12940F

RGB 18 148 15

HSL 118.65, 0.82%, 0.32%

LAB 53.32, -55.69, 53.06

 

CMYK 99 / 0 / 100 / 49

HEX #018200

RGB 1 130 0

HSL 119.54, 1%, 0.25%

LAB 46.94, -52.2, 50.47

 

CMYK 66 / 0 / 65 / 21

HEX #44CA47

RGB 68 202 71

HSL 121.34, 0.56%, 0.53%

LAB 72.18, -61.26, 53.19

 

CMYK 50 / 0 / 66 / 21

HEX #65CA44

RGB 101 202 68

HSL 105.22, 0.56%, 0.53%

LAB 73.17, -53.53, 55.8

 

CMYK 32 / 0 / 66 / 21

HEX #89CA44

RGB 137 202 68

HSL 89.1, 0.56%, 0.53%

LAB 74.81, -41.86, 58.04

 

CMYK 14 / 0 / 66 / 21

HEX #AECA44

RGB 174 202 68

HSL 72.54, 0.56%, 0.53%

LAB 77.08, -27.68, 61.11

 

CMYK 0 / 3 / 66 / 21

HEX #CAC344

RGB 202 195 68

HSL 56.87, 0.56%, 0.53%

LAB 77.28, -12.63, 62

 

CMYK 66 / 0 / 65 / 21

HEX #44CA47

RGB 68 202 71

HSL 121.34, 0.56%, 0.53%

LAB 72.18, -61.26, 53.19

 

CMYK 66 / 0 / 47 / 21

HEX #44CA6B

RGB 68 202 107

HSL 137.46, 0.56%, 0.53%

LAB 72.58, -56.59, 36.94

 

CMYK 66 / 0 / 29 / 21

HEX #44CA8F

RGB 68 202 143

HSL 153.58, 0.56%, 0.53%

LAB 73.19, -49.92, 19.08

 

CMYK 66 / 0 / 11 / 21

HEX #44CAB4

RGB 68 202 180

HSL 170.15, 0.56%, 0.53%

LAB 74.04, -41.2, 0.39

 

CMYK 66 / 6 / 0 / 21

HEX #44BDCA

RGB 68 189 202

HSL 185.82, 0.56%, 0.53%

LAB 70.79, -29.04, -16.41

 

CMYK 66 / 0 / 65 / 21

HEX #44CA47

RGB 68 202 71

HSL 121.34, 0.56%, 0.53%

LAB 72.18, -61.26, 53.19

 

CMYK 78 / 0 / 76 / 13

HEX #31DE35

RGB 49 222 53

HSL 121.39, 0.72%, 0.53%

LAB 77.96, -72.21, 65.72

 

CMYK 88 / 0 / 86 / 5

HEX #1DF122

RGB 29 241 34

HSL 121.42, 0.88%, 0.53%

LAB 83.59, -80.54, 75.75

 

CMYK 66 / 0 / 65 / 21

HEX #44CA47

RGB 68 202 71

HSL 121.34, 0.56%, 0.53%

LAB 72.18, -61.26, 53.19

 

CMYK 52 / 0 / 51 / 28

HEX #57B75A

RGB 87 183 90

HSL 121.88, 0.4%, 0.53%

LAB 67, -47.5, 38.57

 

CMYK 34 / 0 / 34 / 36

HEX #6BA36C

RGB 107 163 108

HSL 121.07, 0.23%, 0.53%

LAB 62, -29.83, 22.91

 

CMYK 13 / 0 / 12 / 44

HEX #7E907F

RGB 126 144 127

HSL 123.33, 0.08%, 0.53%

LAB 57.96, -9.89, 6.87

 

CMYK 0 / 14 / 1 / 43

HEX #927D91

RGB 146 125 145

HSL 302.86, 0.09%, 0.53%

LAB 54.89, 11.78, -7.79

 

CMYK 32 / 0 / 66 / 21

HEX #89CA44

RGB 137 202 68

HSL 89.1, 0.56%, 0.53%

LAB 74.81, -41.86, 58.04

 

CMYK 50 / 0 / 66 / 21

HEX #66CA44

RGB 102 202 68

HSL 104.78, 0.56%, 0.53%

LAB 73.21, -53.25, 55.86

 

CMYK 66 / 0 / 65 / 21

HEX #44CA46

RGB 68 202 70

HSL 120.9, 0.56%, 0.53%

LAB 72.17, -61.36, 53.6

 

CMYK 66 / 0 / 48 / 21

HEX #44CA6A

RGB 68 202 106

HSL 137.01, 0.56%, 0.53%

LAB 72.57, -56.75, 37.42

 

CMYK 66 / 0 / 30 / 21

HEX #44CA8E

RGB 68 202 142

HSL 153.13, 0.56%, 0.53%

LAB 73.17, -50.13, 19.58

 

CMYK 72 / 0 / 70 / 43

HEX #29922C

RGB 41 146 44

HSL 121.71, 0.56%, 0.37%

LAB 53.18, -49.83, 43.75

 

CMYK 72 / 0 / 70 / 30

HEX #32B335

RGB 50 179 53

HSL 121.4, 0.56%, 0.45%

LAB 64.3, -58.59, 51.92

 

CMYK 66 / 0 / 65 / 21

HEX #44CA47

RGB 68 202 71

HSL 121.34, 0.56%, 0.53%

LAB 72.18, -61.26, 53.19

 

CMYK 53 / 0 / 51 / 17

HEX #64D367

RGB 100 211 103

HSL 121.62, 0.56%, 0.61%

LAB 76.24, -53.42, 43.66

 

CMYK 40 / 0 / 39 / 14

HEX #84DC86

RGB 132 220 134

HSL 121.36, 0.56%, 0.69%

LAB 80.63, -43.68, 34.15

 

CMYK 66 / 0 / 64 / 21

HEX #45CA48

RGB 69 202 72

HSL 121.35, 0.56%, 0.53%

LAB 72.21, -60.96, 52.82

 

CMYK 66 / 14 / 0 / 21

HEX #44ADCA

RGB 68 173 202

HSL 192.99, 0.56%, 0.53%

LAB 66.04, -20.99, -23.63

 

CMYK 0 / 66 / 41 / 21

HEX #CA4477

RGB 202 68 119

HSL 337.16, 0.56%, 0.53%

LAB 49.52, 57.07, 0.5

 

CMYK 66 / 0 / 64 / 21

HEX #45CA48

RGB 69 202 72

HSL 121.35, 0.56%, 0.53%

LAB 72.21, -60.96, 52.82

 

CMYK 65 / 66 / 0 / 21

HEX #4644CA

RGB 70 68 202

HSL 240.9, 0.56%, 0.53%

LAB 37.3, 41.98, -69.24

 

CMYK 0 / 65 / 66 / 21

HEX #CA4644

RGB 202 70 68

HSL 0.9, 0.56%, 0.53%

LAB 48.7, 52.17, 30.07

 

CMYK 66 / 0 / 64 / 21

HEX #45CA48

RGB 69 202 72

HSL 121.35, 0.56%, 0.53%

LAB 72.21, -60.96, 52.82

 

CMYK 66 / 14 / 0 / 21

HEX #44ADCA

RGB 68 173 202

HSL 192.99, 0.56%, 0.53%

LAB 66.04, -20.99, -23.63

 

CMYK 0 / 66 / 1 / 21

HEX #CA44C8

RGB 202 68 200

HSL 300.9, 0.56%, 0.53%

LAB 52.8, 68.05, -42.32

 

CMYK 0 / 52 / 66 / 21

HEX #CA6144

RGB 202 97 68

HSL 12.99, 0.56%, 0.53%

LAB 53.52, 39.55, 35.88

 

CMYK 66 / 0 / 64 / 21

HEX #45CA48

RGB 69 202 72

HSL 121.35, 0.56%, 0.53%

LAB 72.21, -60.96, 52.82

 

CMYK 66 / 34 / 0 / 21

HEX #4485CA

RGB 68 133 202

HSL 210.9, 0.56%, 0.53%

LAB 54.31, 1.27, -41.87

 

CMYK 0 / 66 / 1 / 21

HEX #CA44C8

RGB 202 68 200

HSL 300.9, 0.56%, 0.53%

LAB 52.8, 68.05, -42.32

 

CMYK 0 / 32 / 66 / 21

HEX #CA8944

RGB 202 137 68

HSL 30.9, 0.56%, 0.53%

LAB 62.39, 18.23, 46.1

 

Description

Color code: HEX #45CA48 | qconv.com Color code: HEX #45CA48 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 202 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 202 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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