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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45C744 it is the complementary color #BA38BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45C744. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45C744 shade: #4AC73F, #5BD952, #6CEB65, #7DFD78 and #8EFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45C744. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45C744 shade: #45C744, #34B531, #23A31E, #12910B and #017F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45C744 shade: #44C743, #67C743, #8BC743, #AEC743 and #C7BB43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45C744 shade: #44C743, #43C765, #43C789, #43C7AC and #43BDC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45C744 shade matches the following richer shades: #44C743, #30DB2F and #1DEE1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45C744 shade: #44C743, #57B356, #6B9F6A, #7E8B7E and #927792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45C744 shade: #8BC743, #68C743, #45C743, #43C764 and #43C787

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45C744 shade: #2B8D2A, #34AC34, #44C743, #63D062 and #83DA82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45C744 shade: #45C744, #43AEC7 and #C7437A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45C744 shade: #45C744, #4345C7 and #C74345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45C744 shade: #45C744, #43AEC7, #C443C7 and #C75B43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45C744 shade: #45C744, #4387C7, #C443C7 and #C78243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 66 / 22

HEX #45C744

RGB 69 199 68

HSL 119.54, 0.54%, 0.52%

LAB 71.23, -60.33, 53.42

 

Complementary color

CMYK 1 / 70 / 0 / 27

HEX #BA38BB

RGB 186 56 187

HSL 299.54, 0.54%, 0.48%

LAB 48.08, 66.62, -42.42

 

CMYK 63 / 0 / 68 / 22

HEX #4AC73F

RGB 74 199 63

HSL 115.15, 0.55%, 0.51%

LAB 71.32, -59.74, 55.57

 

CMYK 58 / 0 / 62 / 15

HEX #5BD952

RGB 91 217 82

HSL 116, 0.64%, 0.59%

LAB 77.55, -60.38, 54.69

 

CMYK 54 / 0 / 57 / 8

HEX #6CEB65

RGB 108 235 101

HSL 116.87, 0.77%, 0.66%

LAB 83.73, -60.74, 53.6

 

CMYK 51 / 0 / 53 / 1

HEX #7DFD78

RGB 125 253 120

HSL 117.74, 0.97%, 0.73%

LAB 89.84, -60.91, 52.41

 

CMYK 44 / 0 / 45 / 0

HEX #8EFF8B

RGB 142 255 139

HSL 118.45, 1%, 0.77%

LAB 91.3, -54.66, 45.45

 

CMYK 65 / 0 / 66 / 22

HEX #45C744

RGB 69 199 68

HSL 119.54, 0.54%, 0.52%

LAB 71.23, -60.33, 53.42

 

CMYK 71 / 0 / 73 / 29

HEX #34B531

RGB 52 181 49

HSL 118.64, 0.57%, 0.45%

LAB 64.96, -59.24, 54.13

 

CMYK 79 / 0 / 82 / 36

HEX #23A31E

RGB 35 163 30

HSL 117.74, 0.69%, 0.38%

LAB 58.64, -57.53, 54.18

 

CMYK 88 / 0 / 92 / 43

HEX #12910B

RGB 18 145 11

HSL 116.87, 0.86%, 0.31%

LAB 52.29, -54.94, 52.93

 

CMYK 99 / 0 / 100 / 50

HEX #017F00

RGB 1 127 0

HSL 119.53, 1%, 0.25%

LAB 45.89, -51.33, 49.63

 

CMYK 66 / 0 / 66 / 22

HEX #44C743

RGB 68 199 67

HSL 119.55, 0.54%, 0.52%

LAB 71.2, -60.63, 53.78

 

CMYK 48 / 0 / 66 / 22

HEX #67C743

RGB 103 199 67

HSL 103.64, 0.54%, 0.52%

LAB 72.32, -51.88, 55.32

 

CMYK 30 / 0 / 66 / 22

HEX #8BC743

RGB 139 199 67

HSL 87.27, 0.54%, 0.52%

LAB 74.02, -39.89, 57.65

 

CMYK 13 / 0 / 66 / 22

HEX #AEC743

RGB 174 199 67

HSL 71.36, 0.54%, 0.52%

LAB 76.22, -26.31, 60.62

 

CMYK 0 / 6 / 66 / 22

HEX #C7BB43

RGB 199 187 67

HSL 54.55, 0.54%, 0.52%

LAB 74.88, -9.87, 59.85

 

CMYK 66 / 0 / 66 / 22

HEX #44C743

RGB 68 199 67

HSL 119.55, 0.54%, 0.52%

LAB 71.2, -60.63, 53.78

 

CMYK 66 / 0 / 49 / 22

HEX #43C765

RGB 67 199 101

HSL 135.45, 0.54%, 0.52%

LAB 71.54, -56.6, 38.61

 

CMYK 66 / 0 / 31 / 22

HEX #43C789

RGB 67 199 137

HSL 151.82, 0.54%, 0.52%

LAB 72.13, -50.14, 20.8

 

CMYK 66 / 0 / 14 / 22

HEX #43C7AC

RGB 67 199 172

HSL 167.73, 0.54%, 0.52%

LAB 72.9, -42.08, 3.07

 

CMYK 66 / 5 / 0 / 22

HEX #43BDC7

RGB 67 189 199

HSL 184.55, 0.54%, 0.52%

LAB 70.67, -30.08, -14.95

 

CMYK 66 / 0 / 66 / 22

HEX #44C743

RGB 68 199 67

HSL 119.55, 0.54%, 0.52%

LAB 71.2, -60.63, 53.78

 

CMYK 78 / 0 / 79 / 14

HEX #30DB2F

RGB 48 219 47

HSL 119.65, 0.7%, 0.52%

LAB 76.98, -71.83, 66.59

 

CMYK 88 / 0 / 89 / 7

HEX #1DEE1B

RGB 29 238 27

HSL 119.43, 0.86%, 0.52%

LAB 82.64, -79.97, 76.2

 

CMYK 66 / 0 / 66 / 22

HEX #44C743

RGB 68 199 67

HSL 119.55, 0.54%, 0.52%

LAB 71.2, -60.63, 53.78

 

CMYK 51 / 0 / 52 / 30

HEX #57B356

RGB 87 179 86

HSL 119.35, 0.38%, 0.52%

LAB 65.7, -46.42, 38.96

 

CMYK 33 / 0 / 33 / 38

HEX #6B9F6A

RGB 107 159 106

HSL 118.87, 0.22%, 0.52%

LAB 60.75, -28.24, 22.32

 

CMYK 9 / 0 / 9 / 45

HEX #7E8B7E

RGB 126 139 126

HSL 120, 0.05%, 0.52%

LAB 56.49, -7.33, 5.34

 

CMYK 0 / 18 / 0 / 43

HEX #927792

RGB 146 119 146

HSL 300, 0.11%, 0.52%

LAB 53.36, 15.46, -10.66

 

CMYK 30 / 0 / 66 / 22

HEX #8BC743

RGB 139 199 67

HSL 87.27, 0.54%, 0.52%

LAB 74.02, -39.89, 57.65

 

CMYK 48 / 0 / 66 / 22

HEX #68C743

RGB 104 199 67

HSL 103.18, 0.54%, 0.52%

LAB 72.36, -51.58, 55.37

 

CMYK 65 / 0 / 66 / 22

HEX #45C743

RGB 69 199 67

HSL 119.09, 0.54%, 0.52%

LAB 71.23, -60.43, 53.82

 

CMYK 66 / 0 / 50 / 22

HEX #43C764

RGB 67 199 100

HSL 135, 0.54%, 0.52%

LAB 71.53, -56.75, 39.09

 

CMYK 66 / 0 / 32 / 22

HEX #43C787

RGB 67 199 135

HSL 150.91, 0.54%, 0.52%

LAB 72.09, -50.55, 21.81

 

CMYK 70 / 0 / 70 / 45

HEX #2B8D2A

RGB 43 141 42

HSL 119.39, 0.54%, 0.36%

LAB 51.53, -47.87, 42.85

 

CMYK 70 / 0 / 70 / 33

HEX #34AC34

RGB 52 172 52

HSL 120, 0.54%, 0.44%

LAB 62.07, -55.96, 49.98

 

CMYK 66 / 0 / 66 / 22

HEX #44C743

RGB 68 199 67

HSL 119.55, 0.54%, 0.52%

LAB 71.2, -60.63, 53.78

 

CMYK 52 / 0 / 53 / 18

HEX #63D062

RGB 99 208 98

HSL 119.45, 0.54%, 0.6%

LAB 75.23, -53.16, 44.81

 

CMYK 40 / 0 / 40 / 15

HEX #83DA82

RGB 131 218 130

HSL 119.32, 0.54%, 0.68%

LAB 79.94, -43.72, 35.26

 

CMYK 65 / 0 / 66 / 22

HEX #45C744

RGB 69 199 68

HSL 119.54, 0.54%, 0.52%

LAB 71.23, -60.33, 53.42

 

CMYK 66 / 13 / 0 / 22

HEX #43AEC7

RGB 67 174 199

HSL 191.36, 0.54%, 0.52%

LAB 66.2, -22.59, -21.72

 

CMYK 0 / 66 / 39 / 22

HEX #C7437A

RGB 199 67 122

HSL 335, 0.54%, 0.52%

LAB 48.96, 56.89, -2.2

 

CMYK 65 / 0 / 66 / 22

HEX #45C744

RGB 69 199 68

HSL 119.54, 0.54%, 0.52%

LAB 71.23, -60.33, 53.42

 

CMYK 66 / 65 / 0 / 22

HEX #4345C7

RGB 67 69 199

HSL 239.09, 0.54%, 0.52%

LAB 37.07, 39.97, -67.89

 

CMYK 0 / 66 / 65 / 22

HEX #C74345

RGB 199 67 69

HSL 359.09, 0.54%, 0.52%

LAB 47.73, 52.48, 28.17

 

CMYK 65 / 0 / 66 / 22

HEX #45C744

RGB 69 199 68

HSL 119.54, 0.54%, 0.52%

LAB 71.23, -60.33, 53.42

 

CMYK 66 / 13 / 0 / 22

HEX #43AEC7

RGB 67 174 199

HSL 191.36, 0.54%, 0.52%

LAB 66.2, -22.59, -21.72

 

CMYK 2 / 66 / 0 / 22

HEX #C443C7

RGB 196 67 199

HSL 298.64, 0.54%, 0.52%

LAB 51.69, 66.87, -43.55

 

CMYK 0 / 54 / 66 / 22

HEX #C75B43

RGB 199 91 67

HSL 10.91, 0.54%, 0.52%

LAB 51.87, 41.36, 34.37

 

CMYK 65 / 0 / 66 / 22

HEX #45C744

RGB 69 199 68

HSL 119.54, 0.54%, 0.52%

LAB 71.23, -60.33, 53.42

 

CMYK 66 / 32 / 0 / 22

HEX #4387C7

RGB 67 135 199

HSL 209.09, 0.54%, 0.52%

LAB 54.7, -1.12, -39.55

 

CMYK 2 / 66 / 0 / 22

HEX #C443C7

RGB 196 67 199

HSL 298.64, 0.54%, 0.52%

LAB 51.69, 66.87, -43.55

 

CMYK 0 / 35 / 66 / 22

HEX #C78243

RGB 199 130 67

HSL 28.64, 0.54%, 0.52%

LAB 60.35, 20.72, 44.2

 

Description

Color code: HEX #45C744 | qconv.com Color code: HEX #45C744 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 199 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 199 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 66 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 66% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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