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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45C347 it is the complementary color #BA3CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45C347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45C347 shade: #4AC342, #5BD555, #6CE768, #7DF97B and #8EFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45C347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45C347 shade: #45C347, #34B134, #239F21, #128D0E and #017B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45C347 shade: #46C348, #66C346, #88C346, #A9C346 and #C3BB46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45C347 shade: #46C348, #46C36A, #46C38B, #46C3AD and #46B7C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45C347 shade matches the following richer shades: #46C348, #32D735, #1FEB22 and #0BFE0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45C347 shade: #46C348, #5AAF5B, #6E9B6F, #828882 and #957495

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45C347 shade: #89C346, #67C346, #46C346, #46C367 and #46C389

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45C347 shade: #2D8A2E, #37A939, #46C348, #65CD67 and #84D786

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45C347 shade: #45C347, #46AAC3 and #C34678

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45C347 shade: #45C347, #4646C3 and #C34646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45C347 shade: #45C347, #46AAC3, #C346C3 and #C35F46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45C347 shade: #45C347, #4685C3, #C346C3 and #C38546

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 64 / 24

HEX #45C347

RGB 69 195 71

HSL 120.95, 0.51%, 0.52%

LAB 70, -58.63, 50.79

 

Complementary color

CMYK 0 / 68 / 1 / 27

HEX #BA3CB8

RGB 186 60 184

HSL 300.95, 0.51%, 0.48%

LAB 48.43, 64.68, -40.12

 

CMYK 62 / 0 / 66 / 24

HEX #4AC342

RGB 74 195 66

HSL 116.28, 0.52%, 0.51%

LAB 70.09, -58.06, 53.04

 

CMYK 57 / 0 / 60 / 16

HEX #5BD555

RGB 91 213 85

HSL 117.19, 0.6%, 0.58%

LAB 76.36, -58.61, 52.03

 

CMYK 53 / 0 / 55 / 9

HEX #6CE768

RGB 108 231 104

HSL 118.11, 0.73%, 0.66%

LAB 82.56, -58.9, 50.87

 

CMYK 50 / 0 / 51 / 2

HEX #7DF97B

RGB 125 249 123

HSL 119.05, 0.91%, 0.73%

LAB 88.71, -59.01, 49.65

 

CMYK 44 / 0 / 44 / 0

HEX #8EFF8E

RGB 142 255 142

HSL 120, 1%, 0.78%

LAB 91.34, -54.24, 44.06

 

CMYK 65 / 0 / 64 / 24

HEX #45C347

RGB 69 195 71

HSL 120.95, 0.51%, 0.52%

LAB 70, -58.63, 50.79

 

CMYK 71 / 0 / 71 / 31

HEX #34B134

RGB 52 177 52

HSL 120, 0.55%, 0.45%

LAB 63.69, -57.65, 51.68

 

CMYK 78 / 0 / 79 / 38

HEX #239F21

RGB 35 159 33

HSL 119.05, 0.66%, 0.38%

LAB 57.33, -56.07, 52.01

 

CMYK 87 / 0 / 90 / 45

HEX #128D0E

RGB 18 141 14

HSL 118.11, 0.82%, 0.3%

LAB 50.93, -53.62, 51.18

 

CMYK 99 / 0 / 100 / 52

HEX #017B00

RGB 1 123 0

HSL 119.51, 1%, 0.24%

LAB 44.48, -50.15, 48.5

 

CMYK 64 / 0 / 63 / 24

HEX #46C348

RGB 70 195 72

HSL 120.96, 0.51%, 0.52%

LAB 70.04, -58.32, 50.41

 

CMYK 48 / 0 / 64 / 24

HEX #66C346

RGB 102 195 70

HSL 104.64, 0.51%, 0.52%

LAB 71.08, -50.33, 52.71

 

CMYK 30 / 0 / 64 / 24

HEX #88C346

RGB 136 195 70

HSL 88.32, 0.51%, 0.52%

LAB 72.7, -38.99, 54.95

 

CMYK 13 / 0 / 64 / 24

HEX #A9C346

RGB 169 195 70

HSL 72.48, 0.51%, 0.52%

LAB 74.77, -26.21, 57.78

 

CMYK 0 / 4 / 64 / 24

HEX #C3BB46

RGB 195 187 70

HSL 56.16, 0.51%, 0.52%

LAB 74.56, -11.4, 58.17

 

CMYK 64 / 0 / 63 / 24

HEX #46C348

RGB 70 195 72

HSL 120.96, 0.51%, 0.52%

LAB 70.04, -58.32, 50.41

 

CMYK 64 / 0 / 46 / 24

HEX #46C36A

RGB 70 195 106

HSL 137.28, 0.51%, 0.52%

LAB 70.44, -53.75, 34.73

 

CMYK 64 / 0 / 29 / 24

HEX #46C38B

RGB 70 195 139

HSL 153.12, 0.51%, 0.52%

LAB 71.01, -47.56, 18.21

 

CMYK 64 / 0 / 11 / 24

HEX #46C3AD

RGB 70 195 173

HSL 169.44, 0.51%, 0.52%

LAB 71.79, -39.56, 0.92

 

CMYK 64 / 6 / 0 / 24

HEX #46B7C3

RGB 70 183 195

HSL 185.76, 0.51%, 0.52%

LAB 68.83, -27.85, -15.52

 

CMYK 64 / 0 / 63 / 24

HEX #46C348

RGB 70 195 72

HSL 120.96, 0.51%, 0.52%

LAB 70.04, -58.32, 50.41

 

CMYK 77 / 0 / 75 / 16

HEX #32D735

RGB 50 215 53

HSL 121.09, 0.67%, 0.52%

LAB 75.78, -69.97, 63.58

 

CMYK 87 / 0 / 86 / 8

HEX #1FEB22

RGB 31 235 34

HSL 120.88, 0.84%, 0.52%

LAB 81.74, -78.76, 74.12

 

CMYK 96 / 0 / 94 / 0

HEX #0BFE0F

RGB 11 254 15

HSL 120.99, 0.99%, 0.52%

LAB 87.48, -85.39, 81.8

 

CMYK 64 / 0 / 63 / 24

HEX #46C348

RGB 70 195 72

HSL 120.96, 0.51%, 0.52%

LAB 70.04, -58.32, 50.41

 

CMYK 49 / 0 / 48 / 31

HEX #5AAF5B

RGB 90 175 91

HSL 120.71, 0.35%, 0.52%

LAB 64.63, -43.22, 35.16

 

CMYK 29 / 0 / 28 / 39

HEX #6E9B6F

RGB 110 155 111

HSL 121.33, 0.18%, 0.52%

LAB 59.8, -24.37, 18.31

 

CMYK 4 / 0 / 4 / 47

HEX #828882

RGB 130 136 130

HSL 120, 0.02%, 0.52%

LAB 56.05, -3.4, 2.45

 

CMYK 0 / 22 / 0 / 42

HEX #957495

RGB 149 116 149

HSL 300, 0.13%, 0.52%

LAB 53, 18.88, -12.92

 

CMYK 30 / 0 / 64 / 24

HEX #89C346

RGB 137 195 70

HSL 87.84, 0.51%, 0.52%

LAB 72.75, -38.62, 55.03

 

CMYK 47 / 0 / 64 / 24

HEX #67C346

RGB 103 195 70

HSL 104.16, 0.51%, 0.52%

LAB 71.12, -50.04, 52.77

 

CMYK 64 / 0 / 64 / 24

HEX #46C346

RGB 70 195 70

HSL 120, 0.51%, 0.52%

LAB 70.02, -58.53, 51.25

 

CMYK 64 / 0 / 47 / 24

HEX #46C367

RGB 70 195 103

HSL 135.84, 0.51%, 0.52%

LAB 70.39, -54.22, 36.19

 

CMYK 64 / 0 / 30 / 24

HEX #46C389

RGB 70 195 137

HSL 152.16, 0.51%, 0.52%

LAB 70.97, -47.98, 19.22

 

CMYK 67 / 0 / 67 / 46

HEX #2D8A2E

RGB 45 138 46

HSL 120.65, 0.51%, 0.36%

LAB 50.61, -45.95, 40.12

 

CMYK 67 / 0 / 66 / 34

HEX #37A939

RGB 55 169 57

HSL 121.05, 0.51%, 0.44%

LAB 61.21, -53.85, 47

 

CMYK 64 / 0 / 63 / 24

HEX #46C348

RGB 70 195 72

HSL 120.96, 0.51%, 0.52%

LAB 70.04, -58.32, 50.41

 

CMYK 51 / 0 / 50 / 20

HEX #65CD67

RGB 101 205 103

HSL 121.15, 0.51%, 0.6%

LAB 74.45, -50.78, 41.47

 

CMYK 39 / 0 / 38 / 16

HEX #84D786

RGB 132 215 134

HSL 121.45, 0.51%, 0.68%

LAB 79.17, -41.5, 32.23

 

CMYK 65 / 0 / 64 / 24

HEX #45C347

RGB 69 195 71

HSL 120.95, 0.51%, 0.52%

LAB 70, -58.63, 50.79

 

CMYK 64 / 13 / 0 / 24

HEX #46AAC3

RGB 70 170 195

HSL 192, 0.51%, 0.52%

LAB 64.96, -21.28, -21.4

 

CMYK 0 / 64 / 38 / 24

HEX #C34678

RGB 195 70 120

HSL 336, 0.51%, 0.52%

LAB 48.68, 54.22, -1.47

 

CMYK 65 / 0 / 64 / 24

HEX #45C347

RGB 69 195 71

HSL 120.95, 0.51%, 0.52%

LAB 70, -58.63, 50.79

 

CMYK 64 / 64 / 0 / 24

HEX #4646C3

RGB 70 70 195

HSL 240, 0.51%, 0.52%

LAB 37.16, 38.45, -65.4

 

CMYK 0 / 64 / 64 / 24

HEX #C34646

RGB 195 70 70

HSL 0, 0.51%, 0.52%

LAB 47.53, 49.92, 27.16

 

CMYK 65 / 0 / 64 / 24

HEX #45C347

RGB 69 195 71

HSL 120.95, 0.51%, 0.52%

LAB 70, -58.63, 50.79

 

CMYK 64 / 13 / 0 / 24

HEX #46AAC3

RGB 70 170 195

HSL 192, 0.51%, 0.52%

LAB 64.96, -21.28, -21.4

 

CMYK 0 / 64 / 0 / 24

HEX #C346C3

RGB 195 70 195

HSL 300, 0.51%, 0.52%

LAB 51.75, 64.8, -41.16

 

CMYK 0 / 51 / 64 / 24

HEX #C35F46

RGB 195 95 70

HSL 12, 0.51%, 0.52%

LAB 52.09, 38, 32.81

 

CMYK 65 / 0 / 64 / 24

HEX #45C347

RGB 69 195 71

HSL 120.95, 0.51%, 0.52%

LAB 70, -58.63, 50.79

 

CMYK 64 / 32 / 0 / 24

HEX #4685C3

RGB 70 133 195

HSL 209.76, 0.51%, 0.52%

LAB 54.05, -0.79, -38.31

 

CMYK 0 / 64 / 0 / 24

HEX #C346C3

RGB 195 70 195

HSL 300, 0.51%, 0.52%

LAB 51.75, 64.8, -41.16

 

CMYK 0 / 32 / 64 / 24

HEX #C38546

RGB 195 133 70

HSL 30.24, 0.51%, 0.52%

LAB 60.62, 17.56, 42.87

 

Description

Color code: HEX #45C347 | qconv.com Color code: HEX #45C347 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 195 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 195 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 64 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 64% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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