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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45C021 it is the complementary color #BA3FDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45C021. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45C021 shade: #4AC01C, #5BD22F, #6CE442, #7DF655 and #8EFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45C021. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45C021 shade: #45C021, #34AE0E, #239C00, #128A00 and #017800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45C021 shade: #45C021, #70C021, #9BC021, #C0BA21 and #C08F21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45C021 shade: #45C021, #21C027, #21C052, #21C07D and #21C0A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45C021 shade matches the following richer shades: #45C021 and #3BD20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45C021 shade: #45C021, #4FAE33, #589C45, #628957 and #6C7769

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45C021 shade: #9BC021, #70C021, #46C021, #21C026 and #21C050

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45C021 shade: #2B7915, #389D1B, #45C021, #55DC2E and #72E251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45C021 shade: #45C021, #21C0BB and #C02185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45C021 shade: #45C021, #2146C0 and #C02146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45C021 shade: #45C021, #21C0BB, #9B21C0 and #C02126

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45C021 shade: #45C021, #2195C0, #9B21C0 and #C04B21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

Complementary color

CMYK 16 / 72 / 0 / 13

HEX #BA3FDE

RGB 186 63 222

HSL 286.42, 0.71%, 0.56%

LAB 51, 70.31, -57.89

 

CMYK 61 / 0 / 85 / 25

HEX #4AC01C

RGB 74 192 28

HSL 103.17, 0.75%, 0.43%

LAB 68.92, -59.6, 64.37

 

CMYK 57 / 0 / 78 / 18

HEX #5BD22F

RGB 91 210 47

HSL 103.8, 0.64%, 0.5%

LAB 75.15, -60.71, 65.2

 

CMYK 53 / 0 / 71 / 11

HEX #6CE442

RGB 108 228 66

HSL 104.44, 0.75%, 0.58%

LAB 81.33, -61.44, 65.17

 

CMYK 49 / 0 / 65 / 4

HEX #7DF655

RGB 125 246 85

HSL 105.09, 0.9%, 0.65%

LAB 87.45, -61.91, 64.64

 

CMYK 44 / 0 / 59 / 0

HEX #8EFF68

RGB 142 255 104

HSL 104.9, 1%, 0.7%

LAB 90.9, -58.74, 60.88

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 70 / 0 / 92 / 32

HEX #34AE0E

RGB 52 174 14

HSL 105.75, 0.85%, 0.37%

LAB 62.54, -58.86, 61.35

 

CMYK 78 / 0 / 100 / 39

HEX #239C00

RGB 35 156 0

HSL 106.54, 1%, 0.31%

LAB 56.22, -56.48, 58.06

 

CMYK 87 / 0 / 100 / 46

HEX #128A00

RGB 18 138 0

HSL 112.17, 1%, 0.27%

LAB 49.86, -53.19, 52.88

 

CMYK 99 / 0 / 100 / 53

HEX #017800

RGB 1 120 0

HSL 119.5, 1%, 0.24%

LAB 43.42, -49.27, 47.65

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 42 / 0 / 83 / 25

HEX #70C021

RGB 112 192 33

HSL 90.19, 0.71%, 0.44%

LAB 70.35, -48.45, 64.97

 

CMYK 19 / 0 / 83 / 25

HEX #9BC021

RGB 155 192 33

HSL 73.96, 0.71%, 0.44%

LAB 72.75, -32.38, 68

 

CMYK 0 / 3 / 83 / 25

HEX #C0BA21

RGB 192 186 33

HSL 57.74, 0.71%, 0.44%

LAB 73.83, -13.83, 70.02

 

CMYK 0 / 26 / 83 / 25

HEX #C08F21

RGB 192 143 33

HSL 41.51, 0.71%, 0.44%

LAB 62.47, 8.98, 60.32

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 83 / 0 / 80 / 25

HEX #21C027

RGB 33 192 39

HSL 122.26, 0.71%, 0.44%

LAB 68.15, -66.08, 60.48

 

CMYK 83 / 0 / 57 / 25

HEX #21C052

RGB 33 192 82

HSL 138.49, 0.71%, 0.44%

LAB 68.48, -61.88, 43.92

 

CMYK 83 / 0 / 35 / 25

HEX #21C07D

RGB 33 192 125

HSL 154.72, 0.71%, 0.44%

LAB 69.11, -54.49, 22.98

 

CMYK 83 / 0 / 13 / 25

HEX #21C0A8

RGB 33 192 168

HSL 170.94, 0.71%, 0.44%

LAB 70.07, -44.17, 1.06

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 72 / 0 / 93 / 18

HEX #3BD20E

RGB 59 210 14

HSL 106.22, 0.88%, 0.44%

LAB 74.22, -68.84, 71.16

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 55 / 0 / 71 / 32

HEX #4FAE33

RGB 79 174 51

HSL 106.34, 0.55%, 0.44%

LAB 63.49, -50.47, 52.1

 

CMYK 44 / 0 / 56 / 39

HEX #589C45

RGB 88 156 69

HSL 106.9, 0.39%, 0.44%

LAB 58.3, -38.63, 38.46

 

CMYK 28 / 0 / 36 / 46

HEX #628957

RGB 98 137 87

HSL 106.8, 0.22%, 0.44%

LAB 53.14, -23.67, 22.59

 

CMYK 9 / 0 / 12 / 53

HEX #6C7769

RGB 108 119 105

HSL 107.14, 0.06%, 0.44%

LAB 48.76, -6.97, 6.31

 

CMYK 19 / 0 / 83 / 25

HEX #9BC021

RGB 155 192 33

HSL 73.96, 0.71%, 0.44%

LAB 72.75, -32.38, 68

 

CMYK 42 / 0 / 83 / 25

HEX #70C021

RGB 112 192 33

HSL 90.19, 0.71%, 0.44%

LAB 70.35, -48.45, 64.97

 

CMYK 64 / 0 / 83 / 25

HEX #46C021

RGB 70 192 33

HSL 106.04, 0.71%, 0.44%

LAB 68.83, -60.3, 63.03

 

CMYK 83 / 0 / 80 / 25

HEX #21C026

RGB 33 192 38

HSL 121.89, 0.71%, 0.44%

LAB 68.14, -66.14, 60.77

 

CMYK 83 / 0 / 58 / 25

HEX #21C050

RGB 33 192 80

HSL 137.74, 0.71%, 0.44%

LAB 68.46, -62.15, 44.83

 

CMYK 64 / 0 / 83 / 53

HEX #2B7915

RGB 43 121 21

HSL 106.8, 0.7%, 0.28%

LAB 44.58, -42.28, 43.78

 

CMYK 64 / 0 / 83 / 38

HEX #389D1B

RGB 56 157 27

HSL 106.62, 0.71%, 0.36%

LAB 57.11, -51.78, 53.78

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 61 / 0 / 79 / 14

HEX #55DC2E

RGB 85 220 46

HSL 106.55, 0.71%, 0.52%

LAB 78.06, -65.64, 68.18

 

CMYK 50 / 0 / 64 / 11

HEX #72E251

RGB 114 226 81

HSL 106.34, 0.71%, 0.6%

LAB 81.05, -57.84, 59.19

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 83 / 0 / 3 / 25

HEX #21C0BB

RGB 33 192 187

HSL 178.11, 0.71%, 0.44%

LAB 70.6, -38.83, -8.55

 

CMYK 0 / 83 / 31 / 25

HEX #C02185

RGB 192 33 133

HSL 322.26, 0.71%, 0.44%

LAB 44.22, 67.16, -16.14

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 83 / 64 / 0 / 25

HEX #2146C0

RGB 33 70 192

HSL 226.04, 0.71%, 0.44%

LAB 35.02, 33.2, -67.21

 

CMYK 0 / 83 / 64 / 25

HEX #C02146

RGB 192 33 70

HSL 346.04, 0.71%, 0.44%

LAB 42.36, 61.75, 20.43

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 83 / 0 / 3 / 25

HEX #21C0BB

RGB 33 192 187

HSL 178.11, 0.71%, 0.44%

LAB 70.6, -38.83, -8.55

 

CMYK 19 / 83 / 0 / 25

HEX #9B21C0

RGB 155 33 192

HSL 286.04, 0.71%, 0.44%

LAB 41, 68.48, -56.97

 

CMYK 0 / 83 / 80 / 25

HEX #C02126

RGB 192 33 38

HSL 358.11, 0.71%, 0.44%

LAB 41.9, 60.35, 39.14

 

CMYK 64 / 0 / 83 / 25

HEX #45C021

RGB 69 192 33

HSL 106.42, 0.71%, 0.44%

LAB 68.81, -60.52, 63

 

CMYK 83 / 22 / 0 / 25

HEX #2195C0

RGB 33 149 192

HSL 196.23, 0.71%, 0.44%

LAB 57.68, -15.84, -31

 

CMYK 19 / 83 / 0 / 25

HEX #9B21C0

RGB 155 33 192

HSL 286.04, 0.71%, 0.44%

LAB 41, 68.48, -56.97

 

CMYK 0 / 61 / 83 / 25

HEX #C04B21

RGB 192 75 33

HSL 15.85, 0.71%, 0.44%

LAB 47.43, 44.94, 46.99

 

Description

Color code: HEX #45C021 | qconv.com Color code: HEX #45C021 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 192 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 192 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 83 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 83% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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