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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45BEF6 it is the complementary color #BA4109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45BEF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45BEF6 shade: #4ABEF1, #5BD0FF, #6CE2FF, #7DF4FF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45BEF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45BEF6 shade: #45BEF6, #34ACE3, #239AD0, #1288BD and #0176AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45BEF6 shade: #46BEF6, #468FF6, #465FF6, #5C46F6 and #8C46F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45BEF6 shade: #46BEF6, #468FF6, #465FF6 and #4646F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45BEF6 shade matches the following richer shades: #46BEF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45BEF6 shade: #46BEF6, #56B9E7, #65B3D7, #75ADC7 and #85A7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45BEF6 shade: #46F6CD, #46F0F6, #46C1F6, #4692F6 and #4663F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45BEF6 shade: #0B9CDF, #1FB1F4, #46BEF6, #6DCCF8 and #95DAFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45BEF6 shade: #45BEF6, #9E46F6 and #F6E546

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45BEF6 shade: #45BEF6, #F646C1 and #C1F646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45BEF6 shade: #45BEF6, #9E46F6, #F67B46 and #9EF646

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45BEF6 shade: #45BEF6, #D346F6, #F67B46 and #69F646

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 23 / 0 / 4

HEX #45BEF6

RGB 69 190 246

HSL 198.98, 0.91%, 0.62%

LAB 72.72, -15.71, -37.36

 

Complementary color

CMYK 0 / 65 / 95 / 27

HEX #BA4109

RGB 186 65 9

HSL 18.98, 0.91%, 0.38%

LAB 44.57, 46.78, 53.14

 

CMYK 69 / 21 / 0 / 5

HEX #4ABEF1

RGB 74 190 241

HSL 198.32, 0.86%, 0.62%

LAB 72.65, -16.65, -34.77

 

CMYK 64 / 18 / 0 / 0

HEX #5BD0FF

RGB 91 208 255

HSL 197.2, 1%, 0.68%

LAB 78.78, -19.09, -32.76

 

CMYK 58 / 11 / 0 / 0

HEX #6CE2FF

RGB 108 226 255

HSL 191.84, 1%, 0.71%

LAB 84.38, -25.24, -24.15

 

CMYK 51 / 4 / 0 / 0

HEX #7DF4FF

RGB 125 244 255

HSL 185.08, 1%, 0.75%

LAB 89.99, -30.67, -15.62

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 72 / 23 / 0 / 4

HEX #45BEF6

RGB 69 190 246

HSL 198.98, 0.91%, 0.62%

LAB 72.72, -15.71, -37.36

 

CMYK 77 / 24 / 0 / 11

HEX #34ACE3

RGB 52 172 227

HSL 198.86, 0.76%, 0.55%

LAB 66.35, -14.41, -36.96

 

CMYK 83 / 26 / 0 / 18

HEX #239AD0

RGB 35 154 208

HSL 198.73, 0.71%, 0.48%

LAB 59.91, -12.78, -36.51

 

CMYK 90 / 28 / 0 / 26

HEX #1288BD

RGB 18 136 189

HSL 198.6, 0.83%, 0.41%

LAB 53.4, -10.73, -35.99

 

CMYK 99 / 31 / 0 / 33

HEX #0176AA

RGB 1 118 170

HSL 198.46, 0.99%, 0.34%

LAB 46.8, -8.22, -35.41

 

CMYK 72 / 23 / 0 / 4

HEX #46BEF6

RGB 70 190 246

HSL 199.09, 0.91%, 0.62%

LAB 72.75, -15.58, -37.32

 

CMYK 72 / 42 / 0 / 4

HEX #468FF6

RGB 70 143 246

HSL 215.11, 0.91%, 0.62%

LAB 59.53, 11, -58.16

 

CMYK 72 / 61 / 0 / 4

HEX #465FF6

RGB 70 95 246

HSL 231.48, 0.91%, 0.62%

LAB 47.16, 40.48, -78.16

 

CMYK 63 / 72 / 0 / 4

HEX #5C46F6

RGB 92 70 246

HSL 247.5, 0.91%, 0.62%

LAB 43.23, 57.37, -84.56

 

CMYK 43 / 72 / 0 / 4

HEX #8C46F6

RGB 140 70 246

HSL 263.86, 0.91%, 0.62%

LAB 47.76, 64.22, -76.94

 

CMYK 72 / 23 / 0 / 4

HEX #46BEF6

RGB 70 190 246

HSL 199.09, 0.91%, 0.62%

LAB 72.75, -15.58, -37.32

 

CMYK 72 / 42 / 0 / 4

HEX #468FF6

RGB 70 143 246

HSL 215.11, 0.91%, 0.62%

LAB 59.53, 11, -58.16

 

CMYK 72 / 61 / 0 / 4

HEX #465FF6

RGB 70 95 246

HSL 231.48, 0.91%, 0.62%

LAB 47.16, 40.48, -78.16

 

CMYK 72 / 72 / 0 / 4

HEX #4646F6

RGB 70 70 246

HSL 240, 0.91%, 0.62%

LAB 41.75, 55.04, -87.05

 

CMYK 72 / 23 / 0 / 4

HEX #46BEF6

RGB 70 190 246

HSL 199.09, 0.91%, 0.62%

LAB 72.75, -15.58, -37.32

 

CMYK 72 / 23 / 0 / 4

HEX #46BEF6

RGB 70 190 246

HSL 199.09, 0.91%, 0.62%

LAB 72.75, -15.58, -37.32

 

CMYK 63 / 20 / 0 / 9

HEX #56B9E7

RGB 86 185 231

HSL 199.03, 0.75%, 0.62%

LAB 71.18, -15.31, -31.6

 

CMYK 53 / 17 / 0 / 16

HEX #65B3D7

RGB 101 179 215

HSL 198.95, 0.59%, 0.62%

LAB 69.41, -14.06, -25.54

 

CMYK 41 / 13 / 0 / 22

HEX #75ADC7

RGB 117 173 199

HSL 199.02, 0.42%, 0.62%

LAB 67.87, -11.54, -19.01

 

CMYK 28 / 9 / 0 / 28

HEX #85A7B8

RGB 133 167 184

HSL 200, 0.26%, 0.62%

LAB 66.58, -7.61, -12.55

 

CMYK 72 / 0 / 17 / 4

HEX #46F6CD

RGB 70 246 205

HSL 166.02, 0.91%, 0.62%

LAB 87.79, -53.37, 7.04

 

CMYK 72 / 2 / 0 / 4

HEX #46F0F6

RGB 70 240 246

HSL 182.05, 0.91%, 0.62%

LAB 87.13, -40.05, -15.35

 

CMYK 72 / 22 / 0 / 4

HEX #46C1F6

RGB 70 193 246

HSL 198.07, 0.91%, 0.62%

LAB 73.61, -17.15, -35.99

 

CMYK 72 / 41 / 0 / 4

HEX #4692F6

RGB 70 146 246

HSL 214.09, 0.91%, 0.62%

LAB 60.35, 9.2, -56.85

 

CMYK 72 / 60 / 0 / 4

HEX #4663F6

RGB 70 99 246

HSL 230.11, 0.91%, 0.62%

LAB 48.11, 38.03, -76.61

 

CMYK 95 / 30 / 0 / 13

HEX #0B9CDF

RGB 11 156 223

HSL 198.96, 0.91%, 0.46%

LAB 60.94, -9.79, -43.28

 

CMYK 87 / 27 / 0 / 4

HEX #1FB1F4

RGB 31 177 244

HSL 198.87, 0.91%, 0.54%

LAB 68.22, -12.95, -43.36

 

CMYK 72 / 23 / 0 / 4

HEX #46BEF6

RGB 70 190 246

HSL 199.09, 0.91%, 0.62%

LAB 72.75, -15.58, -37.32

 

CMYK 56 / 18 / 0 / 3

HEX #6DCCF8

RGB 109 204 248

HSL 198.99, 0.91%, 0.7%

LAB 78, -15.93, -30.18

 

CMYK 40 / 13 / 0 / 2

HEX #95DAFA

RGB 149 218 250

HSL 199.01, 0.91%, 0.78%

LAB 83.67, -13.66, -22.43

 

CMYK 72 / 23 / 0 / 4

HEX #45BEF6

RGB 69 190 246

HSL 198.98, 0.91%, 0.62%

LAB 72.72, -15.71, -37.36

 

CMYK 36 / 72 / 0 / 4

HEX #9E46F6

RGB 158 70 246

HSL 270, 0.91%, 0.62%

LAB 49.86, 67.27, -73.43

 

CMYK 0 / 7 / 72 / 4

HEX #F6E546

RGB 246 229 70

HSL 54.2, 0.91%, 0.62%

LAB 89.89, -11.16, 75.01

 

CMYK 72 / 23 / 0 / 4

HEX #45BEF6

RGB 69 190 246

HSL 198.98, 0.91%, 0.62%

LAB 72.72, -15.71, -37.36

 

CMYK 0 / 72 / 22 / 4

HEX #F646C1

RGB 246 70 193

HSL 318.07, 0.91%, 0.62%

LAB 59.73, 76.73, -26.95

 

CMYK 22 / 0 / 72 / 4

HEX #C1F646

RGB 193 246 70

HSL 78.07, 0.91%, 0.62%

LAB 90.64, -40.35, 74.43

 

CMYK 72 / 23 / 0 / 4

HEX #45BEF6

RGB 69 190 246

HSL 198.98, 0.91%, 0.62%

LAB 72.72, -15.71, -37.36

 

CMYK 36 / 72 / 0 / 4

HEX #9E46F6

RGB 158 70 246

HSL 270, 0.91%, 0.62%

LAB 49.86, 67.27, -73.43

 

CMYK 0 / 50 / 72 / 4

HEX #F67B46

RGB 246 123 70

HSL 18.07, 0.91%, 0.62%

LAB 65.12, 43.45, 49.75

 

CMYK 36 / 0 / 72 / 4

HEX #9EF646

RGB 158 246 70

HSL 90, 0.91%, 0.62%

LAB 88.74, -52.86, 71.92

 

CMYK 72 / 23 / 0 / 4

HEX #45BEF6

RGB 69 190 246

HSL 198.98, 0.91%, 0.62%

LAB 72.72, -15.71, -37.36

 

CMYK 14 / 72 / 0 / 4

HEX #D346F6

RGB 211 70 246

HSL 288.07, 0.91%, 0.62%

LAB 56.96, 77.19, -61.61

 

CMYK 0 / 50 / 72 / 4

HEX #F67B46

RGB 246 123 70

HSL 18.07, 0.91%, 0.62%

LAB 65.12, 43.45, 49.75

 

CMYK 57 / 0 / 72 / 4

HEX #69F646

RGB 105 246 70

HSL 108.07, 0.91%, 0.62%

LAB 86.68, -68.25, 69.17

 

Description

Color code: HEX #45BEF6 | qconv.com Color code: HEX #45BEF6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 190 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 190 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 23 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 23% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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