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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45BE15 it is the complementary color #BA41EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45BE15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45BE15 shade: #4ABE10, #5BD023, #6CE236, #7DF449 and #8EFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45BE15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45BE15 shade: #45BE15, #34AC02, #239A00, #128800 and #017600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45BE15 shade: #44BC15, #72BC15, #9FBC15, #BCAD15 and #BC8015

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45BE15 shade: #44BC15, #17BC15, #15BC40, #15BC6D and #15BC9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45BE15 shade matches the following richer shades: #44BC15 and #3DCD04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45BE15 shade: #44BC15, #4CAB26, #539A37, #5A8948 and #627959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45BE15 shade: #A0BC15, #74BC15, #47BC15, #1ABC15 and #15BC3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45BE15 shade: #29720D, #379711, #44BC15, #52E119 and #6CE93A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45BE15 shade: #45BE15, #15BCAB and #BC158A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45BE15 shade: #45BE15, #1547BC and #BC1547

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45BE15 shade: #45BE15, #15BCAB, #8A15BC and #BC1526

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45BE15 shade: #45BE15, #159BBC, #8A15BC and #BC3615

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 89 / 25

HEX #45BE15

RGB 69 190 21

HSL 102.96, 0.8%, 0.41%

LAB 68.13, -60.34, 65.06

 

Complementary color

CMYK 21 / 72 / 0 / 8

HEX #BA41EA

RGB 186 65 234

HSL 282.96, 0.8%, 0.59%

LAB 52.02, 71.87, -63.04

 

CMYK 61 / 0 / 92 / 25

HEX #4ABE10

RGB 74 190 16

HSL 100, 0.84%, 0.4%

LAB 68.26, -59.32, 66.07

 

CMYK 56 / 0 / 83 / 18

HEX #5BD023

RGB 91 208 35

HSL 100.58, 0.71%, 0.48%

LAB 74.48, -60.62, 67.87

 

CMYK 52 / 0 / 76 / 11

HEX #6CE236

RGB 108 226 54

HSL 101.16, 0.75%, 0.55%

LAB 80.65, -61.51, 68.51

 

CMYK 49 / 0 / 70 / 4

HEX #7DF449

RGB 125 244 73

HSL 101.75, 0.89%, 0.62%

LAB 86.77, -62.11, 68.43

 

CMYK 44 / 0 / 64 / 0

HEX #8EFF5C

RGB 142 255 92

HSL 101.6, 1%, 0.68%

LAB 90.8, -59.84, 65.7

 

CMYK 64 / 0 / 89 / 25

HEX #45BE15

RGB 69 190 21

HSL 102.96, 0.8%, 0.41%

LAB 68.13, -60.34, 65.06

 

CMYK 70 / 0 / 99 / 33

HEX #34AC02

RGB 52 172 2

HSL 102.35, 0.98%, 0.34%

LAB 61.86, -58.5, 62.42

 

CMYK 77 / 0 / 100 / 40

HEX #239A00

RGB 35 154 0

HSL 106.36, 1%, 0.3%

LAB 55.55, -55.86, 57.53

 

CMYK 87 / 0 / 100 / 47

HEX #128800

RGB 18 136 0

HSL 112.06, 1%, 0.27%

LAB 49.18, -52.58, 52.33

 

CMYK 99 / 0 / 100 / 54

HEX #017600

RGB 1 118 0

HSL 119.49, 1%, 0.23%

LAB 42.71, -48.68, 47.08

 

CMYK 64 / 0 / 89 / 26

HEX #44BC15

RGB 68 188 21

HSL 103.11, 0.8%, 0.41%

LAB 67.46, -59.89, 64.48

 

CMYK 39 / 0 / 89 / 26

HEX #72BC15

RGB 114 188 21

HSL 86.59, 0.8%, 0.41%

LAB 69.18, -46.56, 66.62

 

CMYK 15 / 0 / 89 / 26

HEX #9FBC15

RGB 159 188 21

HSL 70.42, 0.8%, 0.41%

LAB 71.82, -29.2, 69.88

 

CMYK 0 / 8 / 89 / 26

HEX #BCAD15

RGB 188 173 21

HSL 54.61, 0.8%, 0.41%

LAB 69.92, -9.18, 69.31

 

CMYK 0 / 32 / 89 / 26

HEX #BC8015

RGB 188 128 21

HSL 38.44, 0.8%, 0.41%

LAB 58.21, 15.15, 60.07

 

CMYK 64 / 0 / 89 / 26

HEX #44BC15

RGB 68 188 21

HSL 103.11, 0.8%, 0.41%

LAB 67.46, -59.89, 64.48

 

CMYK 88 / 0 / 89 / 26

HEX #17BC15

RGB 23 188 21

HSL 119.28, 0.8%, 0.41%

LAB 66.67, -66.74, 63.49

 

CMYK 89 / 0 / 66 / 26

HEX #15BC40

RGB 21 188 64

HSL 135.45, 0.8%, 0.41%

LAB 66.9, -63.85, 50.11

 

CMYK 89 / 0 / 42 / 26

HEX #15BC6D

RGB 21 188 109

HSL 151.62, 0.8%, 0.41%

LAB 67.45, -57.17, 29.17

 

CMYK 89 / 0 / 18 / 26

HEX #15BC9A

RGB 21 188 154

HSL 167.78, 0.8%, 0.41%

LAB 68.36, -47.03, 6.23

 

CMYK 64 / 0 / 89 / 26

HEX #44BC15

RGB 68 188 21

HSL 103.11, 0.8%, 0.41%

LAB 67.46, -59.89, 64.48

 

CMYK 70 / 0 / 98 / 20

HEX #3DCD04

RGB 61 205 4

HSL 102.99, 0.96%, 0.41%

LAB 72.67, -67.15, 70.96

 

CMYK 64 / 0 / 89 / 26

HEX #44BC15

RGB 68 188 21

HSL 103.11, 0.8%, 0.41%

LAB 67.46, -59.89, 64.48

 

CMYK 56 / 0 / 78 / 33

HEX #4CAB26

RGB 76 171 38

HSL 102.86, 0.64%, 0.41%

LAB 62.34, -51.11, 55.58

 

CMYK 46 / 0 / 64 / 40

HEX #539A37

RGB 83 154 55

HSL 103.03, 0.47%, 0.41%

LAB 57.29, -40.93, 43.84

 

CMYK 34 / 0 / 47 / 46

HEX #5A8948

RGB 90 137 72

HSL 103.38, 0.31%, 0.41%

LAB 52.43, -28.85, 29.79

 

CMYK 19 / 0 / 26 / 53

HEX #627959

RGB 98 121 89

HSL 103.13, 0.15%, 0.41%

LAB 48.25, -14.93, 14.86

 

CMYK 15 / 0 / 89 / 26

HEX #A0BC15

RGB 160 188 21

HSL 70.06, 0.8%, 0.41%

LAB 71.89, -28.78, 69.97

 

CMYK 38 / 0 / 89 / 26

HEX #74BC15

RGB 116 188 21

HSL 85.87, 0.8%, 0.41%

LAB 69.28, -45.86, 66.74

 

CMYK 62 / 0 / 89 / 26

HEX #47BC15

RGB 71 188 21

HSL 102.04, 0.8%, 0.41%

LAB 67.55, -59.21, 64.58

 

CMYK 86 / 0 / 89 / 26

HEX #1ABC15

RGB 26 188 21

HSL 118.2, 0.8%, 0.41%

LAB 66.7, -66.48, 63.53

 

CMYK 89 / 0 / 68 / 26

HEX #15BC3C

RGB 21 188 60

HSL 134.01, 0.8%, 0.41%

LAB 66.86, -64.27, 51.73

 

CMYK 64 / 0 / 89 / 55

HEX #29720D

RGB 41 114 13

HSL 103.37, 0.8%, 0.25%

LAB 42.05, -40.61, 43.78

 

CMYK 64 / 0 / 89 / 41

HEX #379711

RGB 55 151 17

HSL 102.99, 0.8%, 0.33%

LAB 55.06, -50.38, 54.43

 

CMYK 64 / 0 / 89 / 26

HEX #44BC15

RGB 68 188 21

HSL 103.11, 0.8%, 0.41%

LAB 67.46, -59.89, 64.48

 

CMYK 64 / 0 / 89 / 12

HEX #52E119

RGB 82 225 25

HSL 102.9, 0.8%, 0.49%

LAB 79.45, -68.81, 74.15

 

CMYK 54 / 0 / 75 / 9

HEX #6CE93A

RGB 108 233 58

HSL 102.86, 0.8%, 0.57%

LAB 82.79, -63.77, 69.33

 

CMYK 64 / 0 / 89 / 25

HEX #45BE15

RGB 69 190 21

HSL 102.96, 0.8%, 0.41%

LAB 68.13, -60.34, 65.06

 

CMYK 89 / 0 / 9 / 26

HEX #15BCAB

RGB 21 188 171

HSL 173.89, 0.8%, 0.41%

LAB 68.8, -42.43, -2.46

 

CMYK 0 / 89 / 27 / 26

HEX #BC158A

RGB 188 21 138

HSL 317.96, 0.8%, 0.41%

LAB 42.86, 69.18, -21.34

 

CMYK 64 / 0 / 89 / 25

HEX #45BE15

RGB 69 190 21

HSL 102.96, 0.8%, 0.41%

LAB 68.13, -60.34, 65.06

 

CMYK 89 / 62 / 0 / 26

HEX #1547BC

RGB 21 71 188

HSL 222.04, 0.8%, 0.41%

LAB 34.59, 30.22, -65.58

 

CMYK 0 / 89 / 62 / 26

HEX #BC1547

RGB 188 21 71

HSL 342.04, 0.8%, 0.41%

LAB 40.71, 63.24, 17.46

 

CMYK 64 / 0 / 89 / 25

HEX #45BE15

RGB 69 190 21

HSL 102.96, 0.8%, 0.41%

LAB 68.13, -60.34, 65.06

 

CMYK 89 / 0 / 9 / 26

HEX #15BCAB

RGB 21 188 171

HSL 173.89, 0.8%, 0.41%

LAB 68.8, -42.43, -2.46

 

CMYK 27 / 89 / 0 / 26

HEX #8A15BC

RGB 138 21 188

HSL 282.04, 0.8%, 0.41%

LAB 37.06, 67.83, -61.13

 

CMYK 0 / 89 / 80 / 26

HEX #BC1526

RGB 188 21 38

HSL 353.89, 0.8%, 0.41%

LAB 40.19, 61.76, 37.14

 

CMYK 64 / 0 / 89 / 25

HEX #45BE15

RGB 69 190 21

HSL 102.96, 0.8%, 0.41%

LAB 68.13, -60.34, 65.06

 

CMYK 89 / 18 / 0 / 26

HEX #159BBC

RGB 21 155 188

HSL 191.86, 0.8%, 0.41%

LAB 59.19, -21.3, -26.41

 

CMYK 27 / 89 / 0 / 26

HEX #8A15BC

RGB 138 21 188

HSL 282.04, 0.8%, 0.41%

LAB 37.06, 67.83, -61.13

 

CMYK 0 / 71 / 89 / 26

HEX #BC3615

RGB 188 54 21

HSL 11.86, 0.8%, 0.41%

LAB 43.34, 52.13, 48.47

 

Description

Color code: HEX #45BE15 | qconv.com Color code: HEX #45BE15 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 190 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 190 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 89 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 89% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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