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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45ADDF it is the complementary color #BA5220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45ADDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45ADDF shade: #4AADDA, #5BBFED, #6CD1FF, #7DE3FF and #8EF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45ADDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45ADDF shade: #45ADDF, #349BCC, #2389B9, #1277A6 and #016593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45ADDF shade: #43ADDF, #4383DF, #4359DF, #5843DF and #8243DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45ADDF shade: #43ADDF, #4383DF, #4359DF and #4343DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45ADDF shade matches the following richer shades: #43ADDF and #32B3F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45ADDF shade: #43ADDF, #55A6CD, #67A0BC, #799AAA and #8A9498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45ADDF shade: #43DFBD, #43D7DF, #43AEDF, #4384DF and #435BDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45ADDF shade: #1E82B2, #249CD5, #43ADDF, #67BCE5 and #8ACCEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45ADDF shade: #45ADDF, #9443DF and #DFD243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45ADDF shade: #45ADDF, #DF43AE and #AEDF43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45ADDF shade: #45ADDF, #9443DF, #DF7543 and #8FDF43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45ADDF shade: #45ADDF, #C343DF, #DF7543 and #60DF43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 22 / 0 / 13

HEX #45ADDF

RGB 69 173 223

HSL 199.48, 0.71%, 0.57%

LAB 66.89, -14.14, -33.91

 

Complementary color

CMYK 0 / 56 / 83 / 27

HEX #BA5220

RGB 186 82 32

HSL 19.48, 0.71%, 0.43%

LAB 47.72, 39.27, 47.35

 

CMYK 66 / 21 / 0 / 15

HEX #4AADDA

RGB 74 173 218

HSL 198.75, 0.66%, 0.57%

LAB 66.83, -14.99, -31.24

 

CMYK 62 / 19 / 0 / 7

HEX #5BBFED

RGB 91 191 237

HSL 198.9, 0.8%, 0.64%

LAB 73.29, -15.76, -31.58

 

CMYK 58 / 18 / 0 / 0

HEX #6CD1FF

RGB 108 209 255

HSL 198.78, 1%, 0.71%

LAB 79.62, -16.67, -31.43

 

CMYK 51 / 11 / 0 / 0

HEX #7DE3FF

RGB 125 227 255

HSL 192.92, 1%, 0.75%

LAB 85.26, -22.41, -22.76

 

CMYK 44 / 4 / 0 / 0

HEX #8EF5FF

RGB 142 245 255

HSL 185.31, 1%, 0.78%

LAB 90.91, -27.5, -14.18

 

CMYK 69 / 22 / 0 / 13

HEX #45ADDF

RGB 69 173 223

HSL 199.48, 0.71%, 0.57%

LAB 66.89, -14.14, -33.91

 

CMYK 75 / 24 / 0 / 20

HEX #349BCC

RGB 52 155 204

HSL 199.34, 0.6%, 0.5%

LAB 60.37, -12.98, -33.54

 

CMYK 81 / 26 / 0 / 27

HEX #2389B9

RGB 35 137 185

HSL 199.2, 0.68%, 0.43%

LAB 53.76, -11.48, -33.12

 

CMYK 89 / 28 / 0 / 35

HEX #1277A6

RGB 18 119 166

HSL 199.05, 0.8%, 0.36%

LAB 47.07, -9.52, -32.62

 

CMYK 99 / 31 / 0 / 42

HEX #016593

RGB 1 101 147

HSL 198.9, 0.99%, 0.29%

LAB 40.28, -7.07, -32.07

 

CMYK 70 / 22 / 0 / 13

HEX #43ADDF

RGB 67 173 223

HSL 199.23, 0.71%, 0.57%

LAB 66.83, -14.43, -34

 

CMYK 70 / 41 / 0 / 13

HEX #4383DF

RGB 67 131 223

HSL 215.38, 0.71%, 0.57%

LAB 54.82, 9.68, -52.91

 

CMYK 70 / 60 / 0 / 13

HEX #4359DF

RGB 67 89 223

HSL 231.54, 0.71%, 0.57%

LAB 43.75, 35.87, -70.77

 

CMYK 61 / 70 / 0 / 13

HEX #5843DF

RGB 88 67 223

HSL 248.08, 0.71%, 0.57%

LAB 40.27, 51.58, -76.41

 

CMYK 42 / 70 / 0 / 13

HEX #8243DF

RGB 130 67 223

HSL 264.23, 0.71%, 0.57%

LAB 44.36, 58.18, -69.56

 

CMYK 70 / 22 / 0 / 13

HEX #43ADDF

RGB 67 173 223

HSL 199.23, 0.71%, 0.57%

LAB 66.83, -14.43, -34

 

CMYK 70 / 41 / 0 / 13

HEX #4383DF

RGB 67 131 223

HSL 215.38, 0.71%, 0.57%

LAB 54.82, 9.68, -52.91

 

CMYK 70 / 60 / 0 / 13

HEX #4359DF

RGB 67 89 223

HSL 231.54, 0.71%, 0.57%

LAB 43.75, 35.87, -70.77

 

CMYK 70 / 70 / 0 / 13

HEX #4343DF

RGB 67 67 223

HSL 240, 0.71%, 0.57%

LAB 38.79, 49.06, -78.9

 

CMYK 70 / 22 / 0 / 13

HEX #43ADDF

RGB 67 173 223

HSL 199.23, 0.71%, 0.57%

LAB 66.83, -14.43, -34

 

CMYK 79 / 26 / 0 / 5

HEX #32B3F1

RGB 50 179 241

HSL 199.48, 0.87%, 0.57%

LAB 68.95, -13.62, -40.57

 

CMYK 70 / 22 / 0 / 13

HEX #43ADDF

RGB 67 173 223

HSL 199.23, 0.71%, 0.57%

LAB 66.83, -14.43, -34

 

CMYK 59 / 19 / 0 / 20

HEX #55A6CD

RGB 85 166 205

HSL 199.5, 0.55%, 0.57%

LAB 64.65, -13.37, -27.38

 

CMYK 45 / 15 / 0 / 26

HEX #67A0BC

RGB 103 160 188

HSL 199.76, 0.39%, 0.57%

LAB 63.06, -11.1, -20.28

 

CMYK 29 / 9 / 0 / 33

HEX #799AAA

RGB 121 154 170

HSL 199.59, 0.22%, 0.57%

LAB 61.72, -7.56, -12.08

 

CMYK 9 / 3 / 0 / 40

HEX #8A9498

RGB 138 148 152

HSL 197.14, 0.06%, 0.57%

LAB 60.65, -2.76, -3.35

 

CMYK 70 / 0 / 15 / 13

HEX #43DFBD

RGB 67 223 189

HSL 166.92, 0.71%, 0.57%

LAB 80.54, -48.14, 5

 

CMYK 70 / 4 / 0 / 13

HEX #43D7DF

RGB 67 215 223

HSL 183.08, 0.71%, 0.57%

LAB 79.11, -35.47, -15.23

 

CMYK 70 / 22 / 0 / 13

HEX #43AEDF

RGB 67 174 223

HSL 198.85, 0.71%, 0.57%

LAB 67.12, -14.96, -33.55

 

CMYK 70 / 41 / 0 / 13

HEX #4384DF

RGB 67 132 223

HSL 215, 0.71%, 0.57%

LAB 55.1, 9.07, -52.46

 

CMYK 70 / 59 / 0 / 13

HEX #435BDF

RGB 67 91 223

HSL 230.77, 0.71%, 0.57%

LAB 44.24, 34.62, -69.98

 

CMYK 83 / 27 / 0 / 30

HEX #1E82B2

RGB 30 130 178

HSL 199.46, 0.71%, 0.41%

LAB 51.22, -10.5, -33.09

 

CMYK 83 / 27 / 0 / 16

HEX #249CD5

RGB 36 156 213

HSL 199.32, 0.71%, 0.49%

LAB 60.74, -12.03, -38

 

CMYK 70 / 22 / 0 / 13

HEX #43ADDF

RGB 67 173 223

HSL 199.23, 0.71%, 0.57%

LAB 66.83, -14.43, -34

 

CMYK 55 / 18 / 0 / 10

HEX #67BCE5

RGB 103 188 229

HSL 199.52, 0.71%, 0.65%

LAB 72.57, -14.32, -28.32

 

CMYK 41 / 13 / 0 / 8

HEX #8ACCEB

RGB 138 204 235

HSL 199.18, 0.71%, 0.73%

LAB 78.8, -13.05, -21.89

 

CMYK 69 / 22 / 0 / 13

HEX #45ADDF

RGB 69 173 223

HSL 199.48, 0.71%, 0.57%

LAB 66.89, -14.14, -33.91

 

CMYK 34 / 70 / 0 / 13

HEX #9443DF

RGB 148 67 223

HSL 271.15, 0.71%, 0.57%

LAB 46.5, 61.48, -65.99

 

CMYK 0 / 6 / 70 / 13

HEX #DFD243

RGB 223 210 67

HSL 55, 0.71%, 0.57%

LAB 83.01, -11.41, 68.72

 

CMYK 69 / 22 / 0 / 13

HEX #45ADDF

RGB 69 173 223

HSL 199.48, 0.71%, 0.57%

LAB 66.89, -14.14, -33.91

 

CMYK 0 / 70 / 22 / 13

HEX #DF43AE

RGB 223 67 174

HSL 318.85, 0.71%, 0.57%

LAB 54.82, 69.67, -23.85

 

CMYK 22 / 0 / 70 / 13

HEX #AEDF43

RGB 174 223 67

HSL 78.85, 0.71%, 0.57%

LAB 83.01, -37.48, 67.53

 

CMYK 69 / 22 / 0 / 13

HEX #45ADDF

RGB 69 173 223

HSL 199.48, 0.71%, 0.57%

LAB 66.89, -14.14, -33.91

 

CMYK 34 / 70 / 0 / 13

HEX #9443DF

RGB 148 67 223

HSL 271.15, 0.71%, 0.57%

LAB 46.5, 61.48, -65.99

 

CMYK 0 / 48 / 70 / 13

HEX #DF7543

RGB 223 117 67

HSL 19.23, 0.71%, 0.57%

LAB 60.62, 37.46, 45.37

 

CMYK 36 / 0 / 70 / 13

HEX #8FDF43

RGB 143 223 67

HSL 90.77, 0.71%, 0.57%

LAB 81.3, -48.73, 65.25

 

CMYK 69 / 22 / 0 / 13

HEX #45ADDF

RGB 69 173 223

HSL 199.48, 0.71%, 0.57%

LAB 66.89, -14.14, -33.91

 

CMYK 13 / 70 / 0 / 13

HEX #C343DF

RGB 195 67 223

HSL 289.23, 0.71%, 0.57%

LAB 52.89, 70.87, -55.36

 

CMYK 0 / 48 / 70 / 13

HEX #DF7543

RGB 223 117 67

HSL 19.23, 0.71%, 0.57%

LAB 60.62, 37.46, 45.37

 

CMYK 57 / 0 / 70 / 13

HEX #60DF43

RGB 96 223 67

HSL 108.85, 0.71%, 0.57%

LAB 79.42, -62.66, 62.73

 

Description

Color code: HEX #45ADDF | qconv.com Color code: HEX #45ADDF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 173 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 173 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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