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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45ACEA it is the complementary color #BA5315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45ACEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45ACEA shade: #4AACE5, #5BBEF8, #6CD0FF, #7DE2FF and #8EF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45ACEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45ACEA shade: #45ACEA, #349AD7, #2388C4, #1276B1 and #01649E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45ACEA shade: #43ABEA, #437EEA, #4351EA, #6243EA and #8F43EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45ACEA shade: #43ABEA, #437EEA, #4351EA and #4343EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45ACEA shade matches the following richer shades: #43ABEA and #32AFFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45ACEA shade: #43ABEA, #54A7D9, #65A3C8, #769FB7 and #869AA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45ACEA shade: #43EACE, #43D9EA, #43ADEA, #4380EA and #4354EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45ACEA shade: #1683C5, #1E9BE6, #43ABEA, #68BCEE and #8DCCF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45ACEA shade: #45ACEA, #A243EA and #EAE543

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45ACEA shade: #45ACEA, #EA43AD and #ADEA43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45ACEA shade: #45ACEA, #A243EA, #EA8043 and #8BEA43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45ACEA shade: #45ACEA, #D443EA, #EA8043 and #59EA43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 26 / 0 / 8

HEX #45ACEA

RGB 69 172 234

HSL 202.55, 0.8%, 0.59%

LAB 67.06, -9.97, -39.67

 

Complementary color

CMYK 0 / 55 / 89 / 27

HEX #BA5315

RGB 186 83 21

HSL 22.55, 0.8%, 0.41%

LAB 47.85, 38.49, 51.83

 

CMYK 68 / 25 / 0 / 10

HEX #4AACE5

RGB 74 172 229

HSL 202.06, 0.75%, 0.59%

LAB 66.99, -10.9, -37.03

 

CMYK 63 / 23 / 0 / 3

HEX #5BBEF8

RGB 91 190 248

HSL 202.17, 0.92%, 0.66%

LAB 73.43, -11.83, -37.29

 

CMYK 58 / 18 / 0 / 0

HEX #6CD0FF

RGB 108 208 255

HSL 199.18, 1%, 0.71%

LAB 79.34, -16.15, -31.86

 

CMYK 51 / 11 / 0 / 0

HEX #7DE2FF

RGB 125 226 255

HSL 193.38, 1%, 0.75%

LAB 84.98, -21.91, -23.18

 

CMYK 44 / 4 / 0 / 0

HEX #8EF4FF

RGB 142 244 255

HSL 185.84, 1%, 0.78%

LAB 90.63, -27.02, -14.6

 

CMYK 71 / 26 / 0 / 8

HEX #45ACEA

RGB 69 172 234

HSL 202.55, 0.8%, 0.59%

LAB 67.06, -9.97, -39.67

 

CMYK 76 / 28 / 0 / 16

HEX #349AD7

RGB 52 154 215

HSL 202.45, 0.67%, 0.52%

LAB 60.56, -8.62, -39.38

 

CMYK 82 / 31 / 0 / 23

HEX #2388C4

RGB 35 136 196

HSL 202.36, 0.7%, 0.45%

LAB 53.98, -6.92, -39.05

 

CMYK 90 / 33 / 0 / 31

HEX #1276B1

RGB 18 118 177

HSL 202.26, 0.82%, 0.38%

LAB 47.31, -4.74, -38.66

 

CMYK 99 / 37 / 0 / 38

HEX #01649E

RGB 1 100 158

HSL 202.17, 0.99%, 0.31%

LAB 40.56, -2.04, -38.2

 

CMYK 71 / 27 / 0 / 8

HEX #43ABEA

RGB 67 171 234

HSL 202.63, 0.8%, 0.59%

LAB 66.72, -9.69, -40.21

 

CMYK 71 / 46 / 0 / 8

HEX #437EEA

RGB 67 126 234

HSL 218.8, 0.8%, 0.59%

LAB 54.09, 16.66, -60.23

 

CMYK 71 / 65 / 0 / 8

HEX #4351EA

RGB 67 81 234

HSL 234.97, 0.8%, 0.59%

LAB 42.79, 44.52, -78.57

 

CMYK 58 / 71 / 0 / 8

HEX #6243EA

RGB 98 67 234

HSL 251.14, 0.8%, 0.59%

LAB 42.08, 56.17, -79.66

 

CMYK 39 / 71 / 0 / 8

HEX #8F43EA

RGB 143 67 234

HSL 267.31, 0.8%, 0.59%

LAB 46.7, 63.15, -71.91

 

CMYK 71 / 27 / 0 / 8

HEX #43ABEA

RGB 67 171 234

HSL 202.63, 0.8%, 0.59%

LAB 66.72, -9.69, -40.21

 

CMYK 71 / 46 / 0 / 8

HEX #437EEA

RGB 67 126 234

HSL 218.8, 0.8%, 0.59%

LAB 54.09, 16.66, -60.23

 

CMYK 71 / 65 / 0 / 8

HEX #4351EA

RGB 67 81 234

HSL 234.97, 0.8%, 0.59%

LAB 42.79, 44.52, -78.57

 

CMYK 71 / 71 / 0 / 8

HEX #4343EA

RGB 67 67 234

HSL 240, 0.8%, 0.59%

LAB 39.83, 52.6, -83.45

 

CMYK 71 / 27 / 0 / 8

HEX #43ABEA

RGB 67 171 234

HSL 202.63, 0.8%, 0.59%

LAB 66.72, -9.69, -40.21

 

CMYK 80 / 30 / 0 / 2

HEX #32AFFB

RGB 50 175 251

HSL 202.69, 0.96%, 0.59%

LAB 68.24, -7.98, -47.11

 

CMYK 71 / 27 / 0 / 8

HEX #43ABEA

RGB 67 171 234

HSL 202.63, 0.8%, 0.59%

LAB 66.72, -9.69, -40.21

 

CMYK 61 / 23 / 0 / 15

HEX #54A7D9

RGB 84 167 217

HSL 202.56, 0.64%, 0.59%

LAB 65.38, -10.36, -32.9

 

CMYK 50 / 19 / 0 / 22

HEX #65A3C8

RGB 101 163 200

HSL 202.42, 0.47%, 0.59%

LAB 64.27, -9.8, -25.13

 

CMYK 36 / 13 / 0 / 28

HEX #769FB7

RGB 118 159 183

HSL 202.15, 0.31%, 0.59%

LAB 63.4, -7.9, -16.88

 

CMYK 19 / 7 / 0 / 35

HEX #869AA6

RGB 134 154 166

HSL 202.5, 0.15%, 0.59%

LAB 62.45, -4.39, -8.64

 

CMYK 71 / 0 / 12 / 8

HEX #43EACE

RGB 67 234 206

HSL 169.94, 0.8%, 0.59%

LAB 84.22, -48.52, 1.36

 

CMYK 71 / 7 / 0 / 8

HEX #43D9EA

RGB 67 217 234

HSL 186.11, 0.8%, 0.59%

LAB 80.04, -33.21, -19.7

 

CMYK 71 / 26 / 0 / 8

HEX #43ADEA

RGB 67 173 234

HSL 201.92, 0.8%, 0.59%

LAB 67.29, -10.79, -39.31

 

CMYK 71 / 45 / 0 / 8

HEX #4380EA

RGB 67 128 234

HSL 218.08, 0.8%, 0.59%

LAB 54.63, 15.43, -59.36

 

CMYK 71 / 64 / 0 / 8

HEX #4354EA

RGB 67 84 234

HSL 233.89, 0.8%, 0.59%

LAB 43.47, 42.72, -77.46

 

CMYK 89 / 34 / 0 / 23

HEX #1683C5

RGB 22 131 197

HSL 202.63, 0.8%, 0.43%

LAB 52.32, -4.61, -42.24

 

CMYK 87 / 33 / 0 / 10

HEX #1E9BE6

RGB 30 155 230

HSL 202.5, 0.8%, 0.51%

LAB 61.16, -5.78, -46.79

 

CMYK 71 / 27 / 0 / 8

HEX #43ABEA

RGB 67 171 234

HSL 202.63, 0.8%, 0.59%

LAB 66.72, -9.69, -40.21

 

CMYK 56 / 21 / 0 / 7

HEX #68BCEE

RGB 104 188 238

HSL 202.39, 0.8%, 0.67%

LAB 72.95, -11.45, -32.61

 

CMYK 42 / 16 / 0 / 5

HEX #8DCCF2

RGB 141 204 242

HSL 202.57, 0.8%, 0.75%

LAB 79.19, -10.47, -25.03

 

CMYK 71 / 26 / 0 / 8

HEX #45ACEA

RGB 69 172 234

HSL 202.55, 0.8%, 0.59%

LAB 67.06, -9.97, -39.67

 

CMYK 31 / 71 / 0 / 8

HEX #A243EA

RGB 162 67 234

HSL 274.13, 0.8%, 0.59%

LAB 49.05, 66.56, -67.99

 

CMYK 0 / 2 / 71 / 8

HEX #EAE543

RGB 234 229 67

HSL 58.2, 0.8%, 0.59%

LAB 88.89, -16.25, 74.73

 

CMYK 71 / 26 / 0 / 8

HEX #45ACEA

RGB 69 172 234

HSL 202.55, 0.8%, 0.59%

LAB 67.06, -9.97, -39.67

 

CMYK 0 / 71 / 26 / 8

HEX #EA43AD

RGB 234 67 173

HSL 321.92, 0.8%, 0.59%

LAB 56.61, 72.3, -20.37

 

CMYK 26 / 0 / 71 / 8

HEX #ADEA43

RGB 173 234 67

HSL 81.92, 0.8%, 0.59%

LAB 86.07, -42.72, 70.56

 

CMYK 71 / 26 / 0 / 8

HEX #45ACEA

RGB 69 172 234

HSL 202.55, 0.8%, 0.59%

LAB 67.06, -9.97, -39.67

 

CMYK 31 / 71 / 0 / 8

HEX #A243EA

RGB 162 67 234

HSL 274.13, 0.8%, 0.59%

LAB 49.05, 66.56, -67.99

 

CMYK 0 / 45 / 71 / 8

HEX #EA8043

RGB 234 128 67

HSL 21.92, 0.8%, 0.59%

LAB 64.43, 36.14, 49.98

 

CMYK 41 / 0 / 71 / 8

HEX #8BEA43

RGB 139 234 67

HSL 94.13, 0.8%, 0.59%

LAB 84.35, -54.49, 68.27

 

CMYK 71 / 26 / 0 / 8

HEX #45ACEA

RGB 69 172 234

HSL 202.55, 0.8%, 0.59%

LAB 67.06, -9.97, -39.67

 

CMYK 9 / 71 / 0 / 8

HEX #D443EA

RGB 212 67 234

HSL 292.1, 0.8%, 0.59%

LAB 56.04, 76.3, -56.37

 

CMYK 0 / 45 / 71 / 8

HEX #EA8043

RGB 234 128 67

HSL 21.92, 0.8%, 0.59%

LAB 64.43, 36.14, 49.98

 

CMYK 62 / 0 / 71 / 8

HEX #59EA43

RGB 89 234 67

HSL 112.1, 0.8%, 0.59%

LAB 82.58, -68.05, 65.91

 

Description

Color code: HEX #45ACEA | qconv.com Color code: HEX #45ACEA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 172 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 172 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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