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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45A60D it is the complementary color #BA59F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45A60D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45A60D shade: #4AA608, #5BB81B, #6CCA2E, #7DDC41 and #8EEE54

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45A60D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45A60D shade: #45A60D, #349400, #238200, #127000 and #015E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45A60D shade: #45A50D, #6EA50D, #97A50D, #A58B0D and #A5620D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45A60D shade: #45A50D, #1CA50D, #0DA528, #0DA551 and #0DA57A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45A60D shade matches the following richer shades: #45A50D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45A60D shade: #45A50D, #49971C, #4D882A, #517A39 and #546B47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45A60D shade: #96A50D, #6DA50D, #45A50D, #1DA50D and #0DA527

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45A60D shade: #255907, #357F0A, #45A50D, #55CB10 and #66EC19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45A60D shade: #45A60D, #0DA58C and #A50D82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45A60D shade: #45A60D, #0D45A5 and #A50D45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45A60D shade: #45A60D, #0DA58C, #6D0DA5 and #A50D27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45A60D shade: #45A60D, #0D91A5, #6D0DA5 and #A5220D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 92 / 35

HEX #45A60D

RGB 69 166 13

HSL 98.04, 0.85%, 0.35%

LAB 60.4, -52.29, 59.9

 

Complementary color

CMYK 23 / 63 / 0 / 5

HEX #BA59F2

RGB 186 89 242

HSL 278.04, 0.85%, 0.65%

LAB 56.08, 63.52, -60.98

 

CMYK 55 / 0 / 95 / 35

HEX #4AA608

RGB 74 166 8

HSL 94.94, 0.91%, 0.34%

LAB 60.56, -51.04, 60.81

 

CMYK 51 / 0 / 85 / 28

HEX #5BB81B

RGB 91 184 27

HSL 95.54, 0.74%, 0.41%

LAB 66.96, -52.23, 63.08

 

CMYK 47 / 0 / 77 / 21

HEX #6CCA2E

RGB 108 202 46

HSL 96.15, 0.63%, 0.49%

LAB 73.3, -53.03, 63.96

 

CMYK 43 / 0 / 70 / 14

HEX #7DDC41

RGB 125 220 65

HSL 96.77, 0.69%, 0.56%

LAB 79.57, -53.55, 63.95

 

CMYK 40 / 0 / 65 / 7

HEX #8EEE54

RGB 142 238 84

HSL 97.4, 0.82%, 0.63%

LAB 85.78, -53.87, 63.44

 

CMYK 58 / 0 / 92 / 35

HEX #45A60D

RGB 69 166 13

HSL 98.04, 0.85%, 0.35%

LAB 60.4, -52.29, 59.9

 

CMYK 65 / 0 / 100 / 42

HEX #349400

RGB 52 148 0

HSL 98.92, 1%, 0.29%

LAB 53.93, -50.55, 56.4

 

CMYK 73 / 0 / 100 / 49

HEX #238200

RGB 35 130 0

HSL 103.85, 1%, 0.25%

LAB 47.39, -48.13, 51.03

 

CMYK 84 / 0 / 100 / 56

HEX #127000

RGB 18 112 0

HSL 110.36, 1%, 0.22%

LAB 40.76, -45.1, 45.6

 

CMYK 99 / 0 / 100 / 63

HEX #015E00

RGB 1 94 0

HSL 119.36, 1%, 0.18%

LAB 34.01, -41.41, 40.1

 

CMYK 58 / 0 / 92 / 35

HEX #45A50D

RGB 69 165 13

HSL 97.89, 0.85%, 0.35%

LAB 60.07, -51.93, 59.62

 

CMYK 33 / 0 / 92 / 35

HEX #6EA50D

RGB 110 165 13

HSL 81.71, 0.85%, 0.35%

LAB 61.87, -38.47, 61.85

 

CMYK 8 / 0 / 92 / 35

HEX #97A50D

RGB 151 165 13

HSL 65.53, 0.85%, 0.35%

LAB 64.58, -21.54, 65.15

 

CMYK 0 / 16 / 92 / 35

HEX #A58B0D

RGB 165 139 13

HSL 49.74, 0.85%, 0.35%

LAB 58.5, -1.53, 60.95

 

CMYK 0 / 41 / 92 / 35

HEX #A5620D

RGB 165 98 13

HSL 33.55, 0.85%, 0.35%

LAB 47.96, 21.49, 52.95

 

CMYK 58 / 0 / 92 / 35

HEX #45A50D

RGB 69 165 13

HSL 97.89, 0.85%, 0.35%

LAB 60.07, -51.93, 59.62

 

CMYK 83 / 0 / 92 / 35

HEX #1CA50D

RGB 28 165 13

HSL 114.08, 0.85%, 0.35%

LAB 59.15, -59.81, 58.47

 

CMYK 92 / 0 / 76 / 35

HEX #0DA528

RGB 13 165 40

HSL 130.66, 0.85%, 0.35%

LAB 59.11, -59.67, 51.3

 

CMYK 92 / 0 / 51 / 35

HEX #0DA551

RGB 13 165 81

HSL 146.84, 0.85%, 0.35%

LAB 59.52, -54.66, 33.48

 

CMYK 92 / 0 / 26 / 35

HEX #0DA57A

RGB 13 165 122

HSL 163.03, 0.85%, 0.35%

LAB 60.25, -46.21, 12.37

 

CMYK 58 / 0 / 92 / 35

HEX #45A50D

RGB 69 165 13

HSL 97.89, 0.85%, 0.35%

LAB 60.07, -51.93, 59.62

 

CMYK 58 / 0 / 92 / 35

HEX #45A50D

RGB 69 165 13

HSL 97.89, 0.85%, 0.35%

LAB 60.07, -51.93, 59.62

 

CMYK 52 / 0 / 81 / 41

HEX #49971C

RGB 73 151 28

HSL 98.05, 0.69%, 0.35%

LAB 55.72, -44.93, 52.41

 

CMYK 43 / 0 / 69 / 47

HEX #4D882A

RGB 77 136 42

HSL 97.66, 0.53%, 0.35%

LAB 51.1, -36.43, 42.76

 

CMYK 34 / 0 / 53 / 52

HEX #517A39

RGB 81 122 57

HSL 97.85, 0.36%, 0.35%

LAB 46.93, -26.9, 30.86

 

CMYK 21 / 0 / 34 / 58

HEX #546B47

RGB 84 107 71

HSL 98.33, 0.2%, 0.35%

LAB 42.54, -15.9, 17.48

 

CMYK 9 / 0 / 92 / 35

HEX #96A50D

RGB 150 165 13

HSL 65.92, 0.85%, 0.35%

LAB 64.5, -21.98, 65.06

 

CMYK 34 / 0 / 92 / 35

HEX #6DA50D

RGB 109 165 13

HSL 82.11, 0.85%, 0.35%

LAB 61.82, -38.85, 61.78

 

CMYK 58 / 0 / 92 / 35

HEX #45A50D

RGB 69 165 13

HSL 97.89, 0.85%, 0.35%

LAB 60.07, -51.93, 59.62

 

CMYK 82 / 0 / 92 / 35

HEX #1DA50D

RGB 29 165 13

HSL 113.68, 0.85%, 0.35%

LAB 59.16, -59.69, 58.49

 

CMYK 92 / 0 / 76 / 35

HEX #0DA527

RGB 13 165 39

HSL 130.26, 0.85%, 0.35%

LAB 59.11, -59.75, 51.64

 

CMYK 58 / 0 / 92 / 65

HEX #255907

RGB 37 89 7

HSL 98.05, 0.85%, 0.19%

LAB 33.03, -32.18, 37.37

 

CMYK 58 / 0 / 92 / 50

HEX #357F0A

RGB 53 127 10

HSL 97.95, 0.85%, 0.27%

LAB 46.92, -42.36, 48.84

 

CMYK 58 / 0 / 92 / 35

HEX #45A50D

RGB 69 165 13

HSL 97.89, 0.85%, 0.35%

LAB 60.07, -51.93, 59.62

 

CMYK 58 / 0 / 92 / 20

HEX #55CB10

RGB 85 203 16

HSL 97.86, 0.85%, 0.43%

LAB 72.68, -61.05, 69.88

 

CMYK 57 / 0 / 89 / 7

HEX #66EC19

RGB 102 236 25

HSL 98.1, 0.85%, 0.51%

LAB 83.38, -67.78, 77.7

 

CMYK 58 / 0 / 92 / 35

HEX #45A60D

RGB 69 166 13

HSL 98.04, 0.85%, 0.35%

LAB 60.4, -52.29, 59.9

 

CMYK 92 / 0 / 15 / 35

HEX #0DA58C

RGB 13 165 140

HSL 170.13, 0.85%, 0.35%

LAB 60.68, -41.53, 2.92

 

CMYK 0 / 92 / 21 / 35

HEX #A50D82

RGB 165 13 130

HSL 313.82, 0.85%, 0.35%

LAB 37.66, 64.56, -24.83

 

CMYK 58 / 0 / 92 / 35

HEX #45A60D

RGB 69 166 13

HSL 98.04, 0.85%, 0.35%

LAB 60.4, -52.29, 59.9

 

CMYK 92 / 58 / 0 / 35

HEX #0D45A5

RGB 13 69 165

HSL 217.89, 0.85%, 0.35%

LAB 31.94, 21.98, -56.26

 

CMYK 0 / 92 / 58 / 35

HEX #A50D45

RGB 165 13 69

HSL 337.89, 0.85%, 0.35%

LAB 35.43, 58.55, 10.79

 

CMYK 58 / 0 / 92 / 35

HEX #45A60D

RGB 69 166 13

HSL 98.04, 0.85%, 0.35%

LAB 60.4, -52.29, 59.9

 

CMYK 92 / 0 / 15 / 35

HEX #0DA58C

RGB 13 165 140

HSL 170.13, 0.85%, 0.35%

LAB 60.68, -41.53, 2.92

 

CMYK 34 / 92 / 0 / 35

HEX #6D0DA5

RGB 109 13 165

HSL 277.89, 0.85%, 0.35%

LAB 30.05, 60.72, -59.04

 

CMYK 0 / 92 / 76 / 35

HEX #A50D27

RGB 165 13 39

HSL 349.74, 0.85%, 0.35%

LAB 34.87, 56.97, 29.37

 

CMYK 58 / 0 / 92 / 35

HEX #45A60D

RGB 69 166 13

HSL 98.04, 0.85%, 0.35%

LAB 60.4, -52.29, 59.9

 

CMYK 92 / 12 / 0 / 35

HEX #0D91A5

RGB 13 145 165

HSL 187.89, 0.85%, 0.35%

LAB 55.13, -24.41, -19.58

 

CMYK 34 / 92 / 0 / 35

HEX #6D0DA5

RGB 109 13 165

HSL 277.89, 0.85%, 0.35%

LAB 30.05, 60.72, -59.04

 

CMYK 0 / 79 / 92 / 35

HEX #A5220D

RGB 165 34 13

HSL 8.29, 0.85%, 0.35%

LAB 36.31, 51.51, 44.49

 

Description

Color code: HEX #45A60D | qconv.com Color code: HEX #45A60D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 166 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 166 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 92 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 92% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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