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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459DA8 it is the complementary color #BA6257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459DA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459DA8 shade: #4A9DA3, #5BAFB6, #6CC1C9, #7DD3DC and #8EE5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459DA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459DA8 shade: #459DA8, #348B95, #237982, #12676F and #01555C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459DA8 shade: #449CA7, #4481A7, #4466A7, #444CA7 and #5744A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459DA8 shade: #449CA7, #4481A7, #4466A7, #444CA7 and #4444A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459DA8 shade matches the following richer shades: #449CA7, #31AABA, #1EB9CD and #0BC8E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459DA8 shade: #449CA7, #578D94, #6A7E81, #7D6F6E and #90615B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459DA8 shade: #44A77C, #44A796, #449DA7, #4482A7 and #4468A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459DA8 shade: #2C656C, #388089, #449CA7, #59B0BB and #76BEC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459DA8 shade: #459DA8, #6244A7 and #A78944

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459DA8 shade: #459DA8, #A7449D and #9DA744

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459DA8 shade: #459DA8, #6244A7, #A74E44 and #89A744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459DA8 shade: #459DA8, #7F44A7, #A74E44 and #6BA744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 7 / 0 / 34

HEX #459DA8

RGB 69 157 168

HSL 186.67, 0.42%, 0.46%

LAB 60.07, -22.88, -13.67

 

Complementary color

CMYK 0 / 47 / 53 / 27

HEX #BA6257

RGB 186 98 87

HSL 6.67, 0.42%, 0.54%

LAB 51.68, 34.24, 22.26

 

CMYK 55 / 4 / 0 / 36

HEX #4A9DA3

RGB 74 157 163

HSL 184.04, 0.38%, 0.46%

LAB 60.08, -23.33, -10.82

 

CMYK 50 / 4 / 0 / 29

HEX #5BAFB6

RGB 91 175 182

HSL 184.62, 0.38%, 0.54%

LAB 66.72, -23.51, -11.45

 

CMYK 46 / 4 / 0 / 21

HEX #6CC1C9

RGB 108 193 201

HSL 185.16, 0.46%, 0.61%

LAB 73.25, -23.61, -12.04

 

CMYK 43 / 4 / 0 / 14

HEX #7DD3DC

RGB 125 211 220

HSL 185.68, 0.58%, 0.68%

LAB 79.68, -23.67, -12.59

 

CMYK 41 / 4 / 0 / 6

HEX #8EE5EF

RGB 142 229 239

HSL 186.19, 0.75%, 0.75%

LAB 86.02, -23.69, -13.12

 

CMYK 59 / 7 / 0 / 34

HEX #459DA8

RGB 69 157 168

HSL 186.67, 0.42%, 0.46%

LAB 60.07, -22.88, -13.67

 

CMYK 65 / 7 / 0 / 42

HEX #348B95

RGB 52 139 149

HSL 186.19, 0.48%, 0.39%

LAB 53.35, -22.41, -13.01

 

CMYK 73 / 7 / 0 / 49

HEX #237982

RGB 35 121 130

HSL 185.68, 0.58%, 0.32%

LAB 46.5, -21.68, -12.25

 

CMYK 84 / 7 / 0 / 56

HEX #12676F

RGB 18 103 111

HSL 185.16, 0.72%, 0.25%

LAB 39.54, -20.56, -11.38

 

CMYK 99 / 8 / 0 / 64

HEX #01555C

RGB 1 85 92

HSL 184.62, 0.98%, 0.18%

LAB 32.43, -19.01, -10.37

 

CMYK 59 / 7 / 0 / 35

HEX #449CA7

RGB 68 156 167

HSL 186.67, 0.42%, 0.46%

LAB 59.7, -22.86, -13.67

 

CMYK 59 / 23 / 0 / 35

HEX #4481A7

RGB 68 129 167

HSL 203.03, 0.42%, 0.46%

LAB 51.52, -8.16, -26.18

 

CMYK 59 / 39 / 0 / 35

HEX #4466A7

RGB 68 102 167

HSL 219.39, 0.42%, 0.46%

LAB 43.54, 8.12, -38.68

 

CMYK 59 / 54 / 0 / 35

HEX #444CA7

RGB 68 76 167

HSL 235.15, 0.42%, 0.46%

LAB 36.34, 24.82, -50.2

 

CMYK 48 / 59 / 0 / 35

HEX #5744A7

RGB 87 68 167

HSL 251.52, 0.42%, 0.46%

LAB 35.89, 33.78, -50.86

 

CMYK 59 / 7 / 0 / 35

HEX #449CA7

RGB 68 156 167

HSL 186.67, 0.42%, 0.46%

LAB 59.7, -22.86, -13.67

 

CMYK 59 / 23 / 0 / 35

HEX #4481A7

RGB 68 129 167

HSL 203.03, 0.42%, 0.46%

LAB 51.52, -8.16, -26.18

 

CMYK 59 / 39 / 0 / 35

HEX #4466A7

RGB 68 102 167

HSL 219.39, 0.42%, 0.46%

LAB 43.54, 8.12, -38.68

 

CMYK 59 / 54 / 0 / 35

HEX #444CA7

RGB 68 76 167

HSL 235.15, 0.42%, 0.46%

LAB 36.34, 24.82, -50.2

 

CMYK 59 / 59 / 0 / 35

HEX #4444A7

RGB 68 68 167

HSL 240, 0.42%, 0.46%

LAB 34.3, 29.96, -53.51

 

CMYK 59 / 7 / 0 / 35

HEX #449CA7

RGB 68 156 167

HSL 186.67, 0.42%, 0.46%

LAB 59.7, -22.86, -13.67

 

CMYK 74 / 9 / 0 / 27

HEX #31AABA

RGB 49 170 186

HSL 187.01, 0.58%, 0.46%

LAB 64.12, -27.11, -17.72

 

CMYK 85 / 10 / 0 / 20

HEX #1EB9CD

RGB 30 185 205

HSL 186.86, 0.74%, 0.46%

LAB 69.03, -30.26, -20.79

 

CMYK 95 / 11 / 0 / 12

HEX #0BC8E0

RGB 11 200 224

HSL 186.76, 0.91%, 0.46%

LAB 74.04, -32.3, -23.52

 

CMYK 59 / 7 / 0 / 35

HEX #449CA7

RGB 68 156 167

HSL 186.67, 0.42%, 0.46%

LAB 59.7, -22.86, -13.67

 

CMYK 41 / 5 / 0 / 42

HEX #578D94

RGB 87 141 148

HSL 186.89, 0.26%, 0.46%

LAB 55.29, -15.97, -9.37

 

CMYK 18 / 2 / 0 / 49

HEX #6A7E81

RGB 106 126 129

HSL 187.83, 0.1%, 0.46%

LAB 51.35, -6.57, -4.07

 

CMYK 0 / 11 / 12 / 51

HEX #7D6F6E

RGB 125 111 110

HSL 4, 0.06%, 0.46%

LAB 48.08, 5.28, 2.55

 

CMYK 0 / 33 / 37 / 44

HEX #90615B

RGB 144 97 91

HSL 6.79, 0.23%, 0.46%

LAB 45.95, 18.3, 11.17

 

CMYK 59 / 0 / 26 / 35

HEX #44A77C

RGB 68 167 124

HSL 153.94, 0.42%, 0.46%

LAB 61.93, -39.3, 13.76

 

CMYK 59 / 0 / 10 / 35

HEX #44A796

RGB 68 167 150

HSL 169.7, 0.42%, 0.46%

LAB 62.57, -33.01, 0.16

 

CMYK 59 / 6 / 0 / 35

HEX #449DA7

RGB 68 157 167

HSL 186.06, 0.42%, 0.46%

LAB 60.01, -23.37, -13.21

 

CMYK 59 / 22 / 0 / 35

HEX #4482A7

RGB 68 130 167

HSL 202.42, 0.42%, 0.46%

LAB 51.82, -8.74, -25.71

 

CMYK 59 / 38 / 0 / 35

HEX #4468A7

RGB 68 104 167

HSL 218.18, 0.42%, 0.46%

LAB 44.12, 6.86, -37.77

 

CMYK 59 / 6 / 0 / 58

HEX #2C656C

RGB 44 101 108

HSL 186.56, 0.42%, 0.3%

LAB 39.45, -16.32, -9.61

 

CMYK 59 / 7 / 0 / 46

HEX #388089

RGB 56 128 137

HSL 186.67, 0.42%, 0.38%

LAB 49.6, -19.55, -11.65

 

CMYK 59 / 7 / 0 / 35

HEX #449CA7

RGB 68 156 167

HSL 186.67, 0.42%, 0.46%

LAB 59.7, -22.86, -13.67

 

CMYK 52 / 6 / 0 / 27

HEX #59B0BB

RGB 89 176 187

HSL 186.73, 0.42%, 0.54%

LAB 67.1, -23.07, -13.66

 

CMYK 41 / 5 / 0 / 22

HEX #76BEC7

RGB 118 190 199

HSL 186.67, 0.42%, 0.62%

LAB 72.76, -20.18, -11.63

 

CMYK 59 / 7 / 0 / 34

HEX #459DA8

RGB 69 157 168

HSL 186.67, 0.42%, 0.46%

LAB 60.07, -22.88, -13.67

 

CMYK 41 / 59 / 0 / 35

HEX #6244A7

RGB 98 68 167

HSL 258.18, 0.42%, 0.46%

LAB 36.97, 36.24, -49.06

 

CMYK 0 / 18 / 59 / 35

HEX #A78944

RGB 167 137 68

HSL 41.82, 0.42%, 0.46%

LAB 58.53, 3.01, 40.67

 

CMYK 59 / 7 / 0 / 34

HEX #459DA8

RGB 69 157 168

HSL 186.67, 0.42%, 0.46%

LAB 60.07, -22.88, -13.67

 

CMYK 0 / 59 / 6 / 35

HEX #A7449D

RGB 167 68 157

HSL 306.06, 0.42%, 0.46%

LAB 45.34, 52.04, -29.24

 

CMYK 6 / 0 / 59 / 35

HEX #9DA744

RGB 157 167 68

HSL 66.06, 0.42%, 0.46%

LAB 65.92, -17.41, 48.8

 

CMYK 59 / 7 / 0 / 34

HEX #459DA8

RGB 69 157 168

HSL 186.67, 0.42%, 0.46%

LAB 60.07, -22.88, -13.67

 

CMYK 41 / 59 / 0 / 35

HEX #6244A7

RGB 98 68 167

HSL 258.18, 0.42%, 0.46%

LAB 36.97, 36.24, -49.06

 

CMYK 0 / 53 / 59 / 35

HEX #A74E44

RGB 167 78 68

HSL 6.06, 0.42%, 0.46%

LAB 44.35, 35.79, 23.37

 

CMYK 18 / 0 / 59 / 35

HEX #89A744

RGB 137 167 68

HSL 78.18, 0.42%, 0.46%

LAB 64.46, -25.7, 46.77

 

CMYK 59 / 7 / 0 / 34

HEX #459DA8

RGB 69 157 168

HSL 186.67, 0.42%, 0.46%

LAB 60.07, -22.88, -13.67

 

CMYK 24 / 59 / 0 / 35

HEX #7F44A7

RGB 127 68 167

HSL 275.76, 0.42%, 0.46%

LAB 40.31, 43.34, -43.52

 

CMYK 0 / 53 / 59 / 35

HEX #A74E44

RGB 167 78 68

HSL 6.06, 0.42%, 0.46%

LAB 44.35, 35.79, 23.37

 

CMYK 36 / 0 / 59 / 35

HEX #6BA744

RGB 107 167 68

HSL 96.36, 0.42%, 0.46%

LAB 62.66, -37.14, 44.24

 

Description

Color code: HEX #459DA8 | qconv.com Color code: HEX #459DA8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 157 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 157 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 7 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 7% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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