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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459CDB it is the complementary color #BA6324. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459CDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459CDB shade: #4A9CD6, #5BAEE9, #6CC0FC, #7DD2FF and #8EE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459CDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459CDB shade: #459CDB, #348AC8, #2378B5, #1266A2 and #01548F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459CDB shade: #439BDB, #4372DB, #4349DB, #6543DB and #8F43DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459CDB shade: #439BDB, #4372DB, #4349DB and #4343DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459CDB shade matches the following richer shades: #439BDB and #309EED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459CDB shade: #439BDB, #5598C9, #6795B7, #7992A5 and #8B8F92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459CDB shade: #43DBC9, #43C4DB, #439CDB, #4373DB and #434ADB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459CDB shade: #2071AB, #2787CD, #439BDB, #65ADE2 and #88C0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459CDB shade: #459CDB, #A143DB and #D9DB43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459CDB shade: #459CDB, #DB439C and #9CDB43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459CDB shade: #459CDB, #A143DB, #DB8243 and #7DDB43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459CDB shade: #459CDB, #CE43DB, #DB8243 and #4FDB43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 29 / 0 / 14

HEX #459CDB

RGB 69 156 219

HSL 205.2, 0.68%, 0.56%

LAB 61.79, -6.09, -39.65

 

Complementary color

CMYK 0 / 47 / 81 / 27

HEX #BA6324

RGB 186 99 36

HSL 25.2, 0.68%, 0.44%

LAB 51.26, 30.59, 48.86

 

CMYK 65 / 27 / 0 / 16

HEX #4A9CD6

RGB 74 156 214

HSL 204.86, 0.63%, 0.56%

LAB 61.73, -6.97, -36.95

 

CMYK 61 / 25 / 0 / 9

HEX #5BAEE9

RGB 91 174 233

HSL 204.93, 0.76%, 0.64%

LAB 68.3, -7.87, -37.13

 

CMYK 57 / 24 / 0 / 1

HEX #6CC0FC

RGB 108 192 252

HSL 205, 0.96%, 0.71%

LAB 74.77, -8.6, -37.32

 

CMYK 51 / 18 / 0 / 0

HEX #7DD2FF

RGB 125 210 255

HSL 200.77, 1%, 0.75%

LAB 80.56, -13.77, -29.94

 

CMYK 44 / 11 / 0 / 0

HEX #8EE4FF

RGB 142 228 255

HSL 194.34, 1%, 0.78%

LAB 86.23, -19.15, -21.21

 

CMYK 68 / 29 / 0 / 14

HEX #459CDB

RGB 69 156 219

HSL 205.2, 0.68%, 0.56%

LAB 61.79, -6.09, -39.65

 

CMYK 74 / 31 / 0 / 22

HEX #348AC8

RGB 52 138 200

HSL 205.14, 0.59%, 0.49%

LAB 55.15, -4.75, -39.45

 

CMYK 81 / 34 / 0 / 29

HEX #2378B5

RGB 35 120 181

HSL 205.07, 0.68%, 0.42%

LAB 48.42, -3.04, -39.21

 

CMYK 89 / 37 / 0 / 36

HEX #1266A2

RGB 18 102 162

HSL 205, 0.8%, 0.35%

LAB 41.6, -0.79, -38.91

 

CMYK 99 / 41 / 0 / 44

HEX #01548F

RGB 1 84 143

HSL 204.93, 0.99%, 0.28%

LAB 34.66, 2.03, -38.56

 

CMYK 69 / 29 / 0 / 14

HEX #439BDB

RGB 67 155 219

HSL 205.26, 0.68%, 0.56%

LAB 61.44, -5.82, -40.2

 

CMYK 69 / 48 / 0 / 14

HEX #4372DB

RGB 67 114 219

HSL 221.45, 0.68%, 0.56%

LAB 49.91, 18.75, -58.52

 

CMYK 69 / 67 / 0 / 14

HEX #4349DB

RGB 67 73 219

HSL 237.63, 0.68%, 0.56%

LAB 39.7, 44.26, -75.11

 

CMYK 54 / 69 / 0 / 14

HEX #6543DB

RGB 101 67 219

HSL 253.42, 0.68%, 0.56%

LAB 41.05, 52.28, -72.8

 

CMYK 35 / 69 / 0 / 14

HEX #8F43DB

RGB 143 67 219

HSL 270, 0.68%, 0.56%

LAB 45.59, 59.6, -65.21

 

CMYK 69 / 29 / 0 / 14

HEX #439BDB

RGB 67 155 219

HSL 205.26, 0.68%, 0.56%

LAB 61.44, -5.82, -40.2

 

CMYK 69 / 48 / 0 / 14

HEX #4372DB

RGB 67 114 219

HSL 221.45, 0.68%, 0.56%

LAB 49.91, 18.75, -58.52

 

CMYK 69 / 67 / 0 / 14

HEX #4349DB

RGB 67 73 219

HSL 237.63, 0.68%, 0.56%

LAB 39.7, 44.26, -75.11

 

CMYK 69 / 69 / 0 / 14

HEX #4343DB

RGB 67 67 219

HSL 240, 0.68%, 0.56%

LAB 38.41, 47.76, -77.23

 

CMYK 69 / 29 / 0 / 14

HEX #439BDB

RGB 67 155 219

HSL 205.26, 0.68%, 0.56%

LAB 61.44, -5.82, -40.2

 

CMYK 80 / 33 / 0 / 7

HEX #309EED

RGB 48 158 237

HSL 205.08, 0.84%, 0.56%

LAB 62.67, -3.54, -48.24

 

CMYK 69 / 29 / 0 / 14

HEX #439BDB

RGB 67 155 219

HSL 205.26, 0.68%, 0.56%

LAB 61.44, -5.82, -40.2

 

CMYK 58 / 24 / 0 / 21

HEX #5598C9

RGB 85 152 201

HSL 205.34, 0.52%, 0.56%

LAB 60.43, -6.89, -31.67

 

CMYK 44 / 19 / 0 / 28

HEX #6795B7

RGB 103 149 183

HSL 205.5, 0.36%, 0.56%

LAB 59.71, -6.43, -22.59

 

CMYK 27 / 12 / 0 / 35

HEX #7992A5

RGB 121 146 165

HSL 205.91, 0.2%, 0.56%

LAB 59.29, -4.34, -12.91

 

CMYK 5 / 2 / 0 / 43

HEX #8B8F92

RGB 139 143 146

HSL 205.71, 0.03%, 0.56%

LAB 59.17, -0.85, -2.11

 

CMYK 69 / 0 / 8 / 14

HEX #43DBC9

RGB 67 219 201

HSL 172.89, 0.68%, 0.56%

LAB 79.66, -43.36, -2.67

 

CMYK 69 / 11 / 0 / 14

HEX #43C4DB

RGB 67 196 219

HSL 189.08, 0.68%, 0.56%

LAB 73.41, -27.54, -21.71

 

CMYK 69 / 29 / 0 / 14

HEX #439CDB

RGB 67 156 219

HSL 204.87, 0.68%, 0.56%

LAB 61.73, -6.39, -39.75

 

CMYK 69 / 47 / 0 / 14

HEX #4373DB

RGB 67 115 219

HSL 221.05, 0.68%, 0.56%

LAB 50.18, 18.12, -58.09

 

CMYK 69 / 66 / 0 / 14

HEX #434ADB

RGB 67 74 219

HSL 237.24, 0.68%, 0.56%

LAB 39.92, 43.66, -74.75

 

CMYK 81 / 34 / 0 / 33

HEX #2071AB

RGB 32 113 171

HSL 205.04, 0.68%, 0.4%

LAB 45.71, -2.88, -37.67

 

CMYK 81 / 34 / 0 / 20

HEX #2787CD

RGB 39 135 205

HSL 205.3, 0.68%, 0.48%

LAB 54.2, -2.65, -43.79

 

CMYK 69 / 29 / 0 / 14

HEX #439BDB

RGB 67 155 219

HSL 205.26, 0.68%, 0.56%

LAB 61.44, -5.82, -40.2

 

CMYK 55 / 23 / 0 / 11

HEX #65ADE2

RGB 101 173 226

HSL 205.44, 0.68%, 0.64%

LAB 68.13, -7.55, -33.54

 

CMYK 41 / 17 / 0 / 9

HEX #88C0E8

RGB 136 192 232

HSL 205, 0.68%, 0.72%

LAB 75.3, -8.02, -25.62

 

CMYK 68 / 29 / 0 / 14

HEX #459CDB

RGB 69 156 219

HSL 205.2, 0.68%, 0.56%

LAB 61.79, -6.09, -39.65

 

CMYK 26 / 69 / 0 / 14

HEX #A143DB

RGB 161 67 219

HSL 277.11, 0.68%, 0.56%

LAB 47.89, 63.12, -61.38

 

CMYK 1 / 0 / 69 / 14

HEX #D9DB43

RGB 217 219 67

HSL 60.79, 0.68%, 0.56%

LAB 84.9, -18.38, 70.41

 

CMYK 68 / 29 / 0 / 14

HEX #459CDB

RGB 69 156 219

HSL 205.2, 0.68%, 0.56%

LAB 61.79, -6.09, -39.65

 

CMYK 0 / 69 / 29 / 14

HEX #DB439C

RGB 219 67 156

HSL 324.87, 0.68%, 0.56%

LAB 53.47, 66.39, -15.43

 

CMYK 29 / 0 / 69 / 14

HEX #9CDB43

RGB 156 219 67

HSL 84.87, 0.68%, 0.56%

LAB 80.81, -42.44, 64.98

 

CMYK 68 / 29 / 0 / 14

HEX #459CDB

RGB 69 156 219

HSL 205.2, 0.68%, 0.56%

LAB 61.79, -6.09, -39.65

 

CMYK 26 / 69 / 0 / 14

HEX #A143DB

RGB 161 67 219

HSL 277.11, 0.68%, 0.56%

LAB 47.89, 63.12, -61.38

 

CMYK 0 / 41 / 69 / 14

HEX #DB8243

RGB 219 130 67

HSL 24.87, 0.68%, 0.56%

LAB 62.87, 29.06, 47.7

 

CMYK 43 / 0 / 69 / 14

HEX #7DDB43

RGB 125 219 67

HSL 97.11, 0.68%, 0.56%

LAB 79.29, -53.02, 62.93

 

CMYK 68 / 29 / 0 / 14

HEX #459CDB

RGB 69 156 219

HSL 205.2, 0.68%, 0.56%

LAB 61.79, -6.09, -39.65

 

CMYK 6 / 69 / 0 / 14

HEX #CE43DB

RGB 206 67 219

HSL 294.87, 0.68%, 0.56%

LAB 54.29, 72.48, -50.75

 

CMYK 0 / 41 / 69 / 14

HEX #DB8243

RGB 219 130 67

HSL 24.87, 0.68%, 0.56%

LAB 62.87, 29.06, 47.7

 

CMYK 64 / 0 / 69 / 14

HEX #4FDB43

RGB 79 219 67

HSL 115.26, 0.68%, 0.56%

LAB 77.72, -65.15, 60.8

 

Description

Color code: HEX #459CDB | qconv.com Color code: HEX #459CDB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 156 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 156 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 29 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 29% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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