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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459B46 it is the complementary color #BA64B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459B46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459B46 shade: #4A9B41, #5BAD54, #6CBF67, #7DD17A and #8EE38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459B46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459B46 shade: #459B46, #348933, #237720, #12650D and #015300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459B46 shade: #469B47, #5C9B46, #739B46, #8A9B46 and #9B9546

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459B46 shade: #469B47, #469B5E, #469B75, #469B8C and #46939B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459B46 shade matches the following richer shades: #469B47, #33AD35, #21BF23 and #0FD111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459B46 shade: #469B47, #588958, #6A776A, #7C647C and #8E528D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459B46 shade: #739B46, #5C9B46, #469B46, #469B5C and #469B73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459B46 shade: #2C622D, #397E3A, #469B47, #56B357 and #73C074

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459B46 shade: #459B46, #468A9B and #9B4668

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459B46 shade: #459B46, #46469B and #9B4646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459B46 shade: #459B46, #468A9B, #9B469B and #9B5746

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459B46 shade: #459B46, #46709B, #9B469B and #9B7046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 55 / 39

HEX #459B46

RGB 69 155 70

HSL 120.7, 0.38%, 0.44%

LAB 57.22, -43.73, 36.48

 

Complementary color

CMYK 0 / 46 / 1 / 27

HEX #BA64B9

RGB 186 100 185

HSL 300.7, 0.38%, 0.56%

LAB 55.13, 46.82, -30.19

 

CMYK 52 / 0 / 58 / 39

HEX #4A9B41

RGB 74 155 65

HSL 114, 0.41%, 0.43%

LAB 57.35, -42.98, 39.13

 

CMYK 47 / 0 / 51 / 32

HEX #5BAD54

RGB 91 173 84

HSL 115.28, 0.35%, 0.5%

LAB 63.96, -43.06, 37.86

 

CMYK 43 / 0 / 46 / 25

HEX #6CBF67

RGB 108 191 103

HSL 116.59, 0.41%, 0.58%

LAB 70.48, -42.99, 36.57

 

CMYK 40 / 0 / 42 / 18

HEX #7DD17A

RGB 125 209 122

HSL 117.93, 0.49%, 0.65%

LAB 76.9, -42.83, 35.31

 

CMYK 37 / 0 / 38 / 11

HEX #8EE38D

RGB 142 227 141

HSL 119.3, 0.61%, 0.72%

LAB 83.24, -42.63, 34.1

 

CMYK 55 / 0 / 55 / 39

HEX #459B46

RGB 69 155 70

HSL 120.7, 0.38%, 0.44%

LAB 57.22, -43.73, 36.48

 

CMYK 62 / 0 / 63 / 46

HEX #348933

RGB 52 137 51

HSL 119.3, 0.46%, 0.37%

LAB 50.52, -43.38, 37.77

 

CMYK 71 / 0 / 73 / 53

HEX #237720

RGB 35 119 32

HSL 117.93, 0.58%, 0.3%

LAB 43.73, -42.54, 38.77

 

CMYK 82 / 0 / 87 / 60

HEX #12650D

RGB 18 101 13

HSL 116.59, 0.77%, 0.22%

LAB 36.86, -40.82, 38.86

 

CMYK 99 / 0 / 100 / 67

HEX #015300

RGB 1 83 0

HSL 119.28, 1%, 0.16%

LAB 29.89, -37.97, 36.81

 

CMYK 55 / 0 / 54 / 39

HEX #469B47

RGB 70 155 71

HSL 120.71, 0.38%, 0.44%

LAB 57.27, -43.33, 36.05

 

CMYK 41 / 0 / 55 / 39

HEX #5C9B46

RGB 92 155 70

HSL 104.47, 0.38%, 0.44%

LAB 58.19, -36.74, 37.87

 

CMYK 26 / 0 / 55 / 39

HEX #739B46

RGB 115 155 70

HSL 88.24, 0.38%, 0.44%

LAB 59.46, -28.38, 39.69

 

CMYK 11 / 0 / 55 / 39

HEX #8A9B46

RGB 138 155 70

HSL 72, 0.38%, 0.44%

LAB 61.04, -19.09, 41.93

 

CMYK 0 / 4 / 55 / 39

HEX #9B9546

RGB 155 149 70

HSL 55.76, 0.38%, 0.44%

LAB 60.7, -8.66, 41.89

 

CMYK 55 / 0 / 54 / 39

HEX #469B47

RGB 70 155 71

HSL 120.71, 0.38%, 0.44%

LAB 57.27, -43.33, 36.05

 

CMYK 55 / 0 / 39 / 39

HEX #469B5E

RGB 70 155 94

HSL 136.94, 0.38%, 0.44%

LAB 57.61, -39.68, 24.4

 

CMYK 55 / 0 / 25 / 39

HEX #469B75

RGB 70 155 117

HSL 153.18, 0.38%, 0.44%

LAB 58.06, -35.02, 12.27

 

CMYK 55 / 0 / 10 / 39

HEX #469B8C

RGB 70 155 140

HSL 169.41, 0.38%, 0.44%

LAB 58.64, -29.46, 0.08

 

CMYK 55 / 5 / 0 / 39

HEX #46939B

RGB 70 147 155

HSL 185.65, 0.38%, 0.44%

LAB 56.62, -21.3, -11.47

 

CMYK 55 / 0 / 54 / 39

HEX #469B47

RGB 70 155 71

HSL 120.71, 0.38%, 0.44%

LAB 57.27, -43.33, 36.05

 

CMYK 71 / 0 / 69 / 32

HEX #33AD35

RGB 51 173 53

HSL 120.98, 0.54%, 0.44%

LAB 62.38, -56.4, 49.9

 

CMYK 83 / 0 / 82 / 25

HEX #21BF23

RGB 33 191 35

HSL 120.76, 0.71%, 0.44%

LAB 67.8, -66.02, 61.29

 

CMYK 93 / 0 / 92 / 18

HEX #0FD111

RGB 15 209 17

HSL 120.62, 0.87%, 0.44%

LAB 73.38, -73.23, 69.84

 

CMYK 55 / 0 / 54 / 39

HEX #469B47

RGB 70 155 71

HSL 120.71, 0.38%, 0.44%

LAB 57.27, -43.33, 36.05

 

CMYK 36 / 0 / 36 / 46

HEX #588958

RGB 88 137 88

HSL 120, 0.22%, 0.44%

LAB 52.59, -27.05, 21.19

 

CMYK 11 / 0 / 11 / 53

HEX #6A776A

RGB 106 119 106

HSL 120, 0.06%, 0.44%

LAB 48.63, -7.54, 5.51

 

CMYK 0 / 19 / 0 / 51

HEX #7C647C

RGB 124 100 124

HSL 300, 0.11%, 0.44%

LAB 45.43, 14.16, -9.75

 

CMYK 0 / 42 / 1 / 44

HEX #8E528D

RGB 142 82 141

HSL 301, 0.27%, 0.44%

LAB 43.81, 34.44, -22.29

 

CMYK 26 / 0 / 55 / 39

HEX #739B46

RGB 115 155 70

HSL 88.24, 0.38%, 0.44%

LAB 59.46, -28.38, 39.69

 

CMYK 41 / 0 / 55 / 39

HEX #5C9B46

RGB 92 155 70

HSL 104.47, 0.38%, 0.44%

LAB 58.19, -36.74, 37.87

 

CMYK 55 / 0 / 55 / 39

HEX #469B46

RGB 70 155 70

HSL 120, 0.38%, 0.44%

LAB 57.26, -43.46, 36.53

 

CMYK 55 / 0 / 41 / 39

HEX #469B5C

RGB 70 155 92

HSL 135.53, 0.38%, 0.44%

LAB 57.58, -40.04, 25.44

 

CMYK 55 / 0 / 26 / 39

HEX #469B73

RGB 70 155 115

HSL 151.76, 0.38%, 0.44%

LAB 58.02, -35.47, 13.33

 

CMYK 55 / 0 / 54 / 62

HEX #2C622D

RGB 44 98 45

HSL 121.11, 0.38%, 0.28%

LAB 36.86, -30.08, 24.65

 

CMYK 55 / 0 / 54 / 51

HEX #397E3A

RGB 57 126 58

HSL 120.87, 0.38%, 0.36%

LAB 47.1, -36.64, 30.28

 

CMYK 55 / 0 / 54 / 39

HEX #469B47

RGB 70 155 71

HSL 120.71, 0.38%, 0.44%

LAB 57.27, -43.33, 36.05

 

CMYK 52 / 0 / 51 / 30

HEX #56B357

RGB 86 179 87

HSL 120.65, 0.38%, 0.52%

LAB 65.68, -46.56, 38.43

 

CMYK 40 / 0 / 40 / 25

HEX #73C074

RGB 115 192 116

HSL 120.78, 0.38%, 0.6%

LAB 71.29, -39.35, 31.01

 

CMYK 55 / 0 / 55 / 39

HEX #459B46

RGB 69 155 70

HSL 120.7, 0.38%, 0.44%

LAB 57.22, -43.73, 36.48

 

CMYK 55 / 11 / 0 / 39

HEX #468A9B

RGB 70 138 155

HSL 192, 0.38%, 0.44%

LAB 53.86, -16.52, -15.64

 

CMYK 0 / 55 / 33 / 39

HEX #9B4668

RGB 155 70 104

HSL 336, 0.38%, 0.44%

LAB 41.76, 39.24, -2.59

 

CMYK 55 / 0 / 55 / 39

HEX #459B46

RGB 69 155 70

HSL 120.7, 0.38%, 0.44%

LAB 57.22, -43.73, 36.48

 

CMYK 55 / 55 / 0 / 39

HEX #46469B

RGB 70 70 155

HSL 240, 0.38%, 0.44%

LAB 34.08, 25.03, -46.62

 

CMYK 0 / 55 / 55 / 39

HEX #9B4646

RGB 155 70 70

HSL 0, 0.38%, 0.44%

LAB 40.88, 35.5, 17.26

 

CMYK 55 / 0 / 55 / 39

HEX #459B46

RGB 69 155 70

HSL 120.7, 0.38%, 0.44%

LAB 57.22, -43.73, 36.48

 

CMYK 55 / 11 / 0 / 39

HEX #468A9B

RGB 70 138 155

HSL 192, 0.38%, 0.44%

LAB 53.86, -16.52, -15.64

 

CMYK 0 / 55 / 0 / 39

HEX #9B469B

RGB 155 70 155

HSL 300, 0.38%, 0.44%

LAB 43.82, 47.38, -30.54

 

CMYK 0 / 44 / 55 / 39

HEX #9B5746

RGB 155 87 70

HSL 12, 0.38%, 0.44%

LAB 44.56, 26.28, 22.1

 

CMYK 55 / 0 / 55 / 39

HEX #459B46

RGB 69 155 70

HSL 120.7, 0.38%, 0.44%

LAB 57.22, -43.73, 36.48

 

CMYK 55 / 28 / 0 / 39

HEX #46709B

RGB 70 112 155

HSL 210.35, 0.38%, 0.44%

LAB 45.98, -1.64, -27.75

 

CMYK 0 / 55 / 0 / 39

HEX #9B469B

RGB 155 70 155

HSL 300, 0.38%, 0.44%

LAB 43.82, 47.38, -30.54

 

CMYK 0 / 28 / 55 / 39

HEX #9B7046

RGB 155 112 70

HSL 29.65, 0.38%, 0.44%

LAB 50.69, 12.01, 29.88

 

Description

Color code: HEX #459B46 | qconv.com Color code: HEX #459B46 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 155 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 155 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 55 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 55% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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