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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459895 it is the complementary color #BA676A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459895. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459895 shade: #4A9890, #5BAAA3, #6CBCB6, #7DCEC9 and #8EE0DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459895. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459895 shade: #459895, #348682, #23746F, #12625C and #015049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459895 shade: #449794, #44977E, #449767, #449751 and #4E9744

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459895 shade: #449794, #448497, #446D97, #445797 and #444497

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459895 shade matches the following richer shades: #449794, #32A9A5, #21BBB5 and #0FCDC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459895 shade: #449794, #568684, #677473, #796263 and #8B5052

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459895 shade: #449767, #44977D, #449793, #448597 and #446F97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459895 shade: #2A5E5C, #377B78, #449794, #53B2AE and #6FBEBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459895 shade: #459895, #504497 and #977244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459895 shade: #459895, #934497 and #979344

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459895 shade: #459895, #504497, #974448 and #8B9744

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459895 shade: #459895, #694497, #974448 and #729744

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 2 / 40

HEX #459895

RGB 69 152 149

HSL 177.83, 0.38%, 0.43%

LAB 57.93, -25.78, -6.08

 

Complementary color

CMYK 0 / 45 / 43 / 27

HEX #BA676A

RGB 186 103 106

HSL 357.83, 0.38%, 0.57%

LAB 53.15, 33.46, 13.1

 

CMYK 51 / 0 / 5 / 40

HEX #4A9890

RGB 74 152 144

HSL 173.85, 0.35%, 0.44%

LAB 57.97, -26.03, -3.17

 

CMYK 46 / 0 / 4 / 33

HEX #5BAAA3

RGB 91 170 163

HSL 174.68, 0.32%, 0.51%

LAB 64.66, -26.03, -3.94

 

CMYK 43 / 0 / 3 / 26

HEX #6CBCB6

RGB 108 188 182

HSL 175.5, 0.37%, 0.58%

LAB 71.24, -25.98, -4.66

 

CMYK 39 / 0 / 2 / 19

HEX #7DCEC9

RGB 125 206 201

HSL 176.3, 0.45%, 0.65%

LAB 77.71, -25.91, -5.33

 

CMYK 37 / 0 / 2 / 12

HEX #8EE0DC

RGB 142 224 220

HSL 177.07, 0.57%, 0.72%

LAB 84.09, -25.82, -5.96

 

CMYK 55 / 0 / 2 / 40

HEX #459895

RGB 69 152 149

HSL 177.83, 0.38%, 0.43%

LAB 57.93, -25.78, -6.08

 

CMYK 61 / 0 / 3 / 47

HEX #348682

RGB 52 134 130

HSL 177.07, 0.44%, 0.36%

LAB 51.14, -25.54, -5.26

 

CMYK 70 / 0 / 4 / 55

HEX #23746F

RGB 35 116 111

HSL 176.3, 0.54%, 0.3%

LAB 44.23, -25.08, -4.32

 

CMYK 82 / 0 / 6 / 62

HEX #12625C

RGB 18 98 92

HSL 175.5, 0.69%, 0.23%

LAB 37.18, -24.25, -3.23

 

CMYK 99 / 0 / 9 / 69

HEX #015049

RGB 1 80 73

HSL 174.68, 0.98%, 0.16%

LAB 29.97, -23.03, -1.95

 

CMYK 55 / 0 / 2 / 41

HEX #449794

RGB 68 151 148

HSL 177.83, 0.38%, 0.43%

LAB 57.56, -25.76, -6.07

 

CMYK 55 / 0 / 17 / 41

HEX #44977E

RGB 68 151 126

HSL 161.93, 0.38%, 0.43%

LAB 56.95, -31.52, 5.58

 

CMYK 55 / 0 / 32 / 41

HEX #449767

RGB 68 151 103

HSL 145.3, 0.38%, 0.43%

LAB 56.43, -36.7, 17.84

 

CMYK 55 / 0 / 46 / 41

HEX #449751

RGB 68 151 81

HSL 129.4, 0.38%, 0.43%

LAB 56.04, -40.72, 29.34

 

CMYK 48 / 0 / 55 / 41

HEX #4E9744

RGB 78 151 68

HSL 112.77, 0.38%, 0.43%

LAB 56.26, -39.75, 36.41

 

CMYK 55 / 0 / 2 / 41

HEX #449794

RGB 68 151 148

HSL 177.83, 0.38%, 0.43%

LAB 57.56, -25.76, -6.07

 

CMYK 55 / 13 / 0 / 41

HEX #448497

RGB 68 132 151

HSL 193.73, 0.38%, 0.43%

LAB 51.8, -14.89, -16.46

 

CMYK 55 / 28 / 0 / 41

HEX #446D97

RGB 68 109 151

HSL 210.36, 0.38%, 0.43%

LAB 44.8, -1.6, -27.23

 

CMYK 55 / 42 / 0 / 41

HEX #445797

RGB 68 87 151

HSL 226.27, 0.38%, 0.43%

LAB 38.34, 12.2, -37.4

 

CMYK 55 / 55 / 0 / 41

HEX #444497

RGB 68 68 151

HSL 240, 0.38%, 0.43%

LAB 33.13, 24.56, -45.75

 

CMYK 55 / 0 / 2 / 41

HEX #449794

RGB 68 151 148

HSL 177.83, 0.38%, 0.43%

LAB 57.56, -25.76, -6.07

 

CMYK 70 / 0 / 2 / 34

HEX #32A9A5

RGB 50 169 165

HSL 177.98, 0.54%, 0.43%

LAB 63.15, -32.82, -7.43

 

CMYK 82 / 0 / 3 / 27

HEX #21BBB5

RGB 33 187 181

HSL 177.66, 0.7%, 0.43%

LAB 68.9, -38.31, -7.8

 

CMYK 93 / 0 / 3 / 20

HEX #0FCDC6

RGB 15 205 198

HSL 177.79, 0.86%, 0.43%

LAB 74.72, -42.42, -8.42

 

CMYK 55 / 0 / 2 / 41

HEX #449794

RGB 68 151 148

HSL 177.83, 0.38%, 0.43%

LAB 57.56, -25.76, -6.07

 

CMYK 36 / 0 / 1 / 47

HEX #568684

RGB 86 134 132

HSL 177.5, 0.22%, 0.43%

LAB 52.61, -16.67, -4.09

 

CMYK 11 / 0 / 1 / 55

HEX #677473

RGB 103 116 115

HSL 175.38, 0.06%, 0.43%

LAB 47.77, -5.06, -1.11

 

CMYK 0 / 19 / 18 / 53

HEX #796263

RGB 121 98 99

HSL 357.39, 0.11%, 0.43%

LAB 43.8, 9.43, 2.92

 

CMYK 0 / 42 / 41 / 45

HEX #8B5052

RGB 139 80 82

HSL 357.97, 0.27%, 0.43%

LAB 40.95, 24.95, 9.57

 

CMYK 55 / 0 / 32 / 41

HEX #449767

RGB 68 151 103

HSL 145.3, 0.38%, 0.43%

LAB 56.43, -36.7, 17.84

 

CMYK 55 / 0 / 17 / 41

HEX #44977D

RGB 68 151 125

HSL 161.2, 0.38%, 0.43%

LAB 56.92, -31.77, 6.11

 

CMYK 55 / 0 / 3 / 41

HEX #449793

RGB 68 151 147

HSL 177.11, 0.38%, 0.43%

LAB 57.53, -26.04, -5.55

 

CMYK 55 / 12 / 0 / 41

HEX #448597

RGB 68 133 151

HSL 193.01, 0.38%, 0.43%

LAB 52.11, -15.44, -15.99

 

CMYK 55 / 26 / 0 / 41

HEX #446F97

RGB 68 111 151

HSL 208.92, 0.38%, 0.43%

LAB 45.4, -2.8, -26.3

 

CMYK 55 / 0 / 2 / 63

HEX #2A5E5C

RGB 42 94 92

HSL 177.69, 0.38%, 0.27%

LAB 36.5, -17.82, -4.16

 

CMYK 55 / 0 / 2 / 52

HEX #377B78

RGB 55 123 120

HSL 177.35, 0.38%, 0.35%

LAB 47.41, -22.15, -4.9

 

CMYK 55 / 0 / 2 / 41

HEX #449794

RGB 68 151 148

HSL 177.83, 0.38%, 0.43%

LAB 57.56, -25.76, -6.07

 

CMYK 53 / 0 / 2 / 30

HEX #53B2AE

RGB 83 178 174

HSL 177.47, 0.38%, 0.51%

LAB 67.08, -28.9, -6.51

 

CMYK 42 / 0 / 1 / 25

HEX #6FBEBC

RGB 111 190 188

HSL 178.48, 0.38%, 0.59%

LAB 72.12, -24.73, -6.62

 

CMYK 55 / 0 / 2 / 40

HEX #459895

RGB 69 152 149

HSL 177.83, 0.38%, 0.43%

LAB 57.93, -25.78, -6.08

 

CMYK 47 / 55 / 0 / 41

HEX #504497

RGB 80 68 151

HSL 248.67, 0.38%, 0.43%

LAB 34.14, 27.27, -44.07

 

CMYK 0 / 25 / 55 / 41

HEX #977244

RGB 151 114 68

HSL 33.25, 0.38%, 0.43%

LAB 50.72, 8.91, 30.94

 

CMYK 55 / 0 / 2 / 40

HEX #459895

RGB 69 152 149

HSL 177.83, 0.38%, 0.43%

LAB 57.93, -25.78, -6.08

 

CMYK 3 / 55 / 0 / 41

HEX #934497

RGB 147 68 151

HSL 297.11, 0.38%, 0.43%

LAB 42.11, 45.35, -30.91

 

CMYK 0 / 3 / 55 / 41

HEX #979344

RGB 151 147 68

HSL 57.11, 0.38%, 0.43%

LAB 59.77, -9.5, 41.71

 

CMYK 55 / 0 / 2 / 40

HEX #459895

RGB 69 152 149

HSL 177.83, 0.38%, 0.43%

LAB 57.93, -25.78, -6.08

 

CMYK 47 / 55 / 0 / 41

HEX #504497

RGB 80 68 151

HSL 248.67, 0.38%, 0.43%

LAB 34.14, 27.27, -44.07

 

CMYK 0 / 55 / 52 / 41

HEX #974448

RGB 151 68 72

HSL 357.11, 0.38%, 0.43%

LAB 39.88, 35.19, 14.57

 

CMYK 8 / 0 / 55 / 41

HEX #8B9744

RGB 139 151 68

HSL 68.67, 0.38%, 0.43%

LAB 59.92, -16.78, 41.64

 

CMYK 55 / 0 / 2 / 40

HEX #459895

RGB 69 152 149

HSL 177.83, 0.38%, 0.43%

LAB 57.93, -25.78, -6.08

 

CMYK 30 / 55 / 0 / 41

HEX #694497

RGB 105 68 151

HSL 266.75, 0.38%, 0.43%

LAB 36.69, 33.62, -39.84

 

CMYK 0 / 55 / 52 / 41

HEX #974448

RGB 151 68 72

HSL 357.11, 0.38%, 0.43%

LAB 39.88, 35.19, 14.57

 

CMYK 25 / 0 / 55 / 41

HEX #729744

RGB 114 151 68

HSL 86.75, 0.38%, 0.43%

LAB 58.16, -27.04, 39.13

 

Description

Color code: HEX #459895 | qconv.com Color code: HEX #459895 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 152 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 152 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 2 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 2% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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