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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459529 it is the complementary color #BA6AD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459529. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459529 shade: #4A9524, #5BA737, #6CB94A, #7DCB5D and #8EDD70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459529. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459529 shade: #459529, #348316, #237103, #125F00 and #014D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459529 shade: #449429, #619429, #7E9429, #948D29 and #947029

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459529 shade: #449429, #29942A, #299447, #299464 and #299481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459529 shade matches the following richer shades: #449429, #3DA319 and #36B30A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459529 shade: #449429, #4C8538, #537647, #5B6656 and #625766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459529 shade: #7F9429, #629429, #459429, #299429 and #299445

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459529 shade: #275317, #357420, #449429, #53B531 and #67CC44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459529 shade: #459529, #29948D and #942970

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459529 shade: #459529, #294594 and #942945

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459529 shade: #459529, #29948D, #772994 and #942930

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459529 shade: #459529, #297B94, #772994 and #944229

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 72 / 42

HEX #459529

RGB 69 149 41

HSL 104.44, 0.57%, 0.37%

LAB 54.99, -44.46, 47.12

 

Complementary color

CMYK 13 / 50 / 0 / 16

HEX #BA6AD6

RGB 186 106 214

HSL 284.44, 0.57%, 0.63%

LAB 57.66, 49.37, -42.76

 

CMYK 50 / 0 / 76 / 42

HEX #4A9524

RGB 74 149 36

HSL 99.82, 0.61%, 0.36%

LAB 55.15, -43.33, 49.23

 

CMYK 46 / 0 / 67 / 35

HEX #5BA737

RGB 91 167 55

HSL 100.71, 0.5%, 0.44%

LAB 61.77, -43.79, 48.82

 

CMYK 42 / 0 / 60 / 27

HEX #6CB94A

RGB 108 185 74

HSL 101.62, 0.44%, 0.51%

LAB 68.3, -43.99, 47.93

 

CMYK 38 / 0 / 54 / 20

HEX #7DCB5D

RGB 125 203 93

HSL 102.55, 0.51%, 0.58%

LAB 74.74, -44.04, 46.84

 

CMYK 36 / 0 / 49 / 13

HEX #8EDD70

RGB 142 221 112

HSL 103.49, 0.62%, 0.65%

LAB 81.09, -43.99, 45.68

 

CMYK 54 / 0 / 72 / 42

HEX #459529

RGB 69 149 41

HSL 104.44, 0.57%, 0.37%

LAB 54.99, -44.46, 47.12

 

CMYK 60 / 0 / 83 / 49

HEX #348316

RGB 52 131 22

HSL 103.49, 0.71%, 0.3%

LAB 48.29, -43.62, 47.04

 

CMYK 69 / 0 / 97 / 56

HEX #237103

RGB 35 113 3

HSL 102.55, 0.95%, 0.23%

LAB 41.49, -42.14, 45.6

 

CMYK 81 / 0 / 100 / 63

HEX #125F00

RGB 18 95 0

HSL 108.63, 1%, 0.19%

LAB 34.63, -39.48, 40.7

 

CMYK 99 / 0 / 100 / 70

HEX #014D00

RGB 1 77 0

HSL 119.22, 1%, 0.15%

LAB 27.61, -36.06, 34.95

 

CMYK 54 / 0 / 72 / 42

HEX #449429

RGB 68 148 41

HSL 104.86, 0.57%, 0.37%

LAB 54.63, -44.36, 46.74

 

CMYK 34 / 0 / 72 / 42

HEX #619429

RGB 97 148 41

HSL 88.6, 0.57%, 0.37%

LAB 55.97, -34.59, 48.54

 

CMYK 15 / 0 / 72 / 42

HEX #7E9429

RGB 126 148 41

HSL 72.34, 0.57%, 0.37%

LAB 57.82, -22.83, 51

 

CMYK 0 / 5 / 72 / 42

HEX #948D29

RGB 148 141 41

HSL 56.07, 0.57%, 0.37%

LAB 57.56, -9.46, 51.35

 

CMYK 0 / 24 / 72 / 42

HEX #947029

RGB 148 112 41

HSL 39.81, 0.57%, 0.37%

LAB 49.55, 6.74, 43.31

 

CMYK 54 / 0 / 72 / 42

HEX #449429

RGB 68 148 41

HSL 104.86, 0.57%, 0.37%

LAB 54.63, -44.36, 46.74

 

CMYK 72 / 0 / 72 / 42

HEX #29942A

RGB 41 148 42

HSL 120.56, 0.57%, 0.37%

LAB 53.83, -50.72, 45.27

 

CMYK 72 / 0 / 52 / 42

HEX #299447

RGB 41 148 71

HSL 136.82, 0.57%, 0.37%

LAB 54.14, -47.1, 32.03

 

CMYK 72 / 0 / 32 / 42

HEX #299464

RGB 41 148 100

HSL 153.08, 0.57%, 0.37%

LAB 54.63, -41.61, 16.93

 

CMYK 72 / 0 / 13 / 42

HEX #299481

RGB 41 148 129

HSL 169.35, 0.57%, 0.37%

LAB 55.31, -34.42, 1.41

 

CMYK 54 / 0 / 72 / 42

HEX #449429

RGB 68 148 41

HSL 104.86, 0.57%, 0.37%

LAB 54.63, -44.36, 46.74

 

CMYK 63 / 0 / 85 / 36

HEX #3DA319

RGB 61 163 25

HSL 104.35, 0.73%, 0.37%

LAB 59.21, -52.81, 56.29

 

CMYK 70 / 0 / 94 / 30

HEX #36B30A

RGB 54 179 10

HSL 104.38, 0.89%, 0.37%

LAB 64.2, -60.18, 63.31

 

CMYK 54 / 0 / 72 / 42

HEX #449429

RGB 68 148 41

HSL 104.86, 0.57%, 0.37%

LAB 54.63, -44.36, 46.74

 

CMYK 43 / 0 / 58 / 48

HEX #4C8538

RGB 76 133 56

HSL 104.42, 0.41%, 0.37%

LAB 50.21, -34, 35.22

 

CMYK 30 / 0 / 40 / 54

HEX #537647

RGB 83 118 71

HSL 104.68, 0.25%, 0.37%

LAB 45.98, -22.13, 22

 

CMYK 11 / 0 / 16 / 60

HEX #5B6656

RGB 91 102 86

HSL 101.25, 0.09%, 0.37%

LAB 41.84, -7.56, 7.63

 

CMYK 4 / 15 / 0 / 60

HEX #625766

RGB 98 87 102

HSL 284, 0.08%, 0.37%

LAB 38.5, 7.58, -6.98

 

CMYK 14 / 0 / 72 / 42

HEX #7F9429

RGB 127 148 41

HSL 71.78, 0.57%, 0.37%

LAB 57.9, -22.4, 51.1

 

CMYK 34 / 0 / 72 / 42

HEX #629429

RGB 98 148 41

HSL 88.04, 0.57%, 0.37%

LAB 56.02, -34.22, 48.61

 

CMYK 53 / 0 / 72 / 42

HEX #459429

RGB 69 148 41

HSL 104.3, 0.57%, 0.37%

LAB 54.66, -44.07, 46.79

 

CMYK 72 / 0 / 72 / 42

HEX #299429

RGB 41 148 41

HSL 120, 0.57%, 0.37%

LAB 53.83, -50.81, 45.66

 

CMYK 72 / 0 / 53 / 42

HEX #299445

RGB 41 148 69

HSL 135.7, 0.57%, 0.37%

LAB 54.11, -47.41, 33.03

 

CMYK 53 / 0 / 72 / 67

HEX #275317

RGB 39 83 23

HSL 104, 0.57%, 0.21%

LAB 31.07, -27.74, 29.41

 

CMYK 54 / 0 / 72 / 55

HEX #357420

RGB 53 116 32

HSL 105, 0.57%, 0.29%

LAB 43.29, -36.67, 38.49

 

CMYK 54 / 0 / 72 / 42

HEX #449429

RGB 68 148 41

HSL 104.86, 0.57%, 0.37%

LAB 54.63, -44.36, 46.74

 

CMYK 54 / 0 / 73 / 29

HEX #53B531

RGB 83 181 49

HSL 104.55, 0.57%, 0.45%

LAB 65.83, -52.17, 55.3

 

CMYK 50 / 0 / 67 / 20

HEX #67CC44

RGB 103 204 68

HSL 104.56, 0.57%, 0.53%

LAB 73.86, -53.73, 56.57

 

CMYK 54 / 0 / 72 / 42

HEX #459529

RGB 69 149 41

HSL 104.44, 0.57%, 0.37%

LAB 54.99, -44.46, 47.12

 

CMYK 72 / 0 / 5 / 42

HEX #29948D

RGB 41 148 141

HSL 176.07, 0.57%, 0.37%

LAB 55.66, -31.01, -4.97

 

CMYK 0 / 72 / 24 / 42

HEX #942970

RGB 148 41 112

HSL 320.19, 0.57%, 0.37%

LAB 36.08, 51.18, -16.26

 

CMYK 54 / 0 / 72 / 42

HEX #459529

RGB 69 149 41

HSL 104.44, 0.57%, 0.37%

LAB 54.99, -44.46, 47.12

 

CMYK 72 / 53 / 0 / 42

HEX #294594

RGB 41 69 148

HSL 224.3, 0.57%, 0.37%

LAB 31.5, 17.87, -46.64

 

CMYK 0 / 72 / 53 / 42

HEX #942945

RGB 148 41 69

HSL 344.3, 0.57%, 0.37%

LAB 34.62, 46.36, 9.15

 

CMYK 54 / 0 / 72 / 42

HEX #459529

RGB 69 149 41

HSL 104.44, 0.57%, 0.37%

LAB 54.99, -44.46, 47.12

 

CMYK 72 / 0 / 5 / 42

HEX #29948D

RGB 41 148 141

HSL 176.07, 0.57%, 0.37%

LAB 55.66, -31.01, -4.97

 

CMYK 20 / 72 / 0 / 42

HEX #772994

RGB 119 41 148

HSL 283.74, 0.57%, 0.37%

LAB 33.23, 50.23, -43.45

 

CMYK 0 / 72 / 68 / 42

HEX #942930

RGB 148 41 48

HSL 356.07, 0.57%, 0.37%

LAB 34.18, 44.83, 22.06

 

CMYK 54 / 0 / 72 / 42

HEX #459529

RGB 69 149 41

HSL 104.44, 0.57%, 0.37%

LAB 54.99, -44.46, 47.12

 

CMYK 72 / 17 / 0 / 42

HEX #297B94

RGB 41 123 148

HSL 194.02, 0.57%, 0.37%

LAB 47.98, -15.9, -20.63

 

CMYK 20 / 72 / 0 / 42

HEX #772994

RGB 119 41 148

HSL 283.74, 0.57%, 0.37%

LAB 33.23, 50.23, -43.45

 

CMYK 0 / 55 / 72 / 42

HEX #944229

RGB 148 66 41

HSL 14.02, 0.57%, 0.37%

LAB 38.47, 32.77, 31.37

 

Description

Color code: HEX #459529 | qconv.com Color code: HEX #459529 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 149 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 149 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 72 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 72% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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