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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45942D it is the complementary color #BA6BD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45942D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45942D shade: #4A9428, #5BA63B, #6CB84E, #7DCA61 and #8EDC74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45942D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45942D shade: #45942D, #34821A, #237007, #125E00 and #014C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45942D shade: #45942E, #61942E, #7D942E, #94902E and #94742E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45942D shade: #45942E, #2E9431, #2E944D, #2E9469 and #2E9484

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45942D shade matches the following richer shades: #45942E, #3DA41E and #35B40E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45942D shade: #45942E, #4E853D, #56754D, #5F655D and #67566C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45942D shade: #7C942E, #61942E, #46942E, #2E9431 and #2E944C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45942D shade: #28551A, #377524, #45942E, #54B437 and #69C84C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45942D shade: #45942D, #2E9491 and #942E6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45942D shade: #45942D, #2E4694 and #942E46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45942D shade: #45942D, #2E9491, #7C2E94 and #942E31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45942D shade: #45942D, #2E7994, #7C2E94 and #94492E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 70 / 42

HEX #45942D

RGB 69 148 45

HSL 106.02, 0.53%, 0.38%

LAB 54.69, -43.72, 45.2

 

Complementary color

CMYK 11 / 49 / 0 / 18

HEX #BA6BD2

RGB 186 107 210

HSL 286.02, 0.53%, 0.62%

LAB 57.66, 48.03, -40.49

 

CMYK 50 / 0 / 73 / 42

HEX #4A9428

RGB 74 148 40

HSL 101.11, 0.57%, 0.37%

LAB 54.85, -42.63, 47.44

 

CMYK 45 / 0 / 64 / 35

HEX #5BA63B

RGB 91 166 59

HSL 102.06, 0.48%, 0.44%

LAB 61.49, -43, 46.8

 

CMYK 41 / 0 / 58 / 28

HEX #6CB84E

RGB 108 184 78

HSL 103.02, 0.43%, 0.51%

LAB 68.03, -43.15, 45.79

 

CMYK 38 / 0 / 52 / 21

HEX #7DCA61

RGB 125 202 97

HSL 104, 0.5%, 0.59%

LAB 74.49, -43.15, 44.64

 

CMYK 35 / 0 / 47 / 14

HEX #8EDC74

RGB 142 220 116

HSL 105, 0.6%, 0.66%

LAB 80.85, -43.07, 43.45

 

CMYK 53 / 0 / 70 / 42

HEX #45942D

RGB 69 148 45

HSL 106.02, 0.53%, 0.38%

LAB 54.69, -43.72, 45.2

 

CMYK 60 / 0 / 80 / 49

HEX #34821A

RGB 52 130 26

HSL 105, 0.67%, 0.31%

LAB 47.97, -42.99, 45.46

 

CMYK 69 / 0 / 94 / 56

HEX #237007

RGB 35 112 7

HSL 104, 0.88%, 0.23%

LAB 41.15, -41.62, 44.35

 

CMYK 81 / 0 / 100 / 63

HEX #125E00

RGB 18 94 0

HSL 108.51, 1%, 0.18%

LAB 34.26, -39.14, 40.41

 

CMYK 99 / 0 / 100 / 70

HEX #014C00

RGB 1 76 0

HSL 119.21, 1%, 0.15%

LAB 27.23, -35.73, 34.62

 

CMYK 53 / 0 / 69 / 42

HEX #45942E

RGB 69 148 46

HSL 106.47, 0.53%, 0.38%

LAB 54.7, -43.63, 44.78

 

CMYK 34 / 0 / 69 / 42

HEX #61942E

RGB 97 148 46

HSL 90, 0.53%, 0.38%

LAB 56.01, -34.22, 46.56

 

CMYK 16 / 0 / 69 / 42

HEX #7D942E

RGB 125 148 46

HSL 73.53, 0.53%, 0.38%

LAB 57.79, -22.95, 48.96

 

CMYK 0 / 3 / 69 / 42

HEX #94902E

RGB 148 144 46

HSL 57.65, 0.53%, 0.38%

LAB 58.45, -10.79, 50.23

 

CMYK 0 / 22 / 69 / 42

HEX #94742E

RGB 148 116 46

HSL 41.18, 0.53%, 0.38%

LAB 50.67, 4.74, 42.15

 

CMYK 53 / 0 / 69 / 42

HEX #45942E

RGB 69 148 46

HSL 106.47, 0.53%, 0.38%

LAB 54.7, -43.63, 44.78

 

CMYK 69 / 0 / 67 / 42

HEX #2E9431

RGB 46 148 49

HSL 121.76, 0.53%, 0.38%

LAB 54.01, -49.05, 42.53

 

CMYK 69 / 0 / 48 / 42

HEX #2E944D

RGB 46 148 77

HSL 138.24, 0.53%, 0.38%

LAB 54.34, -45.2, 29.16

 

CMYK 69 / 0 / 29 / 42

HEX #2E9469

RGB 46 148 105

HSL 154.71, 0.53%, 0.38%

LAB 54.85, -39.65, 14.43

 

CMYK 69 / 0 / 11 / 42

HEX #2E9484

RGB 46 148 132

HSL 170.59, 0.53%, 0.38%

LAB 55.51, -32.83, -0.01

 

CMYK 53 / 0 / 69 / 42

HEX #45942E

RGB 69 148 46

HSL 106.47, 0.53%, 0.38%

LAB 54.7, -43.63, 44.78

 

CMYK 63 / 0 / 82 / 36

HEX #3DA41E

RGB 61 164 30

HSL 106.12, 0.69%, 0.38%

LAB 59.56, -52.9, 55.24

 

CMYK 71 / 0 / 92 / 29

HEX #35B40E

RGB 53 180 14

HSL 105.9, 0.86%, 0.38%

LAB 64.51, -60.59, 63.01

 

CMYK 53 / 0 / 69 / 42

HEX #45942E

RGB 69 148 46

HSL 106.47, 0.53%, 0.38%

LAB 54.7, -43.63, 44.78

 

CMYK 41 / 0 / 54 / 48

HEX #4E853D

RGB 78 133 61

HSL 105.83, 0.37%, 0.38%

LAB 50.37, -32.69, 32.9

 

CMYK 26 / 0 / 34 / 54

HEX #56754D

RGB 86 117 77

HSL 106.5, 0.21%, 0.38%

LAB 45.96, -19.48, 18.57

 

CMYK 6 / 0 / 8 / 60

HEX #5F655D

RGB 95 101 93

HSL 105, 0.04%, 0.38%

LAB 42.05, -3.99, 3.72

 

CMYK 5 / 20 / 0 / 58

HEX #67566C

RGB 103 86 108

HSL 286.36, 0.11%, 0.38%

LAB 38.94, 11.42, -9.99

 

CMYK 16 / 0 / 69 / 42

HEX #7C942E

RGB 124 148 46

HSL 74.12, 0.53%, 0.38%

LAB 57.71, -23.37, 48.87

 

CMYK 34 / 0 / 69 / 42

HEX #61942E

RGB 97 148 46

HSL 90, 0.53%, 0.38%

LAB 56.01, -34.22, 46.56

 

CMYK 53 / 0 / 69 / 42

HEX #46942E

RGB 70 148 46

HSL 105.88, 0.53%, 0.38%

LAB 54.74, -43.34, 44.84

 

CMYK 69 / 0 / 67 / 42

HEX #2E9431

RGB 46 148 49

HSL 121.76, 0.53%, 0.38%

LAB 54.01, -49.05, 42.53

 

CMYK 69 / 0 / 49 / 42

HEX #2E944C

RGB 46 148 76

HSL 137.65, 0.53%, 0.38%

LAB 54.33, -45.37, 29.68

 

CMYK 53 / 0 / 69 / 67

HEX #28551A

RGB 40 85 26

HSL 105.76, 0.53%, 0.22%

LAB 31.86, -27.99, 28.83

 

CMYK 53 / 0 / 69 / 54

HEX #377524

RGB 55 117 36

HSL 105.93, 0.53%, 0.3%

LAB 43.74, -36.09, 37.24

 

CMYK 53 / 0 / 69 / 42

HEX #45942E

RGB 69 148 46

HSL 106.47, 0.53%, 0.38%

LAB 54.7, -43.63, 44.78

 

CMYK 53 / 0 / 69 / 29

HEX #54B437

RGB 84 180 55

HSL 106.08, 0.53%, 0.46%

LAB 65.6, -51.04, 52.78

 

CMYK 48 / 0 / 62 / 22

HEX #69C84C

RGB 105 200 76

HSL 105.97, 0.53%, 0.54%

LAB 72.78, -50.85, 52.06

 

CMYK 53 / 0 / 70 / 42

HEX #45942D

RGB 69 148 45

HSL 106.02, 0.53%, 0.38%

LAB 54.69, -43.72, 45.2

 

CMYK 69 / 0 / 2 / 42

HEX #2E9491

RGB 46 148 145

HSL 178.24, 0.53%, 0.38%

LAB 55.89, -29.12, -6.9

 

CMYK 0 / 69 / 25 / 42

HEX #942E6F

RGB 148 46 111

HSL 321.76, 0.53%, 0.38%

LAB 36.74, 49.09, -14.63

 

CMYK 53 / 0 / 70 / 42

HEX #45942D

RGB 69 148 45

HSL 106.02, 0.53%, 0.38%

LAB 54.69, -43.72, 45.2

 

CMYK 69 / 53 / 0 / 42

HEX #2E4694

RGB 46 70 148

HSL 225.88, 0.53%, 0.38%

LAB 32.03, 17.97, -45.76

 

CMYK 0 / 69 / 53 / 42

HEX #942E46

RGB 148 46 70

HSL 345.88, 0.53%, 0.38%

LAB 35.38, 44.42, 9.56

 

CMYK 53 / 0 / 70 / 42

HEX #45942D

RGB 69 148 45

HSL 106.02, 0.53%, 0.38%

LAB 54.69, -43.72, 45.2

 

CMYK 69 / 0 / 2 / 42

HEX #2E9491

RGB 46 148 145

HSL 178.24, 0.53%, 0.38%

LAB 55.89, -29.12, -6.9

 

CMYK 16 / 69 / 0 / 42

HEX #7C2E94

RGB 124 46 148

HSL 285.88, 0.53%, 0.38%

LAB 34.76, 49.21, -40.96

 

CMYK 0 / 69 / 67 / 42

HEX #942E31

RGB 148 46 49

HSL 358.24, 0.53%, 0.38%

LAB 34.95, 42.84, 22.39

 

CMYK 53 / 0 / 70 / 42

HEX #45942D

RGB 69 148 45

HSL 106.02, 0.53%, 0.38%

LAB 54.69, -43.72, 45.2

 

CMYK 69 / 18 / 0 / 42

HEX #2E7994

RGB 46 121 148

HSL 195.88, 0.53%, 0.38%

LAB 47.49, -14.01, -21.37

 

CMYK 16 / 69 / 0 / 42

HEX #7C2E94

RGB 124 46 148

HSL 285.88, 0.53%, 0.38%

LAB 34.76, 49.21, -40.96

 

CMYK 0 / 51 / 69 / 42

HEX #94492E

RGB 148 73 46

HSL 15.88, 0.53%, 0.38%

LAB 40.01, 29.3, 30.29

 

Description

Color code: HEX #45942D | qconv.com Color code: HEX #45942D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 148 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 148 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 70 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 70% 42% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

44% - Компания "Зивел...
Link: http://ziveleos.com.ua

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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