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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459181 it is the complementary color #BA6E7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459181 shade: #4A917C, #5BA38F, #6CB5A2, #7DC7B5 and #8ED9C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459181 shade: #459181, #347F6E, #236D5B, #125B48 and #014935

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459181 shade: #459281, #45926D, #459258, #469245 and #5B9245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459181 shade: #459281, #458D92, #457892, #456492 and #454F92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459181 shade matches the following richer shades: #459281, #33A38B, #22B495 and #11C6A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459181 shade: #459281, #568077, #676F6D, #795E63 and #8A4C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459181 shade: #459258, #45926C, #459281, #458E92 and #457992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459181 shade: #2A5A50, #377668, #459281, #52AE9A and #6EBBAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459181 shade: #459181, #454692 and #926245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459181 shade: #459181, #814592 and #928145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459181 shade: #459181, #454692, #924555 and #929045

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459181 shade: #459181, #5A4592, #924555 and #7C9245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 11 / 43

HEX #459181

RGB 69 145 129

HSL 167.37, 0.36%, 0.42%

LAB 55.18, -27.63, 1.31

 

Complementary color

CMYK 0 / 41 / 32 / 27

HEX #BA6E7E

RGB 186 110 126

HSL 347.37, 0.36%, 0.58%

LAB 55.17, 32.1, 4.23

 

CMYK 49 / 0 / 14 / 43

HEX #4A917C

RGB 74 145 124

HSL 162.25, 0.32%, 0.43%

LAB 55.24, -27.65, 4.29

 

CMYK 44 / 0 / 12 / 36

HEX #5BA38F

RGB 91 163 143

HSL 163.33, 0.28%, 0.5%

LAB 62, -27.5, 3.37

 

CMYK 40 / 0 / 10 / 29

HEX #6CB5A2

RGB 108 181 162

HSL 164.38, 0.33%, 0.57%

LAB 68.64, -27.33, 2.52

 

CMYK 37 / 0 / 9 / 22

HEX #7DC7B5

RGB 125 199 181

HSL 165.41, 0.4%, 0.64%

LAB 75.17, -27.15, 1.74

 

CMYK 35 / 0 / 8 / 15

HEX #8ED9C8

RGB 142 217 200

HSL 166.4, 0.5%, 0.7%

LAB 81.59, -26.97, 1

 

CMYK 52 / 0 / 11 / 43

HEX #459181

RGB 69 145 129

HSL 167.37, 0.36%, 0.42%

LAB 55.18, -27.63, 1.31

 

CMYK 59 / 0 / 13 / 50

HEX #347F6E

RGB 52 127 110

HSL 166.4, 0.42%, 0.35%

LAB 48.3, -27.6, 2.3

 

CMYK 68 / 0 / 17 / 57

HEX #236D5B

RGB 35 109 91

HSL 165.41, 0.51%, 0.28%

LAB 41.3, -27.38, 3.43

 

CMYK 80 / 0 / 21 / 64

HEX #125B48

RGB 18 91 72

HSL 164.38, 0.67%, 0.21%

LAB 34.15, -26.82, 4.77

 

CMYK 99 / 0 / 27 / 71

HEX #014935

RGB 1 73 53

HSL 163.33, 0.97%, 0.15%

LAB 26.82, -25.88, 6.36

 

CMYK 53 / 0 / 12 / 43

HEX #459281

RGB 69 146 129

HSL 166.75, 0.36%, 0.42%

LAB 55.49, -28.13, 1.77

 

CMYK 53 / 0 / 25 / 43

HEX #45926D

RGB 69 146 109

HSL 151.17, 0.36%, 0.42%

LAB 55, -32.89, 12.49

 

CMYK 53 / 0 / 40 / 43

HEX #459258

RGB 69 146 88

HSL 134.81, 0.36%, 0.42%

LAB 54.58, -37.1, 23.68

 

CMYK 52 / 0 / 53 / 43

HEX #469245

RGB 70 146 69

HSL 119.22, 0.36%, 0.42%

LAB 54.33, -39.86, 33.5

 

CMYK 38 / 0 / 53 / 43

HEX #5B9245

RGB 91 146 69

HSL 102.86, 0.36%, 0.42%

LAB 55.29, -33.13, 34.88

 

CMYK 53 / 0 / 12 / 43

HEX #459281

RGB 69 146 129

HSL 166.75, 0.36%, 0.42%

LAB 55.49, -28.13, 1.77

 

CMYK 53 / 3 / 0 / 43

HEX #458D92

RGB 69 141 146

HSL 183.9, 0.36%, 0.42%

LAB 54.44, -20.98, -9.57

 

CMYK 53 / 18 / 0 / 43

HEX #457892

RGB 69 120 146

HSL 200.26, 0.36%, 0.42%

LAB 47.97, -9.45, -19.37

 

CMYK 53 / 32 / 0 / 43

HEX #456492

RGB 69 100 146

HSL 215.84, 0.36%, 0.42%

LAB 41.93, 2.52, -28.73

 

CMYK 53 / 46 / 0 / 43

HEX #454F92

RGB 69 79 146

HSL 232.21, 0.36%, 0.42%

LAB 35.85, 15.94, -38.33

 

CMYK 53 / 0 / 12 / 43

HEX #459281

RGB 69 146 129

HSL 166.75, 0.36%, 0.42%

LAB 55.49, -28.13, 1.77

 

CMYK 69 / 0 / 15 / 36

HEX #33A38B

RGB 51 163 139

HSL 167.14, 0.52%, 0.42%

LAB 60.57, -37.07, 3.38

 

CMYK 81 / 0 / 17 / 29

HEX #22B495

RGB 34 180 149

HSL 167.26, 0.68%, 0.42%

LAB 65.87, -44.01, 5.41

 

CMYK 91 / 0 / 19 / 22

HEX #11C6A0

RGB 17 198 160

HSL 167.4, 0.84%, 0.42%

LAB 71.59, -49.78, 7.59

 

CMYK 53 / 0 / 12 / 43

HEX #459281

RGB 69 146 129

HSL 166.75, 0.36%, 0.42%

LAB 55.49, -28.13, 1.77

 

CMYK 33 / 0 / 7 / 50

HEX #568077

RGB 86 128 119

HSL 167.14, 0.2%, 0.42%

LAB 50.39, -16.65, 0.24

 

CMYK 7 / 0 / 2 / 56

HEX #676F6D

RGB 103 111 109

HSL 165, 0.04%, 0.42%

LAB 46.12, -3.45, 0.06

 

CMYK 0 / 22 / 18 / 53

HEX #795E63

RGB 121 94 99

HSL 348.89, 0.13%, 0.42%

LAB 42.72, 11.83, 1.36

 

CMYK 0 / 45 / 36 / 46

HEX #8A4C59

RGB 138 76 89

HSL 347.42, 0.29%, 0.42%

LAB 40.07, 27.73, 3.96

 

CMYK 53 / 0 / 40 / 43

HEX #459258

RGB 69 146 88

HSL 134.81, 0.36%, 0.42%

LAB 54.58, -37.1, 23.68

 

CMYK 53 / 0 / 26 / 43

HEX #45926C

RGB 69 146 108

HSL 150.39, 0.36%, 0.42%

LAB 54.98, -33.11, 13.02

 

CMYK 53 / 0 / 12 / 43

HEX #459281

RGB 69 146 129

HSL 166.75, 0.36%, 0.42%

LAB 55.49, -28.13, 1.77

 

CMYK 53 / 3 / 0 / 43

HEX #458E92

RGB 69 142 146

HSL 183.12, 0.36%, 0.42%

LAB 54.75, -21.5, -9.11

 

CMYK 53 / 17 / 0 / 43

HEX #457992

RGB 69 121 146

HSL 199.48, 0.36%, 0.42%

LAB 48.28, -10.02, -18.9

 

CMYK 53 / 0 / 11 / 65

HEX #2A5A50

RGB 42 90 80

HSL 167.5, 0.36%, 0.26%

LAB 34.77, -19.1, 0.77

 

CMYK 53 / 0 / 12 / 54

HEX #377668

RGB 55 118 104

HSL 166.67, 0.36%, 0.34%

LAB 45.32, -23.98, 1.53

 

CMYK 53 / 0 / 12 / 43

HEX #459281

RGB 69 146 129

HSL 166.75, 0.36%, 0.42%

LAB 55.49, -28.13, 1.77

 

CMYK 53 / 0 / 11 / 32

HEX #52AE9A

RGB 82 174 154

HSL 166.96, 0.36%, 0.5%

LAB 65.28, -32.35, 1.94

 

CMYK 41 / 0 / 9 / 27

HEX #6EBBAB

RGB 110 187 171

HSL 167.53, 0.36%, 0.58%

LAB 70.73, -27.63, 0.63

 

CMYK 52 / 0 / 11 / 43

HEX #459181

RGB 69 145 129

HSL 167.37, 0.36%, 0.42%

LAB 55.18, -27.63, 1.31

 

CMYK 53 / 52 / 0 / 43

HEX #454692

RGB 69 70 146

HSL 239.22, 0.36%, 0.42%

LAB 33.39, 21.81, -42.27

 

CMYK 0 / 33 / 53 / 43

HEX #926245

RGB 146 98 69

HSL 22.6, 0.36%, 0.42%

LAB 46.01, 16.05, 24.32

 

CMYK 52 / 0 / 11 / 43

HEX #459181

RGB 69 145 129

HSL 167.37, 0.36%, 0.42%

LAB 55.18, -27.63, 1.31

 

CMYK 12 / 53 / 0 / 43

HEX #814592

RGB 129 69 146

HSL 286.75, 0.36%, 0.42%

LAB 39.58, 38.63, -32.04

 

CMYK 0 / 12 / 53 / 43

HEX #928145

RGB 146 129 69

HSL 46.75, 0.36%, 0.42%

LAB 54.28, -1.73, 34.61

 

CMYK 52 / 0 / 11 / 43

HEX #459181

RGB 69 145 129

HSL 167.37, 0.36%, 0.42%

LAB 55.18, -27.63, 1.31

 

CMYK 53 / 52 / 0 / 43

HEX #454692

RGB 69 70 146

HSL 239.22, 0.36%, 0.42%

LAB 33.39, 21.81, -42.27

 

CMYK 0 / 53 / 42 / 43

HEX #924555

RGB 146 69 85

HSL 347.53, 0.36%, 0.42%

LAB 39.62, 34.15, 5.97

 

CMYK 0 / 1 / 53 / 43

HEX #929045

RGB 146 144 69

HSL 58.44, 0.36%, 0.42%

LAB 58.5, -9.97, 39.63

 

CMYK 52 / 0 / 11 / 43

HEX #459181

RGB 69 145 129

HSL 167.37, 0.36%, 0.42%

LAB 55.18, -27.63, 1.31

 

CMYK 38 / 53 / 0 / 43

HEX #5A4592

RGB 90 69 146

HSL 256.36, 0.36%, 0.42%

LAB 35.01, 27.65, -39.57

 

CMYK 0 / 53 / 42 / 43

HEX #924555

RGB 146 69 85

HSL 347.53, 0.36%, 0.42%

LAB 39.62, 34.15, 5.97

 

CMYK 15 / 0 / 53 / 43

HEX #7C9245

RGB 124 146 69

HSL 77.14, 0.36%, 0.42%

LAB 57.34, -20.39, 37.83

 

Description

Color code: HEX #459181 | qconv.com Color code: HEX #459181 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 145 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 145 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 11 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 11% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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