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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45913F it is the complementary color #BA6EC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45913F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45913F shade: #4A913A, #5BA34D, #6CB560, #7DC773 and #8ED986

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45913F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45913F shade: #45913F, #347F2C, #236D19, #125B06 and #014900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45913F shade: #469140, #5C9140, #729140, #889140 and #918540

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45913F shade: #469140, #409150, #409166, #40917C and #409191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45913F shade matches the following richer shades: #469140, #37A22F, #29B31E and #1AC40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45913F shade: #469140, #548051, #636F62, #715F73 and #804E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45913F shade: #729140, #5C9140, #479140, #40914F and #409164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45913F shade: #2A5827, #387533, #469140, #54AE4C and #6DBC67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45913F shade: #45913F, #408891 and #914067

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45913F shade: #45913F, #404791 and #914047

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45913F shade: #45913F, #408891, #8B4091 and #914940

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45913F shade: #45913F, #406F91, #8B4091 and #916240

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 57 / 43

HEX #45913F

RGB 69 145 63

HSL 115.61, 0.39%, 0.41%

LAB 53.89, -40.54, 36

 

Complementary color

CMYK 3 / 43 / 0 / 25

HEX #BA6EC0

RGB 186 110 192

HSL 295.61, 0.39%, 0.59%

LAB 57.46, 42.9, -30.58

 

CMYK 49 / 0 / 60 / 43

HEX #4A913A

RGB 74 145 58

HSL 108.97, 0.43%, 0.4%

LAB 54.04, -39.65, 38.67

 

CMYK 44 / 0 / 53 / 36

HEX #5BA34D

RGB 91 163 77

HSL 110.23, 0.36%, 0.47%

LAB 60.74, -39.71, 37.44

 

CMYK 40 / 0 / 47 / 29

HEX #6CB560

RGB 108 181 96

HSL 111.53, 0.36%, 0.54%

LAB 67.34, -39.63, 36.17

 

CMYK 37 / 0 / 42 / 22

HEX #7DC773

RGB 125 199 115

HSL 112.86, 0.43%, 0.62%

LAB 73.83, -39.47, 34.92

 

CMYK 35 / 0 / 38 / 15

HEX #8ED986

RGB 142 217 134

HSL 114.22, 0.52%, 0.69%

LAB 80.23, -39.26, 33.71

 

CMYK 52 / 0 / 57 / 43

HEX #45913F

RGB 69 145 63

HSL 115.61, 0.39%, 0.41%

LAB 53.89, -40.54, 36

 

CMYK 59 / 0 / 65 / 50

HEX #347F2C

RGB 52 127 44

HSL 114.22, 0.49%, 0.34%

LAB 47.09, -40.24, 37.21

 

CMYK 68 / 0 / 77 / 57

HEX #236D19

RGB 35 109 25

HSL 112.86, 0.63%, 0.26%

LAB 40.19, -39.44, 37.99

 

CMYK 80 / 0 / 93 / 64

HEX #125B06

RGB 18 91 6

HSL 111.53, 0.88%, 0.19%

LAB 33.19, -37.76, 37.6

 

CMYK 99 / 0 / 100 / 71

HEX #014900

RGB 1 73 0

HSL 119.18, 1%, 0.14%

LAB 26.07, -34.77, 33.59

 

CMYK 52 / 0 / 56 / 43

HEX #469140

RGB 70 145 64

HSL 115.56, 0.39%, 0.41%

LAB 53.95, -40.12, 35.57

 

CMYK 37 / 0 / 56 / 43

HEX #5C9140

RGB 92 145 64

HSL 99.26, 0.39%, 0.41%

LAB 54.97, -32.92, 37.03

 

CMYK 21 / 0 / 56 / 43

HEX #729140

RGB 114 145 64

HSL 82.96, 0.39%, 0.41%

LAB 56.29, -24.5, 38.91

 

CMYK 6 / 0 / 56 / 43

HEX #889140

RGB 136 145 64

HSL 66.67, 0.39%, 0.41%

LAB 57.9, -15.28, 41.19

 

CMYK 0 / 8 / 56 / 43

HEX #918540

RGB 145 133 64

HSL 51.11, 0.39%, 0.41%

LAB 55.24, -4.85, 38.32

 

CMYK 52 / 0 / 56 / 43

HEX #469140

RGB 70 145 64

HSL 115.56, 0.39%, 0.41%

LAB 53.95, -40.12, 35.57

 

CMYK 56 / 0 / 45 / 43

HEX #409150

RGB 64 145 80

HSL 131.85, 0.39%, 0.41%

LAB 53.94, -39.39, 27.16

 

CMYK 56 / 0 / 30 / 43

HEX #409166

RGB 64 145 102

HSL 148.15, 0.39%, 0.41%

LAB 54.34, -35.2, 15.52

 

CMYK 56 / 0 / 14 / 43

HEX #40917C

RGB 64 145 124

HSL 164.44, 0.39%, 0.41%

LAB 54.86, -30.07, 3.7

 

CMYK 56 / 0 / 0 / 43

HEX #409191

RGB 64 145 145

HSL 180, 0.39%, 0.41%

LAB 55.47, -24.41, -7.48

 

CMYK 52 / 0 / 56 / 43

HEX #469140

RGB 70 145 64

HSL 115.56, 0.39%, 0.41%

LAB 53.95, -40.12, 35.57

 

CMYK 66 / 0 / 71 / 36

HEX #37A22F

RGB 55 162 47

HSL 115.83, 0.55%, 0.41%

LAB 58.84, -52.34, 48.61

 

CMYK 77 / 0 / 83 / 30

HEX #29B31E

RGB 41 179 30

HSL 115.57, 0.71%, 0.41%

LAB 64, -61.65, 59.17

 

CMYK 87 / 0 / 93 / 23

HEX #1AC40D

RGB 26 196 13

HSL 115.74, 0.88%, 0.41%

LAB 69.28, -68.99, 66.97

 

CMYK 52 / 0 / 56 / 43

HEX #469140

RGB 70 145 64

HSL 115.56, 0.39%, 0.41%

LAB 53.95, -40.12, 35.57

 

CMYK 34 / 0 / 37 / 50

HEX #548051

RGB 84 128 81

HSL 116.17, 0.22%, 0.41%

LAB 49.4, -25.19, 20.85

 

CMYK 11 / 0 / 12 / 56

HEX #636F62

RGB 99 111 98

HSL 115.38, 0.06%, 0.41%

LAB 45.5, -7.25, 5.71

 

CMYK 2 / 17 / 0 / 55

HEX #715F73

RGB 113 95 115

HSL 294, 0.1%, 0.41%

LAB 42.66, 11.18, -8.58

 

CMYK 2 / 40 / 0 / 49

HEX #804E83

RGB 128 78 131

HSL 296.6, 0.25%, 0.41%

LAB 40.7, 30.09, -21.18

 

CMYK 21 / 0 / 56 / 43

HEX #729140

RGB 114 145 64

HSL 82.96, 0.39%, 0.41%

LAB 56.29, -24.5, 38.91

 

CMYK 37 / 0 / 56 / 43

HEX #5C9140

RGB 92 145 64

HSL 99.26, 0.39%, 0.41%

LAB 54.97, -32.92, 37.03

 

CMYK 51 / 0 / 56 / 43

HEX #479140

RGB 71 145 64

HSL 114.81, 0.39%, 0.41%

LAB 53.99, -39.82, 35.63

 

CMYK 56 / 0 / 46 / 43

HEX #40914F

RGB 64 145 79

HSL 131.11, 0.39%, 0.41%

LAB 53.93, -39.56, 27.68

 

CMYK 56 / 0 / 31 / 43

HEX #409164

RGB 64 145 100

HSL 146.67, 0.39%, 0.41%

LAB 54.3, -35.62, 16.59

 

CMYK 52 / 0 / 56 / 65

HEX #2A5827

RGB 42 88 39

HSL 116.33, 0.39%, 0.25%

LAB 33.17, -27.01, 23.48

 

CMYK 52 / 0 / 56 / 54

HEX #387533

RGB 56 117 51

HSL 115.45, 0.39%, 0.33%

LAB 43.95, -34.02, 30.14

 

CMYK 52 / 0 / 56 / 43

HEX #469140

RGB 70 145 64

HSL 115.56, 0.39%, 0.41%

LAB 53.95, -40.12, 35.57

 

CMYK 52 / 0 / 56 / 32

HEX #54AE4C

RGB 84 174 76

HSL 115.1, 0.39%, 0.49%

LAB 63.9, -46.52, 41.64

 

CMYK 42 / 0 / 45 / 26

HEX #6DBC67

RGB 109 188 103

HSL 115.76, 0.39%, 0.57%

LAB 69.61, -41.39, 35.49

 

CMYK 52 / 0 / 57 / 43

HEX #45913F

RGB 69 145 63

HSL 115.61, 0.39%, 0.41%

LAB 53.89, -40.54, 36

 

CMYK 56 / 6 / 0 / 43

HEX #408891

RGB 64 136 145

HSL 186.67, 0.39%, 0.41%

LAB 52.67, -19.73, -11.67

 

CMYK 0 / 56 / 29 / 43

HEX #914067

RGB 145 64 103

HSL 331.11, 0.39%, 0.41%

LAB 39.01, 38.72, -6.22

 

CMYK 52 / 0 / 57 / 43

HEX #45913F

RGB 69 145 63

HSL 115.61, 0.39%, 0.41%

LAB 53.89, -40.54, 36

 

CMYK 56 / 51 / 0 / 43

HEX #404791

RGB 64 71 145

HSL 234.81, 0.39%, 0.41%

LAB 33.22, 19.7, -41.96

 

CMYK 0 / 56 / 51 / 43

HEX #914047

RGB 145 64 71

HSL 354.81, 0.39%, 0.41%

LAB 38.1, 34.9, 12.59

 

CMYK 52 / 0 / 57 / 43

HEX #45913F

RGB 69 145 63

HSL 115.61, 0.39%, 0.41%

LAB 53.89, -40.54, 36

 

CMYK 56 / 6 / 0 / 43

HEX #408891

RGB 64 136 145

HSL 186.67, 0.39%, 0.41%

LAB 52.67, -19.73, -11.67

 

CMYK 4 / 56 / 0 / 43

HEX #8B4091

RGB 139 64 145

HSL 295.56, 0.39%, 0.41%

LAB 39.92, 43.93, -30.81

 

CMYK 0 / 50 / 56 / 43

HEX #914940

RGB 145 73 64

HSL 6.67, 0.39%, 0.41%

LAB 39.84, 29.42, 19.28

 

CMYK 52 / 0 / 57 / 43

HEX #45913F

RGB 69 145 63

HSL 115.61, 0.39%, 0.41%

LAB 53.89, -40.54, 36

 

CMYK 56 / 23 / 0 / 43

HEX #406F91

RGB 64 111 145

HSL 205.19, 0.39%, 0.41%

LAB 44.95, -5.68, -23.46

 

CMYK 4 / 56 / 0 / 43

HEX #8B4091

RGB 139 64 145

HSL 295.56, 0.39%, 0.41%

LAB 39.92, 43.93, -30.81

 

CMYK 0 / 32 / 56 / 43

HEX #916240

RGB 145 98 64

HSL 25.19, 0.39%, 0.41%

LAB 45.81, 15.15, 26.92

 

Description

Color code: HEX #45913F | qconv.com Color code: HEX #45913F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 145 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 145 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 57 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 57% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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