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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #459128 it is the complementary color #BA6ED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #459128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #459128 shade: #4A9123, #5BA336, #6CB549, #7DC75C and #8ED96F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #459128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #459128 shade: #459128, #347F15, #236D02, #125B00 and #014900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #459128 shade: #449027, #619027, #7D9027, #908727 and #906B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #459128 shade: #449027, #289027, #279043, #27905F and #27907B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #459128 shade matches the following richer shades: #449027, #3E9F19 and #37AE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #459128 shade: #449027, #4B8136, #527245, #586454 and #5F5563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #459128 shade: #7D9027, #619027, #459027, #299027 and #279042

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #459128 shade: #264F16, #35701F, #449027, #54B130 and #66CB40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #459128 shade: #459128, #279087 and #90276F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #459128 shade: #459128, #274590 and #902745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #459128 shade: #459128, #279087, #722790 and #902730

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #459128 shade: #459128, #277990, #722790 and #903E27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 72 / 43

HEX #459128

RGB 69 145 40

HSL 103.43, 0.57%, 0.36%

LAB 53.67, -42.95, 46.17

 

Complementary color

CMYK 13 / 49 / 0 / 16

HEX #BA6ED7

RGB 186 110 215

HSL 283.43, 0.57%, 0.64%

LAB 58.51, 47.49, -41.99

 

CMYK 49 / 0 / 76 / 43

HEX #4A9123

RGB 74 145 35

HSL 98.73, 0.61%, 0.35%

LAB 53.84, -41.78, 48.3

 

CMYK 44 / 0 / 67 / 36

HEX #5BA336

RGB 91 163 54

HSL 99.63, 0.5%, 0.43%

LAB 60.5, -42.21, 47.88

 

CMYK 40 / 0 / 60 / 29

HEX #6CB549

RGB 108 181 73

HSL 100.56, 0.43%, 0.5%

LAB 67.06, -42.4, 46.98

 

CMYK 37 / 0 / 54 / 22

HEX #7DC75C

RGB 125 199 92

HSL 101.5, 0.49%, 0.57%

LAB 73.53, -42.44, 45.88

 

CMYK 35 / 0 / 49 / 15

HEX #8ED96F

RGB 142 217 111

HSL 102.45, 0.58%, 0.64%

LAB 79.91, -42.38, 44.72

 

CMYK 52 / 0 / 72 / 43

HEX #459128

RGB 69 145 40

HSL 103.43, 0.57%, 0.36%

LAB 53.67, -42.95, 46.17

 

CMYK 59 / 0 / 83 / 50

HEX #347F15

RGB 52 127 21

HSL 102.45, 0.72%, 0.29%

LAB 46.93, -42.15, 46.08

 

CMYK 68 / 0 / 98 / 57

HEX #236D02

RGB 35 109 2

HSL 101.5, 0.96%, 0.22%

LAB 40.08, -40.74, 44.7

 

CMYK 80 / 0 / 100 / 64

HEX #125B00

RGB 18 91 0

HSL 108.13, 1%, 0.18%

LAB 33.16, -38.11, 39.53

 

CMYK 99 / 0 / 100 / 71

HEX #014900

RGB 1 73 0

HSL 119.18, 1%, 0.14%

LAB 26.07, -34.77, 33.59

 

CMYK 53 / 0 / 73 / 44

HEX #449027

RGB 68 144 39

HSL 103.43, 0.57%, 0.36%

LAB 53.3, -42.93, 46.16

 

CMYK 33 / 0 / 73 / 44

HEX #619027

RGB 97 144 39

HSL 86.86, 0.57%, 0.36%

LAB 54.69, -32.91, 48.03

 

CMYK 13 / 0 / 73 / 44

HEX #7D9027

RGB 125 144 39

HSL 70.86, 0.57%, 0.36%

LAB 56.54, -21.36, 50.47

 

CMYK 0 / 6 / 73 / 44

HEX #908727

RGB 144 135 39

HSL 54.86, 0.57%, 0.36%

LAB 55.49, -8.12, 49.98

 

CMYK 0 / 26 / 73 / 44

HEX #906B27

RGB 144 107 39

HSL 38.86, 0.57%, 0.36%

LAB 47.74, 7.66, 42.22

 

CMYK 53 / 0 / 73 / 44

HEX #449027

RGB 68 144 39

HSL 103.43, 0.57%, 0.36%

LAB 53.3, -42.93, 46.16

 

CMYK 72 / 0 / 73 / 44

HEX #289027

RGB 40 144 39

HSL 119.43, 0.57%, 0.36%

LAB 52.45, -49.79, 45.02

 

CMYK 73 / 0 / 53 / 44

HEX #279043

RGB 39 144 67

HSL 136, 0.57%, 0.36%

LAB 52.71, -46.58, 32.33

 

CMYK 73 / 0 / 34 / 44

HEX #27905F

RGB 39 144 95

HSL 152, 0.57%, 0.36%

LAB 53.17, -41.37, 17.74

 

CMYK 73 / 0 / 15 / 44

HEX #27907B

RGB 39 144 123

HSL 168, 0.57%, 0.36%

LAB 53.82, -34.5, 2.69

 

CMYK 53 / 0 / 73 / 44

HEX #449027

RGB 68 144 39

HSL 103.43, 0.57%, 0.36%

LAB 53.3, -42.93, 46.16

 

CMYK 61 / 0 / 84 / 38

HEX #3E9F19

RGB 62 159 25

HSL 103.43, 0.73%, 0.36%

LAB 57.93, -51.14, 55.14

 

CMYK 68 / 0 / 94 / 32

HEX #37AE0A

RGB 55 174 10

HSL 103.54, 0.89%, 0.36%

LAB 62.6, -58.36, 62

 

CMYK 53 / 0 / 73 / 44

HEX #449027

RGB 68 144 39

HSL 103.43, 0.57%, 0.36%

LAB 53.3, -42.93, 46.16

 

CMYK 42 / 0 / 58 / 49

HEX #4B8136

RGB 75 129 54

HSL 103.2, 0.41%, 0.36%

LAB 48.84, -32.76, 34.6

 

CMYK 28 / 0 / 39 / 55

HEX #527245

RGB 82 114 69

HSL 102.67, 0.25%, 0.36%

LAB 44.6, -20.76, 21.33

 

CMYK 12 / 0 / 16 / 61

HEX #586454

RGB 88 100 84

HSL 105, 0.09%, 0.36%

LAB 40.94, -7.98, 7.54

 

CMYK 4 / 14 / 0 / 61

HEX #5F5563

RGB 95 85 99

HSL 282.86, 0.08%, 0.36%

LAB 37.54, 7, -6.59

 

CMYK 13 / 0 / 73 / 44

HEX #7D9027

RGB 125 144 39

HSL 70.86, 0.57%, 0.36%

LAB 56.54, -21.36, 50.47

 

CMYK 33 / 0 / 73 / 44

HEX #619027

RGB 97 144 39

HSL 86.86, 0.57%, 0.36%

LAB 54.69, -32.91, 48.03

 

CMYK 52 / 0 / 73 / 44

HEX #459027

RGB 69 144 39

HSL 102.86, 0.57%, 0.36%

LAB 53.34, -42.63, 46.22

 

CMYK 72 / 0 / 73 / 44

HEX #299027

RGB 41 144 39

HSL 118.86, 0.57%, 0.36%

LAB 52.47, -49.6, 45.05

 

CMYK 73 / 0 / 54 / 44

HEX #279042

RGB 39 144 66

HSL 135.43, 0.57%, 0.36%

LAB 52.7, -46.73, 32.83

 

CMYK 52 / 0 / 72 / 69

HEX #264F16

RGB 38 79 22

HSL 103.16, 0.56%, 0.2%

LAB 29.57, -26.35, 28.27

 

CMYK 53 / 0 / 72 / 56

HEX #35701F

RGB 53 112 31

HSL 103.7, 0.57%, 0.28%

LAB 41.91, -35.08, 37.48

 

CMYK 53 / 0 / 73 / 44

HEX #449027

RGB 68 144 39

HSL 103.43, 0.57%, 0.36%

LAB 53.3, -42.93, 46.16

 

CMYK 53 / 0 / 73 / 31

HEX #54B130

RGB 84 177 48

HSL 103.26, 0.57%, 0.44%

LAB 64.6, -50.45, 54.43

 

CMYK 50 / 0 / 68 / 20

HEX #66CB40

RGB 102 203 64

HSL 103.6, 0.57%, 0.52%

LAB 73.49, -53.97, 57.74

 

CMYK 52 / 0 / 72 / 43

HEX #459128

RGB 69 145 40

HSL 103.43, 0.57%, 0.36%

LAB 53.67, -42.95, 46.17

 

CMYK 73 / 0 / 6 / 44

HEX #279087

RGB 39 144 135

HSL 174.86, 0.57%, 0.36%

LAB 54.16, -31.12, -3.73

 

CMYK 0 / 73 / 23 / 44

HEX #90276F

RGB 144 39 111

HSL 318.86, 0.57%, 0.36%

LAB 35.06, 50.7, -17.26

 

CMYK 52 / 0 / 72 / 43

HEX #459128

RGB 69 145 40

HSL 103.43, 0.57%, 0.36%

LAB 53.67, -42.95, 46.17

 

CMYK 73 / 52 / 0 / 44

HEX #274590

RGB 39 69 144

HSL 222.86, 0.57%, 0.36%

LAB 31.12, 16.02, -44.81

 

CMYK 0 / 73 / 52 / 44

HEX #902745

RGB 144 39 69

HSL 342.86, 0.57%, 0.36%

LAB 33.58, 45.87, 7.58

 

CMYK 52 / 0 / 72 / 43

HEX #459128

RGB 69 145 40

HSL 103.43, 0.57%, 0.36%

LAB 53.67, -42.95, 46.17

 

CMYK 73 / 0 / 6 / 44

HEX #279087

RGB 39 144 135

HSL 174.86, 0.57%, 0.36%

LAB 54.16, -31.12, -3.73

 

CMYK 21 / 73 / 0 / 44

HEX #722790

RGB 114 39 144

HSL 282.86, 0.57%, 0.36%

LAB 31.9, 49.14, -43.18

 

CMYK 0 / 73 / 67 / 44

HEX #902730

RGB 144 39 48

HSL 354.86, 0.57%, 0.36%

LAB 33.12, 44.29, 20.56

 

CMYK 52 / 0 / 72 / 43

HEX #459128

RGB 69 145 40

HSL 103.43, 0.57%, 0.36%

LAB 53.67, -42.95, 46.17

 

CMYK 73 / 16 / 0 / 44

HEX #277990

RGB 39 121 144

HSL 193.14, 0.57%, 0.36%

LAB 47.13, -16.44, -19.58

 

CMYK 21 / 73 / 0 / 44

HEX #722790

RGB 114 39 144

HSL 282.86, 0.57%, 0.36%

LAB 31.9, 49.14, -43.18

 

CMYK 0 / 57 / 73 / 44

HEX #903E27

RGB 144 62 39

HSL 13.14, 0.57%, 0.36%

LAB 36.97, 33.14, 30.65

 

Description

Color code: HEX #459128 | qconv.com Color code: HEX #459128 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 145 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 145 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 72 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 72% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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