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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4590EB3F it is the complementary color #BA6F143F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4590EB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4590EB3F shade: #4A90E63F, #5BA2F93F, #6CB4FF3F, #7DC6FF3F and #8ED8FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4590EB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4590EB3F shade: #4590EB3F, #347ED83F, #236CC53F, #125AB23F and #01489F3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4590EB3F shade: #4691EC, #4664EC, #5546EC, #8146EC and #AE46EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4590EB3F shade: #4691EC, #4664EC and #4646EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4590EB3F shade matches the following richer shades: #4691EC and #368FFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4590EB3F shade: #4691EC, #5793DB, #6794CB, #7896BA and #8897AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4590EB3F shade: #46ECEC, #46C0EC, #4693EC, #4667EC and #5146EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4590EB3F shade: #1567CA, #217BE8, #4691EC, #6CA7F0 and #91BEF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4590EB3F shade: #4590EB, #C046EC and #D6EC46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4590EB3F shade: #4590EB, #EC4693 and #93EC46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4590EB3F shade: #4590EB, #C046EC, #EC9F46 and #72EC46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4590EB3F shade: #4590EB, #EC46E6, #EC9F46 and #46EC4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 10 / 0 / 2

HEX #4590EB3F

RGBA 69 144 235 0.25

HSLA 212.89, 0.81%, 0.6%, 0.25

LABA 59.17, 6.39, -52.66, 0.25

 

Complementary color

CMYK 0 / 10 / 22 / 7

HEX #BA6F143F

RGBA 186 111 20 0.25

HSLA 32.89, 0.81%, 0.4%, 0.25

LABA 53.88, 23.63, 56.84, 0.25

 

CMYK 17 / 9 / 0 / 2

HEX #4A90E63F

RGBA 74 144 230 0.25

HSLA 213.08, 0.76%, 0.6%, 0.25

LABA 59.08, 5.38, -50.01, 0.25

 

CMYK 16 / 9 / 0 / 1

HEX #5BA2F93F

RGBA 91 162 249 0.25

HSLA 213.04, 0.93%, 0.67%, 0.25

LABA 65.67, 4.05, -49.99, 0.25

 

CMYK 14 / 7 / 0 / 0

HEX #6CB4FF3F

RGBA 108 180 255 0.25

HSLA 210.61, 1%, 0.71%, 0.25

LABA 71.59, -1.12, -43.89, 0.25

 

CMYK 13 / 6 / 0 / 0

HEX #7DC6FF3F

RGBA 125 198 255 0.25

HSLA 206.31, 1%, 0.75%, 0.25

LABA 77.26, -7.44, -35.01, 0.25

 

CMYK 11 / 4 / 0 / 0

HEX #8ED8FF3F

RGBA 142 216 255 0.25

HSLA 200.71, 1%, 0.78%, 0.25

LABA 82.96, -13.04, -26.2, 0.25

 

CMYK 18 / 10 / 0 / 2

HEX #4590EB3F

RGBA 69 144 235 0.25

HSLA 212.89, 0.81%, 0.6%, 0.25

LABA 59.17, 6.39, -52.66, 0.25

 

CMYK 19 / 10 / 0 / 4

HEX #347ED83F

RGBA 52 126 216 0.25

HSLA 212.93, 0.68%, 0.53%, 0.25

LABA 52.52, 8.23, -52.67, 0.25

 

CMYK 21 / 11 / 0 / 6

HEX #236CC53F

RGBA 35 108 197 0.25

HSLA 212.96, 0.7%, 0.45%, 0.25

LABA 45.79, 10.51, -52.64, 0.25

 

CMYK 22 / 12 / 0 / 8

HEX #125AB23F

RGBA 18 90 178 0.25

HSLA 213, 0.82%, 0.38%, 0.25

LABA 38.99, 13.38, -52.54, 0.25

 

CMYK 25 / 14 / 0 / 9

HEX #01489F3F

RGBA 1 72 159 0.25

HSLA 213.04, 0.99%, 0.31%, 0.25

LABA 32.13, 16.89, -52.33, 0.25

 

CMYK 70 / 39 / 0 / 7

HEX #4691EC

RGB 70 145 236

HSL 212.89, 0.81%, 0.6%

LAB 59.53, 6.29, -52.63

 

CMYK 70 / 58 / 0 / 7

HEX #4664EC

RGB 70 100 236

HSL 229.16, 0.81%, 0.6%

LAB 47.59, 33.94, -71.86

 

CMYK 64 / 70 / 0 / 7

HEX #5546EC

RGB 85 70 236

HSL 245.42, 0.81%, 0.6%

LAB 41.79, 53.52, -81.3

 

CMYK 45 / 70 / 0 / 7

HEX #8146EC

RGB 129 70 236

HSL 261.33, 0.81%, 0.6%

LAB 45.78, 59.89, -74.62

 

CMYK 26 / 70 / 0 / 7

HEX #AE46EC

RGB 174 70 236

HSL 277.59, 0.81%, 0.6%

LAB 51.19, 68.03, -65.58

 

CMYK 70 / 39 / 0 / 7

HEX #4691EC

RGB 70 145 236

HSL 212.89, 0.81%, 0.6%

LAB 59.53, 6.29, -52.63

 

CMYK 70 / 58 / 0 / 7

HEX #4664EC

RGB 70 100 236

HSL 229.16, 0.81%, 0.6%

LAB 47.59, 33.94, -71.86

 

CMYK 70 / 70 / 0 / 7

HEX #4646EC

RGB 70 70 236

HSL 240, 0.81%, 0.6%

LAB 40.8, 51.86, -82.98

 

CMYK 70 / 39 / 0 / 7

HEX #4691EC

RGB 70 145 236

HSL 212.89, 0.81%, 0.6%

LAB 59.53, 6.29, -52.63

 

CMYK 79 / 43 / 0 / 1

HEX #368FFC

RGB 54 143 252

HSL 213.03, 0.97%, 0.6%

LAB 59.4, 11.3, -61.7

 

CMYK 70 / 39 / 0 / 7

HEX #4691EC

RGB 70 145 236

HSL 212.89, 0.81%, 0.6%

LAB 59.53, 6.29, -52.63

 

CMYK 60 / 33 / 0 / 14

HEX #5793DB

RGB 87 147 219

HSL 212.73, 0.65%, 0.6%

LAB 59.9, 2.15, -42.57

 

CMYK 49 / 27 / 0 / 20

HEX #6794CB

RGB 103 148 203

HSL 213, 0.49%, 0.6%

LAB 60.23, -0.03, -33.05

 

CMYK 35 / 19 / 0 / 27

HEX #7896BA

RGB 120 150 186

HSL 212.73, 0.32%, 0.6%

LAB 61.09, -1.52, -22.07

 

CMYK 20 / 11 / 0 / 33

HEX #8897AA

RGB 136 151 170

HSL 213.53, 0.17%, 0.6%

LAB 61.89, -1.15, -11.73

 

CMYK 70 / 0 / 0 / 7

HEX #46ECEC

RGB 70 236 236

HSL 180, 0.81%, 0.6%

LAB 85.68, -41.04, -12.28

 

CMYK 70 / 19 / 0 / 7

HEX #46C0EC

RGB 70 192 236

HSL 195.9, 0.81%, 0.6%

LAB 72.93, -19.83, -31.64

 

CMYK 70 / 38 / 0 / 7

HEX #4693EC

RGB 70 147 236

HSL 212.17, 0.81%, 0.6%

LAB 60.09, 5.1, -51.74

 

CMYK 70 / 56 / 0 / 7

HEX #4667EC

RGB 70 103 236

HSL 228.07, 0.81%, 0.6%

LAB 48.33, 32.08, -70.64

 

CMYK 66 / 70 / 0 / 7

HEX #5146EC

RGB 81 70 236

HSL 243.98, 0.81%, 0.6%

LAB 41.51, 53.05, -81.78

 

CMYK 90 / 49 / 0 / 21

HEX #1567CA

RGB 21 103 202

HSL 212.82, 0.81%, 0.44%

LAB 44.41, 14.65, -57.75

 

CMYK 86 / 47 / 0 / 9

HEX #217BE8

RGB 33 123 232

HSL 212.86, 0.81%, 0.52%

LAB 52.19, 14.34, -62.21

 

CMYK 70 / 39 / 0 / 7

HEX #4691EC

RGB 70 145 236

HSL 212.89, 0.81%, 0.6%

LAB 59.53, 6.29, -52.63

 

CMYK 55 / 30 / 0 / 6

HEX #6CA7F0

RGB 108 167 240

HSL 213.18, 0.81%, 0.68%

LAB 67.36, 1.53, -42.37

 

CMYK 40 / 22 / 0 / 5

HEX #91BEF3

RGB 145 190 243

HSL 212.45, 0.8%, 0.76%

LAB 75.65, -1.71, -30.98

 

CMYK 71 / 39 / 0 / 8

HEX #4590EB

RGB 69 144 235

HSL 212.89, 0.81%, 0.6%

LAB 59.17, 6.39, -52.66

 

CMYK 19 / 70 / 0 / 7

HEX #C046EC

RGB 192 70 236

HSL 284.1, 0.81%, 0.6%

LAB 53.65, 71.57, -61.49

 

CMYK 9 / 0 / 70 / 7

HEX #D6EC46

RGB 214 236 70

HSL 67.95, 0.81%, 0.6%

LAB 89.27, -27.62, 73.55

 

CMYK 71 / 39 / 0 / 8

HEX #4590EB

RGB 69 144 235

HSL 212.89, 0.81%, 0.6%

LAB 59.17, 6.39, -52.66

 

CMYK 0 / 70 / 38 / 7

HEX #EC4693

RGB 236 70 147

HSL 332.17, 0.81%, 0.6%

LAB 56.41, 68.89, -5.42

 

CMYK 38 / 0 / 70 / 7

HEX #93EC46

RGB 147 236 70

HSL 92.17, 0.81%, 0.6%

LAB 85.32, -52.49, 68.31

 

CMYK 71 / 39 / 0 / 8

HEX #4590EB

RGB 69 144 235

HSL 212.89, 0.81%, 0.6%

LAB 59.17, 6.39, -52.66

 

CMYK 19 / 70 / 0 / 7

HEX #C046EC

RGB 192 70 236

HSL 284.1, 0.81%, 0.6%

LAB 53.65, 71.57, -61.49

 

CMYK 0 / 33 / 70 / 7

HEX #EC9F46

RGB 236 159 70

HSL 32.17, 0.81%, 0.6%

LAB 71.6, 20.84, 56.3

 

CMYK 52 / 0 / 70 / 7

HEX #72EC46

RGB 114 236 70

HSL 104.1, 0.81%, 0.6%

LAB 83.97, -62.44, 66.51

 

CMYK 71 / 39 / 0 / 8

HEX #4590EB

RGB 69 144 235

HSL 212.89, 0.81%, 0.6%

LAB 59.17, 6.39, -52.66

 

CMYK 0 / 70 / 3 / 7

HEX #EC46E6

RGB 236 70 230

HSL 302.17, 0.81%, 0.6%

LAB 59.82, 79.65, -47.89

 

CMYK 0 / 33 / 70 / 7

HEX #EC9F46

RGB 236 159 70

HSL 32.17, 0.81%, 0.6%

LAB 71.6, 20.84, 56.3

 

CMYK 70 / 0 / 68 / 7

HEX #46EC4C

RGB 70 236 76

HSL 122.17, 0.81%, 0.6%

LAB 82.81, -71.6, 62.71

 

Description

Color code: HEX #4590EB3F | qconv.com Color code: HEX #4590EB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 144 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 144 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 10 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 10% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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