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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #458DB7 it is the complementary color #BA7248. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #458DB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #458DB7 shade: #4A8DB2, #5B9FC5, #6CB1D8, #7DC3EB and #8ED5FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #458DB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #458DB7 shade: #458DB7, #347BA4, #236991, #12577E and #01456B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #458DB7 shade: #458CB5, #456DB5, #454FB5, #5945B5 and #7745B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #458DB7 shade: #458CB5, #456DB5, #454FB5 and #4545B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #458DB7 shade matches the following richer shades: #458CB5, #3191C9, #1C96DE and #089CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #458DB7 shade: #458CB5, #5986A1, #6D818D, #817C79 and #967664

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #458DB7 shade: #45B5A2, #45AAB5, #458CB5, #456EB5 and #4550B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #458DB7 shade: #2E5E79, #397597, #458CB5, #609FC3 and #7EB1CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #458DB7 shade: #458DB7, #8445B5 and #B5B145

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #458DB7 shade: #458DB7, #B5458C and #8CB545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #458DB7 shade: #458DB7, #8445B5, #B56E45 and #75B545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #458DB7 shade: #458DB7, #A645B5, #B56E45 and #54B545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 23 / 0 / 28

HEX #458DB7

RGB 69 141 183

HSL 202.11, 0.45%, 0.49%

LAB 55.82, -9.59, -28.7

 

Complementary color

CMYK 0 / 39 / 61 / 27

HEX #BA7248

RGB 186 114 72

HSL 22.11, 0.45%, 0.51%

LAB 55.01, 24.36, 34.95

 

CMYK 58 / 21 / 0 / 30

HEX #4A8DB2

RGB 74 141 178

HSL 201.35, 0.41%, 0.49%

LAB 55.81, -10.22, -25.86

 

CMYK 54 / 19 / 0 / 23

HEX #5B9FC5

RGB 91 159 197

HSL 201.51, 0.48%, 0.56%

LAB 62.55, -10.75, -26.14

 

CMYK 50 / 18 / 0 / 15

HEX #6CB1D8

RGB 108 177 216

HSL 201.67, 0.58%, 0.64%

LAB 69.18, -11.16, -26.41

 

CMYK 47 / 17 / 0 / 8

HEX #7DC3EB

RGB 125 195 235

HSL 201.82, 0.73%, 0.71%

LAB 75.69, -11.48, -26.69

 

CMYK 44 / 16 / 0 / 0

HEX #8ED5FE

RGB 142 213 254

HSL 201.96, 0.98%, 0.78%

LAB 82.11, -11.75, -26.96

 

CMYK 62 / 23 / 0 / 28

HEX #458DB7

RGB 69 141 183

HSL 202.11, 0.45%, 0.49%

LAB 55.82, -9.59, -28.7

 

CMYK 68 / 25 / 0 / 36

HEX #347BA4

RGB 52 123 164

HSL 201.96, 0.52%, 0.42%

LAB 48.98, -8.68, -28.43

 

CMYK 76 / 28 / 0 / 43

HEX #236991

RGB 35 105 145

HSL 201.82, 0.61%, 0.35%

LAB 42.01, -7.44, -28.12

 

CMYK 86 / 31 / 0 / 51

HEX #12577E

RGB 18 87 126

HSL 201.67, 0.75%, 0.28%

LAB 34.91, -5.69, -27.75

 

CMYK 99 / 36 / 0 / 58

HEX #01456B

RGB 1 69 107

HSL 201.51, 0.98%, 0.21%

LAB 27.64, -3.36, -27.33

 

CMYK 62 / 23 / 0 / 29

HEX #458CB5

RGB 69 140 181

HSL 201.96, 0.45%, 0.49%

LAB 55.44, -9.68, -28.15

 

CMYK 62 / 40 / 0 / 29

HEX #456DB5

RGB 69 109 181

HSL 218.57, 0.45%, 0.49%

LAB 46.36, 8.78, -42.39

 

CMYK 62 / 56 / 0 / 29

HEX #454FB5

RGB 69 79 181

HSL 234.64, 0.45%, 0.49%

LAB 38.19, 27.89, -55.51

 

CMYK 51 / 62 / 0 / 29

HEX #5945B5

RGB 89 69 181

HSL 250.71, 0.45%, 0.49%

LAB 37.33, 37.84, -56.83

 

CMYK 34 / 62 / 0 / 29

HEX #7745B5

RGB 119 69 181

HSL 266.79, 0.45%, 0.49%

LAB 40.43, 44.29, -51.66

 

CMYK 62 / 23 / 0 / 29

HEX #458CB5

RGB 69 140 181

HSL 201.96, 0.45%, 0.49%

LAB 55.44, -9.68, -28.15

 

CMYK 62 / 40 / 0 / 29

HEX #456DB5

RGB 69 109 181

HSL 218.57, 0.45%, 0.49%

LAB 46.36, 8.78, -42.39

 

CMYK 62 / 56 / 0 / 29

HEX #454FB5

RGB 69 79 181

HSL 234.64, 0.45%, 0.49%

LAB 38.19, 27.89, -55.51

 

CMYK 62 / 62 / 0 / 29

HEX #4545B5

RGB 69 69 181

HSL 240, 0.45%, 0.49%

LAB 35.71, 34.22, -59.54

 

CMYK 62 / 23 / 0 / 29

HEX #458CB5

RGB 69 140 181

HSL 201.96, 0.45%, 0.49%

LAB 55.44, -9.68, -28.15

 

CMYK 76 / 28 / 0 / 21

HEX #3191C9

RGB 49 145 201

HSL 202.11, 0.61%, 0.49%

LAB 57.19, -8.8, -36.81

 

CMYK 87 / 32 / 0 / 13

HEX #1C96DE

RGB 28 150 222

HSL 202.27, 0.78%, 0.49%

LAB 59.28, -5.98, -45.32

 

CMYK 97 / 36 / 0 / 5

HEX #089CF2

RGB 8 156 242

HSL 202.05, 0.94%, 0.49%

LAB 61.86, -2.85, -52.31

 

CMYK 62 / 23 / 0 / 29

HEX #458CB5

RGB 69 140 181

HSL 201.96, 0.45%, 0.49%

LAB 55.44, -9.68, -28.15

 

CMYK 45 / 17 / 0 / 37

HEX #5986A1

RGB 89 134 161

HSL 202.5, 0.29%, 0.49%

LAB 53.76, -7.93, -19.18

 

CMYK 23 / 9 / 0 / 45

HEX #6D818D

RGB 109 129 141

HSL 202.5, 0.13%, 0.49%

LAB 52.81, -4.43, -8.89

 

CMYK 0 / 4 / 6 / 49

HEX #817C79

RGB 129 124 121

HSL 22.5, 0.03%, 0.49%

LAB 52.36, 1.32, 2.3

 

CMYK 0 / 21 / 33 / 41

HEX #967664

RGB 150 118 100

HSL 21.6, 0.2%, 0.49%

LAB 52.24, 9.82, 14.69

 

CMYK 62 / 0 / 10 / 29

HEX #45B5A2

RGB 69 181 162

HSL 169.82, 0.45%, 0.49%

LAB 67.22, -36.22, 0.28

 

CMYK 62 / 6 / 0 / 29

HEX #45AAB5

RGB 69 170 181

HSL 185.89, 0.45%, 0.49%

LAB 64.44, -25.66, -14.39

 

CMYK 62 / 23 / 0 / 29

HEX #458CB5

RGB 69 140 181

HSL 201.96, 0.45%, 0.49%

LAB 55.44, -9.68, -28.15

 

CMYK 62 / 39 / 0 / 29

HEX #456EB5

RGB 69 110 181

HSL 218.04, 0.45%, 0.49%

LAB 46.65, 8.15, -41.94

 

CMYK 62 / 56 / 0 / 29

HEX #4550B5

RGB 69 80 181

HSL 234.11, 0.45%, 0.49%

LAB 38.44, 27.25, -55.1

 

CMYK 62 / 22 / 0 / 53

HEX #2E5E79

RGB 46 94 121

HSL 201.6, 0.45%, 0.33%

LAB 37.78, -7.52, -20.12

 

CMYK 62 / 23 / 0 / 41

HEX #397597

RGB 57 117 151

HSL 201.7, 0.45%, 0.41%

LAB 46.75, -8.72, -24.25

 

CMYK 62 / 23 / 0 / 29

HEX #458CB5

RGB 69 140 181

HSL 201.96, 0.45%, 0.49%

LAB 55.44, -9.68, -28.15

 

CMYK 51 / 18 / 0 / 24

HEX #609FC3

RGB 96 159 195

HSL 201.82, 0.45%, 0.57%

LAB 62.7, -10.23, -24.78

 

CMYK 39 / 14 / 0 / 19

HEX #7EB1CE

RGB 126 177 206

HSL 201.75, 0.45%, 0.65%

LAB 69.71, -9.46, -20.03

 

CMYK 62 / 23 / 0 / 28

HEX #458DB7

RGB 69 141 183

HSL 202.11, 0.45%, 0.49%

LAB 55.82, -9.59, -28.7

 

CMYK 27 / 62 / 0 / 29

HEX #8445B5

RGB 132 69 181

HSL 273.75, 0.45%, 0.49%

LAB 42, 47.33, -49.06

 

CMYK 0 / 2 / 62 / 29

HEX #B5B145

RGB 181 177 69

HSL 57.86, 0.45%, 0.49%

LAB 70.66, -12.27, 54.09

 

CMYK 62 / 23 / 0 / 28

HEX #458DB7

RGB 69 141 183

HSL 202.11, 0.45%, 0.49%

LAB 55.82, -9.59, -28.7

 

CMYK 0 / 62 / 23 / 29

HEX #B5458C

RGB 181 69 140

HSL 321.96, 0.45%, 0.49%

LAB 46.94, 52.94, -16.4

 

CMYK 23 / 0 / 62 / 29

HEX #8CB545

RGB 140 181 69

HSL 81.96, 0.45%, 0.49%

LAB 68.79, -31.15, 51.18

 

CMYK 62 / 23 / 0 / 28

HEX #458DB7

RGB 69 141 183

HSL 202.11, 0.45%, 0.49%

LAB 55.82, -9.59, -28.7

 

CMYK 27 / 62 / 0 / 29

HEX #8445B5

RGB 132 69 181

HSL 273.75, 0.45%, 0.49%

LAB 42, 47.33, -49.06

 

CMYK 0 / 39 / 62 / 29

HEX #B56E45

RGB 181 110 69

HSL 21.96, 0.45%, 0.49%

LAB 53.39, 24.25, 34.47

 

CMYK 35 / 0 / 62 / 29

HEX #75B545

RGB 117 181 69

HSL 94.29, 0.45%, 0.49%

LAB 67.47, -39.71, 49.36

 

CMYK 62 / 23 / 0 / 28

HEX #458DB7

RGB 69 141 183

HSL 202.11, 0.45%, 0.49%

LAB 55.82, -9.59, -28.7

 

CMYK 8 / 62 / 0 / 29

HEX #A645B5

RGB 166 69 181

HSL 291.96, 0.45%, 0.49%

LAB 46.58, 55.65, -41.49

 

CMYK 0 / 39 / 62 / 29

HEX #B56E45

RGB 181 110 69

HSL 21.96, 0.45%, 0.49%

LAB 53.39, 24.25, 34.47

 

CMYK 54 / 0 / 62 / 29

HEX #54B545

RGB 84 181 69

HSL 111.96, 0.45%, 0.49%

LAB 66.03, -50.09, 47.34

 

Description

Color code: HEX #458DB7 | qconv.com Color code: HEX #458DB7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 141 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 141 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 23 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 23% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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