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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #457A07 it is the complementary color #BA85F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #457A07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #457A07 shade: #4A7A02, #5B8C15, #6C9E28, #7DB03B and #8EC24E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #457A07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #457A07 shade: #457A07, #346800, #235600, #124400 and #013200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #457A07 shade: #447807, #637807, #787007, #785107 and #783207

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #457A07 shade: #447807, #267807, #077807, #077826 and #077844

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #457A07 shade matches the following richer shades: #447807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #457A07 shade: #447807, #436E11, #43641C, #425A26 and #414F30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #457A07 shade: #786F07, #647807, #457807, #277807 and #097807

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #457A07 shade: #182B02, #2E5105, #447807, #5A9F09 and #70C60C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #457A07 shade: #457A07, #077851 and #780773

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #457A07 shade: #457A07, #074578 and #780745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #457A07 shade: #457A07, #077851, #3A0778 and #78072F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #457A07 shade: #457A07, #077873, #3A0778 and #78070D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 94 / 52

HEX #457A07

RGB 69 122 7

HSL 87.65, 0.89%, 0.25%

LAB 45.91, -35.19, 48.87

 

Complementary color

CMYK 25 / 46 / 0 / 3

HEX #BA85F8

RGB 186 133 248

HSL 267.65, 0.89%, 0.75%

LAB 64.96, 42.42, -50.16

 

CMYK 39 / 0 / 98 / 52

HEX #4A7A02

RGB 74 122 2

HSL 84, 0.97%, 0.24%

LAB 46.15, -33.47, 50.24

 

CMYK 35 / 0 / 85 / 45

HEX #5B8C15

RGB 91 140 21

HSL 84.71, 0.74%, 0.32%

LAB 52.99, -34.39, 52.23

 

CMYK 32 / 0 / 75 / 38

HEX #6C9E28

RGB 108 158 40

HSL 85.42, 0.6%, 0.39%

LAB 59.7, -35.01, 52.83

 

CMYK 29 / 0 / 66 / 31

HEX #7DB03B

RGB 125 176 59

HSL 86.15, 0.5%, 0.46%

LAB 66.31, -35.4, 52.5

 

CMYK 27 / 0 / 60 / 24

HEX #8EC24E

RGB 142 194 78

HSL 86.9, 0.49%, 0.53%

LAB 72.82, -35.64, 51.72

 

CMYK 43 / 0 / 94 / 52

HEX #457A07

RGB 69 122 7

HSL 87.65, 0.89%, 0.25%

LAB 45.91, -35.19, 48.87

 

CMYK 50 / 0 / 100 / 59

HEX #346800

RGB 52 104 0

HSL 90, 1%, 0.2%

LAB 38.95, -33.8, 44.6

 

CMYK 59 / 0 / 100 / 66

HEX #235600

RGB 35 86 0

HSL 95.58, 1%, 0.17%

LAB 31.84, -31.97, 38.7

 

CMYK 74 / 0 / 100 / 73

HEX #124400

RGB 18 68 0

HSL 104.12, 1%, 0.13%

LAB 24.52, -29.7, 32.26

 

CMYK 98 / 0 / 100 / 80

HEX #013200

RGB 1 50 0

HSL 118.8, 1%, 0.1%

LAB 16.93, -27.05, 23.74

 

CMYK 43 / 0 / 94 / 53

HEX #447807

RGB 68 120 7

HSL 87.61, 0.89%, 0.25%

LAB 45.19, -34.68, 48.26

 

CMYK 18 / 0 / 94 / 53

HEX #637807

RGB 99 120 7

HSL 71.15, 0.89%, 0.25%

LAB 47.11, -21.87, 50.62

 

CMYK 0 / 7 / 94 / 53

HEX #787007

RGB 120 112 7

HSL 55.75, 0.89%, 0.25%

LAB 46.44, -7.76, 50.84

 

CMYK 0 / 33 / 94 / 53

HEX #785107

RGB 120 81 7

HSL 39.29, 0.89%, 0.25%

LAB 37.65, 10.37, 44.08

 

CMYK 0 / 58 / 94 / 53

HEX #783207

RGB 120 50 7

HSL 22.83, 0.89%, 0.25%

LAB 30.13, 28.42, 38.44

 

CMYK 43 / 0 / 94 / 53

HEX #447807

RGB 68 120 7

HSL 87.61, 0.89%, 0.25%

LAB 45.19, -34.68, 48.26

 

CMYK 68 / 0 / 94 / 53

HEX #267807

RGB 38 120 7

HSL 103.54, 0.89%, 0.25%

LAB 44.03, -43.78, 46.82

 

CMYK 94 / 0 / 94 / 53

HEX #077807

RGB 7 120 7

HSL 120, 0.89%, 0.25%

LAB 43.5, -48.46, 46.16

 

CMYK 94 / 0 / 68 / 53

HEX #077826

RGB 7 120 38

HSL 136.46, 0.89%, 0.25%

LAB 43.68, -46.13, 35.94

 

CMYK 94 / 0 / 43 / 53

HEX #077844

RGB 7 120 68

HSL 152.39, 0.89%, 0.25%

LAB 44.08, -41.26, 20.75

 

CMYK 43 / 0 / 94 / 53

HEX #447807

RGB 68 120 7

HSL 87.61, 0.89%, 0.25%

LAB 45.19, -34.68, 48.26

 

CMYK 43 / 0 / 94 / 53

HEX #447807

RGB 68 120 7

HSL 87.61, 0.89%, 0.25%

LAB 45.19, -34.68, 48.26

 

CMYK 39 / 0 / 85 / 57

HEX #436E11

RGB 67 110 17

HSL 87.74, 0.73%, 0.25%

LAB 41.82, -30.19, 42.85

 

CMYK 33 / 0 / 72 / 61

HEX #43641C

RGB 67 100 28

HSL 87.5, 0.56%, 0.25%

LAB 38.54, -24.68, 35.48

 

CMYK 27 / 0 / 58 / 65

HEX #425A26

RGB 66 90 38

HSL 87.69, 0.41%, 0.25%

LAB 35.22, -18.95, 26.81

 

CMYK 18 / 0 / 39 / 69

HEX #414F30

RGB 65 79 48

HSL 87.1, 0.24%, 0.25%

LAB 31.65, -11.86, 16.54

 

CMYK 0 / 8 / 94 / 53

HEX #786F07

RGB 120 111 7

HSL 55.22, 0.89%, 0.25%

LAB 46.15, -7.2, 50.62

 

CMYK 17 / 0 / 94 / 53

HEX #647807

RGB 100 120 7

HSL 70.62, 0.89%, 0.25%

LAB 47.18, -21.43, 50.71

 

CMYK 43 / 0 / 94 / 53

HEX #457807

RGB 69 120 7

HSL 87.08, 0.89%, 0.25%

LAB 45.24, -34.31, 48.32

 

CMYK 68 / 0 / 94 / 53

HEX #277807

RGB 39 120 7

HSL 103.01, 0.89%, 0.25%

LAB 44.06, -43.55, 46.86

 

CMYK 93 / 0 / 94 / 53

HEX #097807

RGB 9 120 7

HSL 118.94, 0.89%, 0.25%

LAB 43.52, -48.28, 46.18

 

CMYK 44 / 0 / 95 / 83

HEX #182B02

RGB 24 43 2

HSL 87.8, 0.91%, 0.09%

LAB 15.1, -15.96, 20.83

 

CMYK 43 / 0 / 94 / 68

HEX #2E5105

RGB 46 81 5

HSL 87.63, 0.88%, 0.17%

LAB 30.58, -25.49, 36.09

 

CMYK 43 / 0 / 94 / 53

HEX #447807

RGB 68 120 7

HSL 87.61, 0.89%, 0.25%

LAB 45.19, -34.68, 48.26

 

CMYK 43 / 0 / 94 / 38

HEX #5A9F09

RGB 90 159 9

HSL 87.6, 0.89%, 0.33%

LAB 58.96, -43.28, 59.64

 

CMYK 43 / 0 / 94 / 22

HEX #70C60C

RGB 112 198 12

HSL 87.74, 0.89%, 0.41%

LAB 72.13, -51.44, 70.36

 

CMYK 43 / 0 / 94 / 52

HEX #457A07

RGB 69 122 7

HSL 87.65, 0.89%, 0.25%

LAB 45.91, -35.19, 48.87

 

CMYK 94 / 0 / 33 / 53

HEX #077851

RGB 7 120 81

HSL 159.29, 0.89%, 0.25%

LAB 44.34, -38.34, 13.6

 

CMYK 0 / 94 / 4 / 53

HEX #780773

RGB 120 7 115

HSL 302.65, 0.89%, 0.25%

LAB 27.8, 54.25, -31.51

 

CMYK 43 / 0 / 94 / 52

HEX #457A07

RGB 69 122 7

HSL 87.65, 0.89%, 0.25%

LAB 45.91, -35.19, 48.87

 

CMYK 94 / 43 / 0 / 53

HEX #074578

RGB 7 69 120

HSL 207.08, 0.89%, 0.25%

LAB 28.53, 2.68, -34.13

 

CMYK 0 / 94 / 43 / 53

HEX #780745

RGB 120 7 69

HSL 327.08, 0.89%, 0.25%

LAB 25.49, 48.19, -4.77

 

CMYK 43 / 0 / 94 / 52

HEX #457A07

RGB 69 122 7

HSL 87.65, 0.89%, 0.25%

LAB 45.91, -35.19, 48.87

 

CMYK 94 / 0 / 33 / 53

HEX #077851

RGB 7 120 81

HSL 159.29, 0.89%, 0.25%

LAB 44.34, -38.34, 13.6

 

CMYK 52 / 94 / 0 / 53

HEX #3A0778

RGB 58 7 120

HSL 267.08, 0.89%, 0.25%

LAB 17.5, 45.57, -51.93

 

CMYK 0 / 94 / 61 / 53

HEX #78072F

RGB 120 7 47

HSL 338.76, 0.89%, 0.25%

LAB 24.8, 46.29, 9.34

 

CMYK 43 / 0 / 94 / 52

HEX #457A07

RGB 69 122 7

HSL 87.65, 0.89%, 0.25%

LAB 45.91, -35.19, 48.87

 

CMYK 94 / 0 / 4 / 53

HEX #077873

RGB 7 120 115

HSL 177.35, 0.89%, 0.25%

LAB 45.24, -28.73, -5.26

 

CMYK 52 / 94 / 0 / 53

HEX #3A0778

RGB 58 7 120

HSL 267.08, 0.89%, 0.25%

LAB 17.5, 45.57, -51.93

 

CMYK 0 / 94 / 89 / 53

HEX #78070D

RGB 120 7 13

HSL 356.81, 0.89%, 0.25%

LAB 24.24, 44.71, 30.77

 

Description

Color code: HEX #457A07 | qconv.com Color code: HEX #457A07 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 122 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 122 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 94 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 94% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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