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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #456E01 it is the complementary color #BA91FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #456E01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #456E01 shade: #4A6E00, #5B800F, #6C9222, #7DA435 and #8EB648

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #456E01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #456E01 shade: #456E01, #345C00, #234A00, #123800 and #012600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #456E01 shade: #466F01, #636F01, #6F5D01, #6F3F01 and #6F2201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #456E01 shade: #466F01, #286F01, #0A6F01, #016F15 and #016F33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #456E01 shade matches the following richer shades: #466F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #456E01 shade: #466F01, #43660A, #415D13, #3F541C and #3D4B25

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #456E01 shade: #6F5D01, #646F01, #476F01, #296F01 and #0C6F01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #456E01 shade: #121D00, #2C4601, #466F01, #5F9802 and #79C102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #456E01 shade: #456E01, #016F3F and #6B016F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #456E01 shade: #456E01, #01476F and #6F0147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #456E01 shade: #456E01, #016F3F, #29016F and #6F0131

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #456E01 shade: #456E01, #016F60, #29016F and #6F0110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 99 / 57

HEX #456E01

RGB 69 110 1

HSL 82.57, 0.98%, 0.22%

LAB 41.87, -30.01, 46.99

 

Complementary color

CMYK 27 / 43 / 0 / 0

HEX #BA91FE

RGB 186 145 254

HSL 262.57, 0.98%, 0.78%

LAB 67.91, 37.24, -48.78

 

CMYK 33 / 0 / 100 / 57

HEX #4A6E00

RGB 74 110 0

HSL 79.64, 1%, 0.22%

LAB 42.17, -28, 47.6

 

CMYK 29 / 0 / 88 / 50

HEX #5B800F

RGB 91 128 15

HSL 79.65, 0.79%, 0.28%

LAB 49.13, -29.05, 50.38

 

CMYK 26 / 0 / 77 / 43

HEX #6C9222

RGB 108 146 34

HSL 80.36, 0.62%, 0.35%

LAB 55.95, -29.79, 51.32

 

CMYK 24 / 0 / 68 / 36

HEX #7DA435

RGB 125 164 53

HSL 81.08, 0.51%, 0.43%

LAB 62.65, -30.27, 51.13

 

CMYK 22 / 0 / 60 / 29

HEX #8EB648

RGB 142 182 72

HSL 81.82, 0.43%, 0.5%

LAB 69.24, -30.59, 50.39

 

CMYK 37 / 0 / 99 / 57

HEX #456E01

RGB 69 110 1

HSL 82.57, 0.98%, 0.22%

LAB 41.87, -30.01, 46.99

 

CMYK 43 / 0 / 100 / 64

HEX #345C00

RGB 52 92 0

HSL 86.09, 1%, 0.18%

LAB 34.77, -28.5, 41.34

 

CMYK 53 / 0 / 100 / 71

HEX #234A00

RGB 35 74 0

HSL 91.62, 1%, 0.15%

LAB 27.45, -26.81, 35.19

 

CMYK 68 / 0 / 100 / 78

HEX #123800

RGB 18 56 0

HSL 100.71, 1%, 0.11%

LAB 19.87, -24.79, 27.35

 

CMYK 97 / 0 / 100 / 85

HEX #012600

RGB 1 38 0

HSL 118.42, 1%, 0.07%

LAB 11.91, -22.43, 17.22

 

CMYK 37 / 0 / 99 / 56

HEX #466F01

RGB 70 111 1

HSL 82.36, 0.98%, 0.22%

LAB 42.27, -30.07, 47.32

 

CMYK 11 / 0 / 99 / 56

HEX #636F01

RGB 99 111 1

HSL 66.55, 0.98%, 0.22%

LAB 44.27, -17.33, 49.73

 

CMYK 0 / 16 / 99 / 56

HEX #6F5D01

RGB 111 93 1

HSL 50.18, 0.98%, 0.22%

LAB 39.93, -1.36, 47.04

 

CMYK 0 / 43 / 99 / 56

HEX #6F3F01

RGB 111 63 1

HSL 33.82, 0.98%, 0.22%

LAB 31.66, 16.73, 41.31

 

CMYK 0 / 69 / 99 / 56

HEX #6F2201

RGB 111 34 1

HSL 18, 0.98%, 0.22%

LAB 25.34, 32.72, 36.16

 

CMYK 37 / 0 / 99 / 56

HEX #466F01

RGB 70 111 1

HSL 82.36, 0.98%, 0.22%

LAB 42.27, -30.07, 47.32

 

CMYK 64 / 0 / 99 / 56

HEX #286F01

RGB 40 111 1

HSL 98.73, 0.98%, 0.22%

LAB 40.93, -40.25, 45.7

 

CMYK 91 / 0 / 99 / 56

HEX #0A6F01

RGB 10 111 1

HSL 115.09, 0.98%, 0.22%

LAB 40.3, -45.67, 44.93

 

CMYK 99 / 0 / 81 / 56

HEX #016F15

RGB 1 111 21

HSL 130.91, 0.98%, 0.22%

LAB 40.29, -45.44, 39.41

 

CMYK 99 / 0 / 54 / 56

HEX #016F33

RGB 1 111 51

HSL 147.27, 0.98%, 0.22%

LAB 40.6, -41.66, 25.76

 

CMYK 37 / 0 / 99 / 56

HEX #466F01

RGB 70 111 1

HSL 82.36, 0.98%, 0.22%

LAB 42.27, -30.07, 47.32

 

CMYK 37 / 0 / 99 / 56

HEX #466F01

RGB 70 111 1

HSL 82.36, 0.98%, 0.22%

LAB 42.27, -30.07, 47.32

 

CMYK 34 / 0 / 90 / 60

HEX #43660A

RGB 67 102 10

HSL 82.83, 0.82%, 0.22%

LAB 39.1, -26.72, 42.4

 

CMYK 30 / 0 / 80 / 64

HEX #415D13

RGB 65 93 19

HSL 82.7, 0.66%, 0.22%

LAB 35.98, -22.66, 36.63

 

CMYK 25 / 0 / 67 / 67

HEX #3F541C

RGB 63 84 28

HSL 82.5, 0.5%, 0.22%

LAB 32.88, -18.11, 29.34

 

CMYK 19 / 0 / 51 / 71

HEX #3D4B25

RGB 61 75 37

HSL 82.11, 0.34%, 0.22%

LAB 29.81, -12.96, 20.75

 

CMYK 0 / 16 / 99 / 56

HEX #6F5D01

RGB 111 93 1

HSL 50.18, 0.98%, 0.22%

LAB 39.93, -1.36, 47.04

 

CMYK 10 / 0 / 99 / 56

HEX #646F01

RGB 100 111 1

HSL 66, 0.98%, 0.22%

LAB 44.35, -16.86, 49.83

 

CMYK 36 / 0 / 99 / 56

HEX #476F01

RGB 71 111 1

HSL 81.82, 0.98%, 0.22%

LAB 42.32, -29.67, 47.39

 

CMYK 63 / 0 / 99 / 56

HEX #296F01

RGB 41 111 1

HSL 98.18, 0.98%, 0.22%

LAB 40.96, -39.98, 45.74

 

CMYK 89 / 0 / 99 / 56

HEX #0C6F01

RGB 12 111 1

HSL 114, 0.98%, 0.22%

LAB 40.33, -45.47, 44.96

 

CMYK 38 / 0 / 100 / 89

HEX #121D00

RGB 18 29 0

HSL 82.76, 1%, 0.06%

LAB 9.05, -10.8, 13.35

 

CMYK 37 / 0 / 99 / 73

HEX #2C4601

RGB 44 70 1

HSL 82.61, 0.97%, 0.14%

LAB 26.5, -21.16, 34.14

 

CMYK 37 / 0 / 99 / 56

HEX #466F01

RGB 70 111 1

HSL 82.36, 0.98%, 0.22%

LAB 42.27, -30.07, 47.32

 

CMYK 38 / 0 / 99 / 40

HEX #5F9802

RGB 95 152 2

HSL 82.8, 0.97%, 0.3%

LAB 56.97, -38.7, 59.21

 

CMYK 37 / 0 / 99 / 24

HEX #79C102

RGB 121 193 2

HSL 82.62, 0.98%, 0.38%

LAB 71.01, -46.52, 70.74

 

CMYK 37 / 0 / 99 / 57

HEX #456E01

RGB 69 110 1

HSL 82.57, 0.98%, 0.22%

LAB 41.87, -30.01, 46.99

 

CMYK 99 / 0 / 43 / 56

HEX #016F3F

RGB 1 111 63

HSL 153.82, 0.98%, 0.22%

LAB 40.79, -39.33, 19.27

 

CMYK 4 / 99 / 0 / 56

HEX #6B016F

RGB 107 1 111

HSL 297.82, 0.98%, 0.22%

LAB 24.62, 52.31, -34.15

 

CMYK 37 / 0 / 99 / 57

HEX #456E01

RGB 69 110 1

HSL 82.57, 0.98%, 0.22%

LAB 41.87, -30.01, 46.99

 

CMYK 99 / 36 / 0 / 56

HEX #01476F

RGB 1 71 111

HSL 201.82, 0.98%, 0.22%

LAB 28.54, -2.96, -28.44

 

CMYK 0 / 99 / 36 / 56

HEX #6F0147

RGB 111 1 71

HSL 321.82, 0.98%, 0.22%

LAB 23.19, 47.46, -9.78

 

CMYK 37 / 0 / 99 / 57

HEX #456E01

RGB 69 110 1

HSL 82.57, 0.98%, 0.22%

LAB 41.87, -30.01, 46.99

 

CMYK 99 / 0 / 43 / 56

HEX #016F3F

RGB 1 111 63

HSL 153.82, 0.98%, 0.22%

LAB 40.79, -39.33, 19.27

 

CMYK 63 / 99 / 0 / 56

HEX #29016F

RGB 41 1 111

HSL 261.82, 0.98%, 0.22%

LAB 13.48, 43.83, -52.83

 

CMYK 0 / 99 / 56 / 56

HEX #6F0131

RGB 111 1 49

HSL 333.82, 0.98%, 0.22%

LAB 22.38, 45.34, 4.27

 

CMYK 37 / 0 / 99 / 57

HEX #456E01

RGB 69 110 1

HSL 82.57, 0.98%, 0.22%

LAB 41.87, -30.01, 46.99

 

CMYK 99 / 0 / 14 / 56

HEX #016F60

RGB 1 111 96

HSL 171.82, 0.98%, 0.22%

LAB 41.56, -30.76, 0.73

 

CMYK 63 / 99 / 0 / 56

HEX #29016F

RGB 41 1 111

HSL 261.82, 0.98%, 0.22%

LAB 13.48, 43.83, -52.83

 

CMYK 0 / 99 / 86 / 56

HEX #6F0110

RGB 111 1 16

HSL 351.82, 0.98%, 0.22%

LAB 21.72, 43.54, 25.97

 

Description

Color code: HEX #456E01 | qconv.com Color code: HEX #456E01 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 110 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 110 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 99 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 99% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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