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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #456338 it is the complementary color #BA9CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #456338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #456338 shade: #4A6333, #5B7546, #6C8759, #7D996C and #8EAB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #456338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #456338 shade: #456338, #345125, #233F12, #122D00 and #011B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #456338 shade: #446237, #506237, #5B6237, #625D37 and #625237

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #456338 shade: #446237, #386237, #376241, #37624D and #376258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #456338 shade matches the following richer shades: #446237, #3F6E2B, #3A7B1E, #358712 and #309306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #456338 shade: #446237, #495643, #4E4950, #533D5C and #583069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #456338 shade: #5B6237, #506237, #456237, #396237 and #376240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #456338 shade: #1F2D19, #324828, #446237, #567C46 and #699755

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #456338 shade: #456338, #37625D and #623756

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #456338 shade: #456338, #374562 and #623745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #456338 shade: #456338, #37625D, #543762 and #62373C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #456338 shade: #456338, #375A62, #543762 and #623F37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 43 / 61

HEX #456338

RGB 69 99 56

HSL 101.86, 0.28%, 0.3%

LAB 38.68, -20, 20.97

 

Complementary color

CMYK 7 / 22 / 0 / 22

HEX #BA9CC7

RGB 186 156 199

HSL 281.86, 0.28%, 0.7%

LAB 68.27, 18.95, -17.94

 

CMYK 25 / 0 / 48 / 61

HEX #4A6333

RGB 74 99 51

HSL 91.25, 0.32%, 0.29%

LAB 38.93, -18.72, 24.22

 

CMYK 22 / 0 / 40 / 54

HEX #5B7546

RGB 91 117 70

HSL 93.19, 0.25%, 0.37%

LAB 46.16, -18.64, 22.91

 

CMYK 20 / 0 / 34 / 47

HEX #6C8759

RGB 108 135 89

HSL 95.22, 0.21%, 0.44%

LAB 53.21, -18.54, 21.68

 

CMYK 18 / 0 / 29 / 40

HEX #7D996C

RGB 125 153 108

HSL 97.33, 0.18%, 0.51%

LAB 60.09, -18.42, 20.53

 

CMYK 17 / 0 / 26 / 33

HEX #8EAB7F

RGB 142 171 127

HSL 99.55, 0.21%, 0.58%

LAB 66.83, -18.31, 19.45

 

CMYK 30 / 0 / 43 / 61

HEX #456338

RGB 69 99 56

HSL 101.86, 0.28%, 0.3%

LAB 38.68, -20, 20.97

 

CMYK 36 / 0 / 54 / 68

HEX #345125

RGB 52 81 37

HSL 99.55, 0.37%, 0.23%

LAB 31.23, -20.14, 22.35

 

CMYK 44 / 0 / 71 / 75

HEX #233F12

RGB 35 63 18

HSL 97.33, 0.56%, 0.16%

LAB 23.53, -20.1, 23.64

 

CMYK 60 / 0 / 100 / 82

HEX #122D00

RGB 18 45 0

HSL 96, 1%, 0.09%

LAB 15.52, -19.81, 22.11

 

CMYK 96 / 0 / 100 / 89

HEX #011B00

RGB 1 27 0

HSL 117.78, 1%, 0.05%

LAB 7.14, -14.2, 10.43

 

CMYK 31 / 0 / 44 / 62

HEX #446237

RGB 68 98 55

HSL 101.86, 0.28%, 0.3%

LAB 38.27, -20.03, 21.01

 

CMYK 18 / 0 / 44 / 62

HEX #506237

RGB 80 98 55

HSL 85.12, 0.28%, 0.3%

LAB 39.1, -15.09, 22.24

 

CMYK 7 / 0 / 44 / 62

HEX #5B6237

RGB 91 98 55

HSL 69.77, 0.28%, 0.3%

LAB 39.97, -10.28, 23.53

 

CMYK 0 / 5 / 44 / 62

HEX #625D37

RGB 98 93 55

HSL 53.02, 0.28%, 0.3%

LAB 39.07, -4.2, 22.52

 

CMYK 0 / 16 / 44 / 62

HEX #625237

RGB 98 82 55

HSL 37.67, 0.28%, 0.3%

LAB 35.8, 2.42, 18.31

 

CMYK 31 / 0 / 44 / 62

HEX #446237

RGB 68 98 55

HSL 101.86, 0.28%, 0.3%

LAB 38.27, -20.03, 21.01

 

CMYK 43 / 0 / 44 / 62

HEX #386237

RGB 56 98 55

HSL 118.6, 0.28%, 0.3%

LAB 37.58, -24.5, 19.98

 

CMYK 44 / 0 / 34 / 62

HEX #376241

RGB 55 98 65

HSL 133.95, 0.28%, 0.3%

LAB 37.72, -22.98, 14.23

 

CMYK 44 / 0 / 21 / 62

HEX #37624D

RGB 55 98 77

HSL 150.7, 0.28%, 0.3%

LAB 37.99, -20.35, 7.33

 

CMYK 44 / 0 / 10 / 62

HEX #376258

RGB 55 98 88

HSL 166.05, 0.28%, 0.3%

LAB 38.29, -17.62, 1.01

 

CMYK 31 / 0 / 44 / 62

HEX #446237

RGB 68 98 55

HSL 101.86, 0.28%, 0.3%

LAB 38.27, -20.03, 21.01

 

CMYK 43 / 0 / 61 / 57

HEX #3F6E2B

RGB 63 110 43

HSL 102.09, 0.44%, 0.3%

LAB 41.82, -29.53, 31.84

 

CMYK 53 / 0 / 76 / 52

HEX #3A7B1E

RGB 58 123 30

HSL 101.94, 0.61%, 0.3%

LAB 45.85, -38.18, 42

 

CMYK 61 / 0 / 87 / 47

HEX #358712

RGB 53 135 18

HSL 102.05, 0.76%, 0.3%

LAB 49.65, -45.05, 49.41

 

CMYK 67 / 0 / 96 / 42

HEX #309306

RGB 48 147 6

HSL 102.13, 0.92%, 0.3%

LAB 53.5, -50.96, 55

 

CMYK 31 / 0 / 44 / 62

HEX #446237

RGB 68 98 55

HSL 101.86, 0.28%, 0.3%

LAB 38.27, -20.03, 21.01

 

CMYK 15 / 0 / 22 / 66

HEX #495643

RGB 73 86 67

HSL 101.05, 0.12%, 0.3%

LAB 34.96, -9.18, 9.4

 

CMYK 2 / 9 / 0 / 69

HEX #4E4950

RGB 78 73 80

HSL 282.86, 0.05%, 0.3%

LAB 31.72, 3.6, -3.41

 

CMYK 10 / 34 / 0 / 64

HEX #533D5C

RGB 83 61 92

HSL 282.58, 0.2%, 0.3%

LAB 29.28, 16.06, -14.78

 

CMYK 16 / 54 / 0 / 59

HEX #583069

RGB 88 48 105

HSL 282.11, 0.37%, 0.3%

LAB 27.32, 28.98, -26.18

 

CMYK 7 / 0 / 44 / 62

HEX #5B6237

RGB 91 98 55

HSL 69.77, 0.28%, 0.3%

LAB 39.97, -10.28, 23.53

 

CMYK 18 / 0 / 44 / 62

HEX #506237

RGB 80 98 55

HSL 85.12, 0.28%, 0.3%

LAB 39.1, -15.09, 22.24

 

CMYK 30 / 0 / 44 / 62

HEX #456237

RGB 69 98 55

HSL 100.47, 0.28%, 0.3%

LAB 38.33, -19.63, 21.11

 

CMYK 42 / 0 / 44 / 62

HEX #396237

RGB 57 98 55

HSL 117.21, 0.28%, 0.3%

LAB 37.63, -24.15, 20.06

 

CMYK 44 / 0 / 35 / 62

HEX #376240

RGB 55 98 64

HSL 132.56, 0.28%, 0.3%

LAB 37.69, -23.18, 14.8

 

CMYK 31 / 0 / 44 / 82

HEX #1F2D19

RGB 31 45 25

HSL 102, 0.29%, 0.14%

LAB 16.69, -10.69, 11.09

 

CMYK 31 / 0 / 44 / 72

HEX #324828

RGB 50 72 40

HSL 101.25, 0.29%, 0.22%

LAB 28.02, -15.61, 16.51

 

CMYK 31 / 0 / 44 / 62

HEX #446237

RGB 68 98 55

HSL 101.86, 0.28%, 0.3%

LAB 38.27, -20.03, 21.01

 

CMYK 31 / 0 / 44 / 51

HEX #567C46

RGB 86 124 70

HSL 102.22, 0.28%, 0.38%

LAB 48.05, -24.21, 25.28

 

CMYK 30 / 0 / 44 / 41

HEX #699755

RGB 105 151 85

HSL 101.82, 0.28%, 0.46%

LAB 57.84, -28.34, 29.86

 

CMYK 30 / 0 / 43 / 61

HEX #456338

RGB 69 99 56

HSL 101.86, 0.28%, 0.3%

LAB 38.68, -20, 20.97

 

CMYK 44 / 0 / 5 / 62

HEX #37625D

RGB 55 98 93

HSL 173.02, 0.28%, 0.3%

LAB 38.44, -16.28, -1.85

 

CMYK 0 / 44 / 12 / 62

HEX #623756

RGB 98 55 86

HSL 316.74, 0.28%, 0.3%

LAB 29.41, 24.12, -10.52

 

CMYK 30 / 0 / 43 / 61

HEX #456338

RGB 69 99 56

HSL 101.86, 0.28%, 0.3%

LAB 38.68, -20, 20.97

 

CMYK 44 / 30 / 0 / 62

HEX #374562

RGB 55 69 98

HSL 220.47, 0.28%, 0.3%

LAB 29.29, 2.86, -18.84

 

CMYK 0 / 44 / 30 / 62

HEX #623745

RGB 98 55 69

HSL 340.47, 0.28%, 0.3%

LAB 28.8, 21.16, -0.32

 

CMYK 30 / 0 / 43 / 61

HEX #456338

RGB 69 99 56

HSL 101.86, 0.28%, 0.3%

LAB 38.68, -20, 20.97

 

CMYK 44 / 0 / 5 / 62

HEX #37625D

RGB 55 98 93

HSL 173.02, 0.28%, 0.3%

LAB 38.44, -16.28, -1.85

 

CMYK 14 / 44 / 0 / 62

HEX #543762

RGB 84 55 98

HSL 280.47, 0.28%, 0.3%

LAB 28.11, 21.69, -20.46

 

CMYK 0 / 44 / 39 / 62

HEX #62373C

RGB 98 55 60

HSL 353.02, 0.28%, 0.3%

LAB 28.53, 19.82, 5.21

 

CMYK 30 / 0 / 43 / 61

HEX #456338

RGB 69 99 56

HSL 101.86, 0.28%, 0.3%

LAB 38.68, -20, 20.97

 

CMYK 44 / 8 / 0 / 62

HEX #375A62

RGB 55 90 98

HSL 191.16, 0.28%, 0.3%

LAB 36, -10.27, -8.58

 

CMYK 14 / 44 / 0 / 62

HEX #543762

RGB 84 55 98

HSL 280.47, 0.28%, 0.3%

LAB 28.11, 21.69, -20.46

 

CMYK 0 / 36 / 44 / 62

HEX #623F37

RGB 98 63 55

HSL 11.16, 0.28%, 0.3%

LAB 30.47, 14.21, 11.17

 

Description

Color code: HEX #456338 | qconv.com Color code: HEX #456338 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 99 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 99 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 43 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 43% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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