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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455E06 it is the complementary color #BAA1F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455E06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #455E06 shade: #4A5E01, #5B7014, #6C8227, #7D943A and #8EA64D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455E06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #455E06 shade: #455E06, #344C00, #233A00, #122800 and #011600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #455E06 shade: #466006, #5F6006, #604906, #603106 and #601906

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #455E06 shade: #466006, #2E6006, #166006, #06600E and #066027

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #455E06 shade matches the following richer shades: #466006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #455E06 shade: #466006, #43580E, #3F4F17, #3C471F and #383F27

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #455E06 shade: #604906, #5E6006, #466006, #2F6006 and #176006

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #455E06 shade: #0D1201, #2A3904, #466006, #638709 and #7FAD0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #455E06 shade: #455E06, #066032 and #550660

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #455E06 shade: #455E06, #064660 and #600646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #455E06 shade: #455E06, #066032, #200660 and #600634

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #455E06 shade: #455E06, #06604C, #200660 and #60061A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 94 / 63

HEX #455E06

RGB 69 94 6

HSL 77.05, 0.88%, 0.2%

LAB 36.52, -22.04, 41.35

 

Complementary color

CMYK 25 / 35 / 0 / 2

HEX #BAA1F9

RGB 186 161 249

HSL 257.05, 0.88%, 0.8%

LAB 71.4, 27.17, -40.58

 

CMYK 21 / 0 / 99 / 63

HEX #4A5E01

RGB 74 94 1

HSL 72.9, 0.98%, 0.19%

LAB 36.86, -19.96, 43.25

 

CMYK 19 / 0 / 82 / 56

HEX #5B7014

RGB 91 112 20

HSL 73.7, 0.7%, 0.26%

LAB 44.04, -20.9, 44.49

 

CMYK 17 / 0 / 70 / 49

HEX #6C8227

RGB 108 130 39

HSL 74.51, 0.54%, 0.33%

LAB 51.04, -21.58, 44.54

 

CMYK 16 / 0 / 61 / 42

HEX #7D943A

RGB 125 148 58

HSL 75.33, 0.44%, 0.4%

LAB 57.89, -22.04, 43.81

 

CMYK 14 / 0 / 54 / 35

HEX #8EA64D

RGB 142 166 77

HSL 76.18, 0.37%, 0.48%

LAB 64.61, -22.34, 42.77

 

CMYK 27 / 0 / 94 / 63

HEX #455E06

RGB 69 94 6

HSL 77.05, 0.88%, 0.2%

LAB 36.52, -22.04, 41.35

 

CMYK 32 / 0 / 100 / 70

HEX #344C00

RGB 52 76 0

HSL 78.95, 1%, 0.15%

LAB 29.16, -20.71, 37

 

CMYK 40 / 0 / 100 / 77

HEX #233A00

RGB 35 58 0

HSL 83.79, 1%, 0.11%

LAB 21.52, -19.09, 29.42

 

CMYK 55 / 0 / 100 / 84

HEX #122800

RGB 18 40 0

HSL 93, 1%, 0.08%

LAB 13.51, -17.33, 19.51

 

CMYK 95 / 0 / 100 / 91

HEX #011600

RGB 1 22 0

HSL 117.27, 1%, 0.04%

LAB 5.24, -10.33, 7.66

 

CMYK 27 / 0 / 94 / 62

HEX #466006

RGB 70 96 6

HSL 77.33, 0.88%, 0.2%

LAB 37.26, -22.61, 41.99

 

CMYK 1 / 0 / 94 / 62

HEX #5F6006

RGB 95 96 6

HSL 60.67, 0.88%, 0.2%

LAB 39.26, -10.85, 44.44

 

CMYK 0 / 24 / 94 / 62

HEX #604906

RGB 96 73 6

HSL 44.67, 0.88%, 0.2%

LAB 32.4, 3.31, 39.03

 

CMYK 0 / 49 / 94 / 62

HEX #603106

RGB 96 49 6

HSL 28.67, 0.88%, 0.2%

LAB 25.85, 18.19, 33.63

 

CMYK 0 / 74 / 94 / 62

HEX #601906

RGB 96 25 6

HSL 12.67, 0.88%, 0.2%

LAB 20.81, 31.2, 28.52

 

CMYK 27 / 0 / 94 / 62

HEX #466006

RGB 70 96 6

HSL 77.33, 0.88%, 0.2%

LAB 37.26, -22.61, 41.99

 

CMYK 52 / 0 / 94 / 62

HEX #2E6006

RGB 46 96 6

HSL 93.33, 0.88%, 0.2%

LAB 35.91, -32.21, 40.3

 

CMYK 77 / 0 / 94 / 62

HEX #166006

RGB 22 96 6

HSL 109.33, 0.88%, 0.2%

LAB 35.1, -38.76, 39.29

 

CMYK 94 / 0 / 85 / 62

HEX #06600E

RGB 6 96 14

HSL 125.33, 0.88%, 0.2%

LAB 34.88, -40.62, 36.62

 

CMYK 94 / 0 / 59 / 62

HEX #066027

RGB 6 96 39

HSL 142, 0.88%, 0.2%

LAB 35.1, -37.75, 25.59

 

CMYK 27 / 0 / 94 / 62

HEX #466006

RGB 70 96 6

HSL 77.33, 0.88%, 0.2%

LAB 37.26, -22.61, 41.99

 

CMYK 27 / 0 / 94 / 62

HEX #466006

RGB 70 96 6

HSL 77.33, 0.88%, 0.2%

LAB 37.26, -22.61, 41.99

 

CMYK 24 / 0 / 84 / 65

HEX #43580E

RGB 67 88 14

HSL 77.03, 0.73%, 0.2%

LAB 34.41, -19.47, 37.03

 

CMYK 20 / 0 / 71 / 69

HEX #3F4F17

RGB 63 79 23

HSL 77.14, 0.55%, 0.2%

LAB 31.14, -15.83, 29.93

 

CMYK 15 / 0 / 56 / 72

HEX #3C471F

RGB 60 71 31

HSL 76.5, 0.39%, 0.2%

LAB 28.29, -11.86, 22.38

 

CMYK 11 / 0 / 38 / 75

HEX #383F27

RGB 56 63 39

HSL 77.5, 0.24%, 0.2%

LAB 25.39, -7.81, 13.79

 

CMYK 0 / 24 / 94 / 62

HEX #604906

RGB 96 73 6

HSL 44.67, 0.88%, 0.2%

LAB 32.4, 3.31, 39.03

 

CMYK 2 / 0 / 94 / 62

HEX #5E6006

RGB 94 96 6

HSL 61.33, 0.88%, 0.2%

LAB 39.17, -11.34, 44.33

 

CMYK 27 / 0 / 94 / 62

HEX #466006

RGB 70 96 6

HSL 77.33, 0.88%, 0.2%

LAB 37.26, -22.61, 41.99

 

CMYK 51 / 0 / 94 / 62

HEX #2F6006

RGB 47 96 6

HSL 92.67, 0.88%, 0.2%

LAB 35.95, -31.86, 40.36

 

CMYK 76 / 0 / 94 / 62

HEX #176006

RGB 23 96 6

HSL 108.67, 0.88%, 0.2%

LAB 35.13, -38.56, 39.32

 

CMYK 28 / 0 / 94 / 93

HEX #0D1201

RGB 13 18 1

HSL 77.65, 0.89%, 0.04%

LAB 4.7, -4.38, 6.55

 

CMYK 26 / 0 / 93 / 78

HEX #2A3904

RGB 42 57 4

HSL 76.98, 0.87%, 0.12%

LAB 21.68, -14.92, 28.11

 

CMYK 27 / 0 / 94 / 62

HEX #466006

RGB 70 96 6

HSL 77.33, 0.88%, 0.2%

LAB 37.26, -22.61, 41.99

 

CMYK 27 / 0 / 93 / 47

HEX #638709

RGB 99 135 9

HSL 77.14, 0.88%, 0.28%

LAB 51.84, -29.24, 54.05

 

CMYK 27 / 0 / 94 / 32

HEX #7FAD0B

RGB 127 173 11

HSL 77.04, 0.88%, 0.36%

LAB 65.3, -35.46, 65.31

 

CMYK 27 / 0 / 94 / 63

HEX #455E06

RGB 69 94 6

HSL 77.05, 0.88%, 0.2%

LAB 36.52, -22.04, 41.35

 

CMYK 94 / 0 / 48 / 62

HEX #066032

RGB 6 96 50

HSL 149.33, 0.88%, 0.2%

LAB 35.27, -35.75, 19.61

 

CMYK 11 / 94 / 0 / 62

HEX #550660

RGB 85 6 96

HSL 292.67, 0.88%, 0.2%

LAB 19.66, 44.51, -32.54

 

CMYK 27 / 0 / 94 / 63

HEX #455E06

RGB 69 94 6

HSL 77.05, 0.88%, 0.2%

LAB 36.52, -22.04, 41.35

 

CMYK 94 / 27 / 0 / 62

HEX #064660

RGB 6 70 96

HSL 197.33, 0.88%, 0.2%

LAB 27.47, -8.17, -20.54

 

CMYK 0 / 94 / 27 / 62

HEX #600646

RGB 96 6 70

HSL 317.33, 0.88%, 0.2%

LAB 20.28, 42.65, -13.85

 

CMYK 27 / 0 / 94 / 63

HEX #455E06

RGB 69 94 6

HSL 77.05, 0.88%, 0.2%

LAB 36.52, -22.04, 41.35

 

CMYK 94 / 0 / 48 / 62

HEX #066032

RGB 6 96 50

HSL 149.33, 0.88%, 0.2%

LAB 35.27, -35.75, 19.61

 

CMYK 67 / 94 / 0 / 62

HEX #200660

RGB 32 6 96

HSL 257.33, 0.88%, 0.2%

LAB 11.15, 36.89, -46.81

 

CMYK 0 / 94 / 46 / 62

HEX #600634

RGB 96 6 52

HSL 329.33, 0.88%, 0.2%

LAB 19.49, 40.5, -2.46

 

CMYK 27 / 0 / 94 / 63

HEX #455E06

RGB 69 94 6

HSL 77.05, 0.88%, 0.2%

LAB 36.52, -22.04, 41.35

 

CMYK 94 / 0 / 21 / 62

HEX #06604C

RGB 6 96 76

HSL 166.67, 0.88%, 0.2%

LAB 35.84, -29.33, 4.69

 

CMYK 67 / 94 / 0 / 62

HEX #200660

RGB 32 6 96

HSL 257.33, 0.88%, 0.2%

LAB 11.15, 36.89, -46.81

 

CMYK 0 / 94 / 73 / 62

HEX #60061A

RGB 96 6 26

HSL 346.67, 0.88%, 0.2%

LAB 18.76, 38.44, 15.07

 

Description

Color code: HEX #455E06 | qconv.com Color code: HEX #455E06 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 94 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 94 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 94 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 94% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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