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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45585F it is the complementary color #BAA7A0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45585F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45585F shade: #4A585A, #5B6A6D, #6C7C80, #7D8E93 and #8EA0A6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45585F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45585F shade: #45585F, #34464C, #233439, #122226 and #011013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45585F shade: #45585F, #45515F, #454A5F, #47455F and #4E455F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45585F shade: #45585F, #45515F, #454A5F and #45455F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45585F shade matches the following richer shades: #45585F, #375E6C, #2A6479, #1D6A86 and #107093

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45585F shade: #45585F, #525251, #5F4B44, #6C4537 and #793F2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45585F shade: #455F58, #455F5F, #45585F, #45515F and #454A5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45585F shade: #222B2F, #334147, #45585F, #566E77 and #67848F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45585F shade: #45585F, #51455F and #5F5B45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45585F shade: #45585F, #5F4558 and #585F45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45585F shade: #45585F, #51455F, #5F4C45 and #525F45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45585F shade: #45585F, #59455F, #5F4C45 and #4B5F45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

Complementary color

CMYK 0 / 10 / 14 / 27

HEX #BAA7A0

RGB 186 167 160

HSL 16.15, 0.16%, 0.68%

LAB 69.91, 5.7, 6.12

 

CMYK 18 / 2 / 0 / 65

HEX #4A585A

RGB 74 88 90

HSL 187.5, 0.1%, 0.32%

LAB 36.32, -4.93, -2.99

 

CMYK 17 / 3 / 0 / 57

HEX #5B6A6D

RGB 91 106 109

HSL 190, 0.09%, 0.39%

LAB 43.71, -4.94, -3.59

 

CMYK 16 / 3 / 0 / 50

HEX #6C7C80

RGB 108 124 128

HSL 192, 0.08%, 0.46%

LAB 50.88, -4.96, -4.17

 

CMYK 15 / 3 / 0 / 42

HEX #7D8E93

RGB 125 142 147

HSL 193.64, 0.09%, 0.53%

LAB 57.86, -5, -4.73

 

CMYK 14 / 4 / 0 / 35

HEX #8EA0A6

RGB 142 160 166

HSL 195, 0.12%, 0.6%

LAB 64.68, -5.04, -5.27

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 32 / 8 / 0 / 70

HEX #34464C

RGB 52 70 76

HSL 195, 0.19%, 0.25%

LAB 28.46, -5.43, -5.92

 

CMYK 39 / 9 / 0 / 78

HEX #233439

RGB 35 52 57

HSL 193.64, 0.24%, 0.18%

LAB 20.47, -5.42, -5.38

 

CMYK 53 / 11 / 0 / 85

HEX #122226

RGB 18 34 38

HSL 192, 0.36%, 0.11%

LAB 12.04, -5.38, -4.81

 

CMYK 95 / 16 / 0 / 93

HEX #011013

RGB 1 16 19

HSL 190, 0.9%, 0.04%

LAB 3.83, -3.59, -3.14

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 27 / 15 / 0 / 63

HEX #45515F

RGB 69 81 95

HSL 212.31, 0.16%, 0.32%

LAB 33.93, -1.13, -9.72

 

CMYK 27 / 22 / 0 / 63

HEX #454A5F

RGB 69 74 95

HSL 228.46, 0.16%, 0.32%

LAB 31.78, 3.31, -12.99

 

CMYK 25 / 27 / 0 / 63

HEX #47455F

RGB 71 69 95

HSL 244.62, 0.16%, 0.32%

LAB 30.45, 7.26, -15.01

 

CMYK 18 / 27 / 0 / 63

HEX #4E455F

RGB 78 69 95

HSL 260.77, 0.16%, 0.32%

LAB 31.12, 9.78, -13.93

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 27 / 15 / 0 / 63

HEX #45515F

RGB 69 81 95

HSL 212.31, 0.16%, 0.32%

LAB 33.93, -1.13, -9.72

 

CMYK 27 / 22 / 0 / 63

HEX #454A5F

RGB 69 74 95

HSL 228.46, 0.16%, 0.32%

LAB 31.78, 3.31, -12.99

 

CMYK 27 / 27 / 0 / 63

HEX #45455F

RGB 69 69 95

HSL 240, 0.16%, 0.32%

LAB 30.27, 6.56, -15.31

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 49 / 13 / 0 / 58

HEX #375E6C

RGB 55 94 108

HSL 195.85, 0.33%, 0.32%

LAB 37.66, -9.61, -12.27

 

CMYK 65 / 17 / 0 / 53

HEX #2A6479

RGB 42 100 121

HSL 195.95, 0.48%, 0.32%

LAB 39.56, -11.89, -17.4

 

CMYK 78 / 21 / 0 / 47

HEX #1D6A86

RGB 29 106 134

HSL 196, 0.64%, 0.32%

LAB 41.67, -12.84, -22.04

 

CMYK 89 / 24 / 0 / 42

HEX #107093

RGB 16 112 147

HSL 196.03, 0.8%, 0.32%

LAB 43.95, -12.74, -26.3

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 0 / 0 / 1 / 68

HEX #525251

RGB 82 82 81

HSL 60, 0.01%, 0.32%

LAB 34.85, -0.21, 0.58

 

CMYK 0 / 21 / 28 / 63

HEX #5F4B44

RGB 95 75 68

HSL 15.56, 0.17%, 0.32%

LAB 33.74, 7.26, 7.37

 

CMYK 0 / 36 / 49 / 58

HEX #6C4537

RGB 108 69 55

HSL 15.85, 0.33%, 0.32%

LAB 33.39, 15.01, 15.35

 

CMYK 0 / 48 / 65 / 53

HEX #793F2A

RGB 121 63 42

HSL 15.95, 0.48%, 0.32%

LAB 33.54, 23.16, 23.93

 

CMYK 27 / 0 / 7 / 63

HEX #455F58

RGB 69 95 88

HSL 163.85, 0.16%, 0.32%

LAB 38.12, -11.37, 0.86

 

CMYK 27 / 0 / 0 / 63

HEX #455F5F

RGB 69 95 95

HSL 180, 0.16%, 0.32%

LAB 38.33, -9.62, -3.15

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 27 / 15 / 0 / 63

HEX #45515F

RGB 69 81 95

HSL 212.31, 0.16%, 0.32%

LAB 33.93, -1.13, -9.72

 

CMYK 27 / 22 / 0 / 63

HEX #454A5F

RGB 69 74 95

HSL 228.46, 0.16%, 0.32%

LAB 31.78, 3.31, -12.99

 

CMYK 28 / 9 / 0 / 82

HEX #222B2F

RGB 34 43 47

HSL 198.46, 0.16%, 0.16%

LAB 16.86, -2.76, -3.89

 

CMYK 28 / 8 / 0 / 72

HEX #334147

RGB 51 65 71

HSL 198, 0.16%, 0.24%

LAB 26.56, -4.02, -5.51

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 28 / 8 / 0 / 53

HEX #566E77

RGB 86 110 119

HSL 196.36, 0.16%, 0.4%

LAB 44.89, -6.54, -7.89

 

CMYK 28 / 8 / 0 / 44

HEX #67848F

RGB 103 132 143

HSL 196.5, 0.16%, 0.48%

LAB 53.35, -7.59, -9.29

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 15 / 27 / 0 / 63

HEX #51455F

RGB 81 69 95

HSL 267.69, 0.16%, 0.32%

LAB 31.42, 10.88, -13.45

 

CMYK 0 / 4 / 27 / 63

HEX #5F5B45

RGB 95 91 69

HSL 50.77, 0.16%, 0.32%

LAB 38.45, -2.39, 13.29

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 0 / 27 / 7 / 63

HEX #5F4558

RGB 95 69 88

HSL 316.15, 0.16%, 0.32%

LAB 32.69, 14.69, -6.91

 

CMYK 7 / 0 / 27 / 63

HEX #585F45

RGB 88 95 69

HSL 76.15, 0.16%, 0.32%

LAB 39.05, -7.79, 14.01

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 15 / 27 / 0 / 63

HEX #51455F

RGB 81 69 95

HSL 267.69, 0.16%, 0.32%

LAB 31.42, 10.88, -13.45

 

CMYK 0 / 20 / 27 / 63

HEX #5F4C45

RGB 95 76 69

HSL 16.15, 0.16%, 0.32%

LAB 34.05, 6.79, 7.18

 

CMYK 14 / 0 / 27 / 63

HEX #525F45

RGB 82 95 69

HSL 90, 0.16%, 0.32%

LAB 38.56, -10.32, 13.26

 

CMYK 27 / 7 / 0 / 63

HEX #45585F

RGB 69 88 95

HSL 196.15, 0.16%, 0.32%

LAB 36.12, -5.45, -6.44

 

CMYK 6 / 27 / 0 / 63

HEX #59455F

RGB 89 69 95

HSL 286.15, 0.16%, 0.32%

LAB 32.27, 13.88, -12.07

 

CMYK 0 / 20 / 27 / 63

HEX #5F4C45

RGB 95 76 69

HSL 16.15, 0.16%, 0.32%

LAB 34.05, 6.79, 7.18

 

CMYK 21 / 0 / 27 / 63

HEX #4B5F45

RGB 75 95 69

HSL 106.15, 0.16%, 0.32%

LAB 38.04, -13.18, 12.46

 

Description

Color code: HEX #45585F | qconv.com Color code: HEX #45585F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 88 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 88 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 7 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 7% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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