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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455272 it is the complementary color #BAAD8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #455272 shade: #4A526D, #5B6480, #6C7693, #7D88A6 and #8E9AB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #455272 shade: #455272, #34405F, #232E4C, #121C39 and #010A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #455272 shade: #455273, #454673, #504573, #5D4573 and #694573

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #455272 shade: #455273, #454673 and #454573

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #455272 shade matches the following richer shades: #455273, #364C82, #274690, #183F9F and #0939AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #455272 shade: #455273, #545864, #635F55, #716546 and #806B37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #455272 shade: #456B73, #455F73, #455373, #454673 and #504573

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #455272 shade: #262D3F, #354059, #455273, #54658D and #6778A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #455272 shade: #455272, #6E4573 and #657345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #455272 shade: #455272, #734553 and #537345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #455272 shade: #455272, #6E4573, #736545 and #497345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #455272 shade: #455272, #73456A, #736545 and #45734E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 28 / 0 / 55

HEX #455272

RGB 69 82 114

HSL 222.67, 0.25%, 0.36%

LAB 35.03, 3.7, -19.95

 

Complementary color

CMYK 0 / 7 / 24 / 27

HEX #BAAD8D

RGB 186 173 141

HSL 42.67, 0.25%, 0.64%

LAB 71.04, -0.49, 18.15

 

CMYK 32 / 25 / 0 / 57

HEX #4A526D

RGB 74 82 109

HSL 226.29, 0.19%, 0.36%

LAB 35.19, 3.83, -16.56

 

CMYK 29 / 22 / 0 / 50

HEX #5B6480

RGB 91 100 128

HSL 225.41, 0.17%, 0.43%

LAB 42.61, 3.45, -16.73

 

CMYK 27 / 20 / 0 / 42

HEX #6C7693

RGB 108 118 147

HSL 224.62, 0.15%, 0.5%

LAB 49.8, 3.14, -16.96

 

CMYK 25 / 18 / 0 / 35

HEX #7D88A6

RGB 125 136 166

HSL 223.9, 0.19%, 0.57%

LAB 56.8, 2.86, -17.21

 

CMYK 23 / 17 / 0 / 27

HEX #8E9AB9

RGB 142 154 185

HSL 223.26, 0.23%, 0.64%

LAB 63.64, 2.61, -17.48

 

CMYK 39 / 28 / 0 / 55

HEX #455272

RGB 69 82 114

HSL 222.67, 0.25%, 0.36%

LAB 35.03, 3.7, -19.95

 

CMYK 45 / 33 / 0 / 63

HEX #34405F

RGB 52 64 95

HSL 223.26, 0.29%, 0.29%

LAB 27.36, 4.3, -19.93

 

CMYK 54 / 39 / 0 / 70

HEX #232E4C

RGB 35 46 76

HSL 223.9, 0.37%, 0.22%

LAB 19.36, 5.14, -20.01

 

CMYK 68 / 51 / 0 / 78

HEX #121C39

RGB 18 28 57

HSL 224.62, 0.52%, 0.15%

LAB 10.95, 6.48, -20.23

 

CMYK 97 / 74 / 0 / 85

HEX #010A26

RGB 1 10 38

HSL 225.41, 0.95%, 0.08%

LAB 3.28, 5.14, -18.44

 

CMYK 40 / 29 / 0 / 55

HEX #455273

RGB 69 82 115

HSL 223.04, 0.25%, 0.36%

LAB 35.08, 4.01, -20.5

 

CMYK 40 / 39 / 0 / 55

HEX #454673

RGB 69 70 115

HSL 238.7, 0.25%, 0.36%

LAB 31.54, 11.8, -26.02

 

CMYK 30 / 40 / 0 / 55

HEX #504573

RGB 80 69 115

HSL 254.35, 0.25%, 0.36%

LAB 32.26, 15.86, -24.83

 

CMYK 19 / 40 / 0 / 55

HEX #5D4573

RGB 93 69 115

HSL 271.3, 0.25%, 0.36%

LAB 33.61, 20.13, -22.62

 

CMYK 9 / 40 / 0 / 55

HEX #694573

RGB 105 69 115

HSL 286.96, 0.25%, 0.36%

LAB 35, 24.2, -20.35

 

CMYK 40 / 29 / 0 / 55

HEX #455273

RGB 69 82 115

HSL 223.04, 0.25%, 0.36%

LAB 35.08, 4.01, -20.5

 

CMYK 40 / 39 / 0 / 55

HEX #454673

RGB 69 70 115

HSL 238.7, 0.25%, 0.36%

LAB 31.54, 11.8, -26.02

 

CMYK 40 / 40 / 0 / 55

HEX #454573

RGB 69 69 115

HSL 240, 0.25%, 0.36%

LAB 31.25, 12.46, -26.48

 

CMYK 40 / 29 / 0 / 55

HEX #455273

RGB 69 82 115

HSL 223.04, 0.25%, 0.36%

LAB 35.08, 4.01, -20.5

 

CMYK 58 / 42 / 0 / 49

HEX #364C82

RGB 54 76 130

HSL 222.63, 0.41%, 0.36%

LAB 33.06, 8.88, -33.04

 

CMYK 73 / 51 / 0 / 44

HEX #274690

RGB 39 70 144

HSL 222.29, 0.57%, 0.36%

LAB 31.41, 15.34, -44.35

 

CMYK 85 / 60 / 0 / 38

HEX #183F9F

RGB 24 63 159

HSL 222.67, 0.74%, 0.36%

LAB 30.04, 24.37, -55.72

 

CMYK 95 / 67 / 0 / 32

HEX #0939AE

RGB 9 57 174

HSL 222.55, 0.9%, 0.36%

LAB 29.51, 33.52, -65.63

 

CMYK 40 / 29 / 0 / 55

HEX #455273

RGB 69 82 115

HSL 223.04, 0.25%, 0.36%

LAB 35.08, 4.01, -20.5

 

CMYK 16 / 12 / 0 / 61

HEX #545864

RGB 84 88 100

HSL 225, 0.09%, 0.36%

LAB 37.45, 1.2, -7.44

 

CMYK 0 / 4 / 14 / 61

HEX #635F55

RGB 99 95 85

HSL 42.86, 0.08%, 0.36%

LAB 40.4, -0.34, 6.29

 

CMYK 0 / 11 / 38 / 56

HEX #716546

RGB 113 101 70

HSL 43.26, 0.23%, 0.36%

LAB 43.15, -0.23, 19.31

 

CMYK 0 / 16 / 57 / 50

HEX #806B37

RGB 128 107 55

HSL 42.74, 0.4%, 0.36%

LAB 46.15, 1.4, 31.9

 

CMYK 40 / 7 / 0 / 55

HEX #456B73

RGB 69 107 115

HSL 190.43, 0.25%, 0.36%

LAB 42.79, -11.18, -8.73

 

CMYK 40 / 17 / 0 / 55

HEX #455F73

RGB 69 95 115

HSL 206.09, 0.25%, 0.36%

LAB 39.05, -4.1, -14.39

 

CMYK 40 / 28 / 0 / 55

HEX #455373

RGB 69 83 115

HSL 221.74, 0.25%, 0.36%

LAB 35.38, 3.37, -20.03

 

CMYK 40 / 39 / 0 / 55

HEX #454673

RGB 69 70 115

HSL 238.7, 0.25%, 0.36%

LAB 31.54, 11.8, -26.02

 

CMYK 30 / 40 / 0 / 55

HEX #504573

RGB 80 69 115

HSL 254.35, 0.25%, 0.36%

LAB 32.26, 15.86, -24.83

 

CMYK 40 / 29 / 0 / 75

HEX #262D3F

RGB 38 45 63

HSL 223.2, 0.25%, 0.2%

LAB 18.57, 2.3, -12.37

 

CMYK 40 / 28 / 0 / 65

HEX #354059

RGB 53 64 89

HSL 221.67, 0.25%, 0.28%

LAB 27.14, 2.68, -16.37

 

CMYK 40 / 29 / 0 / 55

HEX #455273

RGB 69 82 115

HSL 223.04, 0.25%, 0.36%

LAB 35.08, 4.01, -20.5

 

CMYK 40 / 28 / 0 / 45

HEX #54658D

RGB 84 101 141

HSL 222.11, 0.25%, 0.44%

LAB 42.94, 4.35, -24.1

 

CMYK 37 / 27 / 0 / 36

HEX #6778A4

RGB 103 120 164

HSL 223.28, 0.25%, 0.52%

LAB 50.68, 4.98, -25.58

 

CMYK 39 / 28 / 0 / 55

HEX #455272

RGB 69 82 114

HSL 222.67, 0.25%, 0.36%

LAB 35.03, 3.7, -19.95

 

CMYK 4 / 40 / 0 / 55

HEX #6E4573

RGB 110 69 115

HSL 293.48, 0.25%, 0.36%

LAB 35.61, 25.92, -19.35

 

CMYK 12 / 0 / 40 / 55

HEX #657345

RGB 101 115 69

HSL 78.26, 0.25%, 0.36%

LAB 46.26, -13.59, 23.74

 

CMYK 39 / 28 / 0 / 55

HEX #455272

RGB 69 82 114

HSL 222.67, 0.25%, 0.36%

LAB 35.03, 3.7, -19.95

 

CMYK 0 / 40 / 28 / 55

HEX #734553

RGB 115 69 83

HSL 341.74, 0.25%, 0.36%

LAB 35.05, 21.81, 0.07

 

CMYK 28 / 0 / 40 / 55

HEX #537345

RGB 83 115 69

HSL 101.74, 0.25%, 0.36%

LAB 44.98, -20.89, 21.84

 

CMYK 39 / 28 / 0 / 55

HEX #455272

RGB 69 82 114

HSL 222.67, 0.25%, 0.36%

LAB 35.03, 3.7, -19.95

 

CMYK 4 / 40 / 0 / 55

HEX #6E4573

RGB 110 69 115

HSL 293.48, 0.25%, 0.36%

LAB 35.61, 25.92, -19.35

 

CMYK 0 / 12 / 40 / 55

HEX #736545

RGB 115 101 69

HSL 41.74, 0.25%, 0.36%

LAB 43.33, 0.53, 20.17

 

CMYK 37 / 0 / 40 / 55

HEX #497345

RGB 73 115 69

HSL 114.78, 0.25%, 0.36%

LAB 44.39, -24.62, 20.95

 

CMYK 39 / 28 / 0 / 55

HEX #455272

RGB 69 82 114

HSL 222.67, 0.25%, 0.36%

LAB 35.03, 3.7, -19.95

 

CMYK 0 / 40 / 8 / 55

HEX #73456A

RGB 115 69 106

HSL 311.74, 0.25%, 0.36%

LAB 35.87, 25.85, -13.26

 

CMYK 0 / 12 / 40 / 55

HEX #736545

RGB 115 101 69

HSL 41.74, 0.25%, 0.36%

LAB 43.33, 0.53, 20.17

 

CMYK 40 / 0 / 32 / 55

HEX #45734E

RGB 69 115 78

HSL 131.74, 0.25%, 0.36%

LAB 44.34, -24.37, 15.65

 

Description

Color code: HEX #455272 | qconv.com Color code: HEX #455272 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 82 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 82 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 28 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 28% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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