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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #454D88 it is the complementary color #BAB277. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #454D88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #454D88 shade: #4A4D83, #5B5F96, #6C71A9, #7D83BC and #8E95CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #454D88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #454D88 shade: #454D88, #343B75, #232962, #12174F and #01053C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #454D88 shade: #444C88, #4E4488, #614488, #734488 and #854488

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #454D88 shade: #444C88 and #444488

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #454D88 shade matches the following richer shades: #444C88, #344098, #2333A9, #1327B9 and #021ACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #454D88 shade: #444C88, #555977, #656667, #767256 and #867F46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #454D88 shade: #447188, #445F88, #444D88, #4D4488 and #5F4488

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #454D88 shade: #292D51, #373D6C, #444C88, #525CA3 and #6A73B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #454D88 shade: #454D88, #884483 and #688844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #454D88 shade: #454D88, #88444D and #4D8844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #454D88 shade: #454D88, #884483, #887F44 and #448849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #454D88 shade: #454D88, #88446F, #887F44 and #44885D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 43 / 0 / 47

HEX #454D88

RGB 69 77 136

HSL 232.84, 0.33%, 0.4%

LAB 34.7, 13.92, -34.06

 

Complementary color

CMYK 0 / 4 / 36 / 27

HEX #BAB277

RGB 186 178 119

HSL 52.84, 0.33%, 0.6%

LAB 71.97, -6.05, 31.21

 

CMYK 44 / 41 / 0 / 49

HEX #4A4D83

RGB 74 77 131

HSL 236.84, 0.28%, 0.4%

LAB 34.81, 13.65, -30.8

 

CMYK 39 / 37 / 0 / 41

HEX #5B5F96

RGB 91 95 150

HSL 235.93, 0.24%, 0.47%

LAB 42.17, 12.77, -30.65

 

CMYK 36 / 33 / 0 / 34

HEX #6C71A9

RGB 108 113 169

HSL 235.08, 0.26%, 0.54%

LAB 49.33, 12.04, -30.57

 

CMYK 34 / 30 / 0 / 26

HEX #7D83BC

RGB 125 131 188

HSL 234.29, 0.32%, 0.61%

LAB 56.31, 11.43, -30.55

 

CMYK 31 / 28 / 0 / 19

HEX #8E95CF

RGB 142 149 207

HSL 233.54, 0.4%, 0.68%

LAB 63.14, 10.9, -30.58

 

CMYK 49 / 43 / 0 / 47

HEX #454D88

RGB 69 77 136

HSL 232.84, 0.33%, 0.4%

LAB 34.7, 13.92, -34.06

 

CMYK 56 / 50 / 0 / 54

HEX #343B75

RGB 52 59 117

HSL 233.54, 0.38%, 0.33%

LAB 27.14, 15.24, -34.36

 

CMYK 64 / 58 / 0 / 62

HEX #232962

RGB 35 41 98

HSL 234.29, 0.47%, 0.26%

LAB 19.33, 17.03, -34.73

 

CMYK 77 / 71 / 0 / 69

HEX #12174F

RGB 18 23 79

HSL 235.08, 0.63%, 0.19%

LAB 11.32, 19.53, -35.05

 

CMYK 98 / 92 / 0 / 76

HEX #01053C

RGB 1 5 60

HSL 235.93, 0.97%, 0.12%

LAB 3.99, 18.94, -33.72

 

CMYK 50 / 44 / 0 / 47

HEX #444C88

RGB 68 76 136

HSL 232.94, 0.33%, 0.4%

LAB 34.35, 14.32, -34.64

 

CMYK 43 / 50 / 0 / 47

HEX #4E4488

RGB 78 68 136

HSL 248.82, 0.33%, 0.4%

LAB 32.99, 22.13, -36.75

 

CMYK 29 / 50 / 0 / 47

HEX #614488

RGB 97 68 136

HSL 265.59, 0.33%, 0.4%

LAB 34.91, 27.44, -33.57

 

CMYK 15 / 50 / 0 / 47

HEX #734488

RGB 115 68 136

HSL 281.47, 0.33%, 0.4%

LAB 37.03, 32.8, -30.08

 

CMYK 2 / 50 / 0 / 47

HEX #854488

RGB 133 68 136

HSL 297.35, 0.33%, 0.4%

LAB 39.41, 38.3, -26.19

 

CMYK 50 / 44 / 0 / 47

HEX #444C88

RGB 68 76 136

HSL 232.94, 0.33%, 0.4%

LAB 34.35, 14.32, -34.64

 

CMYK 50 / 50 / 0 / 47

HEX #444488

RGB 68 68 136

HSL 240, 0.33%, 0.4%

LAB 32.13, 19.57, -38.18

 

CMYK 50 / 44 / 0 / 47

HEX #444C88

RGB 68 76 136

HSL 232.94, 0.33%, 0.4%

LAB 34.35, 14.32, -34.64

 

CMYK 66 / 58 / 0 / 40

HEX #344098

RGB 52 64 152

HSL 232.8, 0.49%, 0.4%

LAB 31.03, 24.48, -49.81

 

CMYK 79 / 70 / 0 / 34

HEX #2333A9

RGB 35 51 169

HSL 232.84, 0.66%, 0.4%

LAB 28.35, 37.05, -64.51

 

CMYK 90 / 79 / 0 / 27

HEX #1327B9

RGB 19 39 185

HSL 232.77, 0.81%, 0.4%

LAB 27, 48.74, -76.34

 

CMYK 99 / 87 / 0 / 21

HEX #021ACA

RGB 2 26 202

HSL 232.8, 0.98%, 0.4%

LAB 26.78, 59.67, -86.73

 

CMYK 50 / 44 / 0 / 47

HEX #444C88

RGB 68 76 136

HSL 232.94, 0.33%, 0.4%

LAB 34.35, 14.32, -34.64

 

CMYK 29 / 25 / 0 / 53

HEX #555977

RGB 85 89 119

HSL 232.94, 0.17%, 0.4%

LAB 38.56, 5.84, -17.49

 

CMYK 2 / 1 / 0 / 60

HEX #656667

RGB 101 102 103

HSL 210, 0.01%, 0.4%

LAB 43.14, -0.18, -0.7

 

CMYK 0 / 3 / 27 / 54

HEX #767256

RGB 118 114 86

HSL 52.5, 0.16%, 0.4%

LAB 47.7, -3.35, 16.11

 

CMYK 0 / 5 / 48 / 47

HEX #867F46

RGB 134 127 70

HSL 53.44, 0.31%, 0.4%

LAB 52.61, -5.82, 31.78

 

CMYK 50 / 17 / 0 / 47

HEX #447188

RGB 68 113 136

HSL 200.29, 0.33%, 0.4%

LAB 45.38, -8.74, -17.42

 

CMYK 50 / 30 / 0 / 47

HEX #445F88

RGB 68 95 136

HSL 216.18, 0.33%, 0.4%

LAB 39.9, 2.12, -25.89

 

CMYK 50 / 43 / 0 / 47

HEX #444D88

RGB 68 77 136

HSL 232.06, 0.33%, 0.4%

LAB 34.63, 13.66, -34.19

 

CMYK 43 / 50 / 0 / 47

HEX #4D4488

RGB 77 68 136

HSL 247.94, 0.33%, 0.4%

LAB 32.9, 21.86, -36.9

 

CMYK 30 / 50 / 0 / 47

HEX #5F4488

RGB 95 68 136

HSL 263.82, 0.33%, 0.4%

LAB 34.69, 26.86, -33.94

 

CMYK 49 / 44 / 0 / 68

HEX #292D51

RGB 41 45 81

HSL 234, 0.33%, 0.24%

LAB 19.81, 9.38, -22.64

 

CMYK 49 / 44 / 0 / 58

HEX #373D6C

RGB 55 61 108

HSL 233.21, 0.33%, 0.32%

LAB 27.39, 11.53, -28.22

 

CMYK 50 / 44 / 0 / 47

HEX #444C88

RGB 68 76 136

HSL 232.94, 0.33%, 0.4%

LAB 34.35, 14.32, -34.64

 

CMYK 50 / 44 / 0 / 36

HEX #525CA3

RGB 82 92 163

HSL 232.59, 0.33%, 0.48%

LAB 41.36, 16.29, -39.72

 

CMYK 41 / 36 / 0 / 29

HEX #6A73B4

RGB 106 115 180

HSL 232.7, 0.33%, 0.56%

LAB 50.24, 13.42, -35.54

 

CMYK 49 / 43 / 0 / 47

HEX #454D88

RGB 69 77 136

HSL 232.84, 0.33%, 0.4%

LAB 34.7, 13.92, -34.06

 

CMYK 0 / 50 / 4 / 47

HEX #884483

RGB 136 68 131

HSL 304.41, 0.33%, 0.4%

LAB 39.59, 38.27, -22.81

 

CMYK 24 / 0 / 50 / 47

HEX #688844

RGB 104 136 68

HSL 88.24, 0.33%, 0.4%

LAB 52.92, -23.55, 32.69

 

CMYK 49 / 43 / 0 / 47

HEX #454D88

RGB 69 77 136

HSL 232.84, 0.33%, 0.4%

LAB 34.7, 13.92, -34.06

 

CMYK 0 / 50 / 43 / 47

HEX #88444D

RGB 136 68 77

HSL 352.06, 0.33%, 0.4%

LAB 37.67, 29.93, 8.01

 

CMYK 43 / 0 / 50 / 47

HEX #4D8844

RGB 77 136 68

HSL 112.06, 0.33%, 0.4%

LAB 51.39, -33.45, 30.46

 

CMYK 49 / 43 / 0 / 47

HEX #454D88

RGB 69 77 136

HSL 232.84, 0.33%, 0.4%

LAB 34.7, 13.92, -34.06

 

CMYK 0 / 50 / 4 / 47

HEX #884483

RGB 136 68 131

HSL 304.41, 0.33%, 0.4%

LAB 39.59, 38.27, -22.81

 

CMYK 0 / 7 / 50 / 47

HEX #887F44

RGB 136 127 68

HSL 52.06, 0.33%, 0.4%

LAB 52.76, -5.14, 33.08

 

CMYK 50 / 0 / 46 / 47

HEX #448849

RGB 68 136 73

HSL 124.41, 0.33%, 0.4%

LAB 51.06, -35.52, 27.29

 

CMYK 49 / 43 / 0 / 47

HEX #454D88

RGB 69 77 136

HSL 232.84, 0.33%, 0.4%

LAB 34.7, 13.92, -34.06

 

CMYK 0 / 50 / 18 / 47

HEX #88446F

RGB 136 68 111

HSL 322.06, 0.33%, 0.4%

LAB 38.75, 34.73, -11.74

 

CMYK 0 / 7 / 50 / 47

HEX #887F44

RGB 136 127 68

HSL 52.06, 0.33%, 0.4%

LAB 52.76, -5.14, 33.08

 

CMYK 50 / 0 / 32 / 47

HEX #44885D

RGB 68 136 93

HSL 142.06, 0.33%, 0.4%

LAB 51.41, -31.88, 16.62

 

Description

Color code: HEX #454D88 | qconv.com Color code: HEX #454D88 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 77 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 77 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 43 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 43% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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