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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45461D it is the complementary color #BAB9E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45461D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45461D shade: #4A4618, #5B582B, #6C6A3E, #7D7C51 and #8E8E64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45461D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45461D shade: #45461D, #34340A, #232200, #121000 and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45461D shade: #43441D, #443B1D, #44301D, #44251D and #441D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45461D shade: #43441D, #39441D, #2E441D, #23441D and #1D4421

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45461D shade matches the following richer shades: #43441D, #4B4C15, #52540D and #5A5C05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45461D shade: #43441D, #3C3C24, #34352C, #2D2D34 and #26253C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45461D shade: #44301D, #443A1D, #44441D, #39441D and #2E441D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45461D shade: #0A0A04, #272710, #43441D, #606129 and #7D7E35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45461D shade: #45461D, #1D4425 and #351D44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45461D shade: #45461D, #1D4444 and #441D44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45461D shade: #45461D, #1D4425, #1D1D44 and #441D3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45461D shade: #45461D, #1D4431, #1D1D44 and #441D30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 59 / 73

HEX #45461D

RGB 69 70 29

HSL 61.46, 0.41%, 0.19%

LAB 28.73, -7.15, 24.24

 

Complementary color

CMYK 18 / 18 / 0 / 11

HEX #BAB9E2

RGB 186 185 226

HSL 241.46, 0.41%, 0.81%

LAB 76.45, 8.66, -20.33

 

CMYK 0 / 5 / 68 / 71

HEX #4A4618

RGB 74 70 24

HSL 55.2, 0.51%, 0.19%

LAB 29.16, -5.12, 27.59

 

CMYK 0 / 3 / 53 / 64

HEX #5B582B

RGB 91 88 43

HSL 56.25, 0.36%, 0.26%

LAB 36.7, -5.87, 26.31

 

CMYK 0 / 2 / 43 / 58

HEX #6C6A3E

RGB 108 106 62

HSL 57.39, 0.27%, 0.33%

LAB 44.01, -6.38, 24.95

 

CMYK 0 / 1 / 35 / 51

HEX #7D7C51

RGB 125 124 81

HSL 58.64, 0.21%, 0.4%

LAB 51.12, -6.75, 23.66

 

CMYK 0 / 0 / 30 / 44

HEX #8E8E64

RGB 142 142 100

HSL 60, 0.17%, 0.47%

LAB 58.05, -7.04, 22.45

 

CMYK 1 / 0 / 59 / 73

HEX #45461D

RGB 69 70 29

HSL 61.46, 0.41%, 0.19%

LAB 28.73, -7.15, 24.24

 

CMYK 0 / 0 / 81 / 80

HEX #34340A

RGB 52 52 10

HSL 60, 0.68%, 0.12%

LAB 20.86, -6.33, 25.03

 

CMYK 0 / 3 / 100 / 86

HEX #232200

RGB 35 34 0

HSL 58.29, 1%, 0.07%

LAB 12.62, -4.85, 18.56

 

CMYK 0 / 11 / 100 / 93

HEX #121000

RGB 18 16 0

HSL 53.33, 1%, 0.04%

LAB 4.51, -1.63, 6.72

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 1 / 0 / 57 / 73

HEX #43441D

RGB 67 68 29

HSL 61.54, 0.4%, 0.19%

LAB 27.89, -6.92, 23.21

 

CMYK 0 / 13 / 57 / 73

HEX #443B1D

RGB 68 59 29

HSL 46.15, 0.4%, 0.19%

LAB 25.09, -0.78, 19.89

 

CMYK 0 / 29 / 57 / 73

HEX #44301D

RGB 68 48 29

HSL 29.23, 0.4%, 0.19%

LAB 21.7, 6.4, 15.68

 

CMYK 0 / 46 / 57 / 73

HEX #44251D

RGB 68 37 29

HSL 12.31, 0.4%, 0.19%

LAB 18.54, 13.68, 11.61

 

CMYK 0 / 57 / 57 / 73

HEX #441D1D

RGB 68 29 29

HSL 0, 0.4%, 0.19%

LAB 16.49, 18.78, 8.87

 

CMYK 1 / 0 / 57 / 73

HEX #43441D

RGB 67 68 29

HSL 61.54, 0.4%, 0.19%

LAB 27.89, -6.92, 23.21

 

CMYK 16 / 0 / 57 / 73

HEX #39441D

RGB 57 68 29

HSL 76.92, 0.4%, 0.19%

LAB 27, -11.76, 21.93

 

CMYK 32 / 0 / 57 / 73

HEX #2E441D

RGB 46 68 29

HSL 93.85, 0.4%, 0.19%

LAB 26.17, -16.76, 20.74

 

CMYK 49 / 0 / 57 / 73

HEX #23441D

RGB 35 68 29

HSL 110.77, 0.4%, 0.19%

LAB 25.5, -21.2, 19.78

 

CMYK 57 / 0 / 51 / 73

HEX #1D4421

RGB 29 68 33

HSL 126.15, 0.4%, 0.19%

LAB 25.28, -22.61, 17.04

 

CMYK 1 / 0 / 57 / 73

HEX #43441D

RGB 67 68 29

HSL 61.54, 0.4%, 0.19%

LAB 27.89, -6.92, 23.21

 

CMYK 1 / 0 / 72 / 70

HEX #4B4C15

RGB 75 76 21

HSL 61.09, 0.57%, 0.19%

LAB 31.16, -8.46, 31.22

 

CMYK 2 / 0 / 85 / 67

HEX #52540D

RGB 82 84 13

HSL 61.69, 0.73%, 0.19%

LAB 34.32, -10.12, 37.75

 

CMYK 2 / 0 / 95 / 64

HEX #5A5C05

RGB 90 92 5

HSL 61.38, 0.9%, 0.19%

LAB 37.55, -11.06, 43.17

 

CMYK 1 / 0 / 57 / 73

HEX #43441D

RGB 67 68 29

HSL 61.54, 0.4%, 0.19%

LAB 27.89, -6.92, 23.21

 

CMYK 0 / 0 / 40 / 76

HEX #3C3C24

RGB 60 60 36

HSL 60, 0.25%, 0.19%

LAB 24.7, -4.5, 14.87

 

CMYK 2 / 0 / 17 / 79

HEX #34352C

RGB 52 53 44

HSL 66.67, 0.09%, 0.19%

LAB 21.79, -2.4, 5.54

 

CMYK 13 / 13 / 0 / 80

HEX #2D2D34

RGB 45 45 52

HSL 240, 0.07%, 0.19%

LAB 18.73, 1.75, -4.48

 

CMYK 37 / 38 / 0 / 76

HEX #26253C

RGB 38 37 60

HSL 242.61, 0.24%, 0.19%

LAB 15.81, 7.03, -14.58

 

CMYK 0 / 29 / 57 / 73

HEX #44301D

RGB 68 48 29

HSL 29.23, 0.4%, 0.19%

LAB 21.7, 6.4, 15.68

 

CMYK 0 / 15 / 57 / 73

HEX #443A1D

RGB 68 58 29

HSL 44.62, 0.4%, 0.19%

LAB 24.78, -0.14, 19.51

 

CMYK 0 / 0 / 57 / 73

HEX #44441D

RGB 68 68 29

HSL 60, 0.4%, 0.19%

LAB 27.99, -6.42, 23.35

 

CMYK 16 / 0 / 57 / 73

HEX #39441D

RGB 57 68 29

HSL 76.92, 0.4%, 0.19%

LAB 27, -11.76, 21.93

 

CMYK 32 / 0 / 57 / 73

HEX #2E441D

RGB 46 68 29

HSL 93.85, 0.4%, 0.19%

LAB 26.17, -16.76, 20.74

 

CMYK 0 / 0 / 60 / 96

HEX #0A0A04

RGB 10 10 4

HSL 60, 0.43%, 0.03%

LAB 2.62, -0.83, 2.27

 

CMYK 0 / 0 / 59 / 85

HEX #272710

RGB 39 39 16

HSL 60, 0.42%, 0.11%

LAB 15.06, -4.27, 14.9

 

CMYK 1 / 0 / 57 / 73

HEX #43441D

RGB 67 68 29

HSL 61.54, 0.4%, 0.19%

LAB 27.89, -6.92, 23.21

 

CMYK 1 / 0 / 58 / 62

HEX #606129

RGB 96 97 41

HSL 61.07, 0.41%, 0.27%

LAB 39.91, -8.96, 31.28

 

CMYK 1 / 0 / 58 / 51

HEX #7D7E35

RGB 125 126 53

HSL 60.82, 0.41%, 0.35%

LAB 51.31, -10.87, 38.84

 

CMYK 1 / 0 / 59 / 73

HEX #45461D

RGB 69 70 29

HSL 61.46, 0.41%, 0.19%

LAB 28.73, -7.15, 24.24

 

CMYK 57 / 0 / 46 / 73

HEX #1D4425

RGB 29 68 37

HSL 132.31, 0.4%, 0.19%

LAB 25.35, -21.85, 14.66

 

CMYK 22 / 57 / 0 / 73

HEX #351D44

RGB 53 29 68

HSL 276.92, 0.4%, 0.19%

LAB 15.76, 20.24, -20.1

 

CMYK 1 / 0 / 59 / 73

HEX #45461D

RGB 69 70 29

HSL 61.46, 0.41%, 0.19%

LAB 28.73, -7.15, 24.24

 

CMYK 57 / 0 / 0 / 73

HEX #1D4444

RGB 29 68 68

HSL 180, 0.4%, 0.19%

LAB 26.19, -13.69, -4.22

 

CMYK 0 / 57 / 0 / 73

HEX #441D44

RGB 68 29 68

HSL 300, 0.4%, 0.19%

LAB 18.03, 25.28, -16.37

 

CMYK 1 / 0 / 59 / 73

HEX #45461D

RGB 69 70 29

HSL 61.46, 0.41%, 0.19%

LAB 28.73, -7.15, 24.24

 

CMYK 57 / 0 / 46 / 73

HEX #1D4425

RGB 29 68 37

HSL 132.31, 0.4%, 0.19%

LAB 25.35, -21.85, 14.66

 

CMYK 57 / 57 / 0 / 73

HEX #1D1D44

RGB 29 29 68

HSL 240, 0.4%, 0.19%

LAB 12.97, 12.93, -24.72

 

CMYK 0 / 57 / 12 / 73

HEX #441D3C

RGB 68 29 60

HSL 312.31, 0.4%, 0.19%

LAB 17.62, 23.62, -11.46

 

CMYK 1 / 0 / 59 / 73

HEX #45461D

RGB 69 70 29

HSL 61.46, 0.41%, 0.19%

LAB 28.73, -7.15, 24.24

 

CMYK 57 / 0 / 28 / 73

HEX #1D4431

RGB 29 68 49

HSL 150.77, 0.4%, 0.19%

LAB 25.62, -19.14, 7.37

 

CMYK 57 / 57 / 0 / 73

HEX #1D1D44

RGB 29 29 68

HSL 240, 0.4%, 0.19%

LAB 12.97, 12.93, -24.72

 

CMYK 0 / 57 / 29 / 73

HEX #441D30

RGB 68 29 48

HSL 330.77, 0.4%, 0.19%

LAB 17.09, 21.42, -3.8

 

Description

Color code: HEX #45461D | qconv.com Color code: HEX #45461D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 70 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 70 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 59 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 59% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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