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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #454351 it is the complementary color #BABCAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #454351. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #454351 shade: #4A434C, #5B555F, #6C6772, #7D7985 and #8E8B98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #454351. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #454351 shade: #454351, #34313E, #231F2B, #120D18 and #010005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #454351 shade: #454351, #494351, #4C4351, #504351 and #51434E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #454351 shade: #454351 and #434351

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #454351 shade matches the following richer shades: #454351, #3D375D, #342B69, #2C1F75 and #231380

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #454351 shade: #454351, #4E4F45, #565B39, #5F672D and #677321

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #454351 shade: #434951, #434551, #454351, #494351 and #4C4351

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #454351 shade: #1F1E24, #32313A, #454351, #585667 and #6C697E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #454351 shade: #454351, #51434C and #475143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #454351 shade: #454351, #514543 and #435145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #454351 shade: #454351, #51434C, #4F5143 and #435148

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #454351 shade: #454351, #514348, #4F5143 and #43514C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

Complementary color

CMYK 1 / 0 / 7 / 26

HEX #BABCAE

RGB 186 188 174

HSL 68.57, 0.09%, 0.71%

LAB 75.74, -3.22, 6.83

 

CMYK 3 / 12 / 0 / 70

HEX #4A434C

RGB 74 67 76

HSL 286.67, 0.06%, 0.28%

LAB 29.39, 4.92, -4.34

 

CMYK 4 / 11 / 0 / 63

HEX #5B555F

RGB 91 85 95

HSL 276, 0.06%, 0.35%

LAB 37.02, 4.56, -4.91

 

CMYK 5 / 10 / 0 / 55

HEX #6C6772

RGB 108 103 114

HSL 267.27, 0.05%, 0.43%

LAB 44.38, 4.25, -5.46

 

CMYK 6 / 9 / 0 / 48

HEX #7D7985

RGB 125 121 133

HSL 260, 0.05%, 0.5%

LAB 51.53, 3.97, -5.99

 

CMYK 7 / 9 / 0 / 40

HEX #8E8B98

RGB 142 139 152

HSL 253.85, 0.06%, 0.57%

LAB 58.49, 3.72, -6.51

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 16 / 21 / 0 / 76

HEX #34313E

RGB 52 49 62

HSL 253.85, 0.12%, 0.22%

LAB 21.11, 4.53, -7.69

 

CMYK 19 / 28 / 0 / 83

HEX #231F2B

RGB 35 31 43

HSL 260, 0.16%, 0.15%

LAB 12.68, 5.02, -7.33

 

CMYK 25 / 46 / 0 / 91

HEX #120D18

RGB 18 13 24

HSL 267.27, 0.3%, 0.07%

LAB 4.36, 4.09, -5.76

 

CMYK 80 / 100 / 0 / 98

HEX #010005

RGB 1 0 5

HSL 252, 1%, 0.01%

LAB 0.16, 0.96, -1.8

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 10 / 17 / 0 / 68

HEX #494351

RGB 73 67 81

HSL 265.71, 0.09%, 0.29%

LAB 29.48, 5.69, -7.47

 

CMYK 6 / 17 / 0 / 68

HEX #4C4351

RGB 76 67 81

HSL 278.57, 0.09%, 0.29%

LAB 29.78, 6.88, -6.99

 

CMYK 1 / 17 / 0 / 68

HEX #504351

RGB 80 67 81

HSL 295.71, 0.09%, 0.29%

LAB 30.19, 8.48, -6.32

 

CMYK 0 / 17 / 4 / 68

HEX #51434E

RGB 81 67 78

HSL 312.86, 0.09%, 0.29%

LAB 30.19, 8.22, -4.37

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 17 / 17 / 0 / 68

HEX #434351

RGB 67 67 81

HSL 240, 0.09%, 0.29%

LAB 28.91, 3.37, -8.38

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 34 / 41 / 0 / 64

HEX #3D375D

RGB 61 55 93

HSL 249.47, 0.26%, 0.29%

LAB 25.31, 12.58, -21.79

 

CMYK 50 / 59 / 0 / 59

HEX #342B69

RGB 52 43 105

HSL 248.71, 0.42%, 0.29%

LAB 21.86, 21.99, -35.13

 

CMYK 62 / 74 / 0 / 54

HEX #2C1F75

RGB 44 31 117

HSL 249.07, 0.58%, 0.29%

LAB 19.22, 32.21, -47.22

 

CMYK 73 / 85 / 0 / 50

HEX #231380

RGB 35 19 128

HSL 248.81, 0.74%, 0.29%

LAB 17.37, 41.25, -57.32

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 1 / 0 / 13 / 69

HEX #4E4F45

RGB 78 79 69

HSL 66, 0.07%, 0.29%

LAB 33.22, -2.47, 5.77

 

CMYK 5 / 0 / 37 / 64

HEX #565B39

RGB 86 91 57

HSL 68.82, 0.23%, 0.29%

LAB 37.4, -8.19, 18.97

 

CMYK 8 / 0 / 56 / 60

HEX #5F672D

RGB 95 103 45

HSL 68.28, 0.39%, 0.29%

LAB 41.72, -12.43, 31.25

 

CMYK 10 / 0 / 71 / 55

HEX #677321

RGB 103 115 33

HSL 68.78, 0.55%, 0.29%

LAB 45.98, -16.34, 41.79

 

CMYK 17 / 10 / 0 / 68

HEX #434951

RGB 67 73 81

HSL 214.29, 0.09%, 0.29%

LAB 30.77, -0.49, -5.59

 

CMYK 17 / 15 / 0 / 68

HEX #434551

RGB 67 69 81

HSL 231.43, 0.09%, 0.29%

LAB 29.52, 2.07, -7.45

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 10 / 17 / 0 / 68

HEX #494351

RGB 73 67 81

HSL 265.71, 0.09%, 0.29%

LAB 29.48, 5.69, -7.47

 

CMYK 6 / 17 / 0 / 68

HEX #4C4351

RGB 76 67 81

HSL 278.57, 0.09%, 0.29%

LAB 29.78, 6.88, -6.99

 

CMYK 14 / 17 / 0 / 86

HEX #1F1E24

RGB 31 30 36

HSL 250, 0.09%, 0.13%

LAB 11.6, 2.05, -3.9

 

CMYK 14 / 16 / 0 / 77

HEX #32313A

RGB 50 49 58

HSL 246.67, 0.08%, 0.21%

LAB 20.75, 2.66, -5.52

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 15 / 17 / 0 / 60

HEX #585667

RGB 88 86 103

HSL 247.06, 0.09%, 0.37%

LAB 37.32, 4.65, -9.47

 

CMYK 14 / 17 / 0 / 51

HEX #6C697E

RGB 108 105 126

HSL 248.57, 0.09%, 0.45%

LAB 45.36, 5.75, -11.22

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 0 / 17 / 6 / 68

HEX #51434C

RGB 81 67 76

HSL 321.43, 0.09%, 0.29%

LAB 30.12, 7.8, -3.18

 

CMYK 12 / 0 / 17 / 68

HEX #475143

RGB 71 81 67

HSL 102.86, 0.09%, 0.29%

LAB 33.2, -7.03, 6.91

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 0 / 15 / 17 / 68

HEX #514543

RGB 81 69 67

HSL 8.57, 0.09%, 0.29%

LAB 30.43, 4.72, 3.09

 

CMYK 17 / 0 / 15 / 68

HEX #435145

RGB 67 81 69

HSL 128.57, 0.09%, 0.29%

LAB 32.94, -8.25, 5.23

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 0 / 17 / 6 / 68

HEX #51434C

RGB 81 67 76

HSL 321.43, 0.09%, 0.29%

LAB 30.12, 7.8, -3.18

 

CMYK 2 / 0 / 17 / 68

HEX #4F5143

RGB 79 81 67

HSL 68.57, 0.09%, 0.29%

LAB 33.88, -3.65, 7.97

 

CMYK 17 / 0 / 11 / 68

HEX #435148

RGB 67 81 72

HSL 141.43, 0.09%, 0.29%

LAB 33.02, -7.59, 3.46

 

CMYK 15 / 17 / 0 / 68

HEX #454351

RGB 69 67 81

HSL 248.57, 0.09%, 0.29%

LAB 29.09, 4.13, -8.08

 

CMYK 0 / 17 / 11 / 68

HEX #514348

RGB 81 67 72

HSL 338.57, 0.09%, 0.29%

LAB 29.99, 6.97, -0.78

 

CMYK 2 / 0 / 17 / 68

HEX #4F5143

RGB 79 81 67

HSL 68.57, 0.09%, 0.29%

LAB 33.88, -3.65, 7.97

 

CMYK 17 / 0 / 6 / 68

HEX #43514C

RGB 67 81 76

HSL 158.57, 0.09%, 0.29%

LAB 33.14, -6.68, 1.09

 

Description

Color code: HEX #454351 | qconv.com Color code: HEX #454351 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 67 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 67 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 17 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 17% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - El Otro Yo
Link: http://elotroyo.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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