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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45401C it is the complementary color #BABFE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45401C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45401C shade: #4A4017, #5B522A, #6C643D, #7D7650 and #8E8863

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45401C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45401C shade: #45401C, #342E09, #231C00, #120A00 and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45401C shade: #45401C, #45351C, #452A1C, #451F1C and #451C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45401C shade: #45401C, #3F451C, #34451C, #29451C and #1E451C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45401C shade matches the following richer shades: #45401C, #4D4614, #544C0C and #5C5205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45401C shade: #45401C, #3D3A24, #35342C, #2D2E34 and #25283B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45401C shade: #452A1C, #45351C, #453F1C, #3F451C and #35451C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45401C shade: #0A0904, #282510, #45401C, #625B28 and #7F7634

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45401C shade: #45401C, #1C451F and #2F1C45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45401C shade: #45401C, #1C453F and #3F1C45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45401C shade: #45401C, #1C451F, #1C2245 and #451C42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45401C shade: #45401C, #1C452B, #1C2245 and #451C36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

Complementary color

CMYK 18 / 16 / 0 / 11

HEX #BABFE3

RGB 186 191 227

HSL 232.68, 0.42%, 0.81%

LAB 78.02, 5.62, -18.49

 

CMYK 0 / 14 / 69 / 71

HEX #4A4017

RGB 74 64 23

HSL 48.24, 0.53%, 0.19%

LAB 27.25, -1.47, 26.02

 

CMYK 0 / 10 / 54 / 64

HEX #5B522A

RGB 91 82 42

HSL 48.98, 0.37%, 0.26%

LAB 34.85, -2.39, 24.65

 

CMYK 0 / 7 / 44 / 58

HEX #6C643D

RGB 108 100 61

HSL 49.79, 0.28%, 0.33%

LAB 42.21, -3.03, 23.24

 

CMYK 0 / 6 / 36 / 51

HEX #7D7650

RGB 125 118 80

HSL 50.67, 0.22%, 0.4%

LAB 49.37, -3.5, 21.93

 

CMYK 0 / 4 / 30 / 44

HEX #8E8863

RGB 142 136 99

HSL 51.63, 0.18%, 0.47%

LAB 56.35, -3.86, 20.72

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 0 / 12 / 83 / 80

HEX #342E09

RGB 52 46 9

HSL 51.63, 0.7%, 0.12%

LAB 18.82, -2.52, 23.12

 

CMYK 0 / 20 / 100 / 86

HEX #231C00

RGB 35 28 0

HSL 48, 1%, 0.07%

LAB 10.47, -0.7, 15.6

 

CMYK 0 / 44 / 100 / 93

HEX #120A00

RGB 18 10 0

HSL 33.33, 1%, 0.04%

LAB 3.12, 1.21, 4.7

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 0 / 23 / 59 / 73

HEX #45351C

RGB 69 53 28

HSL 36.59, 0.42%, 0.19%

LAB 23.32, 3.51, 18.37

 

CMYK 0 / 39 / 59 / 73

HEX #452A1C

RGB 69 42 28

HSL 20.49, 0.42%, 0.19%

LAB 20.06, 10.77, 14.29

 

CMYK 0 / 55 / 59 / 73

HEX #451F1C

RGB 69 31 28

HSL 4.39, 0.42%, 0.19%

LAB 17.13, 17.88, 10.46

 

CMYK 0 / 59 / 59 / 73

HEX #451C1C

RGB 69 28 28

HSL 0, 0.42%, 0.19%

LAB 16.4, 19.72, 9.5

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 9 / 0 / 59 / 73

HEX #3F451C

RGB 63 69 28

HSL 68.78, 0.42%, 0.19%

LAB 27.84, -9.59, 23.62

 

CMYK 25 / 0 / 59 / 73

HEX #34451C

RGB 52 69 28

HSL 84.88, 0.42%, 0.19%

LAB 26.93, -14.78, 22.34

 

CMYK 41 / 0 / 59 / 73

HEX #29451C

RGB 41 69 28

HSL 100.98, 0.42%, 0.19%

LAB 26.19, -19.53, 21.27

 

CMYK 57 / 0 / 59 / 73

HEX #1E451C

RGB 30 69 28

HSL 117.07, 0.42%, 0.19%

LAB 25.61, -23.61, 20.44

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 0 / 9 / 74 / 70

HEX #4D4614

RGB 77 70 20

HSL 52.63, 0.59%, 0.19%

LAB 29.43, -3.89, 29.99

 

CMYK 0 / 10 / 86 / 67

HEX #544C0C

RGB 84 76 12

HSL 53.33, 0.75%, 0.19%

LAB 31.99, -4.42, 36.09

 

CMYK 0 / 11 / 95 / 64

HEX #5C5205

RGB 92 82 5

HSL 53.1, 0.9%, 0.19%

LAB 34.64, -4.23, 40.95

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 0 / 5 / 41 / 76

HEX #3D3A24

RGB 61 58 36

HSL 52.8, 0.26%, 0.19%

LAB 24.15, -2.74, 14.16

 

CMYK 0 / 2 / 17 / 79

HEX #35342C

RGB 53 52 44

HSL 53.33, 0.09%, 0.19%

LAB 21.56, -1.28, 5.22

 

CMYK 13 / 12 / 0 / 80

HEX #2D2E34

RGB 45 46 52

HSL 231.43, 0.07%, 0.19%

LAB 19.06, 1.07, -3.99

 

CMYK 37 / 32 / 0 / 77

HEX #25283B

RGB 37 40 59

HSL 231.82, 0.23%, 0.19%

LAB 16.63, 4.19, -12.6

 

CMYK 0 / 39 / 59 / 73

HEX #452A1C

RGB 69 42 28

HSL 20.49, 0.42%, 0.19%

LAB 20.06, 10.77, 14.29

 

CMYK 0 / 23 / 59 / 73

HEX #45351C

RGB 69 53 28

HSL 36.59, 0.42%, 0.19%

LAB 23.32, 3.51, 18.37

 

CMYK 0 / 9 / 59 / 73

HEX #453F1C

RGB 69 63 28

HSL 51.22, 0.42%, 0.19%

LAB 26.46, -2.92, 22.15

 

CMYK 9 / 0 / 59 / 73

HEX #3F451C

RGB 63 69 28

HSL 68.78, 0.42%, 0.19%

LAB 27.84, -9.59, 23.62

 

CMYK 23 / 0 / 59 / 73

HEX #35451C

RGB 53 69 28

HSL 83.41, 0.42%, 0.19%

LAB 27.01, -14.33, 22.44

 

CMYK 0 / 10 / 60 / 96

HEX #0A0904

RGB 10 9 4

HSL 50, 0.43%, 0.03%

LAB 2.43, -0.43, 1.98

 

CMYK 0 / 7 / 60 / 84

HEX #282510

RGB 40 37 16

HSL 52.5, 0.43%, 0.11%

LAB 14.47, -2.38, 14.16

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 0 / 7 / 59 / 62

HEX #625B28

RGB 98 91 40

HSL 52.76, 0.42%, 0.27%

LAB 38.26, -4.61, 29.96

 

CMYK 0 / 7 / 59 / 50

HEX #7F7634

RGB 127 118 52

HSL 52.8, 0.42%, 0.35%

LAB 49.15, -5.61, 36.93

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 59 / 0 / 55 / 73

HEX #1C451F

RGB 28 69 31

HSL 124.39, 0.42%, 0.19%

LAB 25.57, -23.76, 18.6

 

CMYK 32 / 59 / 0 / 73

HEX #2F1C45

RGB 47 28 69

HSL 267.8, 0.42%, 0.19%

LAB 14.76, 19.25, -22.43

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 59 / 0 / 9 / 73

HEX #1C453F

RGB 28 69 63

HSL 171.22, 0.42%, 0.19%

LAB 26.34, -16.08, -0.74

 

CMYK 9 / 59 / 0 / 73

HEX #3F1C45

RGB 63 28 69

HSL 291.22, 0.42%, 0.19%

LAB 17.07, 24.43, -18.63

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 59 / 0 / 55 / 73

HEX #1C451F

RGB 28 69 31

HSL 124.39, 0.42%, 0.19%

LAB 25.57, -23.76, 18.6

 

CMYK 59 / 51 / 0 / 73

HEX #1C2245

RGB 28 34 69

HSL 231.22, 0.42%, 0.19%

LAB 14.52, 9.32, -22.94

 

CMYK 0 / 59 / 4 / 73

HEX #451C42

RGB 69 28 66

HSL 304.39, 0.42%, 0.19%

LAB 17.87, 25.77, -15.23

 

CMYK 0 / 7 / 59 / 73

HEX #45401C

RGB 69 64 28

HSL 52.68, 0.42%, 0.19%

LAB 26.78, -3.55, 22.53

 

CMYK 59 / 0 / 38 / 73

HEX #1C452B

RGB 28 69 43

HSL 141.95, 0.42%, 0.19%

LAB 25.8, -21.39, 11.47

 

CMYK 59 / 51 / 0 / 73

HEX #1C2245

RGB 28 34 69

HSL 231.22, 0.42%, 0.19%

LAB 14.52, 9.32, -22.94

 

CMYK 0 / 59 / 22 / 73

HEX #451C36

RGB 69 28 54

HSL 321.95, 0.42%, 0.19%

LAB 17.28, 23.44, -7.74

 

Description

Color code: HEX #45401C | qconv.com Color code: HEX #45401C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 64 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 64 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 59 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 59% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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