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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #453E4B it is the complementary color #BAC1B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #453E4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #453E4B shade: #4A3E46, #5B5059, #6C626C, #7D747F and #8E8692

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #453E4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #453E4B shade: #453E4B, #342C38, #231A25, #120812 and #010000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #453E4B shade: #453F4B, #493F4B, #4B3F4A, #4B3F47 and #4B3F43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #453E4B shade: #453F4B, #423F4B and #3F3F4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #453E4B shade matches the following richer shades: #453F4B, #463456, #472861, #481D6C and #491278

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #453E4B shade: #453F4B, #444A40, #445535, #43602A and #426B1E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #453E4B shade: #3F3F4B, #423F4B, #453F4B, #493F4B and #4B3F4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #453E4B shade: #1C191E, #312C35, #453F4B, #5A5162 and #6F6478

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #453E4B shade: #453E4B, #4B3F42 and #3F4B40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #453E4B shade: #453E4B, #4B453F and #3F4B45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #453E4B shade: #453E4B, #4B3F42, #444B3F and #3F4B48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #453E4B shade: #453E4B, #4B3F3F, #444B3F and #3F4B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 17 / 0 / 71

HEX #453E4B

RGB 69 62 75

HSL 272.31, 0.09%, 0.27%

LAB 27.35, 5.92, -6.79

 

Complementary color

CMYK 4 / 0 / 7 / 24

HEX #BAC1B4

RGB 186 193 180

HSL 92.31, 0.09%, 0.73%

LAB 77.21, -4.8, 5.7

 

CMYK 0 / 16 / 5 / 71

HEX #4A3E46

RGB 74 62 70

HSL 320, 0.09%, 0.27%

LAB 27.69, 6.84, -2.95

 

CMYK 0 / 12 / 2 / 64

HEX #5B5059

RGB 91 80 89

HSL 310.91, 0.06%, 0.34%

LAB 35.37, 6.37, -3.6

 

CMYK 0 / 9 / 0 / 58

HEX #6C626C

RGB 108 98 108

HSL 300, 0.05%, 0.4%

LAB 42.77, 5.98, -4.21

 

CMYK 2 / 9 / 0 / 50

HEX #7D747F

RGB 125 116 127

HSL 289.09, 0.05%, 0.48%

LAB 49.96, 5.64, -4.78

 

CMYK 3 / 8 / 0 / 43

HEX #8E8692

RGB 142 134 146

HSL 280, 0.05%, 0.55%

LAB 56.95, 5.34, -5.34

 

CMYK 8 / 17 / 0 / 71

HEX #453E4B

RGB 69 62 75

HSL 272.31, 0.09%, 0.27%

LAB 27.35, 5.92, -6.79

 

CMYK 7 / 21 / 0 / 78

HEX #342C38

RGB 52 44 56

HSL 280, 0.12%, 0.2%

LAB 19.3, 6.42, -6.32

 

CMYK 5 / 30 / 0 / 85

HEX #231A25

RGB 35 26 37

HSL 289.09, 0.17%, 0.12%

LAB 10.77, 7.05, -5.84

 

CMYK 0 / 56 / 0 / 93

HEX #120812

RGB 18 8 18

HSL 300, 0.38%, 0.05%

LAB 3.12, 4.78, -3.42

 

CMYK 0 / 100 / 100 / 100

HEX #010000

RGB 1 0 0

HSL 0, 1%, 0%

LAB 0.06, 0.26, 0.09

 

CMYK 8 / 16 / 0 / 71

HEX #453F4B

RGB 69 63 75

HSL 270, 0.09%, 0.27%

LAB 27.65, 5.27, -6.34

 

CMYK 3 / 16 / 0 / 71

HEX #493F4B

RGB 73 63 75

HSL 290, 0.09%, 0.27%

LAB 28.06, 6.88, -5.69

 

CMYK 0 / 16 / 1 / 71

HEX #4B3F4A

RGB 75 63 74

HSL 305, 0.09%, 0.27%

LAB 28.23, 7.48, -4.75

 

CMYK 0 / 16 / 5 / 71

HEX #4B3F47

RGB 75 63 71

HSL 320, 0.09%, 0.27%

LAB 28.13, 6.82, -2.94

 

CMYK 0 / 16 / 11 / 71

HEX #4B3F43

RGB 75 63 67

HSL 340, 0.09%, 0.27%

LAB 28, 5.98, -0.52

 

CMYK 8 / 16 / 0 / 71

HEX #453F4B

RGB 69 63 75

HSL 270, 0.09%, 0.27%

LAB 27.65, 5.27, -6.34

 

CMYK 12 / 16 / 0 / 71

HEX #423F4B

RGB 66 63 75

HSL 255, 0.09%, 0.27%

LAB 27.36, 4.07, -6.81

 

CMYK 16 / 16 / 0 / 71

HEX #3F3F4B

RGB 63 63 75

HSL 240, 0.09%, 0.27%

LAB 27.07, 2.9, -7.27

 

CMYK 8 / 16 / 0 / 71

HEX #453F4B

RGB 69 63 75

HSL 270, 0.09%, 0.27%

LAB 27.65, 5.27, -6.34

 

CMYK 19 / 40 / 0 / 66

HEX #463456

RGB 70 52 86

HSL 271.76, 0.25%, 0.27%

LAB 25.04, 15.69, -17.54

 

CMYK 27 / 59 / 0 / 62

HEX #472861

RGB 71 40 97

HSL 272.63, 0.42%, 0.27%

LAB 22.72, 26.66, -28.42

 

CMYK 33 / 73 / 0 / 58

HEX #481D6C

RGB 72 29 108

HSL 272.66, 0.58%, 0.27%

LAB 21.35, 36.05, -37.79

 

CMYK 39 / 85 / 0 / 53

HEX #491278

RGB 73 18 120

HSL 272.35, 0.74%, 0.27%

LAB 20.85, 44.1, -46.34

 

CMYK 8 / 16 / 0 / 71

HEX #453F4B

RGB 69 63 75

HSL 270, 0.09%, 0.27%

LAB 27.65, 5.27, -6.34

 

CMYK 8 / 0 / 14 / 71

HEX #444A40

RGB 68 74 64

HSL 96, 0.07%, 0.27%

LAB 30.63, -4.63, 5.14

 

CMYK 20 / 0 / 38 / 67

HEX #445535

RGB 68 85 53

HSL 91.88, 0.23%, 0.27%

LAB 33.95, -13.21, 16.57

 

CMYK 30 / 0 / 56 / 62

HEX #43602A

RGB 67 96 42

HSL 92.22, 0.39%, 0.27%

LAB 37.35, -21.2, 27.18

 

CMYK 38 / 0 / 72 / 58

HEX #426B1E

RGB 66 107 30

HSL 91.95, 0.56%, 0.27%

LAB 40.84, -28.31, 36.99

 

CMYK 16 / 16 / 0 / 71

HEX #3F3F4B

RGB 63 63 75

HSL 240, 0.09%, 0.27%

LAB 27.07, 2.9, -7.27

 

CMYK 12 / 16 / 0 / 71

HEX #423F4B

RGB 66 63 75

HSL 255, 0.09%, 0.27%

LAB 27.36, 4.07, -6.81

 

CMYK 8 / 16 / 0 / 71

HEX #453F4B

RGB 69 63 75

HSL 270, 0.09%, 0.27%

LAB 27.65, 5.27, -6.34

 

CMYK 3 / 16 / 0 / 71

HEX #493F4B

RGB 73 63 75

HSL 290, 0.09%, 0.27%

LAB 28.06, 6.88, -5.69

 

CMYK 0 / 16 / 1 / 71

HEX #4B3F4A

RGB 75 63 74

HSL 305, 0.09%, 0.27%

LAB 28.23, 7.48, -4.75

 

CMYK 7 / 17 / 0 / 88

HEX #1C191E

RGB 28 25 30

HSL 276, 0.09%, 0.11%

LAB 9.29, 2.75, -2.95

 

CMYK 8 / 17 / 0 / 79

HEX #312C35

RGB 49 44 53

HSL 273.33, 0.09%, 0.19%

LAB 18.85, 4.39, -4.95

 

CMYK 8 / 16 / 0 / 71

HEX #453F4B

RGB 69 63 75

HSL 270, 0.09%, 0.27%

LAB 27.65, 5.27, -6.34

 

CMYK 8 / 17 / 0 / 62

HEX #5A5162

RGB 90 81 98

HSL 271.76, 0.09%, 0.35%

LAB 35.87, 7.35, -8.51

 

CMYK 8 / 17 / 0 / 53

HEX #6F6478

RGB 111 100 120

HSL 273, 0.09%, 0.43%

LAB 44.02, 8.49, -9.6

 

CMYK 8 / 17 / 0 / 71

HEX #453E4B

RGB 69 62 75

HSL 272.31, 0.09%, 0.27%

LAB 27.35, 5.92, -6.79

 

CMYK 0 / 16 / 12 / 71

HEX #4B3F42

RGB 75 63 66

HSL 345, 0.09%, 0.27%

LAB 27.96, 5.78, 0.09

 

CMYK 16 / 0 / 15 / 71

HEX #3F4B40

RGB 63 75 64

HSL 125, 0.09%, 0.27%

LAB 30.54, -7.32, 4.96

 

CMYK 8 / 17 / 0 / 71

HEX #453E4B

RGB 69 62 75

HSL 272.31, 0.09%, 0.27%

LAB 27.35, 5.92, -6.79

 

CMYK 0 / 8 / 16 / 71

HEX #4B453F

RGB 75 69 63

HSL 30, 0.09%, 0.27%

LAB 29.69, 1.33, 4.53

 

CMYK 16 / 0 / 8 / 71

HEX #3F4B45

RGB 63 75 69

HSL 150, 0.09%, 0.27%

LAB 30.68, -6.2, 1.96

 

CMYK 8 / 17 / 0 / 71

HEX #453E4B

RGB 69 62 75

HSL 272.31, 0.09%, 0.27%

LAB 27.35, 5.92, -6.79

 

CMYK 0 / 16 / 12 / 71

HEX #4B3F42

RGB 75 63 66

HSL 345, 0.09%, 0.27%

LAB 27.96, 5.78, 0.09

 

CMYK 9 / 0 / 16 / 71

HEX #444B3F

RGB 68 75 63

HSL 95, 0.09%, 0.27%

LAB 30.93, -5.45, 6.2

 

CMYK 16 / 0 / 4 / 71

HEX #3F4B48

RGB 63 75 72

HSL 165, 0.09%, 0.27%

LAB 30.78, -5.5, 0.17

 

CMYK 8 / 17 / 0 / 71

HEX #453E4B

RGB 69 62 75

HSL 272.31, 0.09%, 0.27%

LAB 27.35, 5.92, -6.79

 

CMYK 0 / 16 / 16 / 71

HEX #4B3F3F

RGB 75 63 63

HSL 0, 0.09%, 0.27%

LAB 27.87, 5.18, 1.92

 

CMYK 9 / 0 / 16 / 71

HEX #444B3F

RGB 68 75 63

HSL 95, 0.09%, 0.27%

LAB 30.93, -5.45, 6.2

 

CMYK 16 / 0 / 0 / 71

HEX #3F4B4B

RGB 63 75 75

HSL 180, 0.09%, 0.27%

LAB 30.87, -4.78, -1.62

 

Description

Color code: HEX #453E4B | qconv.com Color code: HEX #453E4B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 62 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 62 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 17 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 17% 0% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

90% - Capanime
Link: http://www.capanime.zz.mu

32% - MDE Home
Link: http://www.mde.k12.ms.us

32% - MDE Home
Link: http://www.mdek12.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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