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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #453486 it is the complementary color #BACB79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #453486. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #453486 shade: #4A3481, #5B4694, #6C58A7, #7D6ABA and #8E7CCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #453486. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #453486 shade: #453486, #342273, #231060, #12004D and #01003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #453486 shade: #443384, #5A3384, #703384, #843383 and #84336D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #453486 shade: #443384 and #333384

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #453486 shade matches the following richer shades: #443384, #3B2593, #3316A2 and #2A07B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #453486 shade: #443384, #4D4275, #565166, #5E6058 and #676F49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #453486 shade: #334E84, #333984, #443384, #593384 and #6F3384

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #453486 shade: #261C49, #352866, #443384, #533FA2 and #664FBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #453486 shade: #453486, #843364 and #448433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #453486 shade: #453486, #844433 and #338444

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #453486 shade: #453486, #843364, #748433 and #338454

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #453486 shade: #453486, #84334C, #748433 and #33846C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 61 / 0 / 47

HEX #453486

RGB 69 52 134

HSL 252.44, 0.44%, 0.36%

LAB 27.96, 29.51, -43.64

 

Complementary color

CMYK 8 / 0 / 40 / 20

HEX #BACB79

RGB 186 203 121

HSL 72.44, 0.44%, 0.64%

LAB 78.77, -18.63, 38.94

 

CMYK 43 / 60 / 0 / 49

HEX #4A3481

RGB 74 52 129

HSL 257.14, 0.43%, 0.35%

LAB 28.11, 29.14, -40.25

 

CMYK 39 / 53 / 0 / 42

HEX #5B4694

RGB 91 70 148

HSL 256.15, 0.36%, 0.43%

LAB 35.48, 27.87, -40.03

 

CMYK 35 / 47 / 0 / 35

HEX #6C58A7

RGB 108 88 167

HSL 255.19, 0.31%, 0.5%

LAB 42.7, 26.75, -39.83

 

CMYK 33 / 43 / 0 / 27

HEX #7D6ABA

RGB 125 106 186

HSL 254.25, 0.37%, 0.57%

LAB 49.75, 25.76, -39.67

 

CMYK 31 / 40 / 0 / 20

HEX #8E7CCD

RGB 142 124 205

HSL 253.33, 0.45%, 0.65%

LAB 56.66, 24.9, -39.56

 

CMYK 49 / 61 / 0 / 47

HEX #453486

RGB 69 52 134

HSL 252.44, 0.44%, 0.36%

LAB 27.96, 29.51, -43.64

 

CMYK 55 / 70 / 0 / 55

HEX #342273

RGB 52 34 115

HSL 253.33, 0.54%, 0.29%

LAB 20.49, 31.1, -43.83

 

CMYK 64 / 83 / 0 / 62

HEX #231060

RGB 35 16 96

HSL 254.25, 0.71%, 0.22%

LAB 13.06, 32.57, -43.64

 

CMYK 77 / 100 / 0 / 70

HEX #12004D

RGB 18 0 77

HSL 254.03, 1%, 0.15%

LAB 6, 33.01, -42.44

 

CMYK 98 / 100 / 0 / 77

HEX #01003A

RGB 1 0 58

HSL 241.03, 1%, 0.11%

LAB 2.82, 19.65, -34.16

 

CMYK 48 / 61 / 0 / 48

HEX #443384

RGB 68 51 132

HSL 252.59, 0.44%, 0.36%

LAB 27.47, 29.28, -43.18

 

CMYK 32 / 61 / 0 / 48

HEX #5A3384

RGB 90 51 132

HSL 268.89, 0.44%, 0.36%

LAB 29.93, 34.6, -39.09

 

CMYK 15 / 61 / 0 / 48

HEX #703384

RGB 112 51 132

HSL 285.19, 0.44%, 0.36%

LAB 32.87, 40.39, -34.22

 

CMYK 0 / 61 / 1 / 48

HEX #843383

RGB 132 51 131

HSL 300.74, 0.44%, 0.36%

LAB 35.81, 45.64, -28.75

 

CMYK 0 / 61 / 17 / 48

HEX #84336D

RGB 132 51 109

HSL 317.04, 0.44%, 0.36%

LAB 34.76, 41.84, -16.64

 

CMYK 48 / 61 / 0 / 48

HEX #443384

RGB 68 51 132

HSL 252.59, 0.44%, 0.36%

LAB 27.47, 29.28, -43.18

 

CMYK 61 / 61 / 0 / 48

HEX #333384

RGB 51 51 132

HSL 240, 0.44%, 0.36%

LAB 25.97, 25.77, -45.68

 

CMYK 48 / 61 / 0 / 48

HEX #443384

RGB 68 51 132

HSL 252.59, 0.44%, 0.36%

LAB 27.47, 29.28, -43.18

 

CMYK 60 / 75 / 0 / 42

HEX #3B2593

RGB 59 37 147

HSL 252, 0.6%, 0.36%

LAB 24.83, 40.67, -56.85

 

CMYK 69 / 86 / 0 / 36

HEX #3316A2

RGB 51 22 162

HSL 252.43, 0.76%, 0.36%

LAB 23.29, 51.34, -68.61

 

CMYK 76 / 96 / 0 / 31

HEX #2A07B1

RGB 42 7 177

HSL 252.35, 0.92%, 0.36%

LAB 23.06, 59.24, -78.08

 

CMYK 48 / 61 / 0 / 48

HEX #443384

RGB 68 51 132

HSL 252.59, 0.44%, 0.36%

LAB 27.47, 29.28, -43.18

 

CMYK 34 / 44 / 0 / 54

HEX #4D4275

RGB 77 66 117

HSL 252.94, 0.28%, 0.36%

LAB 31.25, 17.44, -27.69

 

CMYK 16 / 21 / 0 / 60

HEX #565166

RGB 86 81 102

HSL 254.29, 0.11%, 0.36%

LAB 35.64, 6.8, -11.4

 

CMYK 2 / 0 / 8 / 62

HEX #5E6058

RGB 94 96 88

HSL 75, 0.04%, 0.36%

LAB 40.33, -2.42, 4.29

 

CMYK 7 / 0 / 34 / 56

HEX #676F49

RGB 103 111 73

HSL 72.63, 0.21%, 0.36%

LAB 45.27, -9.94, 20.19

 

CMYK 61 / 41 / 0 / 48

HEX #334E84

RGB 51 78 132

HSL 220, 0.44%, 0.36%

LAB 33.6, 7.62, -33.42

 

CMYK 61 / 57 / 0 / 48

HEX #333984

RGB 51 57 132

HSL 235.56, 0.44%, 0.36%

LAB 27.56, 21.75, -43.11

 

CMYK 48 / 61 / 0 / 48

HEX #443384

RGB 68 51 132

HSL 252.59, 0.44%, 0.36%

LAB 27.47, 29.28, -43.18

 

CMYK 33 / 61 / 0 / 48

HEX #593384

RGB 89 51 132

HSL 268.15, 0.44%, 0.36%

LAB 29.81, 34.34, -39.3

 

CMYK 16 / 61 / 0 / 48

HEX #6F3384

RGB 111 51 132

HSL 284.44, 0.44%, 0.36%

LAB 32.73, 40.12, -34.46

 

CMYK 48 / 62 / 0 / 71

HEX #261C49

RGB 38 28 73

HSL 253.33, 0.45%, 0.2%

LAB 13.96, 17.88, -26.54

 

CMYK 48 / 61 / 0 / 60

HEX #352866

RGB 53 40 102

HSL 252.58, 0.44%, 0.28%

LAB 20.96, 23.25, -34.64

 

CMYK 48 / 61 / 0 / 48

HEX #443384

RGB 68 51 132

HSL 252.59, 0.44%, 0.36%

LAB 27.47, 29.28, -43.18

 

CMYK 49 / 61 / 0 / 36

HEX #533FA2

RGB 83 63 162

HSL 252.12, 0.44%, 0.44%

LAB 33.99, 34.43, -50.95

 

CMYK 45 / 58 / 0 / 27

HEX #664FBB

RGB 102 79 187

HSL 252.78, 0.44%, 0.52%

LAB 41.22, 36.41, -54

 

CMYK 49 / 61 / 0 / 47

HEX #453486

RGB 69 52 134

HSL 252.44, 0.44%, 0.36%

LAB 27.96, 29.51, -43.64

 

CMYK 0 / 61 / 24 / 48

HEX #843364

RGB 132 51 100

HSL 323.7, 0.44%, 0.36%

LAB 34.38, 40.45, -11.5

 

CMYK 48 / 0 / 61 / 48

HEX #448433

RGB 68 132 51

HSL 107.41, 0.44%, 0.36%

LAB 49.46, -36.79, 36.72

 

CMYK 49 / 61 / 0 / 47

HEX #453486

RGB 69 52 134

HSL 252.44, 0.44%, 0.36%

LAB 27.96, 29.51, -43.64

 

CMYK 0 / 48 / 61 / 48

HEX #844433

RGB 132 68 51

HSL 12.59, 0.44%, 0.36%

LAB 36.52, 25.72, 22.54

 

CMYK 61 / 0 / 48 / 48

HEX #338444

RGB 51 132 68

HSL 132.59, 0.44%, 0.36%

LAB 49.04, -39.21, 27.3

 

CMYK 49 / 61 / 0 / 47

HEX #453486

RGB 69 52 134

HSL 252.44, 0.44%, 0.36%

LAB 27.96, 29.51, -43.64

 

CMYK 0 / 61 / 24 / 48

HEX #843364

RGB 132 51 100

HSL 323.7, 0.44%, 0.36%

LAB 34.38, 40.45, -11.5

 

CMYK 12 / 0 / 61 / 48

HEX #748433

RGB 116 132 51

HSL 71.85, 0.44%, 0.36%

LAB 52.35, -18.23, 40.76

 

CMYK 61 / 0 / 36 / 48

HEX #338454

RGB 51 132 84

HSL 144.44, 0.44%, 0.36%

LAB 49.31, -36.25, 18.78

 

CMYK 49 / 61 / 0 / 47

HEX #453486

RGB 69 52 134

HSL 252.44, 0.44%, 0.36%

LAB 27.96, 29.51, -43.64

 

CMYK 0 / 61 / 42 / 48

HEX #84334C

RGB 132 51 76

HSL 341.48, 0.44%, 0.36%

LAB 33.55, 37.27, 2.69

 

CMYK 12 / 0 / 61 / 48

HEX #748433

RGB 116 132 51

HSL 71.85, 0.44%, 0.36%

LAB 52.35, -18.23, 40.76

 

CMYK 61 / 0 / 18 / 48

HEX #33846C

RGB 51 132 108

HSL 162.22, 0.44%, 0.36%

LAB 49.84, -30.75, 5.69

 

Description

Color code: HEX #453486 | qconv.com Color code: HEX #453486 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 52 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 52 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 61 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 61% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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